Works#Award Winning

A renovation project for Bosch Corporation's Shibuya Head Office. We were in charge of planning, design, layout, and construction to renovate one floor on the 10th floor into a communication space. From our experience of renovating the 4th floor of our Head Office building into a communication space "RE/SP", we thought it was important to create a mechanism for employees to interact. Based on the concept of "SCRAMBLE for MEET UP" (people gather, hatch new ideas, and then take off again), we designed it with the aim of creating a place where diverse employees can gather and interact on a daily basis. In order to express the mix through encounters and exchanges, just like in Shibuya, where Bosch's Head Office is located, we collaborated with various artists to create a space that allows people to interact with an open concept design. We also participated in the creation phase, such as logo concept design and event planning and management. [Customer's challenge/theme] We were asked to concept design a place where employees could interact from a different perspective than the office floor, with the aim of revitalizing communication within the company and creating innovation. [Solution] We proposed a spatial configuration that would allow each employee to regain their vitality and deepen their connections. Specifically, with the aim of creating opportunities for communication that transcends age and departmental boundaries, the area has been divided into six major functions, including a counter where people can have casual conversations over a cup of coffee, a place to sit and relax on sofas, and a space to move around and refresh. By proactively incorporating furniture and art that will spark communication, we also aimed to create a place where spontaneous ideas that are difficult to generate in office areas can be born. There is also a product displays that allows people to experience Bosch's DNA, making it a place that provides hints for creating innovation. <Our project members> [Sales and project management] Ishii Kazushige, Murakami Kaori, Shishihori Tomoyo [design, layout] Yamanobe Manabu, Hagiwara Mitsutaka [Planning] Masubuch Kenta [Production and construction] Koike Tetsuji

With the theme of "building bonds with customers," elements actually used at the logistics sites supported by Hino Motors, such as truck frames and cargo, were reproduced and applied to the interior. Long-term relationships with customers are Hino Motors' most important business, and this was the message they most wanted to convey to customers and employees. The space is filled with elements that only customers and Hino Motors employees would notice, allowing one to intuitively feel the atmosphere of a logistics site from every angle, while at the same time reaffirming the bond of co-creation between the two parties as they grow through their truck products. <Our project members> [Sales and project management] Yamamoto Izumiichiro [Direction] Yoshinaga Mitsuhide [concept design] Takeda Shinpei [Sign and graphic concept design] Takeda Shinpei [Production and construction] Katsura Ryuichiro, Kawabata Toshiaki

As a Panasonic 100th anniversary event, the event was held over a total of 5,500 m2, with a product displays area tracing Panasonic's history over the past 100 years since the company's founding, and a general displays area showing Panasonic's vision and efforts for the future. By attempting to integrate giant video content into the space, a dynamic space was created, allowing visitors to immerse themselves in the experience of life in the future. <Our project members> [Sales and project management] Tomoo Yamashita, Etsuko Nagano, Shikishima Shiho, Shunichiro Kohama, Ryo Sugaya, Makihide Ono, Hikaru Sato [design, layout] Shigeto Suga, Akane Yamaguchi, Hironori Yanase, Kazutomo Mukai, Kei Okumura, Daisuke Nishida, Yoshifuru Yamaji, Masako Tanaka, Mitsutaka Hagiwara, Mayumi Shigematsu [Planning] Nobuaki Yabe [construction] Kazuhiro Sano, Yoichi Miura, Mao Tamaki, Dai Shimizu, Hiromitsu Furuichi, Mikio Arai, Yuta Kumazawa

KASHIYAMA DAIKANYAMA is a new landscape in Daikanyama created by Onward Holdings Co., Ltd. It is a complex commercial facility consisting of a cafe on the B1 floor, an event space and lounge space on the 1st floor, a gallery on the 2nd and 3rd floors, a restaurant on the 4th floor, and a bar on the 5th floor. The building is like a hill made of stacked large and small U-shaped boxes, and aims to blend in with the streets of Daikanyama and create a space that feels like a stroll up a hill. In addition, the lighting and furniture are concept design using the same materials as the handrails on the exterior staircase of the building, connecting the outside and the inside, and creating a space with a sense of unity while having completely different atmospheres depending on the purpose of each floor. <Our project members> [Sales/Project Management] Watanabe Tsune, Imaizumi Hiroyoshi [Architecture/ interiors concept design] onndo: Aono Keita, Hotta Masumi, Watanabe Jun, Yoshie Masaru [interiors Design] Koyama Satoshi [interiors construction] Nakamura Yoshiyuki, Nakazato Naoki

