WorksCorporate_

湖池屋様にとって九州初の生産拠点となる九州阿蘇工場において、熊本をはじめ、九州の皆さまに笑顔をお届けする取り組みの一つとして、湖池屋の歴史と創業以来のこだわりを体感いただきながら、工場見学やオリジナルポテトチップス作りを体験することができる「湖池屋GOGO！ファクトリー」を新設されました。 九州阿蘇工場での工場見学を通じて、湖池屋様の魅力を地域の方々へ訴求できる施設となっております。 【社会課題／お客様の課題／ご要望】 所在地である益城町は熊本地震で被害のあった地域であるため、新工場を稼働することによる雇用の創出、高付加価値商品をはじめ、定番の商品まで生産することによって、地域の復興や活性化につなげていきたいとお考えでした。 そのなかで、熊本をはじめ、九州の皆さまに笑顔をお届けする取り組みの一つとして、湖池屋様の歴史と創業以来のこだわりを体感いただきながら、工場見学やオリジナルポテトチップス作りを体験することができる施設を計画されました。 【解決策】 2016年にリブランディングされました「新生・湖池屋」の“ポテトチップスの老舗”としてのイメージを感じられるように、エントランスにはのれんを使用し、「湖池屋　文化思想図」という歴史を知ることができる巨大グラフィックを配置いたしました。また、来場者が施設内に入ると一転、明るく白い空間が広がり、湖池屋様が「イケイケ！GOGO！」の精神で“もっとおいしい”を生み出されていることを表現いたしました。 オリジナルポテトチップス作り体験においても、ロの字型カウンターを使った「板前スタイル」で体験することができ、来場者の方とのコミュニケーションを重視いたしました。 【お客様の声】 非常に短納期の中、高いクオリティの施設をご制作いただきました。 弊社のもつこだわりや目指している企業イメージを大変よくご理解いただき、製作物として形に表していただきました。 今後、地域の方々とのコミュニケーションの場として大いに有効活用できると期待しています。 ＜当社プロジェクトメンバー＞ 【営業・プロジェクトマネジメント】有賀 ひとみ 【企画】柳原 朋子、望月 美那 【デザイン】田村 憲明、山田 明加 【グラフィック】暉峻 大信 【制作】森田 智昭

京葉ガスの千葉県市川市にある市川ショールームを、地域の方々に開かれたコミュニティスペースへと改装しました。「KeiyoGAS Community Terrace（通称：てらす）」という名称には、人と人、街と暮らしの接点となる「縁側＝テラス」を通して、みんなの居場所づくりと、企業コンセプトである“つぎの「うれしい！」へ。”を目指す想いを込めています。館内も「縁側＝テラス」をコンセプトに、地域の方々の自由な活動と多様な過ごし方を受け入れる、みんなの居場所となれるようなデザインとしました。また、施設スローガン「こどもと、おとなと、まちを照らす。」のもと、利用者がコミュニティづくりに参加できる仕掛けや、地域の暮らしや活動をサポートする取り組みを整備しました。この取り組みを通して、市民や地域とともに成長するコミュニティづくりを目指しました。

「居心地のよい森をつくる技術」 パナソニックセンター大阪Re-Lifeサロンは人々がくつろいでいただけるように、Well Being になれるようにそんな願いを込めて、パナソニックの技術で心地よい森をかたちにした空間です。音響、映像、素材加工、気流制御など様々な技術と自然素材を掛け合わせ自然界における天地を巡る循環を表現し、五感に響く心地よさへと誘います。 【社会課題／お客様の課題／ご要望】 施設テーマである「もっと、くらしを、豊かに」のメッセージをパナソニックの技術を使って、いかに具現化していくかが当社の役割でした。 【解決策】 くらしを豊かにする癒しの要素を取り込み、「森」というデザインコンセプトを軸に空間全体を構成しました。自然要素で構成された空間の中にパナソニックの技術を取り入れ、実際に心地よさを体感できる空間になっています。デザインと技術を掛け合わせ、空間を具現化することで施設全体のメッセージを伝えられる場をつくりました。 【お客様の声】 パナソニックの空間ソリューションの技術をデザインされた森の中に物理的に組み込み、より多くのお客様に自然に体感いただける空間になっております。 現在も多くのお客様が自然と集えるサロンエリアになっており、パナソニックセンター大阪の入口の顔として、機能していると実感しております。企画段階より、乃村工藝社の営業・デザイナー・施工部隊がともに考えていただき、このスペースを具現化するサポートを多くしていただいたと感謝しています。 ＜当社プロジェクトメンバー＞ 【営業・プロジェクトマネジメント】森　祐介、熊谷　秀信 【企画】大樋　真彦 【デザイン・設計】橋本　麻子、森　浩昭 【制作・施工】小川　正翁   ～関連リンク～ 【関連実績】 ・パナソニックセンター東京　ROOM S ・パナソニックミュージアム　松下幸之助歴史館 ・パナソニックセンター大阪「Re Life Story 無邪気に遊び、無にひたれる自然とつながる家」 ・Wonder Life-BOX 2020(パナソニックセンター東京内) ・パナソニックセンター大阪

