WorksAll Achievements

【プロジェクト概要文】 全12フロアで構成される医療・美容総合ビルの内装設計プロジェクト。 「人が心地よく感じる"ゆらぎ"」をインテリアデザインコンセプトとし、既存の建築を生かしながら「水の波紋」「光の動き」「木漏れ日」等のゆらぎの要素をデザインに落とし込むことで、上質なSPAに行くような、医療施設としての新しいスタンダートを確立しました。 【プロジェクトメンバー】 ディレクション：小坂 竜 / 営業・プロジェクトマネジメント：竹中久恭 /  デザイン・設計：谷 高明 , 浦田 晶平

The Saga Prefectural Space Science Museum "Yumeginga" was established in 1999 as a communication facility connecting people and science. Since 2006, our company has been the representative of the "designated manager," and currently operates it jointly with Mabec Co., Ltd. The concept is to "nurture children's scientific spirit," "convey the wonder of discovery and creation," and "discover and recognize a comprehensive understanding of space, Earth, and Saga, and their relationship to oneself." Along with displays that enhance learning, we have planned displays that cater to tourists and are noteworthy enough to be shared nationwide. The facility has three zones: the "Saga Discovery Zone," the "Earth Discovery Zone," and the "Space Discovery Zone," and our company was in charge of all zones when it opened. Over the course of a quarter of a century since its opening, the "Earth Discovery Zone" underwent a complete renovation, and in 2024, the "Space Discovery Zone" underwent a complete renovation. The concept for the renovation of the "Space Discovery Zone," which is full of excitement like the stars in space, is "A long journey to space." This exhibition connects two perspectives—space science, which seeks to unravel the mysteries of the universe, and space activities, in which humanity challenges itself to explore space—through the theme of "life." The entire displays space grandly depicts where our lives originate, where we are headed, and how we interact with the universe. Furthermore, the aim is to create displays experience that makes the universe feel closer and broadens visitors' perspectives, leading them to the two existing zones on other floors.

【Project Overview】 "Grand Emio Oizumi Gakuen" has opened in the lower part of the urban redevelopment "Rismo Oizumi Gakuen" in the north exit area of Oizumi Gakuen. It is a commercial complex with the themes of "food", "gathering" × "culture" consisting of four floors from the first to the third basement floor directly connected to Oizumi Gakuen Station× It consists of 28 stores, including a supermarket on the first basement floor, a café and fresh flowers on the first floor, a bakery and fashion on the second floor, and a restaurant, bookstore, and music class on the third floor. The concept of environmental design is a city living room where you can have a "live marche" for adults and a petit "luxury". The environmental design consists of a mix of natural materials, simple concept design, natural light pouring from the atrium and a soft lighting plan. 【Customer's voice】 I hope that you fully understood the concept of business and architecture, and designed a business environment that is simple but natural and high-quality, suitable for this area. (R.I.A. Co., Ltd.) [Our person in charge] Project management: Hajime Mori concept design / Design: Toru Abe

A bookstore on the 4th floor of LaLaport Ebina, a shopping center directly connected to the west exit of Ebina Station on the JR Sagami Line. With a rich and fresh product lineup, diverse proposals, and events that create unexpected encounters, we aim to be a store that will be a "spice" in our customers' lives and will be patronized for 10 or 20 years.

[Project Overview] Tokyo Station, which celebrated its 100th anniversary in December 2014, has continued to develop and engrave its history alongside Tokyo's Marunouchi area, one of Japan's leading business districts. With the development of the Tokyo Station Marunouchi Plaza and the redevelopment of the surrounding area progressing, its evolution is moving towards the next 100 years. In 2015, with the wish to illuminate the future brightly from Tokyo's Marunouchi area, the heart of Japan, the "Tokyo Michiterasu 2015" celebration of light was held. Our company assisted with the special illumination of the Tokyo Station Marunouchi building using "traditional Japanese colors" and the illuminated promenade on Gyoko-dori. In the illuminated promenade, visitors were enveloped in light through sculptural illuminations and tree lighting, and the integrated presentation with the station building created a high-quality and dignified space befitting Japan's gateway. In a survey on light-ups/illuminations conducted by the Japan Event Industry Promotion Association on February 10, 2016, the special light-up of the Tokyo Station Marunouchi Building was selected as the number one light-up/illumination event that people would like to see in the future. [Our staff] Sales/Project Management: Ken Kumagai Planning: Ryuji Tsuyama Direction: Ryuji Tsuyama design, layout: Ryuji Tsuyama Production/ construction: Fumiyasu Yamagami operation, management: Yoshinori Miyamoto

