Works#Conversion

This is a project to convert the former Horibe family residence, a former cotton wholesaler, into a work facility located in Yorozumachi Arcade, the central urban area of Shimabara City, Nagasaki Prefecture. Shimabara City is a "city of water" that has been designated as one of Japan's top 100 waters, and the abundant spring water from the Unzen Mountains that flows throughout the city is essential to the lives of its citizens. The former Horibe family residence, built in 1848, draws this spring water into its grounds, giving the building a unique atmosphere where you can hear the quiet sound of water in the garden and indoors. The design policy is to take advantage of the building's characteristics, which are familiar to local citizens, and its location in the city center, to become a "town front" for Shimabara citizens, businessmen, tourists, and everyone, and to revitalize the city center. We aimed to create a facility that would contribute to the promotion of multi-generational citizen exchange.

This is a renovation project for an old folk house in the Kodoi district of Izu City, Shizuoka Prefecture, into a rental accommodation facility. This area was a quiet area where the magistrates used to live, and the plan was to provide a stay that incorporates the surrounding environment, so that guests can experience the slow flow of time. The main house will have a kitchen where guests can enjoy dinner with a visiting chef and alcohol at a movable bar. For interiors, we used local materials, and attempted to create a space using local materials, just like in the Edo period, such as clay walls made from local soil and dining tables made from locally grown cherry wood. [Social Issues / Customer Issues / Requests] In order to make the most of the rental old folk house, we were asked to read the characteristics of the site and create an attractive space concept design. [Solution] While taking advantage of the appeal of the existing building, we incorporated a spatial composition that maximizes the surrounding views and finishes that utilize local soil. <Our project members> [Sales/Project Management] Hiratsuka Shinya, Yagi Nobuyuki [Overall Supervision] Koito Norio [Planning] Ninomiya Saki [design, layout] Inoue Hirofumi ~Related Links~ [Release] ・ NOMURA 's social good activities: LOQUAT Villa SUGURO case study - Creating an auberge space that is colored by the charm of the region ・Project for which NOMURA was responsible for the spatial concept design wins silver award and numerous other awards at the Japan Space concept design Awards 2022 [Related achievements] ・LOQUAT Nishiizu

Located near Shijo Omiya in Kyoto, this project renovated an entire alley lined with townhouses built over 110 years ago into an inn. Passing through the reception building, you will find 23 guest rooms, a warehouse, and a restaurant building lined up along the stone-paved alley, creating a gorgeous view reminiscent of the entertainment district of the Edo period. There are five types of guest rooms, all themed on the natural beauty of Kyoto, allowing you to experience the charm of the region in both tangible and intangible culture. The restaurant building in the center of the alley houses a Japanese beef restaurant, making it a unique space that promotes Japanese culture, including food, to the world. The site is approximately 1,400 m2 and includes 26 wooden buildings, making this the largest renovation project in Kyoto's history, attracting attention from Kyoto City.

This project renovated a samurai residence that is over 140 years old in the castle town of Obi Castle in Nichinan City, Miyazaki Prefecture, into a tourist hub and hot spring inn for the town. Each of the five guest rooms was concept design based on the local characteristics, and was composed of the town's color "honmurasaki," "cedar" that supports the industry, "tea tree" that is planted in the hedges, "orange" that is a citrus fruit of the city, and "moss" that is important to the town's landscape. This project was carried out using a subsidy from the "Shopping District Revitalization and Tourism Consumption Creation Project," and our company participated in a wide range of projects, from hard to soft aspects, such as producing cards and maps to encourage people to travel around the area and local shops as a tourist hub, developing cooking experiences, and installing new lanterns as street lights starting from Honjuku. It has been reborn as a central presence in future urban development.

"OMO5 Kyoto Sanjo" has opened on Kyoto Sanjo Street, where Kyoto is packed with fun things to see, buy, and eat. As a mechanism to fully enjoy "Kyoto Sanjo", there is a townhouse tower that conveys the history of Takasegawa and information on shops, a town walking map that allows you to enjoy two different courses along the Takasegawa and Sanjo retro town, and a walking map around Sanjo. In the lobby, we have set up content that leads to walking around Sanjo, such as an artwork with the letter "San" lined up with old maps from three different eras, and an art panel frottage of Sanjo no Michi. In addition, in the renovation of the guest room, we have created a small rise where suitcases can be stored, and have devised ways to use the space widely by consolidating the bed and sofa areas.

