WorksAll Achievements

Hitachi Origin Park is a new starting point for Hitachi, Ltd., consisting of four facilities: the Kodaira Memorial Hall, the Sogetsu Koya, the Omika Club, and the Omika Golf Club. The Kodaira Memorial Hall is a future-oriented memorial hall that enhances the engagement of all employees and general visitors. It is a museum that touches on the aspirations of displays Namihei Kodaira, conveys the company's roots to all employees, and allows local residents to learn about the history of social innovation, which has continued to challenge social issues with "harmony, sincerity, and pioneering spirit." In addition, as a place to think about social issues together in the future, a participatory theater has been set up, where visitors can look back on displays themes to date and think about the displays. The Sogetsu Koya, the origin of the company's founding, has been restored as a symbol of Hitachi Origin Park, and visitors can experience the realism of the time by adding recorded footage and 3D sound to the reproduction of the actual environment, creating displays that imprints the spirit of the company's founding in their hearts.

This project was carried out based on the machine tools collected and used by Sankyo Seisakusho, with the goal of cultural preservation and educational use, while leaving them as a valuable asset for the next generation. It will be the best machine tool displays space in Japan, with a number of historical machine tools that embody modern industrial history. You can deepen your understanding of the changes and achievements of machine tools, which are the forerunners of the era and bring about industrial transformation, by system and era, and you can actually touch the machines and mechanisms, making new discoveries and learning. In addition, lighting is used to symbolize the machine tools, which are the core of displays. We participated from the research stage, and under the supervision of the supervisor, we were in charge of space concept design, lighting concept design, graphic concept design, and production and construction. [Customer feedback] The graphic concept design, color scheme, and especially the lighting were well balanced, creating an antique atmosphere. <Our project members> [Sales] Takanori Tsujii [Research] Shuta Fukahori, Takanori Tsujii [design, layout] Shuta Fukahori [Production and construction] Kazuo Maeda, Yurina Nishizono

This is a new tourist information center built in the public passageway of JR Kokura Station, the gateway to Kitakyushu City. In order to improve the satisfaction of tourists, including foreign tourists, who will continue to increase in number, and to promote sightseeing around the city, the existing information center, which was built about 15 years ago, was closed and moved to a new location within the same station premises and expanded. [Social issues / Customer issues / Requests] The requests included creating a space that is easy for travelers to use and comfortable, preparing the hardware and software of a digital signage system with updateable content so that travelers themselves can search for tourist information, setting up a facility that takes into consideration the installation of foreign currency exchange machines and other equipment for foreign travelers, and creating an information center that meets the highest standard of "Category 3" *2 certified by JNTO (Japan National Tourism Organization) *1. [Solution] In addition to meeting the above requests, we proposed a plan with the goal of creating an information center that can be used even in the with-COVID era. Based on the concept of "Kyushu's gateway where you can experience Japan," we proposed a design that expresses the advanced spirit of Kitakyushu, a mecca for manufacturing, while also incorporating the traditional concept design of the castle town of Kokura, and carefully selected interiors materials to maintain a safe and clean concept design. The proposed functions include a non-contact face-to-face system using monitors, a system that allows travelers to upload and publish travel information using SNS, and an arrangement in which the entire glass surface of the exterior wall becomes a signage that promotes the attractions of Kitakyushu at night, and these were all adopted. The innovative concept design is unified with Kitakyushu's signature design and a clean white color, and the entire glass wall creates a bright, open, and welcoming atmosphere. While the concept design blends in with the modern station premises with a gray base, it also asserts itself as an information center by incorporating concept design inspired by Kokura weaving and elements of bustle. At JR Kokura Station, the gateway to Kitakyushu, the concept design is symbolic of the city, conveying the charm of Kitakyushu to customers both in and out of Japan and raising expectations for the trip. [Customer feedback] concept design reflected the space that the city wanted to create as a tourist information center, based on the services to be provided, and they created a tourist information center worthy of being the "gateway to Kitakyushu City." Despite the constraints of being located inside a station, they were able to solve many issues with their rich imagination and high technical skills. We hope that this facility will be used by more tourists visiting the city than ever before. *1. About the JNTO-certified foreign tourist information center certification system: JNTO has been operating a foreign tourist information center certification system since fiscal 2012, based on the "Guidelines for the establishment and operation of foreign tourist information centers (established in January 2012, revised in April 2018)" established by the Japan Tourism Agency. This certification system certifies information centers into three categories and partner facilities based on location, functions, etc. The certification is renewed every three years, and by providing support services such as interpretation services and training sessions by JNTO, we aim to enhance the functions and quality of JNTO-certified foreign tourist information centers nationwide. *2. The highest standard, "Category 3," means: English support is available at all times. Additionally, there is a system in place that allows guidance to be provided in two or more languages other than English at all times. National-level tourist information is provided. Open all year round in principle. Wi-Fi is available. Located in a gateway or location with many foreign visitors. <From the Japan National Tourism Organization website> <Our project members> [Development] Soeda Satoru [Sales and project management] Soeda Satoru [Planning, design, layout] Nishimura Chieri [Production and construction] Hijikuro Kazuya