Hakone Sengokuhara Prince Hotel (formerly Hotel Ohakone), which opened in 1992, has undergone its first renovation. concept design concept is "relaxation x sparkle x intellect." The interior, concept design with "Hakone marquetry" as a motif, features a luxurious restaurant, an open-air bath where guests can experience the magnificent nature, and two guest room buildings themed around "kodachi" (the impression of the beautiful trees of Hakone Mountain) and "Hikari" (angelica blooming on the plateau and the glittering pampas grass of Sengokuhara), creating a space where guests can feel both nature and intellect. In this project, which has been reborn as a unique modern hot spring resort that resonates with nature in Hakone, one of Japan's leading hot spring areas, our company assisted with everything from the basic concept to design, layout, production, and construction.

[Project Overview] Alpen Co., Ltd. is the largest sports retailer in Japan. Its sales are supported by its own brand products. In order to make its private label products even more innovative, the company gathered its own designers on one floor and created a "co-creation floor" with the floor concept of "gathering and creating." This floor is a place where people can gather, talk, inspire each other, empathize with each other, and create new things together. [Customer Feedback] Because it combines concept design and practicality, I feel that it is not only a stylish space but also a floor equipped with facilities and functions suitable for each task. The desks are arranged randomly, so the whole space feels very open. There is a standing meeting space in the center, which is very convenient when working on projects that involve multiple groups, and we use it often. I also feel that the detailed allocation of electrical wiring has an effect on saving energy.

[Project Overview] The Osaka International Peace Center has been renovated for the first time in 25 years with the theme of "Thinking Together, Creating the Future Together," with the aim of conveying the history of war and the importance of life. Based on the idea of "looking back on past history while opening the door to a better future" from the perspective of "past, present, and future," displays was concept design to "resonate with the heart" so that the message of "peace" can be intuitively conveyed to young people and children who will bear the future. Our company assisted with the basic concept, design, layout, construction, and construction supervision. [Project Members] Project Management: Akihide Inoue Direction: Mitsuhide Yoshinaga concept design Hayato Takahashi, Yuzo Kosaka Graphic concept design Yoshitoshi Konno Production construction Kenji Takekawa, Yuki Higashihara, Toshiyuki Suzuki

Sangetsu Tokyo showroom relocation and renovation project. The showroom, which has been expanded to a total area of 600 tsubo, which is about 1.5 times the area of the previous model, has been renovated into a lifestyle proposal showroom full of "fun to see", "fun to choose", and "fun to combine" under the theme of "GOOD LIFE CLOSET", and it is a space that can be freely selected and styled, and is a space that reminds you of your interior closet. This project is a NOMURA Co.,Ltd. group collaboration project, and we have been able to provide total assistance from planning, schematic design, design, layout, production, and construction.   ◎Our Project Members Co., Ltd. NOMURA Co.,Ltd. [Sales] Noboru Sato, Motoaki Ise [Planning] Yuichi Saito, Mika Kobayashi [concept design / Design] Hideaki Hata, Yoshiyo Yoshikawa, Nao Kameda, Toshiko Nakamura, Shigemi Shimizu [Sign and Graphic] Toshie Sasaki [construction] Shinichi Murakami, Yushi Matsuda, Atsushi Yanome, Takeshi Matsuura, Haruo Moma, Tadahiro Nakajima, Tatsuya Umeda, Yuko Yamashita, Yasuhiro Sakurazawa Nomura Products Co., Ltd. Kenji Takaba, Takeshi Yamashita, Minoru Suzuki, Katsuhide Sayama [Customer's voice] "Let's make good things together" We are very grateful to be able to complete the project while sharing this intention. During the tight construction period, we often learned about our ability to listen to the client's intentions, the speed at which they put them into shape, the variations in drawers, the meticulousness and attention to detail, etc. I think that by being able to ask for a complete line of concepts, space concept design, fixtures, concept design, construction, and styling, we were able to create a comfortable space that reflected the intention of the concept in every corner.

