Works#2022

As the main platform for the "RED°" brand, Japan's largest esports park has been created inside Tokyo Tower, an icon of Tokyo/Japan. This entertainment facility aims to be the forefront stage for the evolution of esports into a national culture, offering an "otherworldly entertainment experience" packed with fun in every aspect, from playing the latest game titles to enjoying tournaments and events in a stadium equipped with the world's most advanced XR technology. While making the most of the building's age, the design avoids making the overall space too polished, preserving the character and texture of the materials that come with age, and creating concept design that makes you aware that it is an interior space of Tokyo Tower. The strength created by showcasing the texture of metal and mortar and the structure itself makes the space seem as if it is encroaching on Tokyo Tower. Anticipating collaborations with companies and manufacturers, a versatile yet edgy neutral color is used as the base, and the brand color "TOKYO RED," which is also the name of the facility, is effectively incorporated into the space, making a strong impression of the RED° brand. By combining it with video effects, we have created a new, futuristic space.

This project involved the design, construction operation of the Sega booth at Tokyo Game Show 2022. Following the COVID-19 pandemic, this marked the first in-person event in three years since 2019.

This project is organized by the "Art Project Executive Committee," established by the Tokyo Metropolitan Government Bureau of Port and Harbor to further enhance the appeal of the waterfront sub-center area and establish art as a part of the city. Our company was in charge of planning and managing the "ARTBAY TOKYO Art Festival 2022," which was held in 2022. The purpose of this project was to promote the appeal of the waterfront sub-center and art to many people through the first art festival held in the waterfront sub-center, and to increase awareness of "ARTBAY TOKYO." Therefore, this project required handling a wide range of tasks, from displays artworks and managing operations to creating and managing a dedicated festival website, public relations, and creating AR content.

THE HOTEL HIGASHIYAMA, based on the concept of "The pinnacle of Kyoto resides in the East," is a hotel where guests can experience the beauty that transcends time and space and is passed down to the hearts of modern Japanese people in various forms, in Higashiyama, Kyoto, a place where many cultural and artistic facilities are concentrated and diverse cultures can be felt. The hotel is designed for guests to stay as their purpose is to experience this beauty in various forms. Upon entering the hotel, guests are greeted by a calm, plaster-like lobby that displays original art pieces that can only be seen at this hotel, allowing them to experience culture through works unique to the hotel and heightening their anticipation for the stay to come. The original program "Kyoto Iroha," which enhances the appeal of your stay by touching the unique aesthetic sense of Kyoto, approaches the culture that has long thrived in Kyoto and Japan from five different perspectives, tailored to the five senses, allowing you to enjoy and feel it. You can actually see, smell, taste, touch, hear, and use your hands, and learn and enjoy Kyoto's culture from the "Iroha" through menus that can only be experienced here. In Higashiyama, where you can enjoy a refined sensibility, this hotel is the gateway to a journey to the pinnacle of Kyoto, offering a "deepening" journey.

Okayama Castle is one of Japan's 100 Famous Castles and was built by Ukita Hideie, a relative of Toyotomi Hideyoshi who served as one of the Five Great Elders at a young age. Its three-story, six-tiered keep, with its unusual irregular pentagonal shape, is also affectionately known as "Crow Castle" due to its black clapboard exterior. Following the large-scale renovation in 1996 (400th anniversary of the castle's construction), our company was again awarded the contract for the renovation of the keep's displays as part of the "Reiwa Era Grand Renovation." This renovation was based on the concept of "an easy-to-understand gateway to Okayama's history, even for beginners," and was developed to serve as a base for general tourists to explore the history of Okayama City. displays were supervised by historian Michifumi Isoda, a native of Okayama City. Incorporating new insights, the exhibits clearly introduce the charm and characteristics of Okayama Castle, the achievements of its successive lords, and the origins of the city of Okayama.