In March 2021, NOMURA Co.,Ltd. Ltd. opened a new office in the Daiba Garden City Building adjacent to Head Office headquarters (Odaiba, Tokyo) that is suited to the new normal era. The company aims to encourage employees to communicate and demonstrate greater creativity while taking advantage of the diverse work styles and values of NOMURA Co.,Ltd. Group. In 2019, NOMURA Co.,Ltd. Group launched a group company base consolidation project with the aim of creating an environment in which employees can work together and demonstrate greater synergy. In response to the changes in work styles and social issues caused by the COVID-19 pandemic, the company set three keywords, "health," "experiment," and "brand," and explored the nature of real office space in the new normal era to create "future work styles." - We believe that the function of the office in the new normal era will change from a "workplace" to an "innovative space that induces communication," where diverse human resources from inside and outside the company gather and actively exchange opinions and have chance encounters that are unique to the real world. Therefore, the communication space "RESET SPACE_2" was designed with the concept of "Unique Park" and was planned as a park-like space that any employee can use to suit their diverse and unique work styles. 100% fairwood is used. ・CONFERIUM is a proposal for a new conference room area, and is an attempt to "displays the behavior of working styles" that proactively shows unique meetings. The know-how used in displays spaces was applied to office spaces, such as darkening the common corridors to highlight the conference rooms as displays. ・Group addresses were adopted in the creative work area. In addition, the creative floor allows concept design work to be done while keeping in mind the "sense of concept design" such as the sense of scale and texture of materials, which are great strengths when concept design spaces. By clarifying the purpose, it became a low-cost and sophisticated space. This project was planned, designed, construction, and operated by NOMURA Co.,Ltd. Group.

Shizuoka's Kiuchi Construction Co., Ltd. constructed a new office building as part of its 100 year anniversary project. We were asked to create a gallery to introduce the company's 100 year history in displays, for the purpose of recruiting and communicating with clients. By showcasing the 100 year history chronology from its foundation to the present and the trajectory of its challenges in construction technology, we aimed to deepen the understanding of its history and create a space that can be effectively used as a communication tool for Kiuchi Construction to build the next 100 years. [Social Issues/Customer Issues/Requests] • The company requested a design that clearly represents the characteristics of Kiuchi Construction and has a sense of dignity. ・ We were requested to present the information in a way that is easy for recruiters and clients to understand, and for subcontractors to recall projects they had worked on in the past and to have conversations with Kiuchi employees. ・ Regarding displays, we were asked to guarantee renewability. 【 Solution 】 Concrete was used as the core of the space expression in order to express the characteristics of a company that has developed by actively engaging in the concrete business with its own factory. The concrete that underpinned the company's growth has also been used as displays fixtures, allowing the company to feel the weight of its history and creating an impactful appearance. On the wall is a graphic sheet chronology showing the transition of a company from its founding to its post-war reconstruction, which overcame booms and busts while constantly responding to the needs of the times and growing. The showcase in the center shows a diorama model of a moment of technological challenge that has been a milestone in our 100 year history. Instead of displaying the finished building, we used a model of the construction scene to make it easier to understand. In addition, by elaborately representing the people involved in the construction work as a model, we created a realistic displays in which you can hear the sounds of the site and even the breathing and voices of the people of Kiuchi Construction and its partner companies, making it easy to initiate communication. < our company Project Members > 【 Sales 】 Ken Kumagai 【 design, layout 】 Kihiro Kitamura 【 Production/construction 】 Kazuo Maeda

The Yamato Group History Museum Kuroneko Yamato Museum was established to commemorate the 100th anniversary of the Yamato Group's founding. This museum, which communicates the Yamato Group's 100-year history and future initiatives, was opened in the Yamato Konan Building, which was built as the group's next-generation base, and combines a collection and distribution center with a history museum, a research institute to explore the future of logistics, a training center for human resources development, and a cafe to support the social independence of people with disabilities. The museum has a spatial structure unique to a logistics company, where visitors can trace the 100-year history and changes in the world by descending the spiral road on the building's perimeter where the transport trucks run, and the spiral displays space created above and below the road is superimposed on the "road" that the Yamato Group has walked. The exhibition is divided into four periods spanning from the company's founding to the present. Visitors can feel the changes over the years through the cityscapes that were the stage for the company's history, its sales offices at the time, and the state of society and consumers. By experiencing the efforts that went into developing services through "visual displays" and the thoughts of its managers and employees that were put into them, displays aims to combine space and experience, allowing visitors to relive the Yamato Group's 100-year growth.

