WorksPublic

Experience-based food park of green tea, agriculture, and tourism. It is the largest market in the prefecture, consisting of a market, restaurants, cafes, a kids park, and tenant stores. With the aim of increasing the income of local farmers and creating a hub for regional tourism, it was promoted as a four-party collaboration project by the Oigawa Agricultural Cooperative Association, Shimada City, Oigawa Railway, and Central Nippon Expressway Co., Ltd. We handled everything from basic/implementation planning to design, layout / construction and tenant leasing. In addition, this project was produced by the Tokonatsu Infantry Corps, and we established a design joint venture with our company as the managing company. [Social Issues/Customer Issues/Requests] The keywords are [agricultural development] and [regional development]. This region is one of Japan's leading producers of green tea, and tea farmers have absolute confidence in the quality of their tea. I was. In addition, although there are plenty of tourism resources in the Oigawa Railway and the Oigawa River Basin, there is also the issue of not being able to attract tourists as expected, so there was also the purpose of creating a hub for tourism in this area. We worked on the challenges of creating a place where local farmers can sell their specialty products in an appealing way and sell them with confidence, and create a place where local people can notice the charm of their local area and be proud of it. [Solution] 1. Be loved by the locals. 2. Make the most of local resources. 3. Communicating in an easy-to-understand manner I conveyed the idea of how valuable things are to the local community and farmers, and how attractive they are to people in other regions. By adding entertainment and concept design elements to create a one-of-a-kind experience, we added value and created attractive products and services. A new station on the Oigawa Railway has also been opened, and it has become a big topic for being a commercial complex that had never existed in this area before, and it is crowded with many customers every day. <Our project members> [Sales] Aya Nishimoto, Keisuke Iwasa [Planning] Ryusuke Nomura [design, layout] Noriaki Tamura, Kan Fujimura, Midori Arai [Production and construction] Miyuki Nakamura, Yuki Saiki, Akihiro Yoshida, Hiroshi Udagawa , Hayato Kawatani [Leasing] Aya Nishimoto

Nurtured by the rich nature of the mountainous area of Aichi Prefecture, the Shitara-cho Okumikawa Folk Museum inherits the message of the old building, "Conveying the life and heart of our hometown." Attached to the newly established Michi-no-Eki Tara, it has been refurbished as a core facility for community development. displays space is filled with local treasures and numerous valuable materials that have been collected since the Taisho period. The displays space of the grid made of cypress wood from Shitara-cho, which is easy to update, can be used as a spatial infrastructure unique to the region in the future. Visitors can trace the diversity of living things, archeology and history from the scenery of the rich forest, and be surrounded by a rich collection of folk customs, and learn about the wisdom of living that has been passed down to the present day. We aimed to raise awareness of sustainable lifestyles by creating and expressing relationships between behavior and awareness changes based on the relationship between creators and users. [Social Issues/Customer Issues/Requests] 1) Creation of facilities by expanding the use of materials produced in Shitara Town, which is positioned in the town's comprehensive plan and forest development plan 2) The number of facilities that have been handed down due to the aging of the old local hall 3) Located displays the gateway to the south, providing guidance to the northern displays and resources in the region displays and reviving it as a field museum. Visualization of the spirit of “Yui” that has been established 5) Archive of local resources such as Tamine Dengaku, a nationally designated important intangible folk cultural property [Solution] displays room of Okumikawa Folk Museum in accordance with Shitara Town guidelines , the cypress wood from Shitara-cho is locally procured and processed into a latticework. The folk materials on displays preserve and inherit a collection of folk implements made from wood from the Edo, Taisho, and Showa periods. Considering the awareness and value of the rich forest of people who are connected over 100 years, we concept design it as a space unique to the region to send a message. displays begins with a diorama that reproduces the scenery of a rich forest, and traces the natural history, archaeology, and history of the diversity of living creatures and geology, and learns about the resources of the region, while the folklore reproduces the life of the past through scene modeling. It expresses the spirit of “yui” and makes the folk implements collection feel lively. Through displays, we touch on the "hometown life and heart" and convey the wisdom and ingenuity of our predecessors who survived the harsh mountainous area. [Customer's voice] Your company's abundant experience and technology to solve a wide range of issues, such as the succession of the old museum's "conveying the hometown life and heart", the easy-to-understand displays theme composition, the updateability of displays, and the use of materials produced in Shitara Town. It was made possible by <Our project members> [Sales and project management] Tetsuya Kurita, Teruko Takai [concept design direction] Shunsuke Shimizu [Planning, design, layout] Koichi Ido, Yoichi Miyakoshi, Nobuyuki Endo [Production and construction] Koichiro Takahashi, Takeshi Suezaki