Hoshino Resorts' new business model, a hotel specialized in urban tourism, "OMO" was born in the spring of 2018. The first hotel to be operated, "OMO7 Asahikawa", was a rebranding project of a long-established local hotel. The brand concept is "an urban tourism hotel that doesn't just end with sleeping, but raises the excitement of your trip". We proposed a new communication concept design in the hotel market by sprinkling various playful gimmicks in the space that further draw out the appeal of the service content that connects travelers and locals and makes walking around the city more enjoyable.

NSK MUSEUM is a B2B showroom for Nakanishi Corporation, which manufactures medical device handpieces used by dentists. displays concept is "dissection." Rather than just conveying accurate information, the products are dissected from various perspectives, interpreted from the outside to the inside, and the high level of technology, concept design philosophy, and corporate attitude are visualized. <Our project members> [Sales/Project Management] Yotsuya Masanori [Direction] Onishi Ryo [design, layout] Sasai Ayumu [furniture and fixture manufacturing] Nomura Sougo, Nomura Techno's Oguchi Katsuji

Metsa, where Metsa Village will open, will consist of two areas: Metsa Village (opened November 9, 2018, free admission), where you can experience the Nordic lifestyle, and Moomin Valley Park (opened March 2019, paid admission), which is themed on the Moomin story. Metsa Village will be approximately 163,000 m2 in size and will consist of retail facilities, food and beverage facilities, workshop facilities, event space, parking facilities, etc. Our company was in charge of design and supervision of the environmental design (building exterior specifications and concept design, facility sign adjustment, environmental benches, photo spots, trash can concept design). [Customer's issues/requests] We requested a design that has a Nordic atmosphere and matches the world view of Metsa, and also has a playful concept design that will look good on Instagram, as adult women are also the target audience. [Customer feedback] There were many concept design that were Instagram-worthy, which made customers want to take pictures, and customers actively uploaded the photos they took to SNS, which had a positive effect on PR. In addition, the benches make you want to relax, allowing you to experience the concept of Metsa, "Living with space." <Our project members> [Sales/Project Management] Masahiro Takamori, Hiroki Nekoda [Direction] Yoko Suzuki [concept design] Yuki Handa [Production] Satoshi Hirayama, Shota Watanabe

The TOKYO Renovation Museum is a museum-style facility with the theme of "See, learn, feel, and be inspired by renovation." With large-scale video footage, spatial models, and life-size model spaces, the facility provides the information you need for your future renovations and also offers various related consultations. <Our project members> [Sales/Project Management] Ryo Sugaya [Direction] Ryo Onishi [concept design] Ayumu Sasai

[Project Description] This municipal central library is located on the first floor of Kikuchi City Lifelong Learning Center KiCROSS. concept design features large, curved, undulating bookshelves inspired by the flowing river of Kikuchi Valley, the pride of Kikuchi City, creating a diverse space that fosters a variety of experiences. The bookshelves gently divide the space, inviting people in and characterizing it from the bustling area near the entrance to a quiet spot for immersing oneself in reading. The bookshelves change shape, with holes, steps, and enclosed spaces, creating a variety of spaces. NOMURA Co.,Ltd. was also commissioned to concept design displays corner, facility VI concept design, library signage, pamphlets, and other applications. The open shelves can hold a maximum of 85,000 books. <Our project members> [Sales and project management] Yokoyama Masanori, Amano Haruka [Direction] Nakamura Kazunobu [Planning] Kameyama Yuichi, Inagaki Misa [design, layout] Nakamura Kazunobu [Production and construction] Nagayama Shunichiro, Yajima Kensaku, Yamada Koichi

