Works#Digital Technology

2025年日本国際博覧会（大阪・関西万博）の「未来の都市」パビリオンに出展された川崎重工様の展示プレイスです。展示コンセプトは「移動本能研究所」です。川崎重工グループが描く2050年のモビリティ社会を、実物大のモビリティを用いた体験型展示で表現しています。来場者の「見る」「触れる」「体験する」といった体験を通じて、移動の未来に大きな希望や期待を感じさせる空間を提供しています。未来感と大型LEDによる没入感を両立させた空間演出と、実物大モビリティによる展示・体験を融合させることで、移動の未来を「自分ごと」として体感できる構成としています。

Osaka Prefecture and Osaka City, hosting the Osaka-Kansai Expo, are exhibiting at the "Osaka Healthcare Pavilion Nest for Reborn," a joint collaboration between industry, academia, and the public sector. As the lead displays joint venture, we were responsible for the master plan, schematic design, working drawings, and construction. The basic concept of the pavilion was to "experience a life where future medical care and healthcare are ubiquitous, while also displays as an experiment in future society that will connect to a legacy." We expressed this concept through the future themes of "healthcare," "city," "food and culture," and "entertainment." The main program, the "Reborn Experience Route," allows visitors to measure their health data with a "Body Measurement Pod" and meet their 25-year-old selves. Together with this 25-year-old version of themselves, they can experience the future of healthcare and urban life envisioned by approximately 20 exhibiting companies, primarily from Osaka, and experience a rebirth of their future selves. This exhibition was created with the hope that it would inspire people to be reborn and take a new step towards a "future society where life shines." [Characteristics of the project] displays was created with the hope that it would inspire people to be reborn and take a new step towards a "future society where life shines." The hope was that it would inspire people to be reborn and take a new step towards a "future society where life shines." This was made possible by bringing together the hopes of the general producer, advisors, exhibiting companies, and many other stakeholders.

The Panasonic Group Pavilion "Nomo no Kuni" is a pavilion based on the concept of "Unlock your nature" that draws out the potential of children through sensory analysis technology and experiences that stimulate the five senses. Utilizing the latest technology from Panasonic Holdings, we have achieved a spatial design that harmonizes with the worldview of "Nomo no Kuni" by using tiles that evoke the tactile sensation of walking on natural ground, natural wood finishes with metallic textures, and concept design techniques that combine with 3D printing. We adopted a spatial and experience concept design approach centered on what we can do for the future of children, incorporating cutting-edge design and construction methods in sustainability, such as reusable tiles and biodegradable concept design printing.

Thirty years have passed since the Great Hanshin-Awaji Earthquake, and as the number of generations who have not experienced the disaster increases, we have renovated the Kobe Port Earthquake Memorial Park, which was built in 1997 immediately after the disaster. By displays the remains preserved as they were at the time of the earthquake in contrast to the reconstructed city of Kobe, we symbolically convey the horror of the earthquake and the strength of the people of Kobe who reconstructed the city. In renovating displays displays, we reconstructed the content so that it is easy to understand for the younger generation who did not experience the earthquake, and we also translated displays graphics and videos into multiple languages for the increasing number of foreign tourists in recent years. As a new displays element, we also created AR content that allows you to compare the state of the remains before, during, and after the earthquake. We renovated the park with the aim of attracting many people from Japan and abroad, regardless of age, and continuing to be a place that passes on the memories and lessons of the earthquake to the future.

About 400 years ago, the first Osaka Castle built by Toyotomi Hideyoshi fell in the Summer Siege of Osaka and was buried underground by the Tokugawa Shogunate with a large amount of earth. This project aims to excavate the Toyotomi-era stone walls from the ground after 400 years, renovate them, and open them to the public. In a facility unlike any other in the country that allows visitors to go underground to view the remains, we worked on creating displays that conveys the unique value of Toyotomi-era stone walls, which are different from the stone walls rebuilt by the Tokugawa Shogunate. We created displays story and production that allows visitors to relive the process of identifying the Toyotomi-era stone walls, their characteristics, and the turbulent history that the stone walls have gone through. We also created displays space that feels even more special by overlapping it with the process of visiting the ruins, going from above ground to underground and back again. In addition, we valued the way the stone walls themselves were presented, and conveyed the original appeal of the remains through an integrated production that linked video, lighting, and sound.

We were in charge of the design and construction of the renovation work for the second factory building of Seiko Epson's Toyoshina Office in Nagano Prefecture. It is a co-creation space that visualizes and experiences the displays displays actual displays of projector products, and a LAB space that is equipped with a 25m extra-large screen and a 360-degree screen and can be used flexibly for various purposes.

Nissan Motor Co., Ltd. has introduced the Nissan Intelligent Factory, a unique car-making concept based on next-generation production technology, to its Tochigi Plant, Japan's largest plant. In this project, we renovated the guest hall and factory tour course in the plant to communicate the innovative nature of the plant. Based on the theme of communication concept design that leaves a deep impression on people's hearts, we pooled our knowledge to recreate concept design of the space and displays experience.