This project involved the planning, design, layout, and construction of the environmental learning corner, which is the tour route of the Kikuchi Environmental Plant Clean no Morigoshi. "Leaded by one line, revolving around the story. Garbage treatment tour route" Guided by one line, you can read the explanation of the garbage treatment equipment that you can see from the observation window, and watch the video of the equipment in operation 24 hours a day. While doing so, you can learn the process of disposing of garbage while taking quizzes. We have concept design a sugoroku-like information space that eliminates the boundaries between walls and floors and integrates explanatory graphics, displays content, and sign graphics into a single line. "Comparing two worlds, thinking and noticing. Environmental learning corner" We created a space divided into two at the eye level, a world that reduces waste (light blue) and a world that does not reduce waste (achromatic color). By comparing the two worlds on various scales, such as the Earth → Region → Daily Life, we concept design displays that encourages people to think for themselves about how they can live with garbage as a human being, and to give them awareness. .

"Tokyo Gift Palette" is a new specialty store developed near the Yaesu North Exit of Tokyo Station, and a total of 33 brands have opened stores. The pillars and ceilings of this facility, which is the gateway to Tokyo, were made from recycled aluminum used in the body of the Series 700 Shinkansen, which was retired from the Tokaido Shinkansen in March 2020. Decorated with the image of "cherry blossom petals" and "goodwill" suitable for a terminal station, it is a highly value-added sustainable space that connects people's thoughts by taking advantage of the high quality and high-quality feeling unique to the 700 Series Shinkansen. We participated in a project by Tokyo Station Development Co., Ltd., and were involved from the development stage of building materials, and produced and construction in environmental area interiors construction. I was responsible for production and project management. This is the first time that recycled aluminum without mixtures has been used in the decoration of commercial spaces since the start of operation of the Shinkansen in 1964, and this project has received a development award from the Japan Aluminum Association.

Through research in the new academic field of "neurointelligence," which is a fusion of life science, medicine, linguistics, mathematical science, and information science, we will learn about the "intelligent brain," or our brain, and realize the amazing power of our own "brain," of which we are usually unaware. We will also explore the great potential of the brain by gaining new perspectives on "intelligence" from cutting-edge research, and by exploring what kind of ideal future image can be created through the fusion of brain research and artificial intelligence (AI) research. displays The challenge was to develop the project into an activity that would lead to funding while aiming for outreach that would reach a wide range of people, from those interested in science to the general public, and in the future, to connect it to international outreach activities with a view to overseas expansion. To share the significance and thrill of research by encouraging researchers and visitors to think about "neurointelligence" together. To share the significance and real pleasure of research with visitors and researchers, and to encourage many young people who will pave the way to the future to become interested in "neurointelligence" and science by experiencing the joy of knowing oneself through the "intelligent brain. To contribute to the global outreach activities of the International Research Center for Neurointelligence (IRCN) at the University of Tokyo regarding the need for basic research in science and technology. Based on these objectives, a solution was considered. Solution: Toward the outreach of cutting-edge scientific research results, planners and designers, together with researchers, will ask "What is Neurointelligence?" What is the worldview that IRCN is aiming for? and "What kind of worldview does IRCN aspire to?" and through repeated discussions, the displays project was materialized. In the process, we have built into displays not just a display of research results, but a mechanism to communicate the results of cutting-edge science that fuses brain science and AI research to the world at large, while creating a community where the general public can get involved in research on an individual level and explore what brain science and AI should be, and to continue to participate in that community. We have built a mechanism into displays to encourage continued participation in the community.　 ＜Hironobu Takeda [Development/Production] Hironobu Takeda [Sales/Project Management] Shun Enomoto [Planner] Hajime Watanabe, Reimi Abe [Designer] Akihiko Shigyo, Atsushi Suzuki, Sayaka Horikoshi [Production] Nomura Duo: Ryoichi Tambo, Yoshinari Imaizumi, Naoru Hara

