WorksCorporate_

湖池屋様にとって九州初の生産拠点となる九州阿蘇工場において、熊本をはじめ、九州の皆さまに笑顔をお届けする取り組みの一つとして、湖池屋の歴史と創業以来のこだわりを体感いただきながら、工場見学やオリジナルポテトチップス作りを体験することができる「湖池屋GOGO！ファクトリー」を新設されました。 九州阿蘇工場での工場見学を通じて、湖池屋様の魅力を地域の方々へ訴求できる施設となっております。 【社会課題／お客様の課題／ご要望】 所在地である益城町は熊本地震で被害のあった地域であるため、新工場を稼働することによる雇用の創出、高付加価値商品をはじめ、定番の商品まで生産することによって、地域の復興や活性化につなげていきたいとお考えでした。 そのなかで、熊本をはじめ、九州の皆さまに笑顔をお届けする取り組みの一つとして、湖池屋様の歴史と創業以来のこだわりを体感いただきながら、工場見学やオリジナルポテトチップス作りを体験することができる施設を計画されました。 【解決策】 2016年にリブランディングされました「新生・湖池屋」の“ポテトチップスの老舗”としてのイメージを感じられるように、エントランスにはのれんを使用し、「湖池屋　文化思想図」という歴史を知ることができる巨大グラフィックを配置いたしました。また、来場者が施設内に入ると一転、明るく白い空間が広がり、湖池屋様が「イケイケ！GOGO！」の精神で“もっとおいしい”を生み出されていることを表現いたしました。 オリジナルポテトチップス作り体験においても、ロの字型カウンターを使った「板前スタイル」で体験することができ、来場者の方とのコミュニケーションを重視いたしました。 【お客様の声】 非常に短納期の中、高いクオリティの施設をご制作いただきました。 弊社のもつこだわりや目指している企業イメージを大変よくご理解いただき、製作物として形に表していただきました。 今後、地域の方々とのコミュニケーションの場として大いに有効活用できると期待しています。 ＜当社プロジェクトメンバー＞ 【営業・プロジェクトマネジメント】有賀 ひとみ 【企画】柳原 朋子、望月 美那 【デザイン】田村 憲明、山田 明加 【グラフィック】暉峻 大信 【制作】森田 智昭

Keiyo Gas has renovated its Ichikawa showroom in Ichikawa City, Chiba Prefecture, into a community space open to local residents. The name "KeiyoGAS Community Terrace (commonly known as "Terrace")" reflects the desire to create a place for everyone to belong through a "veranda = terrace" that serves as a point of contact between people, the town, and daily life, and to pursue the company concept of "Towards the next 'happiness!'" The interior of the building is also concept design with the "veranda = terrace" concept in mind, creating a place for everyone to belong, accepting the free activities and diverse ways in which local residents can spend their time. Furthermore, under the facility slogan "Illuminating the town with children and adults," we have implemented mechanisms that allow users to participate in community building and initiatives that support local life and activities. Through these efforts, we aim to create a community that grows together with citizens and the local area.

"Technology to create a comfortable forest" The Panasonic Center Osaka Re-Life Salon is a space that embodies the wish for people to relax and become well-being, using Panasonic technology to create a comfortable forest. By combining various technologies such as sound, video, material processing, and airflow control with natural materials, it expresses the cycle of heaven and earth in the natural world and invites you to a comfortable feeling that resonates with the five senses. [Social Issues/Customer Issues/Requests] Our role was to embody the message of the facility's theme, "Enriching Life Even More," using Panasonic technology. [Solution] We incorporated healing elements that enrich life and structured the entire space around concept design concept of a "forest." By incorporating Panasonic technology into a space composed of natural elements, it has become a space where you can actually experience comfort. By combining concept design and technology and embodying the space, we created a place that conveys the message of the entire facility. [Customer Feedback] Panasonic's spatial solutions technology has been physically incorporated into the concept design forest, creating a space where more customers can naturally experience it. It has become a salon area where many customers naturally gather, and we feel that it is functioning as the face of the entrance to Panasonic Center Osaka. We are grateful to NOMURA Co.,Ltd. 's sales, design, and construction teams for working together with us from the planning stage and providing a great deal of support in realizing this space. <Our Project Members> [Sales & Project Management] Yusuke Mori, Hidenobu Kumagai [Planning] Masahiko Ohi [design, layout] Asako Hashimoto, Hiroaki Mori [Production & construction] Masao Ogawa ~Related Links~ [Related Achievements] ・Panasonic Center Tokyo ROOM S ・Panasonic Museum Konosuke Matsushita Historical Museum ・Panasonic Center Osaka "Re Life Story: A House Connected to Nature Where You Can Play Innocently and Immerse Yourself in Nothingness" ・Wonder Life-BOX 2020 (Inside Panasonic Center Tokyo) ・Panasonic Center Osaka