This is a renovation project for Shiodome Edge (formerly Shiodome Annex Building). Having been built 20 years ago, the need for refreshing concept design and facilities of the entrance and common areas was increasing. In order to enhance competitiveness within the area, this renovation aimed to attract new tenants, improve the satisfaction of existing tenants, and increase the asset value of the building. Furthermore, based on the concept of "SELECTABLE OFFICE," concept design allows companies to choose common areas that match their brand by creating a unique atmosphere on each floor.

concept design This is a project for the interior and exterior of a salon for Nomura Real Estate Development Co. Based on the common concept of "wrapping and concealing" the interior and exterior to welcome customers, we developed four "skins": "a white pipe skin to conceal the facade," "a black plaster skin to create a gallery space," "a curtain skin to welcome customers," "a copper perforated metal skin to conceal customers in the waiting area," and "a white pipe skin to conceal the interior and exterior. The space is composed of four "concealment elements": a white pipe skin that conceals the facade, a black plaster skin that creates a gallery space, a curtain skin that welcomes visitors, and a perforated metal skin in a copper tone that conceals visitors in the waiting area. The space is a natural fusion of function and design, with a sense of security as if customers are hidden from the outside and enveloped once inside.

Located on the first floor of the main building at the Kawasaki Plant, this facility combines Fujitsu Sports with a flexible communication space. Based on the concept of "a place where everyone with diverse values can gather on an equal footing and move forward positively towards their dreams," displays corner, featuring items related to various sports teams and athletes, as well as items that deepen understanding of parasports, is designed to be easily accessible for wheelchair users. Some of the display stands and benches use precious wood carefully cultivated at a children's independence support facility in Engaru Town, Hokkaido, which has strong ties to the 1964 Tokyo Olympics. An event space is also included, ensuring a space that can accommodate various workshops and events. [Social Issues/Customer Issues/Requests] We received a request to incorporate Fujitsu's new work style reform concept, "Work Life Shift," which focuses on the well-being of each individual and aims for autonomous work. [Solution] We proposed a cheerleading-led flexibility exercise class using the event space, providing an opportunity to improve employee well-being during lunchtime. [Customer Feedback] We were able to effectively convey the philosophy of the corporate sports room through the spatial design. It also serves as an effective communication platform and has been very well received. <Our Project Members> [Sales & Project Management] Yuya Ono [Planning, design, layout] Kei Tamura, Akane Yamaguchi, Junichi Ito [Signage & Graphic concept design] Akane Yamaguchi, Junichi Ito [Production & construction] Toshiaki Hatada

This project involves renovating an old farmhouse in the Kodohi district of Izu City, Shizuoka Prefecture, into a rental accommodation facility. This district was once a quiet area where a local magistrate resided, and the plan is to provide a stay that incorporates the surrounding environment, allowing guests to experience a slower pace of life that transcends time. The main house will be equipped with a kitchen and will offer services such as dinner by a visiting chef and alcohol service from a mobile bar. For interiors, local materials will be used, such as earthen walls made from local soil and a dining table made from locally sourced cherry wood, attempting to create a space using local materials, just as in the Edo period. [Social Issues/Client Issues/Requests] In order to make the most of the old farmhouse as a rental facility, the client requested an attractive spatial concept design that takes into account the characteristics of the site. [Solutions] While utilizing the charm of the existing building, the design incorporates a spatial configuration that maximizes the surrounding views and finishes that utilize local soil and other materials. <Our Project Members> [Sales & Project Management] Shinya Hiratsuka, Nobuyuki Yagi [Overall Supervision] Norio Koito [Planning] Saki Ninomiya [design, layout] Hirofumi Inoue ~Related Links~ [Press Releases] ・ NOMURA Co.,Ltd. 's Social Good Activities: The Case of LOQUAT Villa SUGURO Creating an Auberge Space that Reflects the Charm of the Region ・Projects for NOMURA Co.,Ltd. handled spatial concept design receive numerous awards, including a Silver Award, at the "Japan Spatial concept design Awards 2022" [Related Achievements] ・LOQUAT Nishi-Izu