This is a project to expand the women's floor of one of the largest health checkup facilities in Tokyo from one to two and renew it with a new concept design. Based on the concept of “providing women working in the city with a comfortable and smart health checkup experience,” we aimed to create a space that takes into consideration the flow lines, eyesight, and comfort of both patients and working staff. . Through repeated discussions with many stakeholders, we were able to create a highly hospitable health checkup service by meticulously designing the details of function and design. [Social Issues/Customer Issues/Requests] The customer's top request was to significantly increase the capacity of female patients and work efficiency. The challenge was to maximize the number of examination rooms and the number of seats in the waiting area while also ensuring ease of use and comfort. On the other hand, in order to build further superiority of "Shinjuku Medical Checkup Plaza" in the medical checkup facility market, we aimed to increase the sense of specialness and added value. [Solution] "SMART HEALTH RESORT" is newly established as the concept of the entire facility, and the existing 7th floor ladies' floor is set as "COMFORT RESORT", and the 8th floor to be newly established as a floor that provides an even more special feeling than the 7th floor is set as "PRIME RESORT". and configured concept design. Aiming to provide a comfortable and smart checkup experience for women working in the city center, the spatial expression is based on a hotel-like luxury feeling, and the color scheme is based on beige and light wood grain. The hardware materials are not standard colors such as gold or silver, but are unified in pink bronze to create a special feeling. In addition, interiors of the examination room is generally decorated with solid wallpaper in many medical facilities, but at this facility, we have differentiated ourselves by using patterned wallpaper in each room so that you can be examined in a relaxed manner. . Securing the required number of examination rooms and waiting seats within the limited floor space was an extremely difficult problem, but through repeated discussions with laboratory technicians and medical device manufacturers, we were able to By deriving and planning the minimum size of each examination room, we were able to achieve the required number of rooms, which would allow us to achieve both "smooth examination work" and "not make patients feel cramped." <Our project members> [Sales and project management] Hisashi Ozasa, Yukako Ninomiya [Planning] Hiroyu Imaizumi [design, layout] Kumiko Oishi, Mei Watanabe [Production and construction] Mai Sakai, Nohara Kikuchi

This is a renewal of the permanent exhibition of the general museum (approved public facility) located in Bunka-no-Mori Park, which combines the humanities of archeology, history, folklore, and arts and crafts with the natural history of animals, plants, geology, and dinosaurs. With the new concept of "Tokushima Maru Tsukami - Monogatari of 'life' and 'time' -", the permanent displays room has been completely renewed. In the new permanent displays room, you can experience the charm and characteristics of Tokushima from a wealth of displays materials, and enjoy the museum even more. Through both inclusive concept design and displays evaluation workshops, we will confirm the direction of displays contents, verify the experience displays, implement universal concept design, and create a new "communication zone" with the museum as the "face of the community" in mind displays places importance on dialogue and interaction between curators and visitors, and between visitors, through materials (things) in the course of "Museum Street". The attraction of Tokushima is regarded as "abundant nature, traditional culture, and advancedness", and as a base for Awa Yuzan that conveys the attraction, it will always have fresh surprises, evolve into a museum that can be enjoyed comfortably, It is an displays space where you can play and learn about the charm of Tokushima by participating experience-based displays methods such as 4K / VR, AR, etc. [Social Issues/Customer Issues/Requests] ・The existing permanent displays is basically based on the academic standards of 30 years ago. Although the number of exhibits increased significantly, it was not easy to change displays due to the structure of the room and the limitations of displays cases, and the exhibits had become obsolete.・The old displays did not have a clear characteristic and did not become the “face of the region”, and the content was not segregated compared to other museums that came later.・There was a need to respond to social demands, such as efforts to convey the joy of discovery and learning through objects (materials), and an increase in hands-on and participatory elements.・It was necessary to make it universal, mainly for foreigners and people with disabilities, to deal with damage and discoloration due to deterioration over time, air conditioning malfunction, and LED lighting. [Solution] ・After consulting with the curator, displays contents will be completely replaced, and through both inclusive concept design and displays evaluation workshops, the direction of displays contents will be confirmed, the experience displays will be verified, and universal concept design will be implemented. In addition to creating a museum as the "face of the region", we have adopted a partially selected flow line instead of a simple one-way flow line by organizing the flow line from "Museum Street" to each displays corner, centering on the "Communication Zone". Did. <Our project members> [Sales and project management] Koichi Morimoto [Planning] Kyohei Kishida, Settsuko Nishimura, Mao Horii, Hironobu Mima [concept design] Masaaki Mitsunaga, Tadashi Yuasa, Takeo Akamine, Rie Morita, Reiko Kagawa [Design] Production and construction] Hayato Ichimanda, Sadato Inoue, Yu Oishi, Koichiro Takahashi