Mitsukoshi Ebisu, which had been operating in the commercial building of Ebisu Garden Place, has closed and been reborn under the new name "Center Plaza". Ahead of the grand opening in the fall of 2022, "Foodie's Garden" has been set up on the B2 floor, and the flagship store "Central Square Ebisu Garden Place Store" has opened in one corner of it. We supported the opening of "Foodie's Garden" from leasing to store concept design, interiors construction, and the production of product display fixtures. [Social Issues / Customer Issues / Requests] Life Corporation Co., Ltd. requested that they create a more attractive store than ever before, incorporating the essence unique to Ebisu, where the store is located, while following the Central Square brand, in preparation for the opening of their flagship store, Central Square. [Solution] concept design of the store facade incorporates "brick walls" inspired by Ebisu's historical motifs, beer factories and train stations, and makes use of materials reminiscent of Ebisu's history to create a dignified facade concept design befitting a flagship store. concept design of the store makes use of the graphics and sign concept design format used at Central Square, following the image of Central Square and creating a store unique to Ebisu that blends in with Central Square's VI (※). (※)VI: Abbreviation for Visual Identity. Refers to the design of the logo mark or symbol mark. <Our project members> [Development and leasing] Kawai Masakazu [Sales and project management] Aiba Kensuke [design, layout] Matsumoto Mari, Hiruta Ayako, Okada Ayumi, Sato Aya, Kaizawa Ayuko [Sign and graphics] Hiruta Ayako, Ito Tomomi [Production and construction] Kurosawa Koji, Ohara Yuka, Yamakawa Yuichi / Nomura Arcs: Okazaki Yudai

This is a renovation plan for the Toyobo Building, located along the Dojima River in Osaka, an area filled with charming historical buildings and abundant nature. The Dojima River is a river with an attractive landscape that represents Osaka, known as the "City of Water," so we aimed to create a place where people can work energetically while enjoying the comfort of this location. The plaza is designed as if the deck along the river extends to the building, and a swaying willow tree is placed as the symbolic tree, allowing people to visually feel the river breeze. The facade incorporates concept design inspired by the grandeur of the Dojima River and the density of its waves. The building's exterior is wrapped in a soft wave design, which is intended to harmonize with the building and become a new symbol of the city. The lobby lounge is designed to coordinate with the facade, giving continuity between the inside and outside, and by adopting sofas of various shapes and original acoustics, it creates a comfortable atmosphere. In addition, visual art that visualizes the outside environment such as temperature and wind is applied to the central pillar, allowing people to feel the comfort of the river breeze even indoors. Each floor is decorated with photographs of the Dojima River showing its various faces, while the restrooms feature original art that delicately depicts waves. The different color palettes on each floor will surprise visitors.