【 Project Description 】 Mitsubishi Heavy Industries will construct a plant for mass production and assembly of Japan's first regional jetliner, "MRJ". The facility will be open to the public. A facility where you can see actual aircraft production sites and experience aircraft manufacturing. [Customer Challenges/Themes] Tour the MRJ production site, introduce the journey to development, and experience the dynamic nature and breadth of the aircraft industry made from over 20,000 parts. At the same time, Mitsubishi Heavy Industries, which also develops aircraft, aims to create facilities that showcase its comprehensive capabilities. 【 Solution 】 Making the most of the location of a tour facility attached to an aircraft production site. In addition to the MRJ full-scale mock-up displays, we will create realistic content that can only be experienced here, and create a space that consistently represents "aircraft" from the entrance to the exit. [Customer Comments] concept design and atmosphere of the entire facility are a great force to promote MRJ's advanced technology. < our company Project Member > [Sales and Project Management] Nobuyuki Tanaka [Planning] Kunihiko Oka, Hideki Sato [design, layout] Ryo Onishi, Hiroshi Inoue, Fumihiko Kaneko [Signing and Graphic Design] Kiyohisa Moriwaki [Production/construction] Arishi Matsuda, Keisuke Taneda, Seiichi Misunai, Kei Sakuma

[Project description] We planned, produced and produced the "Amada Memorial Hall/ displays Room," which communicates the "history" and "future" of Amada Holdings Co., Ltd., a company that manufactures and sells metal processing machinery. Based on the concept of "growing together with our customers," a philosophy that the Amada Group has cherished since its founding, the project uses the entire space to introduce the group's future through a complex production that combines projection mapping onto historical machinery that marked a turning point in the group's development, original lighting equipment and video projections. A highly experiential message space was created. <Our project members> [Planning] Mori Seiichiro, Tsuchikin Suiko, Taka Ena [concept design] Morita Masami, Tani Takaaki, Fujiwara Naoya, Nakagawa Yuri [Direction] Goto Akinori [Production] Hanayama Junya, Soeda Yuhei [Sales] Yamauchi Ryo

[Project Description] This is the first store outside of Hokkaido for Ishiya Seika Co., Ltd., a Western confectionery manufacturer in Hokkaido famous for "Shiroi Koibito". Unlike the Shiroi Koibito brand, which can only be purchased in Hokkaido, this store is a new brand that does not sell the signature product Shiroi Koibito, and was created for store expansion outside of Hokkaido, and this is its first store. It is positioned as an antenna shop that takes advantage of the location in Ginza (GINZA SIX), and will be a stepping stone for future store expansion. [Customer's Issues/Requests] The most important thing in terms of concept design expression is to convey that it is a Western confectionery manufacturer in Hokkaido. The newly developed product group is finished with a rich variety of local ingredients and has a unique finish, and we thought that a message that clearly expresses the roots of its appeal in Hokkaido was necessary. Therefore, we proposed a design with a "snow" motif to make an impression. [Solution] The white design covering the wall is a deformed snowflake, patterned, and cut into a panel. Not only is this reminiscent of the scenery of Hokkaido, but it also has a pop impression that matches the atmosphere of the sweets' packaging, and is intended to act as a neutral backdrop to accommodate this MD's many color variations. A small stage was set up inside the showcase, which serves as the focal point, to improve the visibility of the products, and the same cutting pattern was applied to the raised surface. This creates the impression of sweets being displayed on top of accumulated snow, increasing their appeal to customers wandering the floor, and creating an effect that makes the products, which are a new endeavor for Ishiya Confectionery Co., Ltd., look even more attractive. <Our project members> [Sales] Inonami Takeshi, Matsubara Tadayuki [Design] Kitamura Yoshihiro [Production] Katsumata Shigehito, Komura Hajime