As a hotel that introduces "Kyoto Toji Temple" in an easy-to-understand manner that cannot be fully enjoyed in a one-time sightseeing trip, the little-known Buddha statue mandala is illustrated, and you can walk around the city freely opening and closing while comparing the old and the modern. In the lobby, we installed a map, a large table where you can copy sutras with sand, and a wall artwork of Buddha smiling with a motion sensor. In addition, the full-size pillar with a motif of a five-storied pagoda was used as a bookshelf to impart wisdom because the actual central pillar itself is a mandala.

After extensive research by a former professional soccer player (Tim Brown) and a biotechnology expert (Joey Zwillinger), Allbirds successfully developed innovative and sustainable shoes using natural materials such as merino wool, eucalyptus, and sugar cane, and the lifestyle brand Allbirds was born. Founded in San Francisco in 2016, Allbirds landed in Japan in 2020, and following the Harajuku store, its second store in Japan, the Marunouchi store, opened in June 2021. We supported Allbirds from the design stage as their local architect. By obtaining a plot for two stores, the wide glass facade allows sunlight in and the inside of the store can be seen from Marunouchi Nakadori, making it easy for customers to enter and creating a bright and open space. There are two entrances, a unique door handle in the shape of a large wooden foot, and a lineup of T-shirts, loungewear, and performancewear made from natural materials in the center of the store. The shoes are displayed by type according to material and function, and the interior is simple yet playful, with cloud-shaped mirrors on the floor and walls, and solid wood chairs that tilt to make it easier to try on the shoes. [Social Issues/Customer Issues/Requests] The client requested that they faithfully create the world view of a global brand with about 35 stores around the world, communicate closely with the person in charge in San Francisco, the home country, and handle all work from schematic design stage to completion as a single company. [Solution] We provided comprehensive management, including resolving legal issues related to the design, negotiating with developers, procuring materials, working drawings, construction and schedule/cost management, and coordinating the import of audio and video systems and fixtures. In order to meet Allbirds' request to send out a message from Japan to the world in the future, we are paying tribute to their concept design philosophy of "sustainability" that respects nature and the environment, and considering interiors materials and spatial configurations that correspond to this for future store openings. <Our project members> [Sales/Project Management] Yoshiki Yamada [Design] Yoko Kurose [Production/ construction] Shuhei Tatsuda [Coordination] Atsuko Shimura