Seiban Co., Ltd., a randoseru manufacturer well-known for its "Angel Wings" television commercial, opened the "Seiban Museum Park" in 2020, marking its 101st year since its founding. The park combines a large directly managed store and a randoseru museum at Head Office and randoseru manufacturing factory. The first floor houses the "Factory Shop," Japan's largest directly managed store, and the randoseru factory, while the second floor houses the "Seiban Museum," Japan's first randoseru museum. At the entrance to the "Factory Shop," visitors are greeted by a huge randoseru sculpture, a popular photo spot. The sales floor features roads, slopes, stairs, and balance beams reminiscent of a school route, allowing children to enjoy choosing a randoseru in the spirit of preschool. Each area of the "Seiban Museum" is designed to resemble a classroom or laboratory, showcasing a variety of displays showcasing the history and culture of randoseru, Seiban's commitment to manufacturing, and the performance and appeal of its products. There is also an area where visitors can tour the actual factory line where randoseru are manufactured. It is an attractive facility where three generations of a family can enjoy looking at, touching, and experiencing randoseru. Our company was in charge of all aspects of the project, from the planning stage to concept design and construction.

AGC was constructing a new R & D building in the AGC Yokohama Technical Center (Tsurumi Ward, Yokohama City) at a total cost of approximately 20 billion yen. The AO (AGC OPEN SQUARE), a collaborative space designed to accelerate collaboration within and outside the company, opened on November 19, 2020. The centerpiece of the AO, an open-area collaborative space, was an area based on the concepts of “Connecting, ”“ Inspiring, ” and “Trying. ” It consisted of four spaces: the AO Gallery, an displays in which AGC collaborates with external partners to make use of AGC's materials and technologies; the AO Park, where users can interact with AGC's products, values, and latest topics based on their needs and AGC's seeds; the AO Studio, an area in displays where users can experience AGC's cutting-edge materials and technologies; and the "AO Lab," a collaborative laboratory in which samples are evaluated and prototypes are created with external partners. our company was in charge of planning, concept design design and construction of Kyosei displays at AO Gallery, one of them. [Social Issues/Customer Issues/Request] We have received a request to create a gallery where people can experience the new appeal of AGC through collaborative displays with external partners utilizing AGC materials and technologies. Solution: By combining AGC's cutting-edge technology and hardware with our company's creativity, we have provided a space where we can collaborate and create new glass for the future. [our company Project Members] [Project Management] Shinnosuke Saito [Planning/design, layout] NOMLAB: Keisuke Yoshida/Wataru Nagano [Production] So Kirigakubo [Related Releases] • AGC and NOMURA Co.,Ltd. hold a collaborative exhibition "GLASSMART" [Related Results] • NOMLAB GLASS MOTION • NOMLAB PRISMINATION~ Ikita Glass Space ~

Shou-kan was built in 1892 in Nishikatamachi, Hongo-ku, Tokyo, as part of the residence of Count Abe, the former feudal lord of the former Fukuyama domain. In 1971, Tokio Kasuga, founder of Green Stamp Co., Ltd., relocated and restored it to Karuizawa, where it has been used as a memorial hall for the Green Stamp Karuizawa dormitory. In 2020, Shou-kan was renovated at the same time as the new annex as a retreat facility for both Green Stamp Co., Ltd. and Kenedix, Inc. We were responsible for the design and interior administration of the Shou-kan renovation, including seismic retrofitting, as well as the installation of FF&E for the entire facility. [Social Issues / Customer Issues / Requests] Various extensions and renovations have been made since the original relocation, and the only connection to the annex was via a corridor, which caused structural stress and led to subsidence. The entire facility was aging, and the Shoyukan was difficult to use in winter due to Karuizawa's climate, and although it was originally designed with tatami mats, its use had decreased due to changes in Japanese lifestyles. However, they wanted to renovate it while preserving as much of its original appearance as possible. [Solution] After investigating the Shoyukan, they restored it to its original simple form as much as possible, performed a seismic diagnosis, and reinforced the structure to withstand earthquake forces equivalent to those stipulated in the Building Standards Act. The building faces the annex across the courtyard, giving it a sense of unity as a whole facility. While respecting the original design as much as possible, they aimed to extend the period of use, including in winter, except for the coldest months, by installing insulation and air conditioning equipment in the parts that cannot be seen. They installed floor heating and replaced it with flooring, and the walls added for seismic resistance expressed the original walls, fixtures, and image of the time, while the upper half of the space retained as much of the original design as possible. <Our project members> [Sales] Kayumi Tatsumi [Survey, design, layout and interior administration] NAU1: Norio Koito [Production and construction] Mikiya Fujitaka