NOMURA Co.,Ltd. opened a new office in March 2021 in the Daiba Garden City Building adjacent to the Head Office building (Odaiba, Tokyo) to accommodate the new normal era. NOMURA Co.,Ltd. The Group's goal is to activate communication and better creativity among employees while taking advantage of the Group's diverse work styles and values. NOMURA Co.,Ltd. The Group launched a project in 2019 to consolidate Group company locations with the aim of creating an environment in which employees can work together more closely and synergistically. Facing the changes in work styles and social issues arising from the Corona disaster, we sought to create a realistic office space for the New Normal era with the three keywords of "health," "experimentation," and "brand" to create the "way of the future work. We believed that the function of the office in the new normal era would change from a "workplace" to an "innovative space that triggers communication," where a diverse range of people from inside and outside the company can gather and actively exchange ideas and opinions in a way that only the real world can offer. To this end, the communication space "RESET SPACE_2" was designed based on the concept of a "Unique Park," a park-like space that can be used by all employees to accommodate diverse and unique work styles. The space is made of 100% fair wood. CONFERIUM is a proposal for a new meeting room area, and is an attempt to "act displays in the way we work" by daring to actively showcase unique meetings. The know-how used in the displays space is applied to the office space, for example, by darkening the common corridor to make the conference room stand out as displays. The creative office area has adopted a group address system. The creative floor is designed to allow concept design work with an awareness of the "concept design feeling" of scale and materials, which is a major advantage when conducting concept design work. By clarifying the purpose of the space, we were able to create a sophisticated space at a low cost. This project was planned, designed, construction and managed by the NOMURA Co.,Ltd. group.

Kiuchi Construction in Shizuoka constructed a new office building as a 100 year anniversary project. In one corner of the gallery, we were asked to create a gallery to introduce displays's 100 year history for the purpose of recruiting and communication with clients. Showcasing the history of 100 years from the company's founding to the present and the trajectory of its challenges in construction technology, we aimed to deepen the understanding of Kiuchi's history and create a space that can be effectively used as a communication tool for Kiuchi's next 100 years. [Social Issues/Customer Issues/Requests] ・ Kiuchi Corporation's characteristics were expressed well and the facility was requested to have a dignified appearance. ・ We were requested to present information that is easy for recruiters and clients to understand, and also to remind subcontractors of projects they were involved in in the past and create conversations with Kiuchi employees. ・ With respect to displays, we were requested to guarantee renewability. [Solution] Concrete was chosen as the core of the space expression to express the characteristics of the company, which has its own factory and has achieved development by actively engaging in the concrete business. The concrete that supported displays's growth is also used as fixtures, giving a sense of the weight of history and creating an impactful glimpse. The wall is a graphic sheet chronology that shows the history of the company, which has always responded to the needs of the times and grown while overcoming the waves of economic boom and bust from its founding. In the central showcase, we present diorama models of the milestones in our 100 year history. Instead of displaying the completed architecture, we created a model of the construction scene to make it easier to understand as an illustration. In addition, by elaborately representing the people involved in the construction work as models, we created a displays with a sense of presence that makes it possible to hear the sounds of the site, as well as the breathing and voices of the people of Kiuchi Construction and its partner companies. < our company Project Members > [Sales] Ken Kumagai [design, layout] Yoshihiro Kitamura [Production/construction] Kazuo Maeda

The Yamato Group History Museum, also known as the Kuroneko Yamato Museum, was established to commemorate the 100th anniversary of the Yamato Group's founding. This history museum, which showcases the Yamato Group's 100-year history and future initiatives, is located within the Yamato Konan Building, a next-generation hub for the group. It brings together a variety of functions, including a history museum, a research institute exploring the future of logistics, a training center for human resource development, and a café supporting the social independence of people with disabilities, all centered around a delivery center. The museum features a unique spatial structure, characteristic of a logistics company, where visitors can trace 100 years of history and the changing times as they descend the spiral roadway around the building's perimeter, where transport trucks travel, creating another spiral displays space above and below it. The exhibition is structured into four eras, from the company's founding to the present day. It aims to be displays that blends space and experience, allowing visitors to relive 100 years of Yamato Group growth by experiencing the changes of the times through the streetscapes that served as the stage for history, the offices at the time, and the state of society and daily life, while also touching upon the struggles of service development "visually displays" and the thoughts of managers and employees that were embedded within it.