This facility was newly opened in Ginza, Tokyo in April 2021 as a base for "agile development," in which Tokio Marine Group repeatedly verifies and improves in a short period of time. It is a workplace that brings together engineers and designers from Tokio Marine & Nichido Systems to promote the development of insurance and services using digital technology. The facility is a renovated four floors of an existing building, and the first floor is an entrance gallery with a user interview room. The third and fourth floors are office spaces occupied by Tokio Marine & Nichido Systems. The fifth floor is configured as a coworking space that promotes co-creation both inside and outside the company, and is concept design with the concept of a "creative social space," a communication-centered space where a chain of creative activities is born, rather than an office as a place to work. The message of Tokio Marine Group that "insurance is born from adventure and exists to support people's challenges" is the axis of the entire facility, and materials and artworks are selected with the themes of ① adventure, ② challenge, and ③ diversity, and we aim to concept design the space to exude an attitude of challenging anything without fear of failure. We hope that this facility, named G/D Lab., will be a place to accelerate the fusion of insurance and digital, and to support new adventures for the future. [Social Issues/Customer Issues/Requests] The client used the keyword "diversity" to express the concept of a "creative social space" where various talents gather, so the goal was to design an environment that would allow anyone to work comfortably and with flexibility in mind. [Solution] From the perspective of creating a comfortable environment, the lighting plan for the office area incorporates the concept of circadian rhythm and uses fixtures that can be set by timers to change color temperature and illuminance from morning to evening. In addition, most of the fixtures are movable, allowing for flexible response to various working styles. Some of the fixture materials are made of recycled boards called "Kami-Pori Boards" made from upcycled waste paper and waste plastic, making the design environmentally friendly. <Our project members> [Sales and project management] Yasuhiro Urashima [Planning] Ryusuke Nomura, Yuuga Okamoto [design, layout] Manabu Yamanobe, Shunta Nakamura, Shunsuke Ami [Production and construction] Kentaro Hirano, Katsumi Chikada, Kazuki Misawa

Kids Garden Minami Aoyama is a 4 minute walk from Gaienmae Station, with a private indoor heated swimming pool and a 2,200m2 facility for children aged 1 to 9 years old. It is one of the largest facilities in Tokyo that integrates early childhood education and school children. Based on a program that nurtures and develops the abilities needed at each age from infancy to childhood, when brain development is most active, experienced and professional lecturers have developed an original early childhood education program in collaboration with Montessori and Shinbukai, and gymnastics and swimming programs supervised by special teams that support Olympians and top athletes. This facility is a place where you can meet a wide variety of educational programs from Japan and overseas, and the location of Aoyama is a place where various values, races and cultures come and go. Based on the characteristics of its facilities and location, we have chosen "CROSS" as our keyword and incorporated intersections into concept design as symbolic motifs. In addition, to represent CROSS, it incorporates Japanese and Western interwoven taste. The Japanese elements, in particular, reflect the owner's desire to "In this globalized world, I hope that our children will continue to carry on their Japanese strengths and identity as adults." and create a space where children can naturally come in contact with Japanese culture. By using all of our company's know-how accumulated in a number of nurseries at construction, we have created a space that is both safe and aesthetically pleasing. [Social Issues/Customer Issues/Request] As a new private facility for child-rearing support, there was a request that the theme of the facility be "Japanization" in order to ensure both safety and design, and to anticipate foreign nationals as well as visitors due to its location. [Solution] As an essence of Japanese culture, Noren, traditional patterns, and traditional Japanese colors were incorporated into concept design Space to create opportunities for daily exposure to Japanese culture. In order to contribute to child-rearing support, we conducted a distinctive concept design based on the concept of "Japanization" in order to differentiate ourselves from concept design space, which is a general and average facility for children, and created a contact point for Japanization from childhood. [Customer's Voice] This is our company's largest facility ever, but I think we were able to express the high quality concept design and the unified concept. We were able to proceed with the opening of the facility without any problems due to the flexible corrective action and compliance with the construction schedule. < our company Project Members > 【 Sales/Project Management 】 Kazuya Takada 【 design, layout 】 Mari Matsumoto, Ayako Hiruta 【 Signing/Graphic Design 】 Ayako Hiruta, Aki Haga 【 Production/construction 】 Ken Kogure, Takehiro Ichijo

