Workssearch results

Based on the concept of "Play, Play, Connect", this is a new amusement complex that combines games, food and drink, events, and merchandise. We worked closely with customers from the upstream stage of business development, and after building a target strategy, facility concept, and service model, we sublimated it into a space concept design suitable for the entertainment city of Kabukicho. Taking advantage of the entertainment nature of Bandai Namco's game centers, we have established a new world view of game centers that can be enjoyed with a drink in hand by mashing up food and drink, events, and merchandise, providing a new option for nightlife in Kabukicho. In a space concept design to give a floating feeling with neon lights, a lot of the latest content is gathered, and "namco TOKYO" is an enchanting place where you can play, play, connect, and gather as the second stop on your Tokyo night out. We comprehensively produced it from planning to design and construction.

As the main platform for the "RED°" brand, Japan's largest esports park was born inside Tokyo Tower, an icon of TOKYO/JAPAN. This entertainment facility aims to be the forefront of esports evolving into a national culture, pursuing a space that offers a "different dimension of entertainment experience" packed with fun in every situation, such as playing the latest game titles and enjoying tournaments and events in a stadium equipped with the world's most advanced XR technology. Taking advantage of the old structure, the design is not too clean overall, but rather preserves the taste and expression of the materials due to its age, and makes you aware that it is the interior concept design of Tokyo Tower. The strength created by showcasing the texture of the metal and mortar and the structure itself makes it seem as if it is eroding Tokyo Tower. In anticipation of collaboration with companies and manufacturers, the space is based on versatile and edgy neutral colors, and the brand color "TOKYO RED", which is also the name of the facility, is effectively incorporated into the space to make a strong impression of the RED° brand. We also incorporated video effects to create a new futuristic space.

This is the design, construction and operation of the Sega booth at Tokyo Game Show 2022. Following the COVID-19 pandemic, this will be the first in-person event in three years since 2019.

This project is organized by the Art Project Executive Committee, which was established by the Tokyo Metropolitan Government Bureau of Port and Harbor to further enhance the appeal of the waterfront subcenter area and establish art in the city. Our company was responsible for planning and managing the ARTBAY TOKYO Art Festival 2022, which was held in fiscal year 2022. The purpose of this project was to promote the appeal of the waterfront subcenter and art to many people through the first art festival to be held in the waterfront subcenter, and to increase awareness of ARTBAY TOKYO. Therefore, the project required a wide range of work, from displays art works to management work, creating and managing a website dedicated to the festival, public relations, and creating AR content.

As Tokyo Skytree celebrates its 10th anniversary in 2021, the 4th floor entrance floor has been renovated to prevent the spread of COVID-19 by creating an easy-to-understand entrance path for customers and reducing the number of face-to-face ticket sales counters. The existing ticket counter was relocated and a new exhibition area, "SKYTREE® ARCHIVES," was opened on July 1, 2021, which introduces the history of the surrounding area, including the Oshiage district where Tokyo Skytree is located, and the role of the displays tower in a chronological format through videos and photos. The "Sumida River Digital Picture Scroll," which was displays on the 1st floor group floor, has been relocated to this area. We were responsible for design, layout, and construction of the new ticket counter, "SKYTREE® ARCHIVES," and "Sumida River Digital Picture Scroll." We have also been supporting the creation of the space at Tokyo Skytree Town® (Tokyo Skytree, Tokyo Solamachi®) since its opening in 2012. [Social Issues / Customer Issues / Requests] ・The ticket counter is the first place visited by many people, both domestic and international. Therefore, we received requests for it to be easy for anyone to understand, to have affinity with environmental design, and to improve hospitality and service. ・For "SKYTREE® ARCHIVES," we received requests for concept design and displays method that would interest customers and be easy to understand, with large-scale images, a historical timeline, and actual displays in a limited space. [Solution] ・To clearly communicate the existence of the ticket counter, we placed it facing the 4th floor entrance and gave it a calm, traditional concept design that fits the environment. We also installed an easy-to-see sign at the top and lit the decorative material using cut glass on the back of the counter with indirect lighting, so that it can be intuitively understood even from a distance. ・For "SKYTREE® ARCHIVES," the relevant parties conducted on-site mockups to check the color and size of the graphics, the placement of displays, the lighting plan, etc., to verify the ideal form. It has become a place of learning for visitors to learn about Tokyo Skytree and the surrounding area, and to enjoy the view from Tokyo Skytree, which is built on that history. In addition, by arranging all the pictures in the "Sumida River Digital Picture Scroll" in a continuous manner, the continuity of the scroll is emphasized, and it has been reborn as a more powerful piece of content. The above synergistic effects have made the view from the observation deck even more appealing by smoothly guiding visitors from "SKYTREE® ARCHIVES" near the main entrance to the ticket counter and then to the departure gate (elevator platform to the observation deck) and creating a sense of exhilaration. <Our project members> [Sales/Project Management] Hashida Yukinori, Nekoda Hiroki [concept design] Hirata Wakako, Sato Tomoya [Production] Nara Shota, Oikawa Yasuhiko, Sakurai Ryota, Wada Kaoru

