WorksHospitality

Kiraku Kyoto Honmachi

Kiraku Kyoto Honmachi

With the concept of [Road to Wazuka], a place that makes you want to go to Wazuka-cho, a famous tea-producing area, one hour away from Kyoto city, a 70-year-old Kyoto townhouse located within a 10-minute drive from Kyoto Station. It was regenerated into a rental accommodation facility. Our company participated in the revitalization of the townhouse from the planning stage and was in charge of producing the space. We are taking on the challenge of a new spatial attempt to "transfer customers from the city center to the countryside", and each method for that purpose has resulted in a differentiating factor from other Kyomachiya lodging facilities. The opening projects of this time are “NAZUNA”, which handles the operation of inns using machiya, “Kiraku Japan”, which supports the restoration of old folk houses in terms of finance, “Crowd Realty”, which conducts crowdfunding of real estate, and handles planning and design. We worked together as a team. In addition, the opening funds were collected by crowdfunding. Participating companies and individual investors who sympathize with the concept [Road to Wazuka] and want to contribute to the town and spread Japanese culture to the world are working together to solve regional issues. <Our project members> [Space producer] Yasutoshi Yamano [Design (interior)] Takaaki Tani [Furniture and accessories coordination] Saki Ninomiya [Development] Nobuyuki Yagi [Sales] Yuji Takataka [Customer issues/requests] (1) We would like to renovate a Kyomachiya into a lodging facility targeting foreign tourists. (2) We want to make the concept with a story different from the many Kyomachiya in the city. (3) The owner of a cafe that serves Wazuka tea on the same premises wants to spread the appeal of Wazuka Town. [Solution] We have prepared a device in the facility that will make you want to go to Wazuka-cho. The rocks and rocks and rocks and dry landscape gardens inspired by the scenery of Wazuka allow you to feel as if you are sleeping on the land of Wazuka. The tea stand on the 2nd floor is made by remaking the tea box used in Wazuka-cho, and you can touch the real thing. Also, the wall graphic on the 2nd floor is based on the pattern that was affixed to the wooden box when exporting tea from Wazuka-cho to overseas at that time, and the fabric used is Kyoto's Nishijin textile. The lighting in the atrium space is also produced using light-shielding sheets used in the process of producing kabuse tea in Wazuka Town. The space is configured as an “accommodation antenna shop that fosters motivation to visit attractive places that have not yet been seen.” In addition, we have prepared an instruction manual with illustrations to convey to guests the gimmicks in the space, and we have even worked on software to help them experience it. [Customer's voice] I feel that the concept and high quality of design proposed by Nomura Co., Ltd. have aroused the sympathy of the investors in this project, and have led to the realization of an unprecedented accommodation facility.

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Kiraku Obi Aiyatei

Kiraku Obi Aiyatei

[Project description] A project to convert an old private house located in Obi, Nichinan City, Miyazaki Prefecture, into an accommodation facility. In 1977, Obi was selected as the first Important Preservation District for Groups of Traditional Buildings in the Kyushu/Okinawa region. Therefore, the exterior design had to be renovated on the premise of harmonizing with the landscape from the viewpoint of preservation. Therefore, we aimed to create a facility that has a high ability to attract customers by highlighting its features with a highly flexible interior design and furniture decorations. Also, on January 28, 2017, Nichinan City and Nomura Co., Ltd. signed a comprehensive partnership agreement to realize community development in line with Nichinan City's concept of "creating customers and creating people." On October 10, 2018, as part of the partnership agreement, we signed the "Regional Revitalization Business People Exchange Program" and dispatched creative talent Yasutoshi Yamano, who handles space production, to Nichinan City to work on regional revitalization. increase. Together with Nichinan City, related companies, and various other players, we have created the "Machine Development Guidelines for the Revitalization of the Obi District of Nichinan City," and held the "DENKEN WEEK," an event aimed at developing the historical townscape. We are working on regional revitalization, including space production of private houses. [Customer issues/requests] (1) We would like to renovate an old Japanese-style house into an accommodation facility mainly targeting foreign tourists. (2) As a strength of the lodging business, we would like to incorporate elements unique to the region. (3) I want to create a space that feels like Japan. [Solution] An old private house is one of the spaces in which Japanese lifestyle culture, the so-called "living style", is most concentrated. In this renovation plan, we wanted to make the most of the pillars, beams, ceilings, and other items that convey the scenery of the past, and to create a space that can be used comfortably by modern people with other elements. Therefore, the overall concept is "Post-Heritage: Inheritance and Transformation for the Next Generation," and we are searching for a new way to pass on culture. The tools were also selected with a consistent theme, and were composed of items that weaved Japan with various approaches without sticking to traditional techniques. As a result, we believe that this accommodation facility is able to provide a moving experience that will make foreign visitors to Japan more interested in Japan, and domestic tourists will be proud of Japan. <Our project members> [Space Producer] Yasutoshi Yamano [Furniture and accessories coordination] Yasutoshi Yamano [Design (interior)] Yukio Suzaka [Development] Nobuyuki Yagi [Sales] Toshiyuki Shirai Released: Nichinan City and Nomura, Miyazaki Prefecture Kogeisha signs a "comprehensive cooperation agreement on regional revitalization" https://www.nomurakougei.co.jp/uploads/news/attachments/1/bd685168ce469eb3f8f63ef2a5fe43c89bbc9af85df83d352763aa2eeb42e9cf.pdf ・ Release: Nichinan City, Miyazaki Prefecture and Nomura Kogeisha Signed "Regional Revitalization Business People Exchange Program" https://www.nomurakougei.co.jp/uploads/news/attachments/1/aa565bf338f37cd539f269b55ea67caf32e4e527800fa28c89557f39ddf51f19.pdf ・ Other achievements: DENKEN PJM https://www.nomurakougei.co.jp /achievements/detail/409