"CHOOSEBASE SHIBUYA" is the first media-type OMO store (※) opened by Sogo & Seibu Co., Ltd. in a department store format. The first floor of the parking building at Seibu Shibuya has been fully renovated, and the aim is to create a new retail business through collaboration with D2C brands that are popular with millennials and Gen Z. Customers who visit the store can enjoy a new shopping experience that combines online and offline in an immersive space on their smartphones. This time, an EC site will be opened at the same time as the real store, and new shopping services will be proposed, including a sales format where products purchased online can be picked up in the store. Using cutting-edge technology such as AI cameras, data that can be used for test marketing, product planning, and service improvement is also provided to store owners. *OMO store = a store format in which customer, product, and inventory information is unified between the store and EC This is a new business that was launched from the idea that creating a place where a new generation of customers can meet new brands is the new way of department stores. While it is a media-type OMO store that utilizes the latest technology to amplify the editing power unique to department stores with the power of technology, we aimed to create a world view with a margin based on the keyword "editing" unique to department stores, so that it can be a place where you can experience a human way of consumption that is not too dependent on technology. The entire store is composed of two thick lines crossing each other, and by slightly tapering from each entrance toward the crossroads, the sense of immersion is strengthened. Four areas called "BASE" are adjacent to the crossroads, and each area is given its own material personality within a common world view. Taking advantage of the existing characteristics of a semi-basement with a low ceiling, the blue painted floor, which is deliberately devoid of warmth, is an assortment of colors that give a sense of "slight discomfort" and a hint of the future in the world of a monochromatic color with no saturation. The two corridors are drawn with organically curved lines of light that draw you deeper, and the tin panels with a silver to blue gradation are reminiscent of a blue moment, providing a special experience while creating a mischievousness unique to the location.

Sumitomo Life's "Vitality" is a product that combines a system of variable premiums and rewards to support customers in taking and continuing to take part in health promotion activities. In order to allow more customers to experience its advanced nature and value, we have opened walk-in stores. We were also in charge of the following stores. ・Sumitomo Life's "Vitality" Plaza Yurakucho Store (Opened April 2020) ・Sumitomo Life's "Vitality" Plaza Shinjuku Store (Opened November 2019) [Social Issues / Customer Issues / Requests] In order to solve the three issues of increasing awareness of "Sumitomo Life's "Vitality", attracting new customers, and improving policyholder loyalty, we were required to utilize "digital" technology that is rooted in "people" and creates new experiential value. By opening a store in the heart of Ginza, one of Japan's leading commercial districts, and disseminating information, we promoted the project to contribute to Sumitomo Life's vision of "better living for each individual = well-being". [Solution] We created a space where customers can experience the world of Vitality by visualizing the features of the health program of Sumitomo Life "Vitality" - "understand your health condition," "improve your health condition," and "enjoy rewards" through displays of rewards and videos. We created a flexible space where various events and seminars can be held to support health promotion activities, and a meeting room where face-to-face support can be provided to existing policyholders, and the plan emphasizes value rooted in "people." Interactive content was introduced at the entrance, allowing customers to make health efforts their own, and a new experience using "digital" was provided with Ginza as a backdrop. We hope that the store will be a place that supports each individual's "daily life" from the heart of Ginza through the space and contributes to the realization of a healthy and long-lived society. [Customer feedback] Many design companies in the same industry visit the store because they are interested in design, layout by your company. Customers have said things like "The wall concept design is wonderful," "It's a stylish space," "It's cool with the smart partitions," and "It's a space that makes you want to sign a contract," and some customers were impressed by the monolith (a large touch-panel monitor). <Our project members> ・Sumitomo Life Insurance "Vitality" Plaza Ginza Flagship Store [Development] Mizuki Ogura [Sales and project management] Keita Shima [Planning] Hiroki Noda, Hiroshi Matsushita [Digital content planning] Aya Watanabe [Leasing] Aya Nishimoto, Tomoko Shirasaki [design, layout] Yasushi Machida, Megumi Yatsuka, Mariko Yamagiwa [Production and construction] Tomokuni Hasegawa [System design and construction] Keisuke Taneda, Yuki Kuga ・Sumitomo Life Insurance "Vitality" Plaza Yurakucho Store [Development] Mizuki Ogura [Sales and project management] Keita Shima [Planning] Hiroki Noda [design, layout] Yasushi Machida [Production and construction] Kazuki Misawa ・Sumitomo Life Insurance "Vitality" Plaza Shinjuku Store [Development] Mizuki Ogura [Sales and project management] Keita Shima [Planning] Koji Nakazato, Hiroki Noda [design, layout] Yasushi Machida [Production and construction] Kazuki Misawa