NTT Anode Energy is a company that promotes smart energy projects utilizing the Group's ICT and DC power supply technologies, and we aimed to create an office environment that symbolizes an energy company representing the NTT Group. The scope of work included directing the entire project, coordinating with various architectural and facility works, and supervising the work, which required strict adherence to a schedule. The project was delayed from the original schedule due to a new type of coronavirus infection, but we shared the issues with the client and the project members worked together to resolve the problems. SOLUTION: We were appointed to the project in March, but due to the Corona disaster, we used online conferencing to promote the project. Online meetings were also held as necessary to discuss video content and plantings, to ensure communication and thorough schedule, quality, and cost management. ＜Our project members＞ [Development] Akihiko Nishimura, Akihiko Suganuma [Sales and project management] Fumiho Ohashi, Akihiko Nishimura [Planning concept design] Ryuichi Okuda, Toshio Yamamoto [design, layout] Toshio Yamamoto [Production planning] Akio Hiraishi [Production planning, production, construction] Akinobu Takahashi

Office integration project for five advertising media companies of Gree. The concept of this project is "creating an opportunity for interchange." This concept was born from the idea of "providing a place that creates opportunities for accidental encounters and communication." The entrance space, which is the face of the five companies, is set to change the color of the lighting for each time and scene through the glass bricks, making it a space where you can feel change and movement. When used for events, it is envisioned to create a party scene with the light rhythmed to match the sound. Inside the office, there is a place called "Breakthrough Base" that will be an opportunity for the five companies to interact. "Breakthrough" means "not just a relaxation space, but a place to open up the future and break through the current situation," and "Base" means "not just a place, but a base that gives the feeling of strength and planning something." The floor is divided according to the expected flow of traffic, and is planned to be an "interchange: a crossing road," and is used as a place for natural interaction between the five companies. The parts that come into contact with the hands are aged to give a sense of freedom, as if the sea breeze is hitting you in Shinjuku, where you can't see the sea. The plain selection of materials and the use of chairs of various concept design create a relaxing space that exudes warmth and looseness. With the idea of a fresh start, we also created a minimalist space without over-elaborating it. While creating a sophisticated and stylish space, we also sprinkled in photogenic spots, something that only a company that deals in social business can offer. We designed a stylish space that gives the expectation that something new might be born. <Our project members> [Sales/Project Management] Yotsuya Masanori, Murakami Kaori [design, layout] Ozawa Atsuko, Obana Keita

This project is to renovate an displays room in the Panasonic Center Tokyo into a VIP reception and conference room. (Not open to the public) The spatial composition utilizes human perception to casually incorporate 4K images into the space like materials and scenery, and the ceiling height control and lighting technology are used to create a skylight effect, giving the space a sense of spaciousness, creating a space that is "comfortable for lively conversation." Since many VIPs and state guests from Japan and abroad visit the space, elements of ice-breaking are used throughout, such as a ceiling design inspired by Japanese culture, origata, images that evoke dry landscape gardens, and Japanese fragrances. In addition, the hand-drawn patent application documents that contain the founder's thoughts were turned into artwork and placed on the wall behind the seat of honor, giving the space a soul. By linking with the lighting control, the scene can be switched for various purposes, such as modes for welcoming guests, dining, and meetings using multiple screens. Panasonic's cutting-edge technology was used throughout the project, but by being thorough about the subtle expression, we were able to create a calm atmosphere overall, and build a space that combines innovation and quality. <Our project members> [Sales/Project Management] Yamazaki Kei [Direction] Yamaguchi Akane [concept design] Shimizu Shigemi, Tani Seiho [Production/ construction] Furuichi Hiromitsu, Kumazawa Yuta

