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NOMURA Co.,Ltd.

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住友林業 みなとみらいショールーム

住友林業 みなとみらいショールーム

【プロジェクト説明文】 本格注文住宅「住友林業の家」では、お客さま一人ひとりの“理想の住まい”を実現。「木の家」ならではの魅力を活かして、環境にやさしく、長きにわたって住み継いでいける快適な住まいを提供します。 「みなとみらいショールーム」にてお客様との豊かなコンタクトを通して「住友林業の家」の優位性をひろめてゆきます。 当社はデザイン・設計・施工をお手伝いさせていただきました。 【お客様の課題/ご要望】 お客さまと住友林業様の豊かなコンタクトを実現する場・CS(顧客満足)/ES(従業員満足)を高める場所として確立すること。 また、上質な空間で打合せができ、エンドユーザーに「木の家」ならではの魅力をバリエーション豊かな展示を通して体験していただけるような空間であること。さらには、お客様の満足度が高まり、支持され続けられるような「住友林業の家」となるためのショールームへの展開があげられました。 【解決策】 リアルな体験と驚きをもたらす最先端のVR施設を中心に、銘木の美しさを強く訴求できるコンセプトスペースを構成。 オープンで機能的なショールーム空間は、上質な印象が感じられるよう各所の素材感にこだわり、特に「木」を美しく見せる工夫を施しました。   <当社プロジェクトメンバー> 【営業・プロジェクトマネジメント】竹林 哲治 【デザイン・設計】阪 信昭、小出 亜佐美 【制作・施工】田中 裕一 

#corporate​
日本橋とやま館

日本橋とやま館

【プロジェクト概要文】 「日本橋とやま館」は、富山の味を体験できるレストランを主軸に、物販、観光案内、交流イベントを実施できる総合的な情報受発信拠点です。空間全体に、富山県産材、伝統工芸品が使用され、単にモノを売るだけではなく、その背景にある富山の美しい自然・多彩な文化・食の魅力などを伝え、「富山県に行ってみたい」と思ってもらえるような、“富山の上質な暮らし”を伝える新しい拠点となっています。当社はコンサルティング、デザイン・設計、制作・内装施工、催事運営・広報活動支援をお手伝いいたしました。 【課題/テーマ】 「富山の上質な暮らしを伝える場所」 モノをうるだけでなく、コトを伝えることで、産業、観光等の活性化につなげていくことがテーマとして挙げられました。 【解決策】 「求心力となる新たな目的を投入して施設の活性化を図る」という提案を実践しました。 当社の公共スペースづくりにおけるCSVソリューション「Forester Project」(*1)と「Japan Value Project」(*2)を活用し、ただの物産館ではなく、観光、産業、移住など、富山県が狙う様々な地域活性化施策に活用できる企画設計を実現、実際に使用されているテーブル、椅子に用いられた木材についても、当社デザイナーが富山県の製材所を巡り、杉や欅をはじめとする県産材を選び抜きました。 「Forester Project」(*1) 地域特性のある国産材で施設の内装や家具、什器を製作し、林業支援を図りながら、地域ブランドを強固に印象づける施設開発を形にするプロジェクト 「Japan Value Project」(*2) 伝統技術や素材を扱う全国の事業者と連携し、施設へのスペックインでその発信の場を提供しようという取り組み <当社プロジェクトメンバー> 【開発・プロジェクトマネジメント】藤中隆一 【営業推進】佐藤昇、田中伸幸 【企画】鈴木恵千代、藤中隆一 【クリエイティブディレクション】鈴木恵千代 【デザイン・設計】花岡豊 【サイン・グラフィックデザイン】伊藤久恵(クロス) 【制作・施工】丸森幸男 【その他(催事企画、広報支援他】藤中隆一

