Works#Kanto

<Project Summary> This flagship store opened along Ginza Miyuki-dori and is one of the largest in Japan. The store, which consists of three floors from the basement to the second floor, is also home to the brand's first restaurant business, "ANTEPRIMA CASA CUCINA." The first floor is home to ANTEPRIMA/Wirebags and ANTEPRIMA/Mist, the collection line ANTEPRIMA on the second floor, and ANTEPRIMA CASA CUCINA on the basement floor, creating a flagship store that offers a wide range of worldviews from fashion to food and drink. <Client's Challenge> The challenge for the brand's first restaurant business, "ANTEPRIMA CASA CUCINA," was to create a home-like space that would allow customers to visit as if they were visiting a friend's house, and that would reflect the identity of creative director Izumi Ogino. In addition, the first and second floors were designed to retain the elements of the new store concept design that we created together in Roppongi, and were designed to create a space that would allow customers to feel the brand image of continuing to propose a sophisticated style backed by high-quality materials and solid technical skills, with the concept of Simple, Sophisticated yet Sexy. <Solution> At ANTEPRIMA CASA CUCINA, we placed a chef's counter and a large U-shaped counter at the center of the store, as a mechanism for naturally generating conversation between the chef and customers and creating a warm space as if they were visiting a friend's house. We also incorporated furniture and fixtures that we had selected in Italy with our customers into the space, creating a space that felt like home. On the first and second floors, just like in Roppongi, we created a sophisticated and high-quality space with artistic fixtures and the curved beauty created by natural wood as accents. <Our project members> [Direction] Ryu Kosaka [Sales and project management] Hisayasu Takenaka, Hiroyuki Iizumi, Hiroya Matsumaru, Taisuke Kawagishi [design, layout] Minehito Yoshimura [Production and construction] Masayuki Tabata, Akihiro Yoshida

< Project outline > Kawasaki Azalea is celebrating its 30 year anniversary with its first full renovation project. The concept of the renewal is a "life share mall where people share the rich time of their lives." Delichica (DELICHIKA), a large-scale food and beverage selling zone that covers 1/3 of the total area of Kawasaki Azalea, LIFE GRAND, a lifestyle zone that accumulates "slightly nice" things and things, & quot;; Rice for one person; Gourmet Messe (GOURMESSE) has helped complete the renovation of its three zones to accommodate a wide range of usage scenarios, such as lunch with children, dinner after work, and dinner with clients. our company was in charge of environmental design (including basic and implementation), Environment construction (Souzai Chashi, CRYSTAL ROND and others) and furniture and fixture manufacturing. < Client Challenges > (1) Recover the ability to attract customers to become a mecca of restaurants, food sales, and fashion miscellaneous goods, taking advantage of the good location in front of the station under various conditions such as the building structure and equipment of the underground public passageway 30 years ago. (2) Expanding the store facade as much as possible, creating a sense of bustling stores and agglomeration, and creating an environment that encourages purchase motivation (3) New ways of using the Sunlight Square environment from the 1st floor entrance to the basement central stairwell < Solution > (1) Creating a environmental design theme that matches the new business zoning for each area. By setting up a theme zone environment as the core of each area, we succeeded in connecting each aisle to increase customer attraction and mobility. (2) Store façade was constructed so as to cover up the existing finish without removing, and construction period cost was reduced. The ceilings and floors are basically the same as the existing ones, and the new concept design, centering on the shop front and key points, has been renovated to a minimum extent to create a sense of renewal by giving a wide range of features. (3) Lighting, greenery, FF & amp;; We have built an indoor garden space where you can stop by and take a break. We have created a hall environment suitable for various event venues with unique incidental production environments such as E. < our company Project Members > [Development] [Project Management] Hirano, Maekawa, Senda, Ichihashi [design, layout] Shimotsuke, Miura, Endo, Kawakami (NODE) [Sign, Graphic Design] Hoshi, Shinkawa (Nomura Products) [Production/construction] Takeuchi, Takahashi, Yoshinaga, Akizawa (Nomura Products) [furniture and fixture manufacturing] Kojima