Head Office of Xcom Global, which has strengths in providing communication environments, including mobile internet for those traveling abroad. Mobile communication services create various relationships around the world, connecting people with each other and people with events. The chain of individual communications that transcends countries and generations eventually creates a global movement or spins into one large entity, reminiscent of a "forest" where the activities and connections of various living things give rise to the spread of more life. The infinite connections and possibilities that Xcom Global's business brings to the world are superimposed on the state of a rich forest, and concept design theme is the natural formations there, the memories of the forest's growth, and the beautiful appearance that changes with the time. For the walls, panels with a motif of overlapping silhouettes of trees are concept design as an element symbolizing the forest landscape, and the space is covered with them. The sunlight during the day and the lights after sunset cast soft shadows on the floor and walls through the openings in the panels, giving the impression of sunlight filtering through the trees, creating a forest-like scene even though it is located inside a high-rise building in Shibuya. The impressive tables and drink counters are concept design with the motif of tree rings as a memory of the growth of the forest. The curved metal plates are offset in a concentric pattern and assembled, with the tops made of transparent acrylic so that the structure can be seen. The layout plan divides the space into two areas: a reception area for welcoming visitors and a meeting area for business negotiations. Under the above concept design theme, we have devised ways to block the view and create transparency appropriate for each scene. [Client's Issues/Requests] We received a request to concept design a reception space and a business negotiation space with an atmosphere like that of a luxury hotel lobby. <Our project members> [Sales/Project Management] Kazushige Ishii, Kaori Murakami [design, layout] Yoshihiro Kitamura [Production/ construction] Ikuo Chikaishi, Tetsuji Koike, Takuya Kagawa

The food court at the Shanghai World Financial Center (SWFC), a landmark skyscraper in Shanghai, China, will be transformed into a relaxing place surrounded by "light" and "greenery" that supports food, work and interaction among office workers. We were in charge of concept design and schematic design at NOMURA Co.,Ltd. and working drawings and construction at NOMURA (Beijing) Co., Ltd. as the food court of Shanghai World Financial Center (SWFC), a landmark skyscraper in Shanghai, China, as a relaxing place surrounded by "light" and "greenery" that supports food, work and interaction among office workers. The "Food Garden" is a food court with 12 restaurants on the second basement floor of SWFC, a landmark in Shanghai, providing daily food support to more than 10,000 office workers, a place for office workers to relax, and an event space and meeting rooms for seminars and social gatherings. The space was required to add value to the building by providing daily food support for over 10,000 office workers, as well as a place for office workers to relax, and an event space and conference room for seminars and social gatherings. The louvers were designed to visualize the "light" coming in from the ground and to create a series of scenes of "greenery" creeping up toward the light. The event space and meeting rooms (catering available from the food court) were planned as an integrated unit to attract customers even after peak lunch hours. <Our project members> Design: NOMURA Co.,Ltd. A.N.D. Inc. [Sales] Hisayasu Takenaka [concept design, schematic design] Keishi Sasaki, Umi Nishihara, Hitomi Kataoka construction In charge: NOMURA (Beijing) Co., Ltd. [Project management] Nobuya Sugimura [working drawings] Yu Lei, Hideki Arai [construction] Yu Lei, Hideki Arai, Shuangshuang Li, Zheng Xing, Yu Tun, Ken Wang

This is a project to completely renovate 3 floors of Roppongi Head Office Mori Tower where GREE's Roppongi Hills is located. It took more than two years after the project was conceived, and construction was carried out in multiple phases. The concept of this project is "Disseminating Green's manufacturing". Head Office was established in the Roppongi Hills Mori Tower for about nine years, and we have come back to our roots and expressed our passion for manufacturing in the office space. We created the entrance, lounge, café, Future Labo's interiors and fixtures while valuing the feeling of materials to express the image of creating high quality products in the space that many workers spend, which supports the three pillars of GREE's game business, advertising and media business, and live entertainment business. Project members, including customers, actually worked on construction fixtures at the site, creating a space filled with the spirit of manufacturing. D Sign Co., Ltd. was in charge of overall project management and Puddle Co., Ltd. was in charge of concept design design. [Customer Comments] In the new space that NOMURA Co.,Ltd. has worked on, the number of events has increased approximately four times compared to before the renovation, and the number of visitors is on the rise, and our company office is returning to life. We have a space and fixtures that are carefully designed to detail, so we can welcome guests with confidence. < our company Project Members > [Sales/Project Management] Kaori Murakami, Shuichi Sakashita [Production/construction] Naoto Tominaga