#Urban & Retail​
TONAMI TULIP GALLERY

TONAMI TULIP GALLERY

<Project Description> The Tulip Shikisai-kan has celebrated its 20th anniversary and has renovated its permanent displays. The "Wonder Garden" allows visitors to see the process of tulips from sprouting to blooming all year round, and the "Under Farm" explores the mysteries of tulips using the latest technology. Our company assisted with the design and construction of the renovations. ◆Wonder Garden Tulip Palace Approximately 500 cut tulips are displays on a wall made of curved glass 3.7m high. You can have a magical experience surrounded by tulips. Palette Garden A garden where 5,000 tulips bloom all year round! Tulips spread out in all directions as if in a kaleidoscope. Growth Story Enjoy the process of tulips growing along with the seasons. ◆Under Farm You can shrink down and see the growth of tulips from the perspective of a bulb. The process is clearly explained with images projected onto the ceiling. You can also learn about the history, breeding, and cultivation tips. <Our Project Members> [Development] Isao Fujimori, Atsushi Ishikawa [Sales & Project Management] Atsushi Ishikawa [Planning] Yuki Shimokuni [design, layout] Tomoki Fukano [Video Direction] Akinori Goto [Graphics] GyoGyoMaaMa Creation Office, Ayashi Mizutani, Yumi Nakajima [Production & Planning] Tsutomu Fukushima, Akio Hiraishi [Production & construction] Atsushi Okuda, Koichi Yamada, Chinami Tadokoro [Design Cooperation] KAZAANA design studio, Tomoaki Hori, Yasuaki Hatakeyama [Production Cooperation Partners] Horai Co., Ltd., Nippon Electronics Service, Plantscape, Kyoda Creation, TV Asahi Create 4D, Endo Lighting [Photography] Shin Photo Works, Shinji Miyamoto

#public​
The 36th National Rich Sea Development Convention

The 36th National Rich Sea Development Convention

[Explanation of the project] The National Convention for the Creation of Rich Seas is held annually in autumn as a wide-ranging national event aimed at raising awareness of the maintenance and cultivation of marine resources and environmental conservation of the sea, as well as deepening awareness of the fishing industry. This is a nationwide tournament. It is customary for Their Majesties the Emperor and Empress to attend, and it is positioned as one of the "Three Great Visits" along with the National Arbor Day and the National Sports Festival. [Overview] The theme of the event is “Relay of Life, Connecting Forests and Rivers to the Sea”. Ceremonial events such as commendation of groups that have contributed to the promotion of the fishery industry are held at Kibo Hall in Sakata City, and young fish are released at Nezugaseki Fishing Port. Did. [Production details] In the introduction of the prefectural fisheries industry at the opening, the coastline of Shonai Beach, which has been certified as a geopark, was shown from the perspective of black-tailed gulls using aerial drone photography. Directing interaction with people who inherit rivers and seas. Since the event will be held in the Tohoku region for the first time since the Great East Japan Earthquake, the event will be held in the presence of Their Majesties the Emperor and Empress. <Our project members> [Sales and project management] Hideo Inoue, Takashi Isozumi, Teruko Kazui [Production] Ryokichi Masuda, Ryuichi Shimada