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Hilton Fukuoka Sea Hawk guest room and corridor renovation work

Hilton Fukuoka Sea Hawk guest room and corridor renovation work

[Project description] Renovation project for 148 guest rooms on 4 floors and 22 floors for corridors. Hilton Fukuoka Sea Hawk is also a symbolic icon of "Seaside Momochi District", which was selected as one of the 100 best urban landscapes in Japan. In this refurbishment as well, with the motif of the comfort of being on a ship and the view of the sea from the ship, we imagine how people interact with each other from the connections between people in Hakata Bay, which has long been linked to exchanges with foreign countries. We designed Hilton Fukuoka with the aim of being loved by people around the world for a long time, with the shape and composition born from "fellowship", the texture of the material that makes you feel "a cabin", and the colors of "white sand and green pine" that are unique to Hakata Bay. [Customer issues/requests] Our challenge was to enable flexible use of guest rooms, assuming various guests such as business, leisure, inbound, and MICE. The design of the long corridor was required so as not to give the guests a monotonous impression. [Solution] We have added a trick to the bed headboard in the guest room, and by moving it to the center, we have made it possible to arrange one guest room into a twin type or a Hollywood twin type according to the guest's request. In the corridor, the trajectory of the ship is represented by the intersection of the gradation lines of the carpet, and the Hakata Bay side is the sea, the center is the sandy beach, and the city side is the pine forest. <Our project members> [Sales and project management] Masayuki Yoshimori, Nobuko Abe [Design and planning] Keita Aono, Naoaki Yokoyama, Atsushi Watanabe [Production and construction] Takayuki Kara, Mitsuaki Kanayama

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Akiu Grand Hotel hot spring facility renovation work

Akiu Grand Hotel hot spring facility renovation work

[Explanation of the project] Renewal project for the hot spring facilities of the main building of the Akiu Grand Hotel in the Akiu Onsen district of Sendai City. Taking full advantage of its location along the Rairaikyo Gorge, we aim to create a hot spring facility that combines the ambiance of the Akiu Grand Hotel with a modern impression while letting you feel the four seasons of Akiu and a sense of unity with the Rairaikyo Gorge. I was. [Customer Issues/Requests] There is a promenade for sightseeing between the Rairaikyo Gorge and the hotel along the valley, so it was necessary to devise ways to hide both the bathing facilities and the promenade. In addition, consideration has been given to ensure that three generations can use the facility with peace of mind, such as by easing the steps to the bathhouse. The men's bath is ``Bonten-no-Yu, a bath of oblivion where you can enjoy the four seasons of Akiu and enjoy a sense of unity with Rairaikyo Gorge. The theme of the design is "a tranquil modern resort, a hot spring for beautiful skin where you can relax from the bottom of your heart in an extraordinary space." [Solution] When you open the sliding door to the hot spring, you can see the natural scenery of Rairaikyo Gorge as if you were looking at a painting. Welcoming guests with a tranquil atmosphere of bubbling water, the scenery of the four seasons of Rairaikyo Gorge is reflected in the open-air bath, creating an even greater sense of unity with nature. In addition, the boundary wall between the men's and women's open-air baths uses the large stones that have been installed since ancient times, and the light blue-green Towada stone on the floor gives a sense of cleanliness. is used to create a stylish and high-quality atmosphere. A glass sash that can be opened wide to the left and right is placed in the center of the indoor bath, and when the season is good, the inside and outside are connected so that you can feel the expansion of the space. <Our project members> [Development] Masayoshi Nishibori, Isao Oyama, Mitsuhiro Sato [Sales] Hiroyuki Uesugi [Creative direction] Miwa Matsubara [Design and planning] Miwa Matsubara, Ryoji Takahashi, Takeshi Honda [Production and construction] Manabu Fukuda, Masaaki Takase, Ken Aizawa [Architectural Supervisor] Koji Ueno