< Project Outline > This project renovates 196 guest rooms, corridors, and elevator halls on the 6th and 7th floors of Hilton Tokyo Bay. Design work by Design Conveyor, interiors construction/FF & amp; by construction bidding; As we received an order for E construction, we were able to work on the design construction project by our company. As a result, we were able to provide a space that complies with Hilton Standard quality standards within a limited construction period and budget, while also realizing a concept design that can handle business in resort areas. < Client Challenge > Hilton Tokyo Bay is mainly for guests who come to Tokyo Disney Resort ® and has fun rooms where they can experience the world of fantasy. Under such circumstances, the theme of this renovation was to provide guest rooms that are comfortable for both business travelers and adults. < Solution > The view of Tokyo Bay in Katsushika Hokusai's ukiyo-e (ukiyo-e) Fumusume 36 Views was so similar that concept design's concept was to express the materials and colors of the ukiyo-e in space. By doing so, I thought it would be a familiar space for Japanese, and a Japanese and fresh space for foreigners. The floor is decorated with the unique blue gradation of ukiyo-e, the wood of a ship floating in the sea is used as furniture, and the bronze plate used for the lantern is used as a focal color to express a sense of relaxation and relaxation throughout the space. 〈 our company Project Member 〉【 Sales & Project Management 】 Masayuki Yoshimori 【 design, layout 】 Keita Aono/Hiroyuki Sugada/Kyoko Aikawa 【 Production ・ construction 】 Takayuki Ara

<Project Summary> This facility was planned and designed as a base for exchange and activities across business types and categories, operated by an affiliated organization of Mitsubishi Estate Co., Ltd. Aiming to realize a sustainable society for the next generation, the facility was named "3x3LabFuture" because the three elements of "environment," "economy," and "society" mesh like gears, and it is a "third place" that is neither a company nor a home. The purpose of the facility is to form various communities and create businesses that will lead to the future. <Client's Challenge> The client's challenge was to create a wide variety of gathering spaces where various business types and visitors, from one person to a large number of people, could interact and engage in activities, and to express the environmental advancement of the office facilities. <Solution> We planned and designed a space that can hold large seminars such as a "salon," a "communication zone" that can be freely moved and used, a "workshop kitchen" and a "future cafe" as exchange spaces using cooking as a medium, and a "wonderful corridor" where various displays can be held. All interiors materials, furniture, fixtures, etc. were selected with the environment in mind. <Our project members> [design, layout] Suzuki Echiyo, Onishi Ryo, Kosugi Kyoko [Production and construction] Marumori Yukio [Sales and project management] Kawai Shun

<Project Description> Omotesando Hills was renovated to coincide with its 10th anniversary, with a focus on the entrance environment. We deployed solutions to address the issues of "people," "information dissemination," and "inbound response," all of which are concentrated at the entrance. For "people," we improved functionality, including changing the location of the information counter; for "information dissemination," we used digital signage to improve efficiency while maintaining the aesthetic look; and for "inbound response," we used touch-type information signage in multiple languages (English, Chinese (Simplified and Traditional), Korean). We also assisted with the existing distribution system and existing website, as well as the on-site installation concept design. <Customer Feedback> Thanks to the management of NOMURA staff, who are familiar with the content, regular meetings and schedules progressed smoothly, and we are grateful for that. Thank you very much. <Our project members> [Sales/Project Management] Kazuya Senda [design, layout (interiors /signage cabinet)] Toshiyuki Taya, Yusuke Matsumoto, Kohei Hayashi [Production/ construction (interiors /casing)] Keisuke Toda, Shuhei Tatsuda [Production direction (signage)] Tsutomu Tanuma

[Project Summary] Weathernews opened the in-house nursery "WNI RAIN KIDS HOUSE" with the aim of creating an environment where employees can balance childcare and their work. This in-house nursery was opened on the premises of Makuhari Techno Garden, where the company is located, with the aim of creating an environment where employees can work with peace of mind, and also has an after-school school that accepts children up to the sixth grade of elementary school. The "RAIN" in the name of the nursery also represents the company's wish that children will develop respectful, adventurous, and independent qualities. The company requested a unique space design that could express the concept, and an efficient functional development that can accommodate childcare of children of different ages, such as a nursery school and after-school room. The project members at our company are working fathers and mothers. We made use of our childcare experience to plan and design the names of each class and the educational programs. We pursued Weathernews' unique style in every detail, from the space expressing "RAIN" to the logo graphics and shapes, and worked with Team M to design and construction with consideration for safety and the environment. [Customer feedback] In order to create a facility unique to Weathernews, we discussed various themes and concepts within the company, but NOMURA was able to successfully shape it, including the process. For example, concept design and concept of the logo mark captured the hearts of the staff, and we were impressed with the idea of drawing a weather chart from the company's founding on the floor, so we adopted it. NOMURA made a wide range of proposals, and we were able to open a wonderful in-house nursery school that is unique to Weathernews. [Our staff] Sales and project management: Haruhiko Kako Planning: Takashi Isozaki design, layout: Mutsumi Kaneko Sign and graphic concept design: Fujie Suzuki Production and construction: Manabu Ikura, Jun Endo, Shun Funatsu Advisory staff: Team M (Representative: Mari Matsumoto)