#Conventions & Events​
SKY CIRCUS Sunshine 60 Observatory

SKY CIRCUS Sunshine 60 Observatory

--------------------------------------------------------------------------------------- This facility will be closed for renewal in 2022 and reopened on April 18, 2023 as a new facility called Sunshine 60 Observation Deck Tenbo Park" on April 18, 2023. (NOMURA Co.,Ltd. Scope of work: planning, design, leasing, construction, logo creation) --------------------------------------------------------------------------------------- Experience the view and height in various ways The new observatory "SKY CIRCUS Sunshine 60 Observation Deck" (SKY CIRCUS Sunshine 60 Observation Deck), where visitors can enjoy and experience views and heights in various ways, fully reopened on April 21, 2016 (Thursday). This facility has evolved from an observatory for "just looking" to an observatory for "experiencing," based on the concept of "SKY CIRCUS," and offers a variety of state-of-the-art technologies, including VR technology and 4D experiences, interactive animation, and CG animation. The new observatory is a one-of-a-kind observatory where visitors can enjoy the "view" and play with "technology" at the same time. We planned and produced this project in collaboration with Dentsu Inc. The "Infinite Scape" is a giant kaleidoscope-like tunnel of light and mirrors that projects images depicting the changing seasons in Japan, and the "SKY Trampoline" is a vertical leaping trampoline that allows visitors to enjoy the experience of flying through the sky to see the natural landmarks of the four seasons, filmed by drones, Visitors can also enjoy inbound content. Visitors can also enjoy "Kaleidoscope 60," which features 60 kaleidoscopes and a sparkling "CUMOS Cube Kaleidoscope," and "Asobrella NEXT," an entertainment experience that offers views, weather, and simulated experiences, among others. Through industry-academia collaboration with Joshibi University of Art and Design, Osaka University, and other educational institutions, the facility is creating new experiences by transforming technology into entertainment. In this facility NOMURA Co.,Ltd. group, Nomura Development Inc. is in charge of the store "SKY CIRCUS SHOP" and cafe "Cafe Quu Quu Quu" operation, management, Nomura Techno Inc. is in charge of the technical system for the production equipment interiors, and Nomura Products Inc. is in charge of the production, and by utilizing our collective strength, we have created an observation deck that is unlike any other in the world. Nomura Development Inc. was in charge of the technical system for the staging equipment, and Nomura Products Co. <Customer Comments> This project was not a typical observatory renewal project to clean up the environment interiors, but a project to create value for a new observatory, and it was a difficult project to create something from nothing. Therefore, as a client, we were looking for new ideas that would entertain, surprise, and delight the guests. We were able to meet these requirements not by simply making one-sided proposals, but by working together enthusiastically to create them through free and vigorous discussion within the project team and, at times, by presenting the client with bitter criticisms. It was a great benefit for us to experience a new renewal method that was different from the competition style renewals we had done in the past. <Our project members> [Sales and project management] Hiroyu Imaizumi, Seiji Yamaguchi, Kenji Higashi [Planning] Kenichi Sakazume, Tetsuro Yasuda, Ai Ichikawa [design, layout] Tamae Takahashi, Yoko Suzuki, Kyoku Okamoto, Masataka Myonaka [Contents planning and concept design] Ryuta Yamada [Signage and graphics concept design] Yasuyuki Chosa [Contents production and construction] Toshiaki Kawabata, Junpei Hino construction Kondo Kobayashi, Keiji Kobayashi, Yuki Kuga, Nomura Techno [interiors] Masao Tomita, Tetsu Hirayama, Yoji Inuma, Nomura Products [operation, management] Kazuhiko Someya, Hajime Mizuno, Harue Inagaki, Yuki Saito ([maintenance management] Yoshitaka Okubo, Kazumasa Takeuchi, Nomura Techno)

#entertainment​
ANTEPRIMA Ginza, ANTEPRIMA Casa Cucina

ANTEPRIMA Ginza, ANTEPRIMA Casa Cucina

<Project Overview> This is the largest flagship store in Japan, which opened along Ginza Miyuki Street. This store, which spans three floors from the basement to the second floor above ground, also houses the brand's world-first restaurant business, "ANTEPRIMA CASA CUCINA". The first floor features Anteprima/Wirebag and Anteprima/Misto, the second floor features the Anteprima collection line, and the basement floor houses Anteprima Casa Cucina, creating a flagship store that proposes a wide range of worldviews from fashion to food and beverage. <Client's Challenges> The challenge for "ANTEPRIMA CASA CUCINA," the brand's world-first restaurant business, was to create a home-like space that embodies the identity of Creative Director Izumi Ogino, where customers can feel as if they are visiting a friend's house. Furthermore, the 1st and 2nd floors inherit elements of the new store concept design created together in Roppongi, and based on the concept of Simple, Sophisticated, yet Sexy, the goal was to create a space where customers could feel the brand image throughout the entire store, proposing a refined style backed by high-quality materials and reliable technical skills. <Solution> At "ANTEPRIMA CASA CUCINA," a chef's counter and a U-shaped large counter were placed at the center of the store to create a warm space where conversations between the chef and customers naturally arise, making it feel like visiting a friend's house. In addition, furniture and fixtures that were carefully selected on a trip to Italy with the customers were incorporated into the space to create a home-like atmosphere. On the 1st and 2nd floors, as in Roppongi, artistic fixtures and the curved beauty created by natural wood were used as accents to create a refined and high-quality space. <Our Project Members> [Direction] Ryu Kosaka [Sales & Project Management] Hisayasu Takenaka, Hiroyuki Iizumi, Hiroya Matsumaru, Taisuke Kawagishi [design, layout] Minehito Yoshimura [Production & construction] Masayuki Tabata, Akihiro Yoshida

