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The new corner "Sound" opened in the Forest on the 5th floor of the Science Museum is an displays room where you can not only listen to sound with your ears, but also "observe it with the eyes of science." Through the various "waveforms" drawn by the four experience devices "Jumbo Piano," "Laser Dance," "Aqua Wave," and "Chladni Pattern (relocated)," you can learn about the three major elements of sound (amplitude, frequency, and timbre) while playing. Among them, "Jumbo Piano" is an interactive device that converts the performance of a giant piano into a waveform in real time and projects it on a screen, and is popular not only with children but with a wide range of generations. In accordance with the basic displays plan presented by the client, we considered and produced the equipment, content, and graphics to realize the image.

The Hyogo Prefectural Hyogo-tsu Museum was established in Hyogo-tsu, Hyogo-ku, Kobe, where the first prefectural office was located, as a base for promoting the prefecture's appeal and fostering a sense of hometown pride among the prefecture's residents. It consists of two museums: the "Hyogo Hajimarikan" displays facility, which conveys the prefecture's appeal, including its origins, history, culture, and industry, and the "First Prefectural Office Building," a restored version of the first prefectural office building. The "Hyogo Hajimarikan" museum is made up of the "Hyogo Discovery Plaza," which conveys the appeal of each of the five Hyogo provinces, the "Invitation to the Hyogo Five Provinces" zone, which consists of a theater with a large curved screen, the "Hyogo-tsu: A Pivotal Land" zone, a permanent displays where you can experience the history of Hyogo-tsu and the founding period of the prefecture over 1,000 years ago, and a special displays room. The Kitamae-bune-shaped lantern at the entrance and a bird's-eye view of 150 years ago, when the prefecture was founded, created by a modern bird's-eye view artist, invite visitors to Hyogo-tsu, the city where Hyogo began.

This project involves the production of video content and the creation and installation of displays for the "First Prefectural Office" (a restored facility) at the Hyogo Prefectural Hyogo-Tsu Museum, where visitors can experience the historical space of the time when the prefecture was established. The "First Prefectural Office" is a restored building of the former Osaka Magistrate's Office Hyogo Kinbansho, where the prefectural office was located when Hyogo Prefecture was founded on May 23, 1868 (Keio 4). The prefectural office building, including the governor's office at the time, and the former police officers' residences have been recreated, allowing visitors to experience the lost historical space of the late Edo and Meiji periods. In order to allow people of all ages to enjoy the historical space more closely, the virtual tour "Virtual Visit!", which is experienced by putting on time goggles, allows visitors to experience the drama of the Meiji Restoration that unfolded in the first prefectural office using the latest mixed reality technology.

This project was carried out to renovate the aging facility, which has a space pavilion and planetarium where items donated by JAXA were displays, into a facility where children can experience the "town of space." The first floor, which was a natural science museum, was renovated into the "Nobishiro Space Lab," and the entire building was unified into a space-themed facility. We were in charge of everything from design, layout of displays space to exhibit execution of the experience equipment, as well as construction.

This is a tourist facility themed on drift ice and the creatures of the Sea of Okhotsk. The concept of this facility is the immersive experience of "Discovery Dive" into the world under the drift ice. You can experience the extraordinary world of drift ice and the unknown world under the drift ice. In "Drift Ice Live", you can enjoy a live feeling as if you are diving under the drift ice while being guided by divers and creatures, with a 360-degree video from the diver's point of view. "A world of life and beauty woven by the miracle of nature" spreads in the space, fascinating visitors. In addition, by introducing the natural beauty of drift ice and the creatures that live there with dynamic drift ice images and graphics, we have planned to stimulate intellectual curiosity while raising each visitor's awareness of global environmental issues through impressive experiences through ingenious displays.

This was a renewal project for the Niigata Prefectural Museum of Nature and Science, which we undertook at the request of the Japan Foundation for Public Relations in Science and Technology. After about 40 years since the museum opened in 1981, we have renovated the "Beech Forest Environment and Creatures" and "Wind Power Experience" on the second floor, and the "Moving Mysterious Room" on the third floor into "Symphony of the Forest" and "Scale Adventure," respectively. In order to realize the image of the "master displays plan" presented by the client, we considered and produced the video space, content, video system, and graphics.