[Project description] This project renovated the second floor office area of a precut factory in Takaoka, Toyama Prefecture, into a reception, library lounge, and showroom. We aimed to create a space that fulfills the role and function of an office while making the most of the unique atmosphere of the factory. The concept is to understand the growth of trees and support people and wood to walk together, with the theme of "forests where people walk together" and "wooden spaces where people can live richly." [Customer's issues/requests] ●To create a creative space where people can gather and interact, with "wood" as the keyword. ●To create a mechanism that allows people to feel closer to wood by deepening their knowledge and understanding of wood and actually touching it. ●In addition to seeing and touching wood, we also consider wood education and contact with craftsmen by holding workshops. ●The wooden parts of wooden houses, mainly the structure, tend to be hidden by floors, walls, and ceilings in daily life, so it is difficult to be interested in them. In such a situation, we created a mechanism that allows people to feel the wood material itself, the processing technology, the manufacturing staff, and the product quality that Woody Parts processes with all five senses. [Solution] The reception area was designed to allow employees and visitors to view a deep space. The tables, lighting, and bookshelves that make up the library lounge symbolize this. The showroom uses mesh material on the walls so that displays walls do not interfere with the atmosphere of the former factory. Taking advantage of the spaciousness of the space, we have prepared presentation spaces for BtoB and BtoC. In order to allow for clear presentations, we planned a space that at first glance looks like an art gallery, with visuals of handicrafts and techniques rather than an explanatory showroom. We also placed importance on ease of updating information so that it does not become outdated over time. In the future, we aimed to create a space where "creating experiences" related to "living" will be born in addition to the traditional "making things" using wood in relation to "living". [Customer feedback] ●There has been an increase in topics that are not about products (things), such as the scent and texture of wood. ●There has been an increase in visitors from management, designers, and planners, rather than the on-site staff of existing housing companies. <Our project members> [Sales and project management] Takuya Kitai and Yoshiki Yamada [design, layout] Hiroaki Koshizen [Production and construction] Kentaro Hirano Photography: Nacasa & Partners Co., Ltd.

[Project Description] Panasonic Corporation The Konosuke Matsushita History Museum was newly opened on March 7, 2018, the 100th year since the company was founded, as part of the 100th anniversary project. The purpose of the museum was to allow visitors to experience the business philosophy and life philosophy of Konosuke Matsushita, the founder of Panasonic, and to widely inherit his "spirit." [Customer's Challenge/Request] The challenge was how to pass on Panasonic's business philosophy, the many achievements, words, and spirit that the founder left behind to the company's employees, and to provide learning and awareness to visitors, including the general public. The space was designed to allow visitors to relive the 94-year life of Konosuke Matsushita by following the "path" set as the displays theme, and the concept was "a place where you can meet Konosuke Matsushita." [Solution] First, we created a space where visitors can freely stroll around and concentrate on their thoughts, with the founder's beloved "Shinshin-an" as the motif. Each displays element is expressed in layers according to depth, allowing visitors to select information that suits their individual interests. <Our project members> [Sales and project management] Shohei Baba [Planning] Tomoko Yanagihara [design, layout] Hideaki Hata, Yoshiyo Yoshikawa, Shigeto Suga, Koki Mizuno [Form concept design] Kenichi Kishikawa [Production and construction] Masao Ogawa Photography: Nacasa & Partners Co., Ltd.

[Project Description] This is a project for a corporate PR and educational facility on the first floor of the new building No. 21 at Yamaha's Head Office. We aimed to create a "place" where people can gain new realizations and discoveries whenever and how many times they visit by fully showcasing Yamaha's technology, know-how, and sensibility that have been cultivated over a long history. [Customer's Issues/Requests] The theme of concept design was to create a facility where people can "see," "listen," and "touch" Yamaha's DNA, its current and future challenges. The challenge was to create a space that conveys Yamaha's corporate attitude and a way to display instruments differently from a physical store. [Solution] - Zoning that clearly separates bright and dark areas, and the creation of a main street as the axis - Graphic appeal and sharp instrument displays that can be enjoyed by both adults and children - Creating a space where you can see all the way to the back by keeping the partition walls below eye level (H1500) [Customer's Comments] We felt reassured by their extensive track record, and with their meticulous project progress and on-site construction, we were able to complete a wonderful facility. Thank you very much. <Our project members> [Sales and project management] Takashi Sakamoto, Kensuke Aiba, Kyoko Watanabe [design, layout] Hiroyuki Tamura, Noriaki Terunuma, Atsuko Nakazawa [Planning, sign and graphic concept design] Tomoko Yanagihara, Mika Kobayashi [Production and construction] Atsushi Yanome