The remains of the approximately 1.2 km runway in Uzurano-cho, Kasai City, were from an airfield built during the war, and many other war ruins are scattered around the area, remaining to this day. Kasai City's regional revitalization center facility, "Sora Kasai," serves as an exchange hub for touring these ruins, and the "Uzurano Museum" within it was built as the center of a field museum that conveys the historical facts of the war. The basic plan for the facility was awarded to a joint venture of the three companies, Ooba Co., Ltd., and Iruka Design Group Co., Ltd., who were involved in the design, and our company was mainly in charge of the museum displays. After that, we were independently awarded the order to create displays, and it took about six years from planning to completion. Towards completion, after going through a review committee, we worked with many people, including Kasai City, local war history researchers who had been conducting research for many years, preservation societies, supervisory teachers, and a full-scale airplane model production company, to create the facility. This museum, built on the runway, displays the short but dense history of Uzurano Airfield, with two full-scale airplane models that are deeply related to this area at its core. We aimed to create a museum unique to Uzurano, taking advantage of the story and location of this area. The mission of this museum is to weave the memories of this area, preserve them in a tangible form, and pass them on to future generations, and we hope that it will become a place where people can think about peace and connect with each other. [Social Issues/Customer Issues/Requests] The challenge was to create an attractive facility that would be a suitable exchange hub for the field as the "Kasai City Regional Revitalization Center Facility." In particular, the role of the museum, which has an displays function, was to be a place to think about peace by mainly displays two full-scale airplane models while also displays the history of Uzurano Airfield and Kasai City. The request was to place emphasis on the content as an displays method, mainly using video technology, but at the same time, the actual materials were also desired to be displays. [Solution] The greatest attraction of this museum is that displays space is set up on the runway itself, which is a living witness to history, and the two full-scale airplane models, which are the main displays, are placed on top of it. The Shiden Kai, which was assembled and test-flew, was placed on the runway, while the Type 97 Carrier Attack Aircraft, which took off on a kamikaze mission, was placed so that it looked as if it was taking off from the runway into the sky. The runway, sky, architecture, and displays were all integrated in this impressive space, making this displays unique to Uzurano that makes use of the story of this place and the place itself. displays is divided into two zones, "Technology" and "History," and the two sides of the space are integrated through a lattice wall. The aim is to approach the historical fact of war from two sides, giving an opportunity to think about it from a complex perspective. The video displays was planned to create a synergistic effect on understanding by combining it with the document displays. In particular, the "Story Wall" is a four-part story about the history of Uzurano Airfield, and is presented as a quadruple video that makes use of the horizontal space. In addition, four documents linked to those stories were displays, and each was structured to complement each other. By learning the background of the documents through the video and giving reality to the videos through the documents, we aim to have displays that conveys a deeper meaning. In addition, by directly incorporating the words of the people who lived here, the content expresses the war not just as a past event, but in a way that makes it tangible. <Our project members> [Development] Koichi Morimoto [Sales/Project Management] Koichi Morimoto [Planning] Setsuko Nishimura [design, layout] Tomoyo Tsukiyama [Production/ construction] Takeshi Suezaki, / CIC: Masaru Oishi, Satoko Hasegawa