Obi, Nichinan City, Miyazaki Prefecture, is a castle town with beautiful scenery that has continued since the feudal era and is an Important Preservation District for Groups of Traditional Buildings. It is being revitalized through private use, such as the opening of a hotel renovated from a former samurai residence. This project is based on the renewal concept of "50% displays + 50% sightseeing" for the famous Komura Jutaro Memorial Museum and Obi Castle History Museum, which are located in the area, and aims to increase visitors' intellectual curiosity and satisfaction with their stay, leading to more sightseeing in Obi. The renewal of the Obi Castle History Museum has been changed from a passive displays centered on document explanations to an experiential method that emphasizes experience and storytelling, making information unique to the area, such as Obi Castle, the Obi Domain, and the feudal lord, the Ito family displays displays designed to beautifully display the valuable collection of swordsmith Inoue Shinkai. In addition, efforts are being made to increase the update of information through an "information line" and bulletin board. In addition, this project has adopted the production concept of "A town museum created by everyone," and displays are created together with local residents throughout the year. The facility also incorporates the results of the children's workshops into displays information, facilitating tours of the town.

We will create a citizen-participation displays at the "Municipal Museum Created by Everyone" to convey the charm of Obi. Obi, Nichinan City, Miyazaki Prefecture, is a castle town that has been designated an Important Preservation District for Groups of Traditional Buildings since the feudal era and is a scenic castle town. It is being revitalized through private use, such as the opening of a hotel in a renovated samurai residence. This project renovated the memorial museum of Komura Jutaro, who is famous in the area, and based on the concept of "50% displays + 50% sightseeing," the main focus was to increase visitors' intellectual curiosity and satisfaction with their stay, leading to sightseeing around the town. There are two displays rooms in the museum. The "Welcome to Obi" displays is a showroom displays aimed at promoting sightseeing around the town, and introduces the historical culture and charm of the samurai residences that live in the castle town through experiential methods. The "Komura Jutaro History Collection" has produced a "large-scale picture book story space" that traces the life of Komura Jutaro and a "citizen participation video," making it a dramatic and enjoyable displays even for those who are new to Komura Jutaro. In addition, this project was based on the idea of "a town museum created by everyone," and displays were created together with the local residents throughout the year. Treasures of the town found in workshops with children were displays, and over 100 local residents were involved behind the scenes in the film about Komura Jutaro, acting as actors, and providing makeup and costumes. Based on these efforts, we aimed for the memorial museum to give the local residents pride, to serve as proof of their involvement, and to be loved by locals and visitors for a long time.

This is a renovation of the museum (approved for public use) attached to the research facility with the longest history as a buried cultural property research institute. Through valuable excavated materials from many ruins in the prefecture, we have deepened our understanding of the history of Nara Prefecture, which occupies an important position in the story of Japanese history, and the museum reopened after a period of about three years. In addition to renewing and renovating displays cases in the permanent and special displays rooms due to the deterioration of displays facilities, new displays such as a full-scale replica ceramic panel of the Horyuji Temple mural and the Takamatsuzuka Tomb mural (Asuka Village) were added, and the cylindrical haniwa corner of the Mesuriyama Tomb, the largest in Japan, was renewed. In addition, the museum's image song "Wind of Mizuyama - Tamayura" was created and the in-house broadcasting was renewed, realizing a renewal as a museum that can be enjoyed with all five senses.

Okayama Castle is one of the 100 famous castles in Japan, and was built by Ukita Hideie, a relative of Toyotomi Hideyoshi and one of the Five Elders at a young age. The three-story, six-storey castle tower, which is a scalene pentagon that is rare nationwide, is also known as the "Crow Castle" due to its black clapboard exterior. Following the large-scale renovation in 1996 (the 400th anniversary of the castle's construction), we were ordered to renovate displays in the castle tower for the "Reiwa Great Renovation". In this renovation, we aimed to create a base for historical tourism in Okayama City, mainly targeting general tourists, with the concept of "an easy-to-understand entrance to Okayama's history, even for beginners". displays were supervised by Michifumi Isoda, a historian from Okayama City. The exhibits introduce the charm and characteristics of Okayama Castle, the achievements of the successive castle lords, and the origins of the city of Okayama in an easy-to-understand manner, while also incorporating new knowledge.