Seiban Co., Ltd., the schoolbag manufacturer familiar from its "Angel's Wings" TV commercials, opened the "Seiban Museum Park" in 2020, its 101st year in business. This new facility combines a large directly managed store and a schoolbag museum at Head Office and schoolbag manufacturing plant. The first floor houses the "Factory Shop," the largest directly managed store in Japan, and the schoolbag factory, while the second floor features the "Seiban Museum," Japan's first schoolbag museum. At the entrance to the "Factory Shop," a giant schoolbag sculpture, a popular photo spot, welcomes visitors. The sales floor features roads, slopes, stairs, and balance beams designed to resemble a school route, allowing children to enjoy choosing a schoolbag as if they were going to school for the first time. The "Seiban Museum" features spaces designed to resemble classrooms and laboratories in each area, showcasing the history and culture of schoolbags, Seiban's passion for manufacturing, and the performance and appeal of their products through diverse displays. There is also an area where visitors can tour the factory line where schoolbags are actually manufactured. This attractive facility allows three generations of families to enjoy seeing, touching, and experiencing school bags. Our company was responsible for all aspects of the project, from the planning stage to concept design and construction.

AGC invested a total construction cost of approximately 20 billion yen to construct a new R & D building at the AGC Yokohama Technical Center (Tsurumi Ward, Yokohama City). AO (AO/AGC OPEN SQUARE), a collaborative space to accelerate internal and external collaboration, opened on November 19, 2020. The centerpiece of the project is the an open collaborative space with areas based on the concepts of,, and "AO Lab." It consists of four spaces: AO Gallery, a collaborative displays with external partners that utilizes AGC's materials and technologies; AO Park, where users can interact with products, value, and the latest topics created from AGC's seeds and user needs; AO Studio, a displays area where users can experience AGC's cutting-edge materials and technologies; and AO Studio, a collaborative laboratory where users evaluate samples and build prototypes together with external partners. our company was in charge of co-creation displays planning, concept design design and construction at AO Gallery. [Social Issues/Customer Issues/Requests] We received a request to create a gallery where visitors can experience new attractions of AGC through co-creation displays with external partners utilizing AGC materials and technologies. [Solution] By combining AGC's cutting-edge technology and hardware with our company's creativity, we have provided a space where we can co-create the glass of the near future. < our company Project Members > [Project Management] Shinnosuke Saito [Planning, design, layout] NOMLAB: Keisuke Yoshida/Wataru Nagano [Production] So Kirigakubo < Related Releases > ・AGC and NOMURA Co.,Ltd. collaborate to hold "GLASSMART" exhibition < Related achievements > ・NOMLAB GLASS MOTION ・NOMLAB PRISMINATION~ Ikita Glass Space ~

"Sho-u-kan" is a part of the former residence of Count Abe, the former lord of the Fukuyama Domain, built in 1892 in Nishikata-cho, Hongo-ku, Tokyo. In 1971, Tokio Kasuga, the founder of Green Stamp Co., Ltd., relocated and restored it in Karuizawa, and it has been used as a memorial hall for the Green Stamp Karuizawa dormitory. In 2020, Sho-u-kan was renovated at the same time as the newly renovated annex, to be used as a retreat facility by both Green Stamp Co., Ltd. and Kennedyx Co., Ltd. Our company was in charge of the design and interior administration of the Sho-u-kan renovation, including seismic retrofitting, as well as the installation of FF&E (First Floor & Energy) equipment throughout the facility. [Social Issues / Customer Issues / Requests] Since its initial relocation, various additions and renovations have been carried out, and the connection to the other building is only made at the point of a corridor, and structural stress has been placed on the building, resulting in settlement. The entire facility was aging, and in the case of Sho-u-kan, it was difficult to use in winter due to the climate of Karuizawa. Also, although it originally had tatami mats, the frequency of its use had decreased due to changes in the lifestyle of Japanese people. However, there was a desire to renovate it while preserving as much of its original appearance as possible. [Solution] Based on an investigation of Sho-u-kan, it was restored as much as possible to its simple form from when it was relocated, and a seismic diagnosis was conducted to reinforce the structure to withstand seismic forces equivalent to those stipulated by the Building Standards Act. It faces the annex across a courtyard, giving a sense of unity to the entire facility. While respecting the original design as much as possible, the aim was to extend the period of use, including winters other than the coldest period, by installing insulation and air conditioning equipment in the unseen parts. Underfloor heating was installed and the flooring was changed to hardwood, and the walls added for seismic reinforcement were made to express the original image of the walls, fixtures, etc., and the upper half of the space was preserved as much as possible of the original design. <Our Project Members> [Sales] Kayu Tatsumi [Survey, design, layout, and interior administration] NAU1: Norio Koito [Production and construction] Mikiya Fujitaka