<Project Description> This is the first exhibition for "NARUTO," a manga serialized in "Weekly Shonen Jump" that has garnered immense support both domestically and internationally. The exhibition features original artwork displays designed to be impressive, three video presentations including one with a giant V-shaped screen to enhance immersion, and iconic scenes combined with large-scale graphics, giant sculptures, and character models to dynamically express the world of the manga. Our company assisted with displays design and construction, video production, and music production. ©Masashi Kishimoto/Scott/Shueisha <Our Project Members> [Sales/Project Management] Shingo Terasaki [design, layout] Masaki Kawahara, Kyosuke Horie, Hiromasa Hosoya [Signage/Graphic concept design] Yasuyuki Chosa [Production/ construction] Hiroshi Tajima ©Masashi Kishimoto/Scott/Shueisha

The National Tree Planting Festival is a central event of the national greening movement, held every spring with the attendance of Their Majesties the Emperor and Empress, and co-sponsored by the National Greening Promotion Organization and the host prefecture, in order to deepen the public's understanding of forests and greenery, which are the foundation of a rich national land. The basic plan was awarded in 2013. Subsequently, the implementation plan was completed in 2014, and the main event was held in 2015. We provided total support from planning to implementation, including venue preparation, ceremony direction, and operational support. ◎Our project members NOMURA Co.,Ltd., Ltd. [Sales] Hideo Inoue, Teruko Takai [Planning] Hideo Inoue, Teruko Takai [concept design /Architecture] Hideo Inoue, Yoshito Inoue, Teruko Takai [Signage/Graphics] Teruko Takai [construction] Toshihide Kanemitsu [Direction] Hideo Inoue [Operation] Hideo Inoue, Teruko Takai

[Project Overview] In 2015, Yaskawa Electric, celebrating its 100th anniversary, reorganized Head Office headquarters in Kurosaki, Kitakyushu City, and opened "Robot Village," a community open to the local area and society. "YASKAWA Forest," where visitors can enjoy nature throughout the seasons, is open to the public, and at its heart is the "Yaskawa Electric Future Museum," where customers, schools, research institutions, and local residents can experience Yaskawa Electric's business, the fun, amazing, and meticulous aspects of manufacturing, and the latest robotics technology with interest. Our company was in charge of "creating the space" and "creating the content" for this facility, which further brings out the appeal of Yaskawa Electric. We designed this space not only to allow all visitors to easily experience and understand Yaskawa Electric's business and technology, but also to create a space filled with surprises and discoveries where cutting-edge technology and emotional sensibilities resonate, allowing them to feel firsthand the future of Japan's world-class "monozukuri" (manufacturing) and Yaskawa Electric, which is leading it. We integrated all the elements that color the space, such as mechatronics, video content, and lighting, into a unified concept design. In particular, the "Robotics Signage," which utilizes the dynamic movements and coordinated control technology of Yaskawa Electric's representative industrial robots, and the "Mechatronics Wall," which combines the 3D control of industry-leading motors with the latest projection mapping images, are unique spatial presentation devices that stimulate all the senses of viewers, helping to infinitely expand the possibilities and appeal of "monozukuri." Furthermore, we assisted in the creation of this facility from a total perspective, from the basic concept of space creation and appeal creation to concept design, planning and production of content, and construction. <Credits> Overall concept design: Keiyu Tamura, Yosuke Ando Planning and Production: Kenji Ogino, Naomi Kajimura Content Direction: Kenji Suzuki, Akinori Goto, Hiromasa Hosoya Product Direction: Jiro Kusunoki, Masaki Yotsuya Photography: Nakasa & Partners, Masato Kono *At the time of the project