The area around Tokyo Station is a city with many different aspects, where history, the future, and culture coexist. In the area, the year-end light event has become an annual winter tradition since the Tokyo Millenario in 1999. In 2021, which has been marked by many hardships, we have created a theme of "scenery at dawn" by painting the Marunouchi Building of Tokyo Station, the Marunouchi Central Plaza of Tokyo Station, and Gyoko-dori Street with gentle light, allowing visitors to feel the dawn of a new era. [Social Issues/Customer Issues/Requests] We received a request to send a positive message to society and reduce carbon dioxide emissions through a special light-up of the Marunouchi Building of Tokyo Station, a historic building that can be said to be the face of Tokyo. [Solution] We created a color light-up with colors that evoke the "sky at dawn" from the Marunouchi Building of Tokyo Station to the station square and Gyoko-dori Street. For the lighting effects on the trees, we chose to use rental lighting equipment rather than string illumination, as this method would minimize industrial waste, have less impact on the growth of the trees, and reduce costs. <Our project members> [Sales/Project Management] Ken Kumagai [Planning/ concept design /Direction] CIC: Ryuji Tsuyama [Product Direction] Ken Kobayashi, Takahiro Chiba

A new normal illumination that fuses the real and the remote, sending a message of gratitude and encouragement from Tokyo to medical professionals, essential workers, and all those who are moving toward the new normal.

"Illumination Island Odaiba" is an event that has been held every year in which commercial facilities, accommodation facilities, transportation facilities, etc. in the waterfront sub-center area all light up at the same time. In 2020, a first attempt was planned to create a production not only at individual facilities but also in the public areas between the facilities, and our proposal was selected as a result of a proposal competition. In addition to concept design the illumination production, construction, and security patrols during the event, we were responsible for a one-package project that also included effectiveness verification, analyzing the impact on social media and the attributes of event attendees.