<Project summary> With the aim of providing employees with a place where they can better demonstrate their abilities, Sony renovated their employee cafeteria from the perspective of employee welfare. A buffet corner called "Buffet Island" and a "Relax Zone" were newly installed in the head office employee cafeteria as spaces for "eating" and "resting", and we assisted with the spatial concept design. Sony employs a diverse workforce and respects each individual's work style, so at "Buffet Island" they offer a wide range of menu options and offer a wide range of take-out options, and as a result of the renovation, the number of daily users has increased by about seven times. The "Relax Zone" is a functional space that employees can use freely as they wish, and is used not only for mealtimes, but also as an individual workspace, a place for communication between employees, and to refresh oneself. <Our staff> Sales and project management: Abe Yuko design, layout: Ueda Kaoru Production and construction: Endo Jun

[Project summary] An interiors design project for a comprehensive medical and beauty building consisting of 12 floors. The interior concept design concept was "a 'movement' that people find comfortable," and by making use of the existing architecture and incorporating elements of movement such as "ripples in water," "moving light," and "sunlight filtering through the trees" into concept design, we established a new standard for medical facilities that is reminiscent of going to a high-quality SPA. [Project members] Direction: Kosaka Ryu / Sales and project management: Takenaka Hisayasu / design, layout: Tani Takaaki, Urata Shohei

【Project Overview】 "Grand Emio Oizumi Gakuen" has opened in the lower part of the urban redevelopment "Lismo Oizumi Gakuen" in the Oizumi Gakuen North Exit area. It is a commercial complex consisting of four floors, from the first basement floor to the third floor, directly connected to Oizumi Gakuen Station, with the themes of "food×", "gathering", × "culture". It consists of 28 stores, including a supermarket on the first basement floor, cafes and fresh flowers on the first floor, bakeries and fashion shops on the second floor, and restaurants, bookstores, and music classes on the third floor. The concept of environmental design is a living room in the city where you can enjoy "live marche" and petit "luxury" for adults. The environment design is composed of natural materials, simple concept design, a mix of natural light pouring in from the atrium and soft lighting schemes. 【Customer's voice】 I believe that you have fully understood the concept of business and architecture, and that you have designed a simple but natural and high-quality commercial environment suitable for this region. (R.I.A. Co., Ltd.) [Person in charge of our company] Project Management: Hajime Mori concept design / Design: Toru Abe

A bookstore on the 4th floor of LaLaport Ebina, a shopping center directly connected to the west exit of Ebina Station on the JR Sagami Line. With a rich and fresh product lineup, diverse proposals, and events that create unexpected encounters, we aim to be a store that will be a "spice" in our customers' lives and will be patronized for 10 or 20 years.

[Project Summary] Tokyo Station, which celebrated its 100th anniversary in December 2014, has continued to develop and record its history together with the Marunouchi area, one of Japan's leading business districts. The development of the Marunouchi Plaza in front of Tokyo Station and redevelopment of the surrounding area are also underway, and the station is evolving toward the next new 100 years. In 2015, the Tokyo Michi Terrace 2015, a celebration of light to illuminate the future, was held in the Marunouchi area of Tokyo, the central district of Japan, with the hope of brightening the future. We assisted with the special lighting of the Marunouchi building of Tokyo Station in "traditional Japanese colors" and the light promenade on Gyoko-dori Street. In the light promenade, visitors were enveloped in light through the illumination of sculptures and lit-up trees, and the integrated production with the station building created a high-quality and elegant space suitable for the gateway to Japan. In a survey on light-ups/illuminations conducted by the Japan Event Industry Promotion Association on February 10, 2016, the special light-up at the Marunouchi Station Building of Tokyo Station was chosen as the number one light-up/illumination event people would like to see in the future. [Our staff] Sales/Project Management: Ken Kumagai Planning: Ryuji Tsuyama Direction: Ryuji Tsuyama design, layout: Ryuji Tsuyama Production/ construction: Fumiyasu Yamagami Operational Management: Yoshinobu Miyamoto

Hakone Sengokuhara Prince Hotel (formerly Hotel Daihakone) has undergone its first renovation since its opening in 1992. concept design concept is "relaxation x sparkle x intelligence." The hotel interior, concept design with a motif of "Hakone marquetry," features a luxurious restaurant, an open-air bath where you can experience the majestic nature, and two guest room buildings themed on "kodachi = the impression of the beautiful trees of Mt. Hakone" and "Hikari = the angelica blooming on the plateau and the shining Japanese pampas grass of Sengokuhara," creating a space where you can feel nature and intelligence. In this project, which transformed the hotel into a modern hot spring resort that is in harmony with nature and is one of a kind in Hakone, one of Japan's leading hot spring areas, we assisted with the basic concept design, layout, planning, production, and construction.