The red building of Shiseido Parlour, a landmark in Ginza, was conceived as a lighthouse illuminating the streets of Ginza during its construction. With the desire to "create a bar that will become a symbol of Ginza" on the top floor of that building, the aim was to create "an adult bar that can be enjoyed by the many adults who gather in Ginza." Upon exiting the elevator, the reception area is a stark contrast to the dazzling lights that adorn the city, and guests are greeted by the flickering light of candles. The bar area is square, and to make the large space with a maximum ceiling height of over 8 meters even more symbolic, a counter is placed in the center, and above it floats symbolic concept design that represents the "lighthouse light (Symbol)," and, in keeping with the building's concept of the ground floor = "earth" and the top floor 11th floor = "sky," it evokes the "Sun (night sun)," "sparkling light" (Spark), (Shine), and "soul" floating in the "sky." The symbol's red glow is reflected in the metal wall art and antique mirrors, creating a sophisticated atmosphere, while the shadows cast by the artwork on the walls give the space an organic feel. To make the large space feel comfortable, the floor level is varied around the counter. The high counter side is a casual area designed with standing scenes in mind. The low counter side features a purple carpet, the theme color, and comfortable chairs, allowing you to enjoy a relaxed bar experience. There are also private seats behind the bottle shelves, so you can enjoy the bar in a variety of settings. The lounge area at the back is a cozy space with more unique art and furniture, and the flickering of flames, creating an adult space where you can feel the "Social" and "Sexy" aspects of the concept. The "S" in "Bar S" represents the various "S"s of Ginza, creating an adult space.

[Project Overview] This is the first major renovation of Seibu Shibuya store in eight years, since 2007. The theme of this project, which aims to sharpen the store's message "Art meets Life," is "Art & concept design." As a joint project with art director Masaaki Hiromura and world-renowned music and video artist Carsten Nicolai, we assisted in the renewal of the entrance to Building A. The four pillars of the entrance are equipped with the latest LED screens, and the advanced architectural form using curves, along with the constantly new expressions of the images, has become an art gate that welcomes visitors as a new symbol of Shibuya. This time, a high level of technology unprecedented in our experience was required in every aspect, but in order to meet the new challenge of Sogo & Seibu Co., Ltd., which has always led the times since the opening of Seibu Shibuya store, this project was tackled with the combined strength of NOMURA Co.,Ltd. Group, together with our group companies Nomura Products Co., Ltd. and Nomura Techno Co., Ltd. ◎Our Group Project Members NOMURA Co.,Ltd. Co., Ltd. [Sales] Shinnosuke Nishida [concept design /Planning] Shinjiro Kondo, Shinpei Takeda [construction] Yohei Kaneko Nomura Products Co., Ltd. Yu Hashimoto Nomura Techno Co., Ltd. Keiji Kobayashi

This project was planned for the area of Platinum Street in Shirokane, lined with restaurants. On a 35-meter-wide site, the aim was to create a building that felt both new and old, with a pleasant atmosphere and a sense of "evoking memories." Aiming to become a landmark in the city as a complex dining space, our company assisted with schematic design and design supervision. A sense of "openness" was required in the architecture, so we created a sense of openness and shielding with folded cement stones, and materials that appear to be eroded by wind and light. This also contributed to creating the atmosphere of "a dry southern land," which was a key concept design word for the interior. Based on a consistent concept, we assisted with everything from interiors concept design to planting and artwork selection to achieve a unified interior that allows you to feel the wind, light, greenery, and water flowing in from the outside. When viewed from the outside, interiors concept design, which extends to the terrace, combines with the landscaping plan to become one of the elements that adorn the facade, and the architectural facade becomes a borrowed landscape from the interior space, creating a space where the inside and outside complement each other. The facility has a dining area, a teppanyaki restaurant, two banquet halls, and a chapel, and all kitchens are either walk-in or open kitchens. The anterooms of the chapel and bucket are separated by glass, emphasizing unobstructed views and spatial continuity within the facility. In addition to being open to the street, the texture created by the materials that have already aged gives the impression that it has been there for a long time, and we believe that it will become a distinctive landmark while also building a close relationship with the city. ◎Our Group Project Members [Sales] Hisayasu Takenaka, Takuya Kitai [Direction] Ryu Kosaka [design, layout] Architecture: Hiroyuki Iizumi Interior: Reiko Saito, Masahiro Hisakane [Production/ construction] Keiji Idei