This project is one of the projects to help the residents of the areas that will be submerged due to the construction of the Yamba Dam to rebuild their lives and find meaning in life. For about six years, we were in charge of the basic plan, schematic design, working drawings, supervision, and consulting work to support the local management company for the "regional development facilities" in the "Kawarayu District" and "Yokobe District" of the relevant areas. The Kawarayu District is a tourist destination with Kawarayu Onsen, which has been around for over 800 years, and is adjacent to JR Kawarayu Onsen Station. From the perspective of location characteristics, scenery, and business scale, we proposed a "Station Front x Campsite & BBQ x Hot Spring Facility" business. While listening to the opinions of the local residents, Naganohara Town, and Gunma Prefecture, we comprehensively planned and produced the project, from the launch and support of the local management body, to attracting a campsite management partner company, consulting on the business plan, and facility design, layout. The facility is divided by the JR Agatsuma Line, and consists of the "Kawarayu Onsen Play Base NOA" with a cafe and hot spring on the upper level, and the "Kawarayu Onsen Station Campground" with a plaza where you can enjoy BBQ and bonfires, a wood-burning bath, a tent sauna, and canoeing and kayaking on the dam lake on the lower level. [Social Issues / Customer Issues / Requests] [Business] It was necessary to understand what it means for the local residents to rebuild their lives and create a purpose in life. Through repeated discussions with the residents, issues were identified that aim to revitalize the area, such as coexistence with the hot spring town, promotion of employment for local people, especially young people, and encouraging the outflow of the population to return to their hometowns. In addition, they requested that the facility be differentiated from facilities planned in other areas and similar facilities, and have the ability to attract customers and be unique. [concept design] They requested that concept design be unique to the area, taking into consideration the bridge that tourists passing by to visit the dam and visibility from the opposite bank, which is a busy area, and that the facility be easy to operate by harmonizing the complex multi-purpose facilities (hot springs, restaurants, rest areas, observation decks, tenants, conference rooms, etc.). [Solution] [Business aspect] The Yamba Dam project took 70 years from planning to completion, but there were arguments for and against the construction of the dam, and many residents moved out. From the perspective of launching the project, we focused on proposing a business plan with multiple perspectives and a bird's-eye view. We listened to the various business ideas desired by the local residents, made recommendations on how to make them feasible, made adjustments to avoid competition with businesses in the surrounding area, and differentiated each facility, aiming for a project that emphasized the uniqueness of each area. [concept design aspect] The concept was the "Azuma River," which is the origin of the name of the former Kawarayu area. As we proceeded with concept design, we received feedback from local residents that it looked like a "boat rising with the area on board," so we created a distinctive building that symbolizes the two concepts. For the interior space, we planned a gently curving flow line and slope that combined various functions to match the long and narrow shape from east to west, making it an easy-to-use space with mobility. <Our project members> [Sales/Project Management] Satoshi Arai, Hitomi Yamamoto [Planning/Consulting] Kenichi Sakazume, Yuki Shimokuni [design, layout] NAU: Sakae Kirioka, Nana Osano

KidZania is operated by KCJ GROUP Co., Ltd. and is a "city where children play the leading role" where they can learn about the structure of society while having fun. The "publisher" pavilion, which opened in a corner of "KidZania Tokyo" in LaLaport Toyosu, allows you to experience the "joy of creating a book" through the flow of planning and editing until the creation of a new book. In this pavilion, as an editor, I will work on editing the "picture book" and "picture book". When editing the picture book, I used photographs of living creatures and thought of pages and covers that would surprise the reader. I think You can also take home the "picture book" or "picture book" edited by the participants. We understand the space concept created by KCJ GROUP, which supervises both space and application, and the planning elements of the content, and make a plan that takes into consideration the operation. We provided quality based on the concept in terms of constrained schedule and cost. <Our project members> [Project management] Kaori Suwabe, Daichi Kawamoto [Creative direction] Eiji Kawasaki, Kana Aoe [Product direction] Hiroki Kimura, Yuta Yamaguchi [Creative engineering] Masahiro Nishikawa, Naoya Miyamoto [Digital content direction] NOMLAB: Yoshitake Soichi

Shibuya Scramble Square, a new landmark facing Shibuya Scramble Crossing, boasts one of Japan's largest rooftop observation spaces (approximately 2,500 m²), 229 meters above Shibuya. SHIBUYA SKY is comprised of three zones: SKY GATE, a transitional space on the 14th to 45th floors; SKY STAGE, an outdoor observation space; and SKY GALLERY, an indoor observation corridor on the 46th floor. This observation facility not only offers a 360-degree view from 229 meters above Shibuya, but also stimulates intellectual curiosity and fosters imagination through a series of experiences. In collaboration with Rhizomatiks concept design, we were responsible for interiors space concept design, schematic design, working drawings, construction, and system hardware.