Built in 1910, it was designated as a National Important Cultural Property in 1974, and is one of Hokkaido's representative wooden quasi-Western-style buildings. The museum had been closed since October 2018 for the first large-scale conservation and repair work in 40 years, but reopened in April 2021. In accordance with the preservation and utilization plan based on the concept of "a public hall where everyone can see, learn, and gather while protecting the building." displays The design concept is "HEROE'S JOURNEY," which not only explains the architectural highlights of the building, but also introduces the skills of the famous and unknown people who were instrumental in the construction of the former Hakodate Ward Public Hall. The exhibition not only describes the architectural highlights of the building, but also introduces the skills and thoughts of the famous and unknown heroes who played a key role in the construction of the former Hakodate Public Hall. Since the building itself is an important cultural asset, we took great care concept design not to damage the scenery or the image of the interior atmosphere, and to minimize damage, we took great care in mounting and adjusting the fixtures without fixing them in any way. In addition, an AR application for smartphones was used to provide multilingual explanations of the valuable furniture and furnishings, and to reproduce in real-life rooms the conditions in which they would have been used at the time of their creation. The number of visitors to Hakodate has been decreasing in contrast to the increase in the number of tourists to Hakodate, and the exterior, interior and displays objects were old and damaged. In addition, the number of visitors to the public hall was low compared to the number of visitors to the museum, and there was a lack of information about the history of the museum and its interior attractions that would motivate people to visit. The building was constructed as a "building for the citizens," but in order to preserve it and pass it on as a source of pride for the town, it was necessary to communicate its value to the people of today and encourage them to utilize it. SOLUTION: We thought it was important for the future preservation and utilization plan to make people aware of the reasons why the public hall should be preserved and its value. While following Hakodate City's plan, which placed the highest priority on not affecting the preservation of the building as an important cultural property, we created a video and displays to convey to visitors that famous and unknown local predecessors were involved in the planning of the public hall and to raise awareness of the public hall as "a place that citizens can be proud of. When the ballroom was built, there was a billiard table in the ballroom. The displays table, which uses the billiard table as a motif, features a 1/100 scale architectural model set that shows the transition of the people who used the public hall, as well as "touchable real objects" of valuable designs and construction materials, and a map of Hakodate City's traditional buildings preservation district using color acrylic cubes with a beautiful sense of transparency. The "touchable real thing" of precious designs and building materials, and a map of Hakodate's traditional building preservation district using beautifully transparent colored acrylic cubes, add a playful touch that makes visitors want to take pictures. The former dining room has been converted into a small theater room to introduce the history of the public hall's construction. Each room: AR commentary】 Using an AR application, visitors can enjoy the motion and structure of the building as it was when it was built, superimposed on the real-life scenery. It is a non-contact and can also be recorded and diffused with your own smartphone. displays Commentary. Our project members] [Sales and project management] Akihide Inoue, Kosuke Takeda [Planning, graphic direction, video direction, model direction] Yuki Shimokuni, Reimi Abe [concept design] Atsuko Nakazawa (working drawings), Akika Yamada (schematic design)