NTT Anode Energy is a company that promotes smart energy projects utilizing the Group's ICT and DC power supply technologies, and we aimed to create an office environment that symbolizes an energy company representing the NTT Group. The scope of work included directing the entire project, coordinating with various architectural and facility works, and supervising the work, which required strict adherence to a schedule. The project was delayed from the original schedule due to a new type of coronavirus infection, but we shared the issues with the client and the project members worked together to resolve the problems. SOLUTION: We were appointed to the project in March, but due to the Corona disaster, we used online conferencing to promote the project. Online meetings were also held as necessary to discuss video content and plantings, to ensure communication and thorough schedule, quality, and cost management. ＜Our project members＞ [Development] Akihiko Nishimura, Akihiko Suganuma [Sales and project management] Fumiho Ohashi, Akihiko Nishimura [Planning concept design] Ryuichi Okuda, Toshio Yamamoto [design, layout] Toshio Yamamoto [Production planning] Akio Hiraishi [Production planning, production, construction] Akinobu Takahashi

This project involved the integration of offices for five advertising media companies of GREE. The concept of this project is "creating opportunities for interchange." This concept was born from the idea of "providing a place that creates opportunities for serendipitous encounters and communication." The entrance space, which will be the face of the five companies, is designed to be a space where you can feel change and movement, with lighting colors changing according to the time and scene through glass bricks. When used for events, it is envisioned that the light will have a rhythm in sync with the music to create a party scene. Inside the office, there is a place called "Breakthrough Base" that will serve as a catalyst for interaction between the five companies. "Breakthrough" means "not just a relaxation space, but a place to open up the future and break through the current situation," and "Base" means "not just a place, but a base that gives a sense of strength and hints that something is being planned." The flooring is laid out in a way that anticipates the flow of movement, and is planned to be an "interchange: a place where paths intersect," and is utilized as a place for natural interaction between the five companies. Areas that are touched by hands have been given an aged finish, giving a sense of liberation as if you were feeling the sea breeze in Shinjuku, where the sea is not visible. The use of plain materials and a variety of chair concept design created a relaxed space with a warm, laid-back feel. Furthermore, reflecting the idea of a fresh start, we aimed for a minimalist space without over-designing. While maintaining a sophisticated and stylish atmosphere, we also incorporated photogenic spots, befitting a company involved in social projects. We designed a space that is stylish yet inspires anticipation of new ideas and possibilities. <Our Project Members> [Sales & Project Management] Masaki Yotsuya, Kaori Murakami [design, layout] Atsuko Ozawa, Keita Obana

This project involves converting displays room within the Panasonic Center Tokyo into a VIP reception conference room. (Not open to the public) By utilizing the spatial composition that leverages human perception, 4K video is subtly incorporated into the space as if it were a material or landscape. Combined with ceiling height control and skylight effects using advanced lighting technology, the space is given a sense of spaciousness, pursuing a "comfortable atmosphere that encourages lively conversation." As the center receives many VIPs and state guests from both Japan and overseas, icebreaker elements have been incorporated throughout, such as ceiling designs inspired by the Japanese art of origami, video expressions reminiscent of a dry landscape garden, and scents that evoke a sense of Japanese aesthetics. Furthermore, handwritten patent application documents imbued with the founder's aspirations have been transformed into artwork and placed on the wall behind the head of the room, imbuing the space with soul. In conjunction with the lighting control, the scene can be switched according to various purposes, such as welcoming guests, dining, or meetings using multiple screens. While making full use of Panasonic's cutting-edge technology, we focused on understated expression to create an overall calm atmosphere, building a spatial value that combines novelty and high quality. <Our Project Members> [Sales/Project Management] Kei Yamazaki [Direction] Akane Yamaguchi [concept design] Shigemi Shimizu, Kiyoho Tani [Production/ construction] Hiromitsu Furuichi, Yuta Kumazawa