"Nagasaki Kaido Kamome Market" is a new bridge built by the West Kyushu Shinkansen Kamome, just as the Nagasaki Kaido once served as a bridge to transmit the culture and technology of Nagasaki to the rest of Japan. From "Nagasaki Kaido Kamome Market," the market transmits the charm of Nagasaki to the entire country. The facility development concept is "Nagasaki First." It aims to transmit "Nagasaki's unique character," "connect Nagasaki with other prefectures and the world," "create energy for Nagasaki," and "become a place you naturally want to visit every day." [Social Issues/Customer Issues/Requests] As the newly reborn land gateway to Nagasaki, there was a request to create a space where new exchanges could be born and a lively atmosphere could flourish. [Solution] concept design concept is "Nagasaki, a city of rich waterside culture and history," aiming to express the port that connects to the world. In the facade concept design, blue and white wave-shaped tiles are used to represent the waterside of Nagasaki Port and the light sparkling on the waves. In the interior concept design, we aimed to embody the city of Nagasaki by creating a highly circulating space. The configuration of a large outer perimeter circulation route and smaller paths leading inward allows visitors to encounter numerous shops that condense the essence of Nagasaki, resulting in a space that is "somewhat nostalgic" yet "new," harmonizing the city and its people. [Customer Feedback] Due to budget constraints, there were some aspects of the proposed concept design that we were unable to adopt. However, thanks to the flexible proposals and adoption of alternatives, we feel that we were able to realize an attractive space within our budget. <Our Project Members> [Sales/Project Management] Tadahiko Koga [design, layout] Hiroaki Koshizen, Yoshitaka Hirayama, Hideaki Hata, Mizuki Yamana

This is a value-enhancing renovation project for an office building located in a corner of Kanda Ogawacho, approximately 20 years old. The main areas of renovation are part of the exterior facade and building signage, the first-floor entrance, and the common areas on the standard floors (4th floor). The overall concept design concept is "Timeless & Biophilic concept design *". By making good use of the existing granite space, the amount of waste disposal due to demolition was minimized, and concept design was made cost-effective while being mindful of sustainability by fusing old and good materials with new materials. *Biophilic concept design: Design and methods that allow people in a space to feel a connection with nature. [Social Issues/Client Issues/Requests] As the building was over 20 years old, the outdated concept design of the entrance and other areas, as well as the decline in competitiveness within the area, were concerns for the future. In addition, since the building's entrance does not face the main street, the main traffic flow had a somewhat alley-like impression, and there was room for improvement in terms of the building's visibility. Based on these challenges, this project required improving the competitiveness and visibility of the property through renovations to the entrance, facade, and some standard floors. [Solution] To soften the previously dark, back-alley feel of the facade, dynamic wood-grain louvers and indirect lighting were newly installed to create a brighter building face. Inside the entrance, two different textures, glass and natural wood, were used to refresh the old-fashioned feel and aim to improve the morale of the people working there. Sanitary equipment such as toilets and kitchenettes on the office floors were also renovated to meet new standards such as antibacterial properties. Through these comprehensive renovations, the aim is to make the entire building a safe and comfortable place for the people who work there. [Customer Feedback] We are grateful to all the sales, designers, and construction staff at NOMURA Co.,Ltd. for working together as a team on this project, which has now been successfully completed. We appreciate the meticulous support at each phase. We feel that the renovated facade and entrance are functioning perfectly as the new face of the building. <Our Project Members> [Development] Takuya Kitai [Sales & Project Management] Masahiro Harada, Kayu Tatsumi [Research] Wataru Takada [design, layout] Hiroyuki Nii, Sayaka Miyane, Hitoshi Igarashi [Production & construction] Mai Sakai, Tomokuni Hasegawa, Fumiya Sasaki

