WorksAll Achievements

W 大阪は、積水ハウス様が開発し、マリオット・インターナショナルが運営する地上27階、地下1階、高さ117.34ｍ、客室337室のラグジュアリー・ライフスタイルホテルです。 建設地は大阪市中央区南船場4丁目の御堂筋沿い。 設計は日建設計、デザイン監修は安藤忠雄氏。インテリアデザインはconcrete。当社は、内装の制作施工を担当しました。 マリオット・インターナショナルが展開するブランドのひとつで、1998年にニューヨークで誕生したラグジュアリー・ライフスタイルホテル「W（ダブリュー）」が日本に初進出しました。  【社会課題／お客様の課題／ご要望】 華やかなデザインの反面、天井や壁の全てが立体形状になっており製作、施工共に非常に難易度の高い工事となりました。 【解決策） 事業主や設計者の思いを実現するため、関係者が一丸となり細部に至るまで品質を追求することで無事完工することができました。 【お客様の声】 多種の工事が錯綜する低層階において、短工期で高品質の工事を完成させていただきありがとうございました。 ＜当社プロジェクトメンバー＞ 【営業・プロジェクトマネジメント】坂田 守也 【制作・施工】奥野 貴史、平山 勇司、山口 明子、植野 成規、丸地 力斗、中瀬古 康佑 【設計】植田 数彦、眞田 英幸

東京都中央区「京橋第一生命ビルディング」のテナントで永く愛されてきた中華料理「國泰飯店」。ビルの建て替えに伴い交差点を挟んだ隣のビル「京橋創生館」に移転してのリニューアルオープンとなりました。 京橋交差点に面しており、東京メトロ銀座線京橋駅よりすぐという好立地によって認知性も高く、日常用途から接客用途まで、移転前と変わらず地域の人びとに親しまれる中華料理店です。 【社会課題／お客様の課題／ご要望】 既存店のビル建て替えによる移転ということで、厨房の使い勝手や、店舗として宴席の需要が多いことから、客席の個室の数や席数についてのレイアウトを踏襲して欲しいとのご要望をいただきました。 【解決策】 既存店のレイアウトを参考にしながら、新規店舗区画に合わせた配置計画を行うとともに、使い勝手について改良を加えながらご要望に応えていきました。 加えて、入口のみ路面に接していた店舗から今回の移転で2面がガラスで道路に接した路面店となったことに対し、一目で中華料理店と認識できるように中華格子を効果的に用いて、より多くのお客様に認知していただくとともに、店内の視認性を高め、入りやすいデザインとしました。 また、個室のプライベート性についても格子戸を有効活用し、外からの視認性とプライベート性といった相反する目的に対しても解決策を施しています。 ＜当社プロジェクトメンバー＞ 【営業・プロジェクトマネジメント】 新沼 晴康、緒方 啓亮、杉原 秀彦 【デザイン・設計】 田谷 利之 【制作・施工】 中村 美行、地崎 翔太

札幌すすきのを舞台にした都市型観光ホテルの計画です。札幌を代表する繁華街すすきのは北海道中の「食」の魅力がつまった、おいしい幸せにあふれており、食欲を刺激するロビー空間を目指しました。すすきの歓楽街の看板をモチーフにした架空店舗の看板ウォール、海産物の運搬用木箱を模したご近所MAPなど「食」にまつわるモチーフで空間と体験を構築しました。

"OMO5 Kyoto Sanjo" has opened on Kyoto Sanjo Street, where Kyoto is packed with fun things to see, buy, and eat. As a mechanism to fully enjoy "Kyoto Sanjo", there is a townhouse tower that conveys the history of Takasegawa and information on shops, a town walking map that allows you to enjoy two different courses along the Takasegawa and Sanjo retro town, and a walking map around Sanjo. In the lobby, we have set up content that leads to walking around Sanjo, such as an artwork with the letter "San" lined up with old maps from three different eras, and an art panel frottage of Sanjo no Michi. In addition, in the renovation of the guest room, we have created a small rise where suitcases can be stored, and have devised ways to use the space widely by consolidating the bed and sofa areas.