国内のホテルオークラブランドとしては約20年ぶりとなる「ホテルオークラ京都 岡崎別邸」が2022年1月20日に開業いたしました。当社の空間デザインチーム 「ＲＥＮＳ」がインテリアの総合ディレクションをおこない内装施工および、FF&E施工を担当しました。京都には、古くから受け継がれてきた技術によって職人の手で生み出される、世界に誇る伝統工芸が多くあります。その伝統工芸を未来へとつなぎ、さらなる可能性を感じることができるホテルをつくりました。京都の伝統工芸を担う後継者6人によるプロジェクトユニット「GO ON（ゴオン）」とコラボレーションし、新しい工芸品で満たされたスモールラグジュアリーな空間を創り出しています。大人の隠れ家を思わせ、静謐なひとときを感じられるホテルで、現代的な京の美に癒される滞在をお楽しみいただけます。

熱田神宮は三種の神器のひとつ草薙神剣（くさなぎのみつるぎ）を奉斎するお社であることから、古来、各時代に亘って刀剣の奉納が連綿としてなされてきました。 剣の宝庫 草薙館は、国宝・重要文化財の刀剣をはじめ、古くより祈りを込めて神様に捧げられた刀剣、約450口を収蔵する熱田神宮ならではの刀剣専門展示館です。刀剣類のほか、刀剣にまつわる絵画や文書史料をご鑑賞いただけるほか、実物の日本刀（刀・脇指）や実際の長さや重量で作製した大太刀 朱銘 末乃青江（太郎太刀）と千代鶴國安（次郎太刀）の二振りの重さを感じることができる体験コーナーを設けています。 当社は、館内のグラフィック、刀剣展示の解説、映像制作を担当いたしました。 映像では草薙館の名前の由来でもある、「草薙神剣～伝来神話」をテーマとしました。草薙神剣の誕生神話と熱田神宮がお祀りする由来神話を、たおやかな絵巻物風に紹介しています。 BGMにもこだわり、日本に古くから伝わる雅楽器の調べで始まり、オーケストラの音色を加えた壮大な神宮誕生の瞬間を伝えました。 刀剣展示の解説モニターでは、刀剣展示の鑑賞セオリーを踏襲しつつ、文字を大きく振り仮名を多く振ることで、より幅広い世代の方が読みやすくなるようにしました。 ＜当社プロジェクトメンバー＞ 【営業】山本 泉一郎、渡邉 恭子 【企画・グラフィックディレクション、映像ディレクション】下國 由貴 【什器デザイン】三宅 大朗

富士フイルムビジネスイノベーションジャパン（旧富士ゼロックス）の新社屋オフィス移転にともなう顧客接点の場構築のプロジェクトです。新オフィスが入る豊洲ベイサイドクロスタワー17階の体験型ショールーム「Bridge for Innovation」の企画・デザイン・設計などを当社が担当しました。 お客様の課題解決の方向性を見出し、成功へとつなげるショールームとしての機能を持たせながら、今後のワークプレイスとしての在り方も同時に求められたプロジェクトであり、当社は「可変空間の俊敏性＝Agility」という答えを導き出しました。 ソリューション体感エリアにおいては固定壁を一切建てず、すべて俊敏性の高い可動什器のみで構成し、可変・可動空間を徹底して追求しました。 【社会課題／お客様の課題／ご要望】 事業戦略に合わせた什器レイアウトのアレンジを短時間で構築できるよう、フレキシブルな運用を可能とする必要がありました。 【解決策】 商品特性や顧客特性に合わせた多様なブース構成を日々アップデートしながら運営していくスタイルに相応させるため、7種類の可動什器を計画しました。 視線を完全に遮断するパーティションや半分だけ通すパーティション、またそれらが重なりさらに透過性のバリエーションを生み出します。 また固定壁を建てず、床と天井の色分けにより空間の境界を意識できるようにすることで自然なゾーニングを可能としました。 床下には電源など設備的にフレキシブルなインフラも整え、将来的に機能変換が容易なように設えています。 可変・可動空間を徹底して追求することは、壁をつくらずに空間機能を有機的にコントロールする挑戦でもありました。 ＜当社プロジェクトメンバー＞ 【営業・プロジェクトマネジメント】村上 奈津子、川嶋 士雄人 【企画】小林 慶太 【デザイン・設計】大西 亮、阪 信昭、植村 陽理子 【製作・施工】木村 俊作、村田 陸