This is Japan's first permanent museum specializing in infectious diseases. With the theme of "connecting the past and present of infectious diseases to the future," this facility conveys the knowledge and experience humans have built up from the past to the present, as well as steps toward the future. The COVID-19 pandemic has brought back memories of the struggle between humans and infectious diseases, and it is expected that infectious diseases will continue to pose a threat to us in the future. In this context, the Hideyo Noguchi Memorial Museum of Infectious Diseases is planned as a place where people can learn to "act correctly based on correct knowledge" regarding infectious diseases. The museum, which is a separate building from the Hideyo Noguchi Memorial Hall, was renovated and made use of the track record of the Hideyo Noguchi Memorial Foundation and the high level of expertise of the supervisors to differentiate it from the memorial hall. It consists of two displays rooms, and our company was involved in everything from architectural renovation to displays design and construction, as well as signage, content, and leaflet concept design.

The Kumamoto Earthquake in April 2016 also damaged the castle tower of Kumamoto Castle. In response to people's longing for the symbolic castle tower to return to its original form, the city of Kumamoto set a policy of early restoration of the tower. The building was completed in March 2021 with the latest earthquake-resistant technology. It carries on the wishes of the people who repaired the castle after repeated disasters over the 400 years since its construction, and contains messages from the people of Kumamoto living in the present for the next 100 to 400 years. displays organized the theme from the basement to the top floor in chronological order to create a corresponding space concept design, and created an easy-to-understand and impressive space using models, images, and wall concept design. It focuses on the castle tower, not the castle as a whole, and conveys the history of the castle construction, its architectural design, its defensive function, the castle and town development, and the thoughts and history of the people who restored the castle after every disaster. [Social Issues/Customer Issues/Requests] ・ Disseminate the historical, architectural and spiritual significance of the keep, which is a symbol of recovery from the Kumamoto Earthquake. In addition, it should be reported that Kumamoto Castle, which has historically suffered from numerous natural disasters, was revived by the recent earthquake. ・ Focus not on the whole of Kumamoto Castle, but on the "Kumamoto Castle keep," and try to share roles, collaborate and complement displays contents of the surrounding facilities. ・ Since there are many restrictions on the preservation environment in the castle tower, basically displays of actual materials should not be done, and the history displays of the keep of Kumamoto Castle after the Seinan War should be added, which was not done before. ・ From the perspective of Universal concept design, we will introduce touch displays and multilingual voice guides so that a wide range of people can enjoy displays. I received the above request. [Solution] With the castle tower as the main character, we organized the story along the timeline from the castle's construction to the present, and set a theme for each time period on each floor. The story is arranged so that you can follow the period from the lower floor to the upper floor. The first floor is the period of Kiyomasa Kato, who built the castle, the Hosokawa period, who became the lord of the domain after that, the modern period, which experienced a complete fire and reconstruction, and the present day, when the Kumamoto earthquake and recovery efforts were made.In addition to the building of the castle tower, we focused on the strong will of the people who repaired it every time after repeated disasters since the Edo period to convey the "I want to restore Kumamoto Castle and pass it on to future generations." Furthermore, to cater to a wide range of visitors, multilingual audio guides and palpable models of the keep were planned and realized. [Customer Comments] displays has been well received by visitors for its easy-to-understand and engaging methods, including explanations using models and projection mapping, and multilingual audio guides using the title sign app. < our company Project Members > 【 Development 】 Masashiro Yokoyama 【 Sales/Project Management 】 Masashiro Yokoyama, Haruka Amano, Annin Sawada 【 design, layout 】 Mitsuyo Ashida, Yuichiro Tsutsumi, Toshie Makigara, Nanako Wajun, Yoichi Honda, Naoya Fujiwara 【 Shape 】 Nobuyuki Endo 【 Production/construction 】 Takashi Ikegaya, Yoshikazu Kimura