The entrance lobby of Excom Global's headquarters Head Office specializing in providing communication environments, including mobile internet access for travelers abroad. Mobile communication services create diverse connections around the world, linking people to people and people to things. The way individual communication chains transcend countries and generations, eventually giving rise to global movements and weaving together one large entity, is reminiscent of a "forest" where the activities and connections of various living things create the expansion of more life. The infinite connections and possibilities that Excom Global's business brings to the world are superimposed on the state of a rich forest, and concept design theme is based on the natural forms found there, the memories of the forest's growth, and the beautiful appearance that changes with time. As an element symbolizing the forest landscape, the walls are covered with panels concept design with the overlapping silhouettes of trees as a motif. During the day, sunlight, and after sunset, artificial light, casts soft shadows on the floor and walls through the panel openings, creating an impression of dappled sunlight filtering through trees, making it feel as if you are in a forest, even though you are inside a high-rise building in Shibuya. The striking tables and drink counters are concept design with "tree rings" as a motif, representing the memory of a forest's growth. Bent metal plates are assembled in a concentric offset pattern, and the tabletop is made of transparent acrylic so that this process can be seen. The layout plan divides the space into two areas: a reception area for welcoming guests and a meeting area for business negotiations, and under the above concept design theme, efforts have been made to create appropriate levels of privacy and transparency for each scene. [Client's Challenges/Requests] We received a request to concept design a reception space and business negotiation space with an atmosphere like the lobby of a luxury hotel. <Our Project Members> [Sales & Project Management] Kazushige Ishii, Kaori Murakami [design, layout] Yoshihiro Kitamura [Production & construction] Ikuo Chikaishi, Tetsuji Koike, Takuya Kagawa

Nomura Co., Ltd. was responsible for the design and basic planning of the food court in the Shanghai World Financial Center (SWFC), a landmark skyscraper in Shanghai, China. The food court was designed to be a relaxing space enveloped in "light" and "greenery" to support the eating, working, and socializing needs of office workers. NOMURA Co.,Ltd. was responsible for concept design and schematic design, while NOMURA (Beijing) Co., Ltd. was responsible for working drawings and construction. [Client's Challenges/Requests] The "Food Garden" food court, located on the second basement floor of the SWFC, a Shanghai landmark, brings together 12 stores. The goal was to provide daily food support to over 10,000 office workers, while also creating a space that enhances the building's value by providing a place for office workers to relax, as well as event spaces and conference rooms that can be used for seminars and networking parties. [Solution] To create a comfortable relaxation space for office workers despite being underground, the "light" streaming in from above was visualized as louvers, creating a continuous scene of "greenery" creeping up towards the light. Furthermore, the event space and meeting rooms (with the possibility of catering from the food court) were planned as an integrated unit, creating a configuration that can attract customers even after the peak lunch hour. <Our Project Members> Design: NOMURA Co.,Ltd. AND Co., Ltd. [Sales] Hisayasu Takenaka [concept design / schematic design] Keisuke Sasaki, Kai Nishihara, Hitomi Kataoka construction: NOMURA (Beijing) Co., Ltd. [Project Management] Nobuya Sugimura [working drawings] Lei Yu, Hideki Niwa [construction] Lei Yu, Hideki Niwa, Shuangshuang Li, Xing Zheng, Yu Lin, Jian Wang

This project involved the complete renovation of three floors of the Roppongi Hills Mori Tower, where GREE's Head Office are located. The project took over two years from conception and was carried out in multiple phases. The concept of this project was "to showcase GREE's craftsmanship." Having established Head Office in Roppongi Hills Mori Tower approximately nine years ago, GREE returned to its roots and expressed its passion for craftsmanship in the office space. In a space where many workers supporting GREE's three pillars—game business, advertising and media business, and live entertainment business—are present, we created interiors and furnishings of the entrance, lounge, café, and Future Labo, emphasizing the quality of the materials used to express the image of creating high-quality products. Project members, along with clients, were actually involved in construction of the furnishings on-site, resulting in a space imbued with the passion for craftsmanship. D-Sign Co., Ltd. handled overall project management, and Puddle Co., Ltd. was responsible for concept design planning. [Customer Feedback] In the new space created by NOMURA Co.,Ltd., the number of events and other activities has quadrupled compared to before the renovation, and the number of visitors is also on the rise, bringing back vibrancy to our office. The space and furnishings have been meticulously designed down to the smallest detail, allowing us to welcome our clients with confidence. <Our Project Members> [Sales & Project Management] Kaori Murakami, Shuichi Sakashita [Production & construction] Naoto Tominaga