サンシャインシティアルパ３階飲食フロアの空き区画を、株式会社サンシャインシティ様が直営することで実現した、新しいスタイルのコミュニティラウンジです。 当社は企画サポート・デザイン・設計・施工を担当させていただきました。 ワーカーをターゲットにデスクワークが可能なラウンジスペースと、ランチタイムには異なる事業者が営業するキッチンスペースで構成された空間は、仕事だけでなく食事・リフレッシュ・イベント利用など多様なシーンに対応しています。また、オーガニックコーヒーが人気の「BYRON BAY coffee」が出店するカフェスペースも併設しており、“ヒトとヒト”や“ヒトとコト”をつなぐ場所として、多種多様な人びとが集い、新たなコミュニティ促進の拠点として、使い方をあえて規定しないラウンジ空間となっています。 施設名称の「SOLARIUM」とはラテン語で〈日時計〉という意味があることから、時間帯によってさまざまな人びとが集い交流するこの場所に相応しいオリジナルの名称です。 【社会課題／お客様の課題／ご要望】 コロナ禍の変化により、働く場所の選択肢が増えたからこそ、その受け皿となる柔軟なコミュニティラウンジの提案が求められました。 飲食フロアに位置する区画だからこそできるキッチン併設のコワーキングの提案や、ワーカー以外に地域の人も利用できるようなコミュニティラウンジとして、空間のフレキシブル性とコミュニケーションのきっかけづくりが求められたプロジェクトです。 【解決策】 メインとなるテーブルには全てキャスターを付け、多様なシーンに対応できるようにしています。また、居心地よく仕事や食事ができるように、個人作業も可能なボックス型のシート席や、ちょっとした息抜きができるソファエリア、コーヒー片手にカジュアルな会話ができるハイカウンターなど、目的や気分に合わせて選択できる多種のシーティングを用意しています。 地域とのつながりの場であることを発信するために、豊島区出身でグローバルに活躍しているアーティスト〈FACE〉氏に「多様性」や「池袋の街」をテーマに作品制作を依頼し、空間のガラス面に大胆にレイアウトしています。 今までのサンシャインシティのイメージを良い意味で払拭することで、一歩踏み出し、新たな価値観を受け入れる場所であることを表現しています。 ＜当社プロジェクトメンバー＞ 【営業・プロジェクトマネジメント】平松 美南 【デザイン・設計】山野辺 学、田村 憲明、藤村 完 【制作・施工】児玉 崇