The Aichi Sogyokan was newly established on the second floor of STATION Ai, a startup support center developed by Aichi Prefecture. Since ancient times, many entrepreneurs have been active in Aichi Prefecture and developed the industry. In order to understand what kind of encounters and ideas they had, and how they overcame adversity and created innovation, we aimed to create an exhibition that would provide hints for the future for those who will start their own businesses and the children of the next generation through encounters with the beliefs, spirit of challenge, and vision of entrepreneurs, and provide a timeless ``!'' encounter that stimulates creativity. The museum is divided into four zones, and a wide range of information is introduced, from the roots of Aichi's industry to the challenges of many entrepreneurs with ties to Aichi. By creating displays experiential displays that makes full use of digital technology such as video and AI, we provide a learning experience that is both sensual and touching to the heart for everyone from children to adults. In addition to the digital displays, we have also set up a library of books selected to be linked to the content of this facility. With the intention of leading these various displays contents, which combine digital and analog, beyond time and space into the future, we have realized a flexible, streamlined spatial concept design by incorporating the three elements that created Aichi - wood, water, and earth - into the spatial components.

"Shibuya Sakura Stage" is a project that will complete the urban infrastructure of the Shibuya Station area as part of the redevelopment of the area around Shibuya Station, which is said to occur once in a century, and will create a new, next-generation landmark that will inherit the culture of the Shibuya Sakuragaoka area and serve as a base for communication. We are in charge of design, layout, and construction of the commercial environment in Tokyu Real Estate's exclusive area, as well as the spatial design, layout, and hardware construction of the low-rise "INTER-SQUARE" and "Sakura CHORUS".

"KAMEOKA VIRTUAL HISTORIA" is a metaverse space that recreates historical and cultural resources such as traditional performing arts, festivals, customs, and nature from all over the city, including cultural assets owned by the Kameoka City Cultural Museum. Participants can experience the history of the region by collecting historical materials scattered throughout the city, set in the streets of Kameoka from the Edo period, including the Kameyama Castle tower and palace, which can no longer be seen today. There is no need to install an app or anything else, and anyone can easily access it from their own device.

MIRAI-Bit is a website where you can experience online on your personal device some of the content related to the permanent displays of Miraikan, which will be reopened in November 2023, including "Aging Park," which allows you to experience the aging that everyone experiences; "Nanairo Quest," which focuses on a future in which robots and humans live together; and "Planetary Crisis," which is about the global environment. In addition, we are running a traveling exhibition in various locations so that science museums and other facilities across the country can experience MIRAI-Bit. We were in charge of creating the content and designing and construction the traveling displays fixtures.

TOTO Technical Center Tokyo, a place that collaborates with business users to create the water-related spaces of the future, reopened in April 2024 under the concept of "co-creation." The concept of this renovation is "Fine & Flow," expressing the "free, delicate, beautiful behavior of water and seamless transitions without interruption." We aimed not only to convey the attention to detail that only water-related professionals can provide and the reliable quality of TOTO, but also to create a facility with equipment and an appearance worthy of co-creation, and a proposal facility that should exist in the digital age. We were responsible for the overall design, construction, and system development.

Nissan Motor Co., Ltd. has opened a new concept design presentation hall that combines real and digital in its Global concept design Center in Atsugi, Kanagawa Prefecture. The hall is equipped with a curved 24K LED screen, a full-color ceiling screen, remote lighting technology, a 7.1ch sound system, and other features, making it possible to reproduce with high precision the various environments in which customers around the world actually use cars. The aim is to develop products that meet diverse needs in a more timely manner by digitalizing concept design process. We were in charge of the design, structural calculations, interiors construction, and the full-color ceiling screen. Time-based changes in light, weather, and natural elements can be reproduced in real time with a high sense of realism and immersion, making it possible to verify and check models created digitally in accordance with various market environments.

This facility is the first 3D printer store in Japan, the first for general sales and the first for commercial use, and uses Japan's first 3D printer housing construction technology. The purpose is to provide advanced training and relaxation for an extraordinary experience. The operating company is Cascade Tokyo, which provides medical and nursing care services, and uses the development technology of its partner Selenium Disk, the first company in Japan to commercialize 3D printer housing. This time, our company is in charge of creative production using technology, from research, planning, and consulting to concept design, exhibit execution. We aimed to create a treatment space that combines advanced technology and concept design, so that this project will serve as a stepping stone for the development of future treatment centers.

In recent years, a new layer of rock showing how the Jomon people mined obsidian was discovered at the Takayama Ruins and Hoshikuso Pass Obsidian Mine, a nationally designated historic site. displays Hoshikuso Museum has been opened, where visitors can see the excavated layer of rock and experience the activities of the Jomon people at that time. The exterior walls of the building have changed color due to rust over the years, and the message is that the memory of obsidian is preserved and passed on. Inside displays room, the layers of rock, 20 meters long and over 5 meters high, stand on both walls of the corridor, and are reproduced exactly as they were discovered during the excavation. The layers of rock are unevenly stacked in steps, and these were created by the soil and sand that the Jomon people dug up in the ground in search of obsidian. Projection mapping was applied to the lines of the layers of rock to recreate the activities of the Jomon people at that time in video. Through immersive images and impressive geological strata, you can experience the passion of the Jomon people, who mined for generations in search of precious obsidian, which is only found in limited areas.