The Fukushima City Creative Business Salon Development Project was a project that was commissioned by our Tokyo Head Office and the design was taken over by our Tohoku Branch, with a competition held in July 2021 as an open proposal. The project aims to renovate the permanent displays room of the Fukushima City Industrial Exchange Plaza on the second floor of the complex facility Corasse Fukushima at the west exit of Fukushima Station, close to JR Fukushima Station, and to develop a co-working space and shared offices as a new business exchange hub, and to renovate it into a facility that can be used comfortably by businessmen, freelancers, university students, etc. The floor area is approximately 755 square meters. Photography is particularly popular in Fukushima, and a gallery has been set up on the wall of the co-working space to display the rich local nature and seasonal scenery and seasonal almanac taken by citizen photographers, as well as culture and art that displays the rich sensibilities of Fukushima people. concept design concept of this salon is the "Shikisai Gallery," which combines the seasonal almanac of Fukushima with the rich color sense of Fukushima people, and we have created a gallery that can be viewed in a more relaxed manner, as a gallery created together with Fukushima citizens. [Social Issues / Customer Issues / Requests] While a spacious layout was required in the post-COVID era, the zoning method and number of seats were also required to take profits into consideration. The floors, walls, and ceilings of the shared office, business exchange space, coworking space, and meeting room were required to have a taste for each environment, and the layout and furniture selection was required to suit the convenience of each user, such as businessmen, freelancers, and university students, as a facility that can be used comfortably by a variety of users such as businessmen, freelancers, and university students. [Solution] As a creative place to create new businesses, the large facility area was utilized to develop the entire space into two zones with two different images. The business exchange space was designed as a zone with an active, bright, natural, and comfortable cafe image, with the walls and floors of the corporate PR displays based on white, creating an environment where you can feel the warmth of wood, and was composed of easily movable furniture for various purposes such as seminars and networking events. The coworking space was designed as a calm lounge zone based on gray, with a sharp environment with dark brown and dark wood on the niche walls, and the furniture was configured to suit the various conveniences of each individual, such as sofas and big tables for relaxing and counter seats where you can concentrate alone. In addition, we enhanced the functions of the corporate PR displays space as a way to build connections with the local area and form a community, and added the "Shikisai Gallery" displays, which we will be creating together with Fukushima citizens, with the aim of creating new connections between the people who use the facility and the city. <Our project members> [Development] Akihiko Nishimura [Sales and project management] Keisuke Yoshida [design, layout] Takayuki Kobayashi, Kenichi Suzuki, Makio Miura [Design management] Kazunobu Nakamura [Production and construction] Johei Saito

We were in charge of planning, design, layout and construction of the employee cafeteria "Yao Daiichi Shokudo Isshoku" that opened at the Yao Works of Sharp Corporation (hereinafter referred to as "Sharp") on November 1, 2021. In proposing the plan, we were conscious of not just creating a stylish space, but of "proposals that only Nomura can make," and proposed a cafeteria as an inner branding space where customers can discover the "SHARP-ness" across organizational boundaries and generations, as well as an outer branding space that can be experienced by business partners and affiliated companies who visit the company. We created three zones, lunch, work and salon, and devised a space that can be used not only as an employee cafeteria, but also as a place to relax, hold meetings with internal and external guests, and where people can connect and communicate. The single red line (Sharp Red) that runs through the cafeteria represents Sharp's history and future. For this project, we came up with concept design that would retain the characteristics of the Yao Works, which has a history of about 65 years as a production base for white goods, while also ensuring hygiene. In addition, the mezzanine floor, which was previously used for the production line, was used as an displays space for past products that symbolize SHARP, reducing waste and removal costs, an initiative that takes the SDGs into consideration. [Social Issues/Customer Issues/Requests] As communication between divisions was weak, the customer requested that the space be made more active in encouraging internal connections. [Solution] We proposed that the space be used not just as a place to eat, but as a place to work and relax, and also proposed displays past products as a place to encourage communication between employees and experience and discover Sharp's history. <Our project members> [Sales/Project Management] Takahashi Yui [design, layout] Umedani Shota, Yamato Suzuha, Nakamura Yusuke, Miura Ayaka [Production Management] Mukaiyama Yoshitsugu ~Related Links~ [Announcements] ・ NOMURA 's social good activities: Case study of Yao Daiichi Shokudo Isshoku at Sharp's Yao facility

This creative museum opened in the Panasonic Center Tokyo as a successor to RiSuPia, which opened in 2006. It is a place where inquiry learning on themes such as SDGs is practiced based on STEAM education. As a place to cultivate children's intellectual curiosity and inspiration, it provides an environment where they can experience both learning and making things and events. The space was designed based on five themes to freely release curiosity and motivation for creativity: "Feeling that it's okay to get dirty," "Feeling that you can make it yourself," "Feeling that you can rearrange it," "Feeling that you're not confined to a framework," and "Feeling that you can concept design a session together." Furthermore, from the perspective of SDGs, the existing environment was effectively reused and updated while incorporating it as a concept design motif. The project team's desire to build on the history of the predecessor museum and to add new history to it is also expressed in the spatial concept design. <Our project members> [Sales/Project Management] Yamazaki Kei [Direction] Yamaguchi Akane [design, layout] Koga Sayaka, Tani Seiho, Sasai Ayumu, Nakade Mikiyuki [Production/ construction] Kumazawa Yuta, Asakura Yumi ~Related links~ [Release] ・ NOMURA 's social good activities: The case of AkeruE Creating a space that fosters children's intellectual curiosity and inspiration for a better recycling society in the future [nomlog] ・Until AkeruE was created. Talking about spatial concept design. (Part 1) ・Upcycling ideas, concept design you won't feel guilty about towards the earth (Part 2)