This project is one of the projects for the residents of the submerged areas to rebuild their lives and find purpose in life as the Yanba Dam is constructed. For about 6 years, we have been in charge of basic planning, schematic design, working drawings, interior administration, and consulting services to support local operating companies in the "regional development facilities" in the "Kawarayu area" and "Yokobe area". bottom. At the Yokokabe Regional Development Facility, we not only provide facility planning, but also planning including support for the establishment of a management body to be established in the area, attracting new companies, consulting for restaurants operated by residents, menu development, and supervision of operations such as opening equipment.・Produced. The facility concept design is based on the concept of "passing on and developing the memory of the town", and the former Naganohara Town Hall*, which was scheduled to be demolished after more than 90 years since its construction, has been reproduced as a symbol of the district. By creating opportunities to see the history of the town for the children who will be responsible for the district in the future, as well as for the tourists who visit, we designed it so that the new businesses run here will lead to the revitalization, reconstruction, and development of the district. *The old government building, built in 1929, is a two-story wooden structure with a hipped roof. It was said to be the only wooden government building. [Social Issues/Customer Issues/Requests] [Business] Along with the construction of Yamba Dam, residents of the submerged area will rebuild their lives and find purpose in life. I was asked to establish a new business. In addition, it was requested that the facility be differentiated from facilities planned in other districts and similar facilities, and to have the ability to attract customers and originality. [concept design aspect] Make use of the old government building filled with memories of people in some way, consider visibility from a national highway with heavy traffic from the viewpoint of attracting customers, and plan to attract passers-by. It was requested that the plan should be able to take advantage of the panoramic view of the lake with a distant view of the Tsuba Dam in front of it. [Solution] [Business aspect] In order to realize the request, the first priority was to make proposals for the feasibility of business ideas by local residents. The third is to strongly support the establishment of a local management parent company to differentiate the district regional promotion facility from the "district". In this project, we aimed to "open a restaurant" that everyone in the district had no experience with, and promoted it in a way that was close to the characteristics of the region and the business. In particular, we had repeated dialogues about ``searching for characteristics of the Yokokabe district'' and ``utilization of local recipes,'' and worked together to develop menus and promote plans that are closely related to the region. We invited a professional chef for the trial production and tasting event, and supported the local revitalization by raising the awareness of the people in the area, improving the cooking technique, and strengthening the self-reliance. [concept design aspect] As a result of a survey of the existing government building when converting the function from the government building to the lake station, we chose to reproduce it with a modern update while giving consideration to the nostalgia of the former town hall government building. bottom. The retro and distinctive design of the old government building has been recreated and visually appealing. In addition, by creating an open opening facing the Yanba Dam, it has become a place with a top-class view among the facilities around the dam lake. In order to maintain the flavor of the old government building while building in accordance with the current regulations, the structural design was also carefully considered. <Our project members> [Sales and project management] Satoshi Arai, Hitomi Yamamoto [Planning and consulting] Kenichi Sakazume, Yuki Shimokuni [design, layout] NAU: Sakae Kirioka, Nana Osano

The Hamamatsu Children's Museum was opened in November 2001 with the aim of providing children with a place for healthy play, creative experiences, and interaction, and to support the sound upbringing and child-rearing of children who will lead the next generation. bottom. The purpose of this project is to concept design interiors environment, including the playground equipment of the museum, which has been aging and obsolete for about 18 years since its opening, and to provide safer and more comfortable services for users. was to provide "Hamamatsu Children's Center Philosophy" Children have an insatiable curiosity on the inside. Hamamatsu Children's Museum aims to create a loving environment where these children can fully demonstrate their childlike qualities and play to their heart's content with peace of mind. We hope that you will interact with many people and increase your sociality and creativity. In addition, parents who are raising important children who will be responsible for the future will expand the mutual aid network and create an environment where they can enjoy child-rearing while receiving professional support for child-rearing. We believe that what children experience and imagine in a psychologically stable environment during this period is stored in their brain's long-term memory and becomes fertile soil for living a rich and happy life. . [Social Issues/Customer Issues/Requests] 1) Renew some of the playground equipment and interiors while maintaining the operational philosophy and facility functions since the facility was first opened. 2) We set the temporary closure period to a minimum and completed the design and construction within a short period of one year. 3) For the renovation, we worked on the use of Tenryu materials (local materials) promoted by Hamamatsu City, and obtained FSC® project certification. We have received your request above. [Solution] 1) We concept design a playground that incorporates the local characteristics of Hamamatsu's nature and industrial technology, and created a mechanism that nurtures interest and attachment to the local area. 2) In order to create a “playground unique to Hamamatsu” that nurtures the humanity of Hamamatsu children and a foundation for learning, we have created original playground equipment and spaces based on the theory of human development. 3) Tenryu cedar, which is produced in Hamamatsu City, is used in the hall, Daichi zone (floors, walls, some playground equipment), workshop rooms, and corridors. As an FSC® project team with Hamamatsu City as the manager and our company as the deputy manager, we have acquired the international forest certification system "FSC® project certification*" for the first time in Japan as a similar public children's facility. * FSC® project certification ・FSC® standard is an international forest certification system based in Germany and is the highest standard in the world.・ FSC® certification = It is guaranteed that wood from properly managed forests is used.・Hamamatsu City is particularly focusing on the use of FSC® certified materials as a concrete action for SDGs. <Our project members> [Direction] Atsushi Suzuki [concept design] Mika Watanabe [Planning] Reimi Abe [Production] Akinobu Takahashi, Hironari Ota, Takehiro Ichijo [Sales and project management] Akinori Ogasawara, Haruka Tashiro -Related links- [ Release] NOMURA, Ltd. Opens "Hamamatsu Castle" and "Hamamatsu Children's Museum," FSC® Project Certified Facilities Using Domestic Lumber for the First Time in Japan