"Attack on Titan" is a dark fantasy battle manga that began serialization in Bessatsu Shonen Magazine in 2009. In 2014, the first exhibition of original drawings, "Attack on Titan Exhibition," was held, which attracted over 450,000 visitors, including traveling exhibitions. Now in 2019, the story is reaching its final stage. This exhibition, titled "Attack on Titan Exhibition FINAL," is a condensed version of the past 10 years. In addition to displays, this exhibition allows visitors to experience the history and worldview of the work as a culmination of the work, with branching paths that allow visitors to relive the characters' "choices," a 1/1 scale diorama theater that immerses you in the world of the story, and an displays of the final episode that can be heard only through sound. Following on from the previous exhibition, we assisted with the planning, design, layout, and construction of the spatial production. *This exhibition was held in Tokyo from Friday, July 5th to Sunday, September 8th, 2019, and in Osaka from Saturday, September 21st to Sunday, December 1st, 2019. ©Hajime Isayama, Kodansha / Attack on Titan Exhibition FINAL Production Committee <Our project members> [Sales/Project Management] Haruhiko Kako, Toshihito Kawashima [Creative Direction] Ryuta Yamada [Space concept design] Yuya Tagami [Modeling concept design] Satoshi Nakagawa, Hiroki Toyoda [Graphic concept design] Yasuyuki Chosa [System Engineering] Kenji Suzuki [Production/ construction] Yohei Ishikawa, Shunsaku Kimura, Takenao Onishi

Moomin Valley Park opened in Hanno City, Saitama Prefecture on March 16, 2019. Our company was responsible for the entire park, from planning to design, production planning, and construction. [Client Challenges/Themes] As the world's first permanent Moomin theme park, there was no precedent. Therefore, we had to obtain approval from the publisher, Moomin Characters, literally from scratch, regarding the type of facility and attractions that should be included. Furthermore, the wide-ranging scope of responsibilities required the formation of a large, well-coordinated team. [Solution] Thanks to the team's deep understanding of the original work and repeated careful confirmation with the publisher, we ultimately received high praise from the publisher and achieved smooth approval. Furthermore, by assigning a promotion team encompassing the entire NOMURA Co.,Ltd. Group, we were able to ensure constant communication across all areas. [Customer Feedback] The team's deep understanding of the Moomin characters and story and their love for the content they created earned the licensor's trust and facilitated the approval process. Guests have praised the facility, saying it is "a place where you can really feel the love for the characters." <Our project members> [Sales and project management] Terasaki Shingo, Kawashima Toshihito, Suzuki Mirai, Nihei Morifumi, Manabe Junichi, Kako Haruhiko [Planning and design] Kawahara Masaki, Horie Kyosuke, Sasa Asafumi, Kirioka Sakae, Yamada Kentaro, Suzuki Yoko, Sugihara Masahiro, Handa Yuki, Nagao Manami, Isoyama Eri, Nakagawa Satoshi, Oikawa Hi, Osaki Noriko, Shimada Kazumi, Toyoda Yuki, Saito Rina, Naga Ryosuke [Graphic concept design] Kaneno Minori, Kaneko Misao, Hagiya Ayaka, Toyoda Mayu, Suzuki Fujie [Production and construction] Kimura Shunsaku, Inoue Tetsuji, Seki Chuzo, Hashimoto Kunihiko Nomura Products: Hoshi Kiyohiko, Mori Naoaki, Niimi Takeshi, Kiyomi Naoyuki, Wataru Yoshida [System Engineering] Kenji Suzuki, Isao Yokota Nomura Techno: Katsuji Oguchi, Masahiro Takano [Structural Calculation Work] Takakazu Fujihira

Metsa, where Metsa Village will open, will consist of two areas: Metsa Village (opened November 9, 2018, free admission), where you can experience the Nordic lifestyle, and Moomin Valley Park (opened March 2019, paid admission), which is themed on the Moomin story. Metsa Village will be approximately 163,000 m2 in size and will consist of retail facilities, food and beverage facilities, workshop facilities, event space, parking facilities, etc. Our company was in charge of design and supervision of the environmental design (building exterior specifications and concept design, facility sign adjustment, environmental benches, photo spots, trash can concept design). [Customer's issues/requests] We requested a design that has a Nordic atmosphere and matches the world view of Metsa, and also has a playful concept design that will look good on Instagram, as adult women are also the target audience. [Customer feedback] There were many concept design that were Instagram-worthy, which made customers want to take pictures, and customers actively uploaded the photos they took to SNS, which had a positive effect on PR. In addition, the benches make you want to relax, allowing you to experience the concept of Metsa, "Living with space." <Our project members> [Sales/Project Management] Masahiro Takamori, Hiroki Nekoda [Direction] Yoko Suzuki [concept design] Yuki Handa [Production] Satoshi Hirayama, Shota Watanabe