The remains of the approximately 1.2 km runway in Uzurano-cho, Kasai City, were from an airfield built during the war, and many other war ruins are scattered around the area, remaining to this day. Kasai City's regional revitalization center facility, "Sora Kasai," serves as an exchange hub for touring these ruins, and the "Uzurano Museum" within it was built as the center of a field museum that conveys the historical facts of the war. The basic plan for the facility was awarded to a joint venture of the three companies, Ooba Co., Ltd., and Iruka Design Group Co., Ltd., who were involved in the design, and our company was mainly in charge of the museum displays. After that, we were independently awarded the order to create displays, and it took about six years from planning to completion. Towards completion, after going through a review committee, we worked with many people, including Kasai City, local war history researchers who had been conducting research for many years, preservation societies, supervisory teachers, and a full-scale airplane model production company, to create the facility. This museum, built on the runway, introduces the short but rich history of Uzurano Airfield, with two full-scale airplane models that are deeply connected to the area as displays. We aimed to create a museum unique to Uzurano, taking advantage of the story and local characteristics of the area. The mission of this museum is to weave the memories of this area, leave them in a tangible form, and pass them on, and we hope that it will become a place where people can think about peace and connect with each other.

Mitsukoshi Ebisu, which had been operating in the commercial building of Ebisu Garden Place, has closed and been reborn under the new name "Center Plaza". Ahead of the grand opening in the fall of 2022, "Foodie's Garden" has been set up on the B2 floor, and the flagship store "Central Square Ebisu Garden Place Store" has opened in one corner of it. We supported the opening of "Foodie's Garden" from leasing to store concept design, interiors construction, and the production of product display fixtures. [Social Issues / Customer Issues / Requests] Life Corporation Co., Ltd. requested that they create a more attractive store than ever before, incorporating the essence unique to Ebisu, where the store is located, while following the Central Square brand, in preparation for the opening of their flagship store, Central Square. [Solution] concept design of the store facade incorporates "brick walls" inspired by Ebisu's historical motifs, beer factories and train stations, and makes use of materials reminiscent of Ebisu's history to create a dignified facade concept design befitting a flagship store. concept design of the store makes use of the graphics and sign concept design format used at Central Square, following the image of Central Square and creating a store unique to Ebisu that blends in with Central Square's VI (※). (※)VI: Abbreviation for Visual Identity. Refers to the design of the logo mark or symbol mark. <Our project members> [Development and leasing] Kawai Masakazu [Sales and project management] Aiba Kensuke [design, layout] Matsumoto Mari, Hiruta Ayako, Okada Ayumi, Sato Aya, Kaizawa Ayuko [Sign and graphics] Hiruta Ayako, Ito Tomomi [Production and construction] Kurosawa Koji, Ohara Yuka, Yamakawa Yuichi / Nomura Arcs: Okazaki Yudai

Business Brain Ota Showa Co., Ltd. (Below, BBS) has been in business for more than 50 years and provides consulting, system construction and operation, and business process outsourcing. our company moved to Head Office to reduce office space to accommodate new ways of working and to realize a carbon-neutral society, and was in charge of the entrance and conference room areas in design, layout and construction. The layout plan is structured around two key words: history, which has supported client management accounting, and the near future, which supports innovation and digital innovation. It also conveys a sense of gravity as a consulting company originating in Japan and a desire to become a 100 year company. In order to express the "history" and "near future" characteristic of BBS, the "history" was expressed with wooden ribs of different sizes, and the base material of the whole space was used. In contrast to the wooden ribs, the "future" is represented by a central light box in the center of the floor, and the same delicate lines of original glass film and indirect lighting are used. < our company Project Member > [Sales/Project Management] Keiji Kawashima [Planning/Design/Direction] Hisako Kashiwase [Planning/concept design] Sayaka Eto [Production Management] Yusuke Yamazaki