The castle tower of Hamamatsu Castle is a park facility built in 1958 with donations from citizens. 60 years after its completion, displays and decorations inside the facility were aging. This project is a renewal project in displays area aimed at enhancing the appeal of Hamamatsu-jo Park as a central park and enhancing the satisfaction of citizens and visitors in the milestone year of 450 years since the construction of Hamamatsu-jo Castle by Lord Ieyasu Tokugawa. In our company, I was responsible for construction design of furnishings, sign graphics, visual software hardware, lighting and electrical work, furniture and fixtures, including interiors. (Social issues/customer issues/requests) - Introduced the history of Hamamatsu-jo Castle from its predecessor, Hikuma Castle, to its construction, reconstruction, and demolition, and to Hamamatsu-jo Castle Park. - Introducing the castle ruins in the city that are open for tours, and conveying the multi-layered history of Hamamatsu Castle and the appearance of the castles in various parts of the city. - Bring a sense of unity to current displays stories and historical backgrounds. - Production of multilingual panels and digital video content - displays. - Consideration of traffic lines and concept design, taking into account operations during the pandemic. - Received FSC ® project certification using FSC ® -certified Tenryu wood (made in the city). We received the above request. Solution: We designed the plan focusing on the fact that "young Lord Ieyasu" did indeed reside in Hamamatsu-jo Castle and the historical background and people surrounding him during those 17 years, and zoned the plan into layers of "passion," "situation," and "scene.". - Directed a passion stage expressing the "passion" of young Lord Ieyasu. The history of Hamamatsu Castle, from its predecessor, Hikama Castle, to its construction, reconstruction, and demolition, as well as Hamamatsu Castle Park, was presented through a panoramic theater utilizing existing models. - Tenryusugi, a Hamamatsu cedar, is used for the "scenery" layer on the third floor. In its renewal, the castle became the first in Japan to receive FSC ® project certification. Customer comments: The castle tower has been completely renovated during this renovation, with the current status and issues of the tower being accurately organized and incorporating video footage using the latest technology and recent discoveries and research. In addition, visitors were introduced to the castle ruins in the city that they could visit, as well as to the places associated with Lord Ieyasu, legends and food culture, making the newly dressed Hamamatsu Castle a place to learn, as well as a reconstructed castle tower and other facilities where visitors can look back on the history of Hamamatsu. Visitors have commented that they "understand the origin of Hamamatsu Castle very well" and "it has become fashionable," and the city recognizes that this has not only increased the attractiveness of Hamamatsu Castle as a central park and improved the satisfaction of citizens and visitors, but also improved its function as a base facility for further regional revitalization and tourism exchange. < our company Project Members > (Directions) Atsushi Suzuki (concept design) Sayaka Horikoshi (Planning) Misa Inagaki (Production/construction) Akinobu Takahashi (Sales/Project Management) Akinori Ogasawara and Haruka Tashiro (Related Links) (Release) NOMURA opens "Hamamatsu-jo" and "Hamamatsu Children's Hall," the first FSC ® Project certification facilities using domestic timber in Japan

In December 2016, the Seihakusai Hikiyama event was registered as a UNESCO Intangible Cultural Heritage. , Notojima Mukada Fire Festival, Ishizaki Houtou Festival, and Okuma Kabuto Festival. It is a facility that conveys the charm of Nanao, centered on festival culture, and is a facility that can be enjoyed by children, adults, and foreigners, such as a giant lantern displays and a simulated experience of the festival. <Project Members> [Development] Akihide Inoue [Sales and Project Management] Tetsuya Kurita [Planning] Konomi Taki, Kyohei Kishida [Design] Tomoyo Tsukiyama, Tadashi Yuasa, Katsumi Tanda [Production and construction] Sadato Inoue, Shin Kameoka, Inoue Satoru