Sangetsu Tokyo showroom relocation and renovation project. The showroom, which has been expanded by about 1.5 times the area to a total area of 600 tsubo, has been renovated into a lifestyle proposal showroom full of "fun to see", "fun to choose", and "fun to combine" under the theme of "GOOD LIFE CLOSET", and it is a space that can be freely selected and styled, and it is a space that can be freely selected and styled. As a NOMURA group collaboration project, we provided total support from planning, schematic design, design, layout, production, and construction.   ◎ Our project members NOMURA Co., Ltd. [Sales] Noboru Sato, Motoaki Ise 【Planning】Yuichi Saito, Mika Kobayashi 【concept design / Design】Hideaki Hata , Yoshiyo Yoshikawa, Nao Kameda, Toshiki Nakamura, Shigemi Shimizu 【Sign Graphic】Toshie Sasaki 【construction】Shinichi Murakami, Yuji Matsuda, Atsushi Yanome, Takeshi Matsuura, Haruo Soma, Tadahiro Nakajima, Tatsuya Umeda, Yuko Yamashita, Yasuhiro Sakurazawa Nomura Products Co., Ltd. Kenji Takaba, Kenji Yamashita, Minoru Suzuki, Katsuhide Sayama [Customer's voice] We are very grateful that we were able to complete the project while sharing this intention of "Let's make something good together." In the tight construction period, there were many things that we learned from the attitude of listening to try to understand the client's intentions, the speed with which they were put into shape, the variation of drawers, and the attention to detail. By digging deeper into the concept, space concept design, fixtures concept design, construction, and styling, I think we were able to create a comfortable space that reflects the intention of the concept in every corner.

<Project description> This is the first exhibition for "NARUTO", which was serialized in "Weekly Shonen Jump" and has garnered immense support both in Japan and overseas. The original drawings displays with great care to create a memorable effect, and three videos, including a video production theater with a huge V-shaped screen that heightened the sense of immersion, were combined with large-scale graphics, giant sculptures, and character sculptures to depict iconic scenes, dynamically expressing the worldview of the work that was born from the manga. We assisted with displays design and construction, video and music production, etc. © Masashi Kishimoto, Scott/Shueisha <Our project members> [Sales and project management] Shingo Terasaki [design, layout] Masaki Kawahara, Kyosuke Horie, Hiromasa Hosoya [Sign and graphic concept design] Yasuyuki Chosa [Production and construction] Hiroshi Tajima © Masashi Kishimoto, Scott/Shueisha

The red building of Shiseido Parlour, a landmark of Ginza, was designed with the concept of a lighthouse that illuminates the streets of Ginza. With the idea of "making a bar that will become a symbol of Ginza" on the top floor of the building, we aimed to create an "adult bar" that many adults who gather in Ginza can enjoy. When you get off the elevator, the reception area is a stark contrast to the gorgeous lights that decorate the city, and you are greeted by the flickering light of candles. The bar area is a square with a maximum ceiling height of over 8 meters. In order to make the large space more concept design, a counter is placed in the center, and above is the "light of the lighthouse (Symbol)." Since the building concept is from the ground floor (earth) to the top floor (11th floor) (sky), we placed symbolic artwork that evokes the image of the "Sun (night sun)," "spark of light," (Shine) and "Soul" floating in the "sky." The symbolic red glow is reflected on the metal wall art and antique mirrors, giving it a mature look, while the shadows that extend from the artwork onto the walls give the space an organic feel. In order to make the large space comfortable, the floor is raised and lowered around the counter. The high counter side is a casual area designed for standing. The low counter side has comfortable chairs on a purple carpet, which is the theme color, allowing you to enjoy a relaxed bar. There is also a private seating area behind the bottle shelf, allowing you to enjoy a variety of situations. The lounge area at the back is a cozy space with more unique art and furniture, and the flickering of the flames, and can be used as an adult space where you can feel the ``social'' and ``sexy'' concepts. The ``S'' in ``Bar S'' is an adult space that incorporates the various ``S''s of Ginza.