Newman Yokohama, which opened in June 2020 at the West Exit of JR Yokohama Station, is the second Newman after Shinjuku in Tokyo and is located on the first to tenth floors of JR Yokohama Tower. interiors concept design is Atelier Tsuyoshi Tane Architects and Sign concept design is 10inc. is in charge. our company was in charge of interiors Basic, working drawings and interior administration operations, Sign Design construction operations, Environment interiors construction operations, Tenant B construction, furniture and fixture manufacturing and A and B construction management. As a new commercial facility in Yokohama, it creates a bustle. Each floor has its own concept and consists of 115 shops that offer lifestyle suggestions across all genres such as fashion, beauty, food, wellness and culture. environmental design that stands out when you walk around the building is designed by internationally active architect Tsuyoshi Tane. Each floor uses 300,000 different custom-made tiles to create an indoor space that feels like walking on a street. [our company Project Members] [Development] Moriji Maekawa [Sales] Shinnosuke Nishida, Koshige Sakimoto, Ryutaro Ando, Masashi Kondo [Design] Masaki Harashima, Hora Raturu, Akiko Onishi, Junya Hagiwara, Kazuhiko Komuro, Miya Gazawa/NODE: Hirofumi Negoro, Teruko Inomata, Fumiya Ito, Hiroyuki Nii [Production/construction] Keisuke Toda, Shuhei Tatsuta, Sokichi Yamamoto, Yumiko Matsumoto, Takeshi Koshige/Nomura Products: Kenji Takaba, Hirohito Usui, Teru Ariyama, Yao Takada, Riho Murai * Nomura Products has been integrated into Nomura Arcs since March 1, 2022.

This is a renovation plan for the Toyobo Building, located along the Dojima River in Osaka, an area filled with charming historical buildings and abundant nature. The Dojima River is a river with an attractive landscape that represents Osaka, known as the "City of Water," so we aimed to create a place where people can work energetically while enjoying the comfort of this location. The plaza is designed as if the deck along the river extends to the building, and a swaying willow tree is placed as the symbolic tree, allowing people to visually feel the river breeze. The facade incorporates concept design inspired by the grandeur of the Dojima River and the density of its waves. The building's exterior is wrapped in a soft wave design, which is intended to harmonize with the building and become a new symbol of the city. The lobby lounge is designed to coordinate with the facade, giving continuity between the inside and outside, and by adopting sofas of various shapes and original acoustics, it creates a comfortable atmosphere. In addition, visual art that visualizes the outside environment such as temperature and wind is applied to the central pillar, allowing people to feel the comfort of the river breeze even indoors. Each floor is decorated with photographs of the Dojima River showing its various faces, while the restrooms feature original art that delicately depicts waves. The different color palettes on each floor will surprise visitors.

Toyo Seikan Group Holdings Co., Ltd. manufactures various packaging containers using materials such as metal, plastic, paper and glass, and as one of the world's leading comprehensive container manufacturers, has provided products that support all aspects of people's lives. As a renovation project for the Innovation Gallery on the 15th floor of Head Office, this facility was concept design with the concept of "a place where various information and people that will trigger daily life, work and the future can meet and communicate". [Social issues / Customer issues / Requests] Through this renovation, we would like to turn the Innovation Gallery into an information dissemination facility to create and activate dialogue with customers. We would like to disseminate the latest technologies and efforts, including the core technologies of each Toyo Seikan Group company, and make it a facility that is recognized both inside and outside the company as a place where you can obtain the latest information on packaging containers. The above requests were received. [Solution] We have set up a topic displays corner that disseminates the "now" of packaging containers through the latest technologies and efforts, and have adopted a modular concept design as a mechanism for easy operation in a timely manner. We have also set up displays corner for the core technologies of each group company, and designed the concept design to intuitively convey the "core technologies" that are the strengths of each company and the "comprehensive strength" of the Toyo Seikan Group. <Our project members> [Sales/Project Management] Yoshiki Yamada [Planning] Atsuro Iizuka [design, layout] Kaoru Ueda, Akika Yamada, Hironobu Teruyoshi [Production/ construction] Takashi Kodama

This project involved design, layout of the showroom for the Tsu Factory, which is the core of Panasonic Corporation's founding business of wiring device production. We aimed to gain further trust from customers by having visitors experience the hidden technical capabilities and cutting-edge production system behind the wiring device products in displays room and factory. displays room is composed of sections on "history," "product introduction," "Tsu Factory introduction," and "Factory technology and production capacity introduction," and is designed to link with various parts of each building on the premises. We considered everything, including the factory tour, to be elements that make up the showroom, and aimed to turn the entire factory into a showroom by creating a path from displays room to the manufacturing building. [Social issues/customer issues/requests] In order to build the theme of the facility, "trust," with customers, our role was to materialize through experience how visitors could deepen their understanding of the Tsu Factory's technical capabilities, factory production capacity, and history. [Solution] Based on the keyword "trust," we picked out the strengths of the Tsu Factory that are incorporated into the products, and created points that would give visitors notice and surprise through displays. By connecting each point, displays is structured so that visitors can gradually deepen their understanding as they proceed along the route. We created a space where the "trust" between visitors and the factory can be deepened throughout the entire experience. <Our project members> [Sales/Project Management] Hikaru Sato, Yu Takahashi [design, layout] Hiroaki Mori, Minamo Maeda, Mayumi Shigematsu [Production/ construction] Kazuya Fujii, Masaru Oishi