This project is the culmination project of "With an exclusive area of more than 100m2 in the heart of Tokyo, a brand that focuses on location and asset value and offers essential lifestyle through renovation."= "R 100 TOKYO" developed by Rivita. our company provided construction support for the renovation of Opas Arisugawa, a residence representing Tokyo with an exclusive area of approximately 198m2, which was created by OEO Studio, a Danish concept design company, in concept design. Based on the concepts of "CROSS-CULTURAL" and "COMPELLING MINIMALISM," this concept design living space incorporates new proposals based on the sensibilities common to Scandinavia and Japan. By using a lot of natural materials, such as solid wood, which develops its flavor the more you use it, the longer you live in it, the more blessings it will bring to your life. This new housing is a realization of the "value housing 100 years into the future" that "R 100 TOKYO" aims for. [Social Issues/Customer Issues/Requests] In the recent high-end residential market in central Tokyo, there is a growing demand for homes with unique values that are not limited to conventional values such as real estate prices and housing functions. Among the projects of Ribita, which aim to "We will continue to create the next common sense in order to restore the value of Japanese housing and real estate and leave it for the future," this project, which emphasizes natural materials and traditional construction methods, was an issue in terms of whether it can be established as a housing performance. [Solution] We had a number of meetings to promote the use of natural materials and handicrafts in the living space, taking into account housing performance, such as a wide variety of stone, plasterer, solid wood, han-zukuri, and ceramic tile. The solid wood kitchens of Garde Hvalsøe (read: Garde Vels), a Danish kitchen workshop that was the first in Japan to be installed in an ordinary house, have a great significance in the living space. Since there is no solid wood kitchen to replace them, our company's Global Division imported them from Denmark. [Customer's Voice] Thanks to your high level of technical and managerial skills, such as proposing solutions for difficult construction, precision of detail, and adherence to the construction schedule, we were able to not only go ahead with the overall schedule, but also create a wonderful space that understood the designer's intention. < our company Project Members > [Project Management] Masahiro Harada [Product Direction] Mikiya Fujitaka [Global Supply] Daiyuki Nakagome

This project reopened the south side zone on the first floor of the main building of S-PAL Koriyama, adjacent to JR Koriyama Station. Numerous shops have been opened to increase the mobility of daily use, meet the diverse needs of customers, and coordinate lifestyles. The proposed environmental design concept is [RAMBLING STATION TOWN]. The theme is "an urban shopping center where people gather at the station and spend a comfortable time, just like enjoying a stroll around town," and the whole area is wrapped in a fashionable and gentle atmosphere. Specifically, the facility facade is equipped with a "rhythm line border" with indirect light, which is reminiscent of Koriyama City, Fukushima Prefecture, a "music city" with a lot of musical activity. It is deployed to envelop the station concourse, creating a new patio for people walking around the city and S-PAL Koriyama. In addition, a folded ceiling made of wood and white rhythm lines with a "music score" concept design element is placed in conjunction with the Nakajima tenant environment. The rhythmic guidance draws people to the back of the facility. As an urban shopping center, S-PAL Koriyama aims to be a place that is supported by customers of all ages. [Social issues / Customer issues / Requests] - As the project was being promoted at the same time as the COVID-19 pandemic in the fall of 2020, the way in which commercial activities were conducted was questioned. - Due to the earthquake in the spring of 2021, a safe design was strongly required. - Upcycling of the environment was required to use the existing lease lines without changing the main flow of traffic. [Solution] Although the circulation lines are existing, the floor material has been renewed to a cobblestone style, and wooden materials that connect the entire facility have been incorporated in some areas to create a street where people can enjoy strolling around the city. In the atrium environment that serves as the axis of vertical circulation in the facility, a "rhythmic line gate" reminiscent of the "music city" has been added to the existing design, and the new center court has been renovated as a concept design symbol for the entire facility, providing visitors with a natural and symbolic park environment that combines "things x events x time". We have created a new stage for people walking around the city and S-PAL Koriyama. <Our project members> [Planners] Hiroko Okazaki, Yuri Watamoto [Sales and project management] Hiroyuki Uesugi [design, layout] Kenichi Suzuki, Makio Miura [Production and construction] Johei Saito