緑茶・農業・観光の体験型フードパーク。マルシェ、レストラン、カフェ、キッズパーク、テナント店舗で構成される県内最大級のマルシェです。地域の農家の所得向上、地域観光のハブとなる場を創出することを目的とし、大井川農業協同組合、島田市、大井川鐵道、中日本高速道路㈱ 4者連携事業として進められました。 当社は基本・実施計画からデザイン・設計・施工、テナントリーシングまでおこないました。なお、このプロジェクトはトコナツ歩兵団プロデュースのもと、当社を幹事会社とする設計JVを設立し、プロジェクトの中心的な立場で開業までの業務を推進しました。   【社会課題／お客様の課題／ご要望】 【農業振興】と【地域振興】がキーワード。 この地域は日本有数の緑茶の産地で、お茶農家の方々はその品質について絶対的な自信を持っているものの、緑茶離れが進むなか、その価値の打ち出し方や売出し方がわからないという課題を抱えていました。また大井川鐵道のSLや大井川流域の豊富な観光資源がありながら、観光客を思うように呼び込めていないという課題もあり、この地域の観光のハブとなる拠点を創出するという目的もありました。 特産品を魅力的に発信し地域農家が自信をもって売れる場づくり、地域の方が地元の魅力に気づき誇れる場の創出という課題に取り組みました。   【解決策】 １．地元に愛されること。２．地域の資源を生かすこと。３．わかりやすく伝えること 地域や農家の方にとって「当たり前」のことがいかに価値のあるものであるか、他の地域の人にとって魅力的なものであるかという考えを伝えていきました。そこにエンターテイメント性やデザイン性を加え他にはない体験にすることで、価値を付加し、魅力的な商品・サービスに仕立てていきました。 大井川鐵道の新駅も開設され、これまでこの地域になかった複合商業施設としたことで大きな話題となり、連日多くのお客様で賑わっています。   ＜当社プロジェクトメンバー＞ 【営業】西本 彩、岩佐 圭介 【企画】乃村 隆介 【デザイン・設計】田村 憲明、藤村 完、荒井 翠 【制作・施工】中村 美行、才木 祐来、吉田 明弘、宇田川 宙、川谷 隼裕 【リーシング】西本 彩

西伊豆の土肥地区にある旧鈴木邸という母屋と3つの蔵からなる大きな邸宅は、江戸時代より地域の中心的な存在として親しまれてきました。“古美と過ごす価値”を念頭に、このたび宿泊2室のオーベルジュとして各建屋と外構を改修しました。 母屋は閉塞感のある間取りを見直し、上下左右へと空間の広がりをもたせて現代の快適性を確保しました。３つの蔵は各々がもつ空間的個性を活かして最低限のデザインを加えることで昔の雰囲気を継承したいと考え、2棟を贅沢な屋外露天風呂をもつ宿泊棟へ改修し、１棟をラウンジとスパを兼ねた機能としました。 周辺の宿泊施設とも掛け合わせられ、地域に溶け込みそして愛されるオーベルジュが実現しました。   【社会課題／お客様の課題／ご要望】 土肥は、長きにわたり温泉旅館街として人気を得てきた一方で、飲食店のバリエーションが少なく、観光拠点となるカフェや西伊豆の食資源を活かした観光コンテンツがないことなどから、観光客の回遊消費の少なさが長年の課題でした。 この施設整備は事業収益性優先ではなく、この地域のためになる施設にすること、そして観光客ならびに地域住民に受け入れられ愛され続けるような施設にして欲しいというご要望でした。   【解決策】 当社では建物がこの土地で積み重ねてきた時間の経過を尊重し、各建屋が持つ味わいを見つけ出し、それらを魅力へと変えられる設計とデザインが必要だと考えました。 既存不適格の建築物の構造的な負担を考慮しながら間取りを見直し、母屋は奥行きのある小屋組み、ラウンジとした一ノ蔵は粗く塗られた左官壁面、宿泊棟の二ノ蔵はダイナミックなワンルームの空間性、三ノ蔵は二階建ての縦への広がりと板壁の裏に隠されていた土壁など、各建屋の味わいを尊重するとそれがそのまま各施設の魅力そのものになりました。   【お客様の声】 短納期のなか、極めて品質の高いデザイン・施工技術をもって土肥の歴史を代表する旧鈴木邸を再生していただいた結果、「LOQUAT 西伊豆」に来られる観光客のみならず、地域住民の方も毎日のように来館いただき、日々の生活のなかでほんの少しの豊かさを提供する憩いの場となることができました。 連日、宿泊棟のみならず、レストラン、ベーカリーやジェラテリアに関しても、満席や売り切れが続くほどの賑わいを見せています。   ＜当社プロジェクトメンバー＞ 【営業・プロジェクトマネジメント】平塚 慎也、八木 信之 【企画】二宮 咲 【デザイン・設計】小糸 紀夫、井上 裕史、中島 忠宏、手塚 亮太郎 【制作・施工】遠藤 淳、井上 敬之、菊地 野原