#Urban & Retail​
Kawasaki Azalea Renewal

Kawasaki Azalea Renewal

<Project Overview> This project marks the first comprehensive renovation of Kawasaki Azalea, which is celebrating its 30th anniversary. The concept of the renovation is "a life-sharing mall where people can share enriching moments in their lives." We assisted in the complete renovation of three zones: DELICHIKA, a large-scale food retail zone equivalent to one-third of Kawasaki Azalea's total area; LIFE GRAND, a lifestyle zone that brings together "somewhat nice" things and experiences; and GOURMESSE, which caters to a wide range of usage scenarios, from "eating alone" to lunch with children, dinner after work, and business dinners with clients. Our company was in charge of environmental design (including basic and implementation), environmental construction (Souzai Chisou, CRYSTAL ROND, etc.), and interior design supervision. <Client's Challenges> ① To restore the ability to attract customers by leveraging the prime location in front of the station, aiming to become a mecca for restaurants, food retailers, and fashion goods, despite various conditions such as the building structure and facilities of the underground public passageway from 30 years ago. ② To maximize the store facade to create a sense of vibrancy and concentration within the store, and to create an environment that enhances purchasing desire. ③ New ways to use the environment from the 1F entrance to the central underground atrium sunlight plaza. <Solutions> ① Create environmental design themes that match the new business type zoning for each area. By setting a core theme zone environment for each area, we succeeded in connecting the passages and increasing the ability to attract customers and improve circulation. ② We reduced construction time and costs by constructing a new facade that covers the existing finishes without removing them. We basically used the existing ceiling and floor, and renovated the shop front and key areas with new designs to the smallest extent possible, creating a sense of renewal with a wide range of contrasts. ③ We created an indoor garden space where people can freely stop by and rest by setting up unique ancillary environments such as lighting fixtures, greenery, FF&E, etc. <Our Project Members> [Development] [Project Management] Hirano, Maekawa, Chida, Ichihashi [Design] Shimoshita, Miura, Endo, Kawakami (NODE) [Signage & Graphic Design] Hoshi, Shinkawa (Nomura Products) [Production & Construction] Takeuchi, Takahashi, Yoshinaga, Akizawa (Nomura Products) [Interior Supervision] Kojima

#Urban & Retail​
Hilton Tokyo Bay Room Renovation Project

Hilton Tokyo Bay Room Renovation Project

<Project Overview> This project involves renovating the guest rooms (196 rooms), corridors, and elevator halls on the 6th and 7th floors of Hilton Tokyo Bay. We were able to undertake this project as a design and construction project because we won the design work through a design competition and the interior construction and FF&E work through a construction bid. As a result, we were able to provide a space that meets Hilton's quality standards while also being suitable for business travelers in a resort area, all within a limited construction period and budget. <Client's Challenges> Hilton Tokyo Bay primarily caters to guests visiting Tokyo Disney Resort®, offering fun rooms where guests can experience a fantasy world. Therefore, the theme of this renovation was to provide guest rooms where business travelers and adults enjoying themselves can also relax without feeling out of place. <Solution> The view from this location was remarkably similar to the Tokyo Bay depicted in Katsushika Hokusai's ukiyo-e print "Thirty-Six Views of Tomi Musume," so the design concept was to directly express the materials and colors from the ukiyo-e print in the space. We thought that by doing so, the space would become familiar to Japanese people from long ago, while also being a fresh and uniquely Japanese space for foreigners. We used the distinctive blue gradation of Ukiyo-e prints for the floor, wood from ships floating on the sea for the furniture, and copper plates used in lanterns as accent colors, expressing tranquility and peace throughout the entire space. <Our Project Members> [Sales/Project Management] Masayuki Yoshimori [Design/Planning] Keita Aono/Hiroyuki Sugata/Kyoko Aikawa [Production/Construction] Takayuki Gara

#hospitality​
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