~The station building as a community space where everyone can spend time comfortably, not just waiting for trains~ Based on the concept of creating a place to nurture a community, workshops and questionnaire surveys were conducted with local residents from the planning stage. User needs are identified and reflected in the design. In order to create opportunities to experience various cultures through books during the time spent in the station building, we have also set up a corner where you can browse books and picture books. In order to convey the charm of local resources through the use of the station building, we actively adopted the local specialty "Obi cedar" in various parts of the space and planned and produced the creation of a space where users can experience the charm of Obi cedar through experience. [Customer issues/requests] We received a request to make the Nichinan station building, which had no place to stay and was only a place for getting on and off trains before renovation, to foster a local community and make it a place where you can feel the "local charm". [Solution] In order to convey the appeal of local resources through the use of the station building, we collaborated with a local design office, Ryohin Keikaku Co., Ltd. In order to create opportunities to experience the charm of Obi cedar through experience, we adopted wood for the station building façade and window frames while harmonizing with the forest that spreads behind the station building. At the same time, we implemented a signage plan that allows the presence of the station to be recognized even from afar, and produced a space that harmonizes and fuses with the surrounding environment and the station building using wood as the base. [Customer's voice] People other than JR users have also started to visit the station building, and it has been renovated as an attractive space where local people can gather. We would like to continue using the station building as a place for the local community, such as holding events. <Our project members> [Sales] Reiko Ibe [Planning producer, workshop concept design, design supervision] Mari Matsumoto -Related links- [News release] ・ NOMURA produces regional revitalization in Nichinan City, Miyazaki Prefecture through public-private partnership 1st stage: Old folk house restoration facility opens ・Nichinan City, Miyazaki Prefecture and NOMURA, Ltd. conclude a “comprehensive cooperation agreement on regional revitalization” ・Nichinan City, Miyazaki Prefecture and NOMURA, Ltd. conclude a “regional revitalization entrepreneur exchange program”・ NOMURA is working as a creative partner to create a community that co-creates the community. [Related achievements] ・Plus D Nichinan branch office ・Kiraku Obi Aiyatei ・DENKEN PJM Photo: Park concept design Co., Ltd.

The Nomi Furusato Museum has a natural displays that introduces the characteristics of nature in each region through life-size models of plants and animals, cultural property materials such as the historic Nomi Burial Mounds, and humanities displays that introduce early-modern Hakusan worship. This is a new comprehensive museum with folk displays that introduce modern life, and a children's museum where preschoolers and toddlers can learn about the history and nature of Nomi through playground equipment. Because there are displays cultural property displays such as the prefecture-displays cultural property “Colored Mt. displays area is 1251㎡. RC + wooden structure 1 story. The scope of our work includes displays and interiors construction, including fixtures, modeling, presentation equipment and diorama creation, video systems, video software, graphics, signs, electrical installation work, production and lighting work. <Project Members> [Development] Akihide Inoue [Sales and Project Management] Tetsuya Kurita [Planning] Kyohei Kishida [Design] Sho Inanobe, Mina Miyaki

The Science Museum of Electricity was established in 1986 with the goals of "supporting the development of the next generation who will be responsible for the future of the community and society," "promoting understanding of the energy and electricity business," and "building good relationships with the community and society." This is Chubu Electric Power's PR facility installed in Our company was in charge of a section called "Electric Journey" in the facility. In addition to giving children a solid understanding of the overall picture of the electricity supply (electricity value chain) that supports daily life and industry as an "unsung hero", we will also promote electricity system reform and digitalization. We have also renewed the corner to appeal the attitude of electric power companies to provide new value. By superimposing AR on a diorama with a total length of 16 meters, the route from fuel procurement to home electricity is explained, and in the process, electric power workers working on disaster recovery and maintenance inspections are systematically and experientially. is introduced to <Project members> [Development, sales, project management] Takuya Noda [Planning] Hideki Narita, Seiichiro Mori, Reimi Abe [design, layout] Hideki Narita, Seito Fujii, Yuji Shigemoto [Signature and graphic concept design] Seiichiro Mori [ Production/ construction] Atsushi Yanome