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hotel koe tokyo

hotel koe tokyo

[Outline of the project] hotel koe tokyo is a place that embodies the brand concept of the lifestyle brand "koe", which is "new basic for new culture". Designed with a global perspective in mind, this hotel-type store creates a fusion of the ordinary and the extraordinary and a new culture centered on stays, fashion, music and food. From the standpoint of a construction company, we helped Stripe International and Suppose Design Office, a design company, give form to their thoughts and ideas. [Customer's challenge] The challenge was to understand the worldview that Stripe International and the design company Suppose Design Office have in mind, and to embody it, including how to create it. While being conscious of the investment in the project, we made optimal proposals on how to make and the construction method from the viewpoint of construction. [Solution] To address the above issues, we proposed a wide variety of materials, created samples, shared images, and had repeated meetings with Suppose Design Office about construction methods. In addition, we made proposals that were conscious of project investment, responded to changes in specifications as needed and promptly, and played a role as a construction company until the opening of business by being conscious of the schedule. <Our project members> [Sales and project management] Hiroshi Tsubosaka, Kayu Tatsumi [Production and construction] Hiroki Yoshitake, Yoshito Hamabe, Ikuya Sasaki, Yuya Tsuboi Photo: Kenta Hasegawa

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Hilton Tokyo Bay Room Renovation Project

Hilton Tokyo Bay Room Renovation Project

<Overview of the project> This is a project to renovate guest rooms (196 rooms), corridors, and elevator halls on the 6th and 7th floors of Hilton Tokyo Bay. We received an order for design work through a design contest and an order for interior construction and FFE construction through a construction tender, so we were able to work on this as a design and construction project by our company. For this reason, we were able to provide a space that realized a design that also accommodates business in a resort area while complying with the Hilton Standard quality standards within a limited construction period and budget. <Client Issues> Hilton Tokyo Bay is mainly for guests who come to visit Tokyo Disney Resort®, and there are fun rooms where you can experience a fantasy world. Under such circumstances, the theme of this renovation was to provide guest rooms where business travelers and adults can relax without discomfort. <Solution> The view of Tokyo Bay from Katsushika Hokusai's ukiyo-e "Thirty-six Views of Tomomi" was very similar to the scenery that can be seen from this location, so the concept of the design was based on materials that appear in ukiyo-e. I decided to express the color as it is in the space. This is because I thought that by doing so, the space would be familiar to Japanese people from long ago, and it would be a fresh and Japanese space for foreigners. The wood used in the furniture is made of wood, and the copper plates used in the lanterns are used as a point color to express the serenity and peace of mind throughout the space. 〈Our project members〉 [Sales/Project Management] Masayuki Yoshimori [Design/Design] Keita Aono/Hiroyuki Suda/Kyoko Aikawa [Production/Construction] Takayuki Kara

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The Tender House

The Tender House

This project was planned in an area lined with restaurants on Shirokane Platinum Street. The site is 35 meters wide and has a new and old appearance and a pleasant feeling, and is intended to be a building that "evokes memories". We assisted in the basic design and design supervision for this building, which aims to become a landmark in the city as a complex dining complex. Since the architecture was required to have a sense of openness, we created a sense of openness and shielding with cement folding stones, and a texture that seems to have been eroded by the wind and light. This also contributes to creating the atmosphere of the "dry land of the south," which is the keyword for interior design. Based on a consistent concept, we assisted in everything from interior design to planting and artwork selection in order to realize the unity of the interior where you can feel the wind and light flowing in from the outside, as well as greenery and water. When viewed from the outside, the interior design that continues to the terrace, together with the planting plan, becomes one of the elements that color the façade. It is established. The facility has dining, teppanyaki, two banquet halls, a chapel, and all kitchens are walk-in or open kitchens. The front room of the chapel and the bucket is partitioned with glass, and emphasis is placed on the clearness of the line of sight and the continuity of the space within the facility. In addition to being open to the street, the expression created by the materials that have already changed over time creates an atmosphere that has existed for a long time. I believe we can build relationships. ◎ Our group project members [Sales] Hisayuki Takenaka, Takuya Kitai [Direction] Ryu Kosaka [Design and design] Architect Hiroyuki Iizumi, Interior: Reiko Saito, Masahiro Hisakane [Production and construction] Keiji Idei

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