The remains of the approximately 1.2 km runway in Uzurano-cho, Kasai City, were from an airfield built during the war, and many other war ruins are scattered around the area, remaining to this day. Kasai City's regional revitalization center facility, "Sora Kasai," serves as an exchange hub for touring these ruins, and the "Uzurano Museum" within it was built as the center of a field museum that conveys the historical facts of the war. The basic plan for the facility was awarded to a joint venture of the three companies, Ooba Co., Ltd., and Iruka Design Group Co., Ltd., who were involved in the design, and our company was mainly in charge of the museum displays. After that, we were independently awarded the order to create displays, and it took about six years from planning to completion. Towards completion, after going through a review committee, we worked with many people, including Kasai City, local war history researchers who had been conducting research for many years, preservation societies, supervisory teachers, and a full-scale airplane model production company, to create the facility. This museum, built on the runway, introduces the short but rich history of Uzurano Airfield, with two full-scale airplane models that are deeply connected to the area as displays. We aimed to create a museum unique to Uzurano, taking advantage of the story and local characteristics of the area. The mission of this museum is to weave the memories of this area, leave them in a tangible form, and pass them on, and we hope that it will become a place where people can think about peace and connect with each other.

"Koniwa House" A place where babies can spend relaxing time with their families and friends. The interior, which feels like a picture book, has a diaper changing space, a nursing space, and a kitchen and living room where you can feed your baby milk and baby food, making it a space that makes you feel like you are visiting a friend's house. "Komorira no Mori" A play area where babies, kids, and families can spend their time in peace and relaxation. It is divided into an area where babies and families can relax in peace, and an area with exciting play mechanisms for children who are starting to become active. In the center of the spacious space, there is also a base camp corner where parents with children of different ages can have a panoramic view of the whole area. [Social Issues / Customer Issues / Requests] The request was to create a space for parents and children that goes one step further than the achievements of LaLaport Hiratsuka, so that people with children in Numazu City and Shizuoka Prefecture can have a relaxing day as well as shopping. [Solution] We planned and concept design the space with the intention of creating a space where childcare could be shared regardless of gender or age, rather than just for mothers to look after their children. In addition to creating an extraordinary concept design that would make it enjoyable for both adults and children to come here, we also took care to ensure that families with children of different ages could find a place for siblings and ensure their safety while looking after the baby. <Our project members> [Sales] Ikuta Hidefumi, Mitsui Hiroshi [Planning] Team M: Matsumoto Mari, Nishimoto Aya [Design] Matsuzawa Kei [construction] Yamada Yusuke

Fuji World Heritage Center, which preserves for the future the value of Mt. Fuji, inscribed on the World Heritage List as "an object of faith and a source of art," underwent renovation in the spring of 2022. The renovated facility offers a wealth of displays materials with easy-to-understand explanations, displays panels that make it more enjoyable to understand the attractions of Mt. Fuji is "an object of faith and a source of art" to visitors, including many foreigners, we have created a spatial experience that works with smartphones and tablets, and a displays guide system "Fuji Guide" with built-in multilingual (7 languages) commentary and voice commentary. displays guide by "Guide" was produced. The "World Heritage Mt. Fuji VR," which can be experienced through 360° images by wearing VR goggles, traces the path of faith walked by pilgrims in the past from the Misaka Pass, which has been depicted in ukiyoe woodblock prints, to the top of Mt. Fuji, which is usually unseen, from a dynamic viewpoint, and to make people want to visit the site. Social Issues/Customer Issues/Requests] Since its completion in 2016, displays has been lacking in materials and explanatory text for international visitors due to the fact that it is an interactive displays experience. SOLUTION: displays graphics were re-laid out to be easier to understand, explanatory text added missing information, and a gentle route was shown by placing panels in consideration of the displays route. displays In the guide system, all existing applications were converted to web browsers, and multilingual support was provided so that visitors with different cultural backgrounds can easily understand the explanations. In addition, 3D maps and 360-degree still image content were used to enhance the experience. In terms of operation, a simple-to-use CMS (content management system) was built, making it possible to easily respond to any modifications to the explanatory text. For the VR production, we used content that traces the path of the Fuji faith in VR, and adopted a simultaneous playback system that takes into account the realistic images shot by a drone and the operational aspects. ＜Sales and project management] Maria Uemura [Digital contents planning] Hiroki Mima, Aya Watanabe, Ayaki Kanehara, Sakaki Miyahara, Minori Hayashi [design, layout] Kaoru Akazawa [Production: construction] Akinobu Takahashi [System design: construction] Ayaki Kanehara, Minori Hayashi - Related Links - [NOMLAB] ・山梨県立富士山世界遺産センター Fuji World Heritage Center