Since opening as a whisky museum in 1998, the number of visitors has exceeded 600,000, due in part to the airing of TV dramas and the arrival of the highball boom. As the facility has deteriorated and the way displays are displayed has become outdated, the decision was made to renovate the former Whisky Museum in the first phase of the project while also reviewing the entire Yoichi Distillery tour facility. The Yoichi Distillery is an important point of contact where visitors can experience Nikka, and it is also a sacred place for whisky fans. However, the previous tour facility was not at a level commensurate with its importance, and the fact that it has not kept up with the changes and evolution of the world was a major issue in the current renovation. The main theme of the renovation is to create a story about the ideal whisky making of founder Masataka Taketsuru, or Yoichi as the origin of Nikka, and how it will move forward into the future, and to foster understanding and empathy for the Nikka brand. [Social issues / Customer issues / Requests] 1. The purpose of the renovation is to further improve the understanding and satisfaction of visitors, increase the number of Nikka fans, and strengthen the brand. ② With the growing popularity of whisky, we will renovate displays to meet the needs of the expanding user base and diversifying visitors. ③ We will reorganize the exhibits to accommodate the increasing number of foreign visitors. ④ We will target visitors who are interested in whisky. ⑤ We will displays everything from the basics, such as the manufacturing process, to the details and trivia, but we would like the exhibits to be intuitive and not comprehensive. These were the requests we received. [Solution] In planning and designing this exhibit, we made a major shift in our thinking from the general and comprehensive whisky information provided by the whisky museum, and tried a completely new approach to displays. Based on the concept of "Learn about the essence of Nikka Whisky through the brand stories of Nikka's four products," we focused on the four brands that represent Nikka and turned each brand story into an displays experience. We aimed to create an experience where visitors could learn about the essence of Nikka Whisky and basic knowledge of whisky while following the brand stories. displays include footage of various people working at the distillery giving talks and introducing the important role of the blender, and for the first time ever incorporate displays design that whisky fans have never seen before. displays commentary includes trivia information for the main target audience, and many displays also include content that reveals the secrets of the manufacturing process that gives shape to the individuality of the products. Regarding multilingualization, displays commentary will be written in Japanese and English as a base, and digital technology has been introduced that allows visitors to read translated commentary on their personal mobile phones to accommodate Chinese visitors, who make up the majority of the visitors. <Our project members> [Sales/Project Management] Matsubara Tadayuki [Creative Direction] Tamura Keiyu [concept design Direction] Suzuki Fujie [concept design Planning] Yamada Akira, Shirodo Kensaku [Planning] Yanagihara Tomoko, Iizuka Atsuro [Production] Iwasaki Tsukasa, Umemoto Ikushige

"Koniwa House" A place where babies can spend relaxing time with their families and friends. The interior, which feels like a picture book, has a diaper changing space, a nursing space, and a kitchen and living room where you can feed your baby milk and baby food, making it a space that makes you feel like you are visiting a friend's house. "Komorira no Mori" A play area where babies, kids, and families can spend their time in peace and relaxation. It is divided into an area where babies and families can relax in peace, and an area with exciting play mechanisms for children who are starting to become active. In the center of the spacious space, there is also a base camp corner where parents with children of different ages can have a panoramic view of the whole area. [Social Issues / Customer Issues / Requests] The request was to create a space for parents and children that goes one step further than the achievements of LaLaport Hiratsuka, so that people with children in Numazu City and Shizuoka Prefecture can have a relaxing day as well as shopping. [Solution] We planned and concept design the space with the intention of creating a space where childcare could be shared regardless of gender or age, rather than just for mothers to look after their children. In addition to creating an extraordinary concept design that would make it enjoyable for both adults and children to come here, we also took care to ensure that families with children of different ages could find a place for siblings and ensure their safety while looking after the baby. <Our project members> [Sales] Ikuta Hidefumi, Mitsui Hiroshi [Planning] Team M: Matsumoto Mari, Nishimoto Aya [Design] Matsuzawa Kei [construction] Yamada Yusuke