This experimental facility aims to expand Panasonic's air quality and air conditioning solutions, focusing on three themes: "Challenges in air quality in non-residential spaces," "A place for co-creation with business partners," and "Experiencing the latest prototype that controls the seven elements of air quality." Through this space, visitors can actually experience "wind" and use co-creation and development to promote solutions that meet customer needs. To allow visitors to feel the wind in various locations as part of the air quality and air conditioning solutions, group worksheets, meeting spaces, and private booths are available, enabling visitors to experience "wind" in different situations. The aim is for the use of this facility to promote co-creation and further lead to the practice of a human-centered product development process. [Social Issues/Customer Issues/Requests] In order to expand the scope of air quality and air conditioning solutions, we received a request for a place to more attractively convey the excellent features of the latest products. [Solution] We utilized the glass facade that lets in natural light and constructed the space using materials that evoke natural elements such as wood grain and stone, aiming to create a space that feels more comfortable when combined with the "wind" solution. We have also made efforts to highlight the effectiveness of "wind" as one of the interiors design elements. Furthermore, the air quality and climate control solutions incorporated into each booth and area are not merely for displays, but are designed with careful consideration of layout and zoning to ensure they are easy to use as actual meeting spaces and workspaces. [Customer Feedback] The balanced proposal of materials that evoke natural elements such as wood grain and stone allowed the plants to blend seamlessly into the space when added, creating a well-being-oriented environment that harmonizes with the wind. Our employees also found the layout to be comfortable and easy to use. <Our Project Members> [Sales & Project Management] Nomura Medias: Hikaru Sato [design, layout] Hiroaki Mori [Production & construction] Nomura Medias: Toshiaki Kawabata, Kazuhiro Sano

This is Japan's first permanent museum dedicated to infectious diseases. With the theme of "Connecting the Past and Present of Infectious Diseases to the Future," it is a facility that conveys the knowledge and experience that humanity has built up from the past to the present, and the steps we are taking towards the future. The COVID-19 pandemic has brought to light memories of humanity's past struggles against infectious diseases, and it is anticipated that infectious diseases will continue to be a threat to us. In this context, the Hideyo Noguchi Memorial Museum of Infectious Diseases aims to provide a place where people can acquire "correct knowledge and correct actions" regarding infectious diseases. By renovating an existing facility, an annex of the Hideyo Noguchi Memorial Museum, and leveraging the achievements of the Hideyo Noguchi Memorial Foundation and the high level of expertise of the supervisors, the museum, which differentiates itself from the memorial museum, consists of two displays rooms. Our company consistently handled everything from architectural renovation to displays design and construction, signage, content, and leaflet concept design.

This project involved the renovation of the headquarters of NICE Co., Ltd., Head Office that distributes timber and building materials, to coincide with its 70th anniversary. Our company was selected as the winner of a proposal competition. Based on the concept of "Knowing trees and communicating about wood," we aimed to create a facility that contributes to building a brighter society with wood, by establishing a base where wood specialists can gather and creating a sustainable cycle centered on wood, thereby further revitalizing the distribution of wood. The 1st and 2nd floors, where visitors are welcomed, and the 8th floor, which houses the reception rooms, were considered spaces that can appeal to customers, and were concept design using NICE's original wood products as materials. In the lobby, dynamic wooden columns that extend to the high ceiling of the atrium and vertical blinds made of lace material attached to large glass windows gently block views from the outside world, and scattered glass lamps represent sunlight filtering through trees, creating a welcoming space that makes the most of the large space. On the 7th floor, where employees gather, we have created a meeting room and library corner where employees can enjoyably and spontaneously engage with "trees," making it a craftsman's space where technology can be gathered and accessed. By creating spaces for concentration and spaces that encourage active communication, we have created a flexible spatial configuration that supports the working style of each employee. [Social Issues/Customer Issues/Requests] The specific concept design for this renovation were to create an office environment that symbolizes sustainability, such as "decarbonization and wood utilization," and to share values, as well as improve communication during the COVID-19 pandemic. [Solution] In order to realize the strong desire for wood utilization, we communicated closely with the project manager at Nice Co., Ltd. and the person in charge at their own factory, and proceeded with concept design while deciding on materials and wood colors. In the employee communication area, we intentionally created a spatial configuration without boundaries, and the area is softly divided with furniture such as family restaurant benches and solo desks for focused work, centered around a curved bookshelf. By using an OA floor, we have provided functionality that enables flexible working styles. [Customer Feedback] Thanks to NOMURA Co.,Ltd. 's involvement, we were able to create a sophisticated and tranquil hospitality space reminiscent of a hotel lobby, something we would never have conceived on our own. This time, they used a variety of our company's products and tree species as materials. Where this could have easily resulted in a disjointed impression, they exquisitely harmonized the characteristics of each tree species with the space, realizing a wood-based renovation befitting a company rooted in "wood." We are deeply grateful to NOMURA Co.,Ltd. for their high level concept design and technical expertise. <Our Project Members> [Development] Takuya Kitai [Sales & Project Promotion] Takuya Kitai, Midori Nakayabu, Seishun Yoshii [design, layout] Sachiko Taihiji, Nao Hiura [Production & construction] Ryowa Hirowatari, Nozomi Iwashita, Nohara Kikuchi