A proposal competition was held for the complete renewal of SEPPAL SENDAI II in June 2020, 13 years after its opening in 2008, and we were selected. The environmental design concept we proposed for the renewal is [MORI TERRACE], to refine Tohoku's highest level of sensitivity and to transform it into a new select store zone that offers proposals that are one step ahead of customers' lifestyles. Under the themes of "cozier than anywhere else" and "inspiration for everyday life," the entire space was composed based on organic lines and earth colors, enveloping the entire area in a mode and gentle atmosphere. Specifically, "big awnings and greenery" were deployed in the exterior plaza to create a new nexus between the facility and the people on the street. In addition, a light court on the ceiling, which is an element of "sunlight filtering through the trees" (concept design), is placed inside the facility in conjunction with the corridor environment, drawing people to the back of the facility through the sunlight. The light court is linked to the passageway environment, leading people to the back of the facility through the trees. The building aims to be a place where customers of all ages with next-generation values can feel "relaxation and a sense of fun" with a sophisticated sensitivity. The project started in August 2020, when the Corona Disaster was to be promoted, and it was a development project that was questioned as to how to attract customers to commercial facilities. While negotiations with tenants were difficult, 90% of the main traffic lines were to be used by existing lines, and an upcycling of the environment was required. In addition to attracting customers, the project was also required to create a "new nexus between people on the street and S-PAR Sendai," and to attract and spread people further into the facility. SOLUTION: We installed "the most comfortable big awning and greenery" and "LED vision that provides inspiration for daily life" in the external plaza as a nodal point for people on the street, and as an information transmission plaza for this facility located at the northernmost point of S-PAR Sendai, we are providing information about events and tenants to the people on the street. It is a plaza that transmits information about events and tenants to people on the street. The LED Vision is a plaza that transmits information about events and tenants to the people of the city, as a plaza that transmits information about the facility at the northernmost point of the facility. The goal was to create a place where people could "feel, touch, and communicate" from a passing facility. ＜Our project members＞ [Sales and project management] Hiroyuki Uesugi [Planning] Chihiro Watakai, Mayu Nakamura [design, layout] Kenichi Suzuki [Structural design] Taizo Komatsu [Production, construction] Tatsuo Sato

The Morinaga Angel Museum MORIUM was created as part of the Morinaga & Co. 120th anniversary project. We were responsible for the total production, including spatial concept design, displays planning and production, and the production of various content, including theater videos.

This project was carried out based on the machine tools collected and used by Sankyo Seisakusho, with the goal of cultural preservation and educational use, while leaving them as a valuable asset for the next generation. It will be the best machine tool displays space in Japan, with a number of historical machine tools that embody modern industrial history. You can deepen your understanding of the changes and achievements of machine tools, which are the forerunners of the era and bring about industrial transformation, by system and era, and you can actually touch the machines and mechanisms, making new discoveries and learning. In addition, lighting is used to symbolize the machine tools, which are the core of displays. We participated from the research stage, and under the supervision of the supervisor, we were in charge of space concept design, lighting concept design, graphic concept design, and production and construction. [Customer feedback] The graphic concept design, color scheme, and especially the lighting were well balanced, creating an antique atmosphere. <Our project members> [Sales] Takanori Tsujii [Research] Shuta Fukahori, Takanori Tsujii [design, layout] Shuta Fukahori [Production and construction] Kazuo Maeda, Yurina Nishizono