Fuji World Heritage Center, which preserves for the future the value of Mt. Fuji, inscribed on the World Heritage List as "an object of faith and a source of art," underwent renovation in the spring of 2022. The renovated facility offers a wealth of displays materials with easy-to-understand explanations, displays panels that make it more enjoyable to understand the attractions of Mt. Fuji is "an object of faith and a source of art" to visitors, including many foreigners, we have created a spatial experience that works with smartphones and tablets, and a displays guide system "Fuji Guide" with built-in multilingual (7 languages) commentary and voice commentary. displays guide by "Guide" was produced. The "World Heritage Mt. Fuji VR," which can be experienced through 360° images by wearing VR goggles, traces the path of faith walked by pilgrims in the past from the Misaka Pass, which has been depicted in ukiyoe woodblock prints, to the top of Mt. Fuji, which is usually unseen, from a dynamic viewpoint, and to make people want to visit the site. Social Issues/Customer Issues/Requests] Since its completion in 2016, displays has been lacking in materials and explanatory text for international visitors due to the fact that it is an interactive displays experience. SOLUTION: displays graphics were re-laid out to be easier to understand, explanatory text added missing information, and a gentle route was shown by placing panels in consideration of the displays route. displays In the guide system, all existing applications were converted to web browsers, and multilingual support was provided so that visitors with different cultural backgrounds can easily understand the explanations. In addition, 3D maps and 360-degree still image content were used to enhance the experience. In terms of operation, a simple-to-use CMS (content management system) was built, making it possible to easily respond to any modifications to the explanatory text. For the VR production, we used content that traces the path of the Fuji faith in VR, and adopted a simultaneous playback system that takes into account the realistic images shot by a drone and the operational aspects. ＜Sales and project management] Maria Uemura [Digital contents planning] Hiroki Mima, Aya Watanabe, Ayaki Kanehara, Sakaki Miyahara, Minori Hayashi [design, layout] Kaoru Akazawa [Production: construction] Akinobu Takahashi [System design: construction] Ayaki Kanehara, Minori Hayashi - Related Links - [NOMLAB] ・山梨県立富士山世界遺産センター Fuji World Heritage Center

HERALBONY Co., Ltd. defines art created by artists with intellectual disabilities as "unique" and applies it to various objects, experiences, and settings in society. In collaboration with Hyatt Centric Ginza Tokyo, located on Namiki-dori Street in Ginza, we provided spatial concept design and construction support for the guest rooms. [Social Issues/Customer Issues/Requests] HERALBONY's fashion brand, "HERALBONY," aims to expand its scope as a "lifestyle brand" by dissolving the invisible boundaries between people and fields that are often difficult to connect with in everyday life, such as "welfare" and "disabilities." This collaboration room marked the first step in the lifestyle brand's efforts to decorate spaces. This space not only served as a hotel guestroom concept design but also created an opportunity to integrate art into everyday lifestyles. [Solution] We woven the space together so that guests could experience a rich time in their guest rooms, as if they had entered an ever-expanding world of art. This would turn the guest room experience into a hub, evoking stories of how art blends into the time spent at home. We envisioned the space being a place where many conversations and discoveries would be sparked as guests looked at the art that blends into various places. <Our project members> [Sales and project management] Uedate Chisato [concept design] Yamaguchi Akane, Onishi Ryo, Yoshimura Mineto, Kato Kei [Production and construction] Hatano Atsushi, Yoshida Risa, Oda Satoshi ~Related links~ [Release] ・ NOMURA Co.,Ltd., Ltd. cooperates in spatial concept design. Exhibition "HERALBONY / Unconventional Future" is currently being held to great acclaim. ・Nomura Co., NOMURA Co.,Ltd. 's social good activities: Case study of Hyatt Centric Ginza Tokyo HERALBONY ART ROOM Changing society through the resonance of art and spatial concept design [nomlog] ・Changing society through the resonance of art and spatial concept design- HYATT CENTRIC GINZA TOKYO HERALBONY ART ROOM