"A funeral hall that is close to the community" This is a funeral hall in Mitaka City, Tokyo, operated by Memolead Co., Ltd., which provides life support services including weddings and funerals. Our company was in charge of the entire process, from design, layout of the building, interiors, FF&E, and signage to construction. The facility is used to conduct a complete funeral service, consisting of two halls, a purification hall that is used in conjunction with the funeral hall, a mortuary, a bathing room, a waiting room, and a departure and parking space. In response to the surrounding lush green and pleasant residential environment, the concept was "a funeral hall that resonates with the town," "a residence-like appearance with textured finishes," and "an inviting space that continues from the outside to the inside." The building is low-rise with green spaces, and the pilotis and openings allow the community, nature, and light to enter, creating a spatial configuration that blends in with the surrounding environment. In addition, the space is connected from the pilotis to the first-floor entrance and from the stairs to the second-floor foyer, and by drawing light from the second floor to the first floor, the external space is configured to appear as if it is continuous with the interior. interiors and FF&E (Funeral, Funeral, and Etiquette) were concept design with the concept of "an organic space that envelops precious time with the deceased," creating a calm and gentle impression that softly embraces the time that has been woven and accumulated. At the same time, while taking into account the regulations of Mitaka City and explaining to neighbors, we aimed to create a funeral hall that is close to the community in both hardware and software aspects. [Social Issues/Customer Issues/Requests] As the funeral hall is located in a residential area, consideration for the neighbors was consistently required in both hardware and software aspects. In addition, recently, it has become less common to hold wakes and funeral services over two days, with one-day funerals and family funerals being the mainstream, and the number of attendees has also been limited due to the impact of COVID-19, so there was a request for a space concept design that can accommodate short periods and small numbers of people. [Solution] In consideration of the neighbors, the design reduces the sense of oppression by making it low-rise, set back from the road*, and incorporating green space, and by using textured finishes to give it the appearance of a residence, the image of a funeral hall is minimized, and concept design blends in with the surrounding residential environment. The piloti on the first floor is a softly partitioned space, using wire-based greenery and louvers to block the view, rather than concealing it with walls, thus creating a space that embraces the surrounding environment. The facility's activities are felt, and it is a space that can be easily entered during events, so it was planned to be a facility that is recognized and understood by nearby residents. At the same time, while responding to Mitaka City regulations and explaining to neighbors, we aimed to create a "funeral hall that is close to the community" in both hardware and software. As a space concept design that accommodates short periods and small numbers of people, we used organic finishes for interiors and FF&E to create a calm and gentle space, so as not to make it a functional space lacking in warmth. *Setback refers to ensuring a certain distance from the property boundary when constructing a building. <Our Project Members> [Sales/Project Management] Hiroshige Sakimoto [design, layout] NAU: Yoichi Kawakami, Norio Koito, Wataru Sugimoto, Akane Watanabe / Kei Matsuzawa [Signage] Tomomi Ito [Production/ construction] Keita Ide, Ryota Sakurai