---------------------------------------------------------------------------------------本施設は2022年にリニューアルのため閉館し、2023年4月18日に新施設「サンシャイン60展望台　てんぼうパーク」としてリニューアルオープンしました。（乃村工藝社担当業務範囲：企画、設計、リーシング、施工、ロゴ制作）--------------------------------------------------------------------------------------- 眺望や高さを様々な形で体感して楽しめる新しい展望台『SKY CIRCUS サンシャイン60展望台』(スカイサーカス サンシャイン60展望台)は、2016年4月21日(木)にフルリニューアルオープン。本施設は、「SKY CIRCUS（スカイサーカス）」をコンセプトに、「見るだけの展望台」から「体感する展望台」へ進化し、VRテクノロジーと4D体験をはじめ、インタラクティブ・アニメーション、CGアニメーションなど様々な最新技術により、“眺望”を楽しみながら“テクノロジー”で遊べる、世界に類を見ない展望台が誕生しました。当社は電通様と共同で本プロジェクトの企画・プロデュースをいたしました。巨大な万華鏡のような光と鏡のトンネルで日本の四季の移ろいを表現する映像などを投影する無限反射映像トンネル「無限スケープ」や、ドローンで撮影した四季おりおりの自然の名所を、空を飛びまわる感覚で楽しむことができる垂直跳躍移動体験「SKYトランポリン」など、インバウンドも意識したコンテンツを楽しむことができます。また、60個の万華鏡を設置しキラキラと輝く“CUMOS立方体万華鏡”を楽しむことができる「カレイドスコープ60」や、眺望・天候・疑似体験が楽しめるエンターテイメント「アソブレラNEXT」など、女子美術大学や大阪大学などをはじめとした教育機関との産学協同により、技術をエンタテイメント化させ新たな体験をつくりだしています。本施設では、乃村工藝社グループとしてショップ「SKY CIRCUS SHOP」やカフェ「Cafe Quu Quu Quu」の運営管理を株式会社ノムラデベロップメントが、演出装置のテクニカル・システムをノムラテクノ株式会社が、内装造作を株式会社ノムラプロダクツが担当し、当社の総合力を活かして世界に類を見ない展望台をつくりあげました。 ＜お客様の声＞今回のプロジェクトは、内装環境を綺麗にするという一般的な展望台リニューアルではなく、新しい展望台の価値創造というプロジェクトであり、まさにゼロから有を産み出す難しいプロジェクトでありました。したがって、クライアントとして求めたものは、お客様を楽しませ、驚かせ、喜ばせることのできる新しいアイデアでありました。単なる一方的な提案ではなく、プロジェクトチーム内での自由闊達な議論、時にはクライアントへの苦言提示などを重ねることで、熱意をもって一緒に創りあげていくことで、見事その要求をクリアしていただきました。これまでのコンペ形式でのリニューアルとは違う、新しいリニューアル手法を経験できたことは大きな収穫でした。 ＜当社プロジェクトメンバー＞【営業・プロジェクトマネジメント】今泉宏優、山口誠二、東賢次【企画】坂爪研一、安田哲郎、市川愛【デザイン・設計】高橋珠恵、鈴木洋子、岡本極、妙中将隆【コンテンツ企画・デザイン】山田竜太【サイン・グラフィックデザイン】帖佐泰行【コンテンツ制作・施工】河端利明、日野潤平、小林拳斗、ノムラテクノ　小林敬治、久我祐輝　【内装造作制作・施工】富田政男、平山哲、ノムラプロダクツ　井沼陽治【運営管理】ノムラデベロップメント　染谷 和彦、水野 元、稲垣 春江、齋藤 有希（【保守管理】ノムラテクノ　大久保祥孝、竹内一雅）