WorksUrban& Retail

[Project summary] "Nihonbashi Toyamakan" is a comprehensive information receiving and transmitting center that can sell products, provide tourist information, and hold exchange events, with a restaurant where you can experience the taste of Toyama as its main focus. Materials and traditional crafts from Toyama Prefecture are used throughout the space, and it is a new base that conveys the beautiful nature, diverse culture, and food charm of Toyama that are the background, rather than simply selling products, and conveys "quality living in Toyama" that makes people think "I want to visit Toyama Prefecture". We assisted with consulting, design, layout, building execution, event management, and PR support. [Challenge/theme] "A place to convey quality living in Toyama" The theme was to not only get things, but also to convey experiences, leading to the revitalization of industry, tourism, etc. [Solution] We put into practice the proposal to "revitalize the facility by introducing a new purpose that will be a centripetal force." Utilizing our CSV solutions for creating public spaces, "Forester Project" (*1) and "Japan Value Project" (*2), we were able to realize a plan and design that would not just be a product center, but one that can be utilized for the various regional revitalization measures that Toyama Prefecture is aiming for, such as tourism, industry, and immigration. For the wood used for the tables and chairs that are actually used, our designers visited sawmills in Toyama Prefecture and selected local materials, including cedar and keyaki, for the building. "Forester Project" (*1) A project to create facility development that creates a strong impression of the regional brand while supporting forestry by producing facility interiors, furniture, and fixtures using domestic materials that are characteristic of the region. "Japan Value Project" (*2) An initiative to collaborate with businesses across the country that handle traditional techniques and materials, and provide a place to promote them by incorporating their specifications into the facility. <Our project members> [Development/Project Management] Fujinaka Ryuichi [Sales Promotion] Sato Noboru, Tanaka Nobuyuki [Planning] Suzuki Megumi, Fujinaka Ryuichi [Creative Direction] Suzuki Megumi [design, layout] Hanaoka Yutaka [Sign/Graphic concept design] Ito Hisae (Cloth) [Production/ construction] Marumori Yukio [Other (Event Planning, PR Support, etc.)] Fujinaka Ryuichi

<Project Description> 3D printer technology liberates jewellery from gravity, creating "zero gravity." This is the first directly managed street store for the jewellery brand "TOMOKO KODERA," created by designer Tomoko Kodera, the first Japanese designer to win the Grand Prize at the 2015 HRD Awards International Diamond Jewellery Competition, sponsored by the world's largest diamond research institute. The wind = energy that appears in the pitch black world that evokes the universe is expressed through a collection of delicate lines. The jewellery, as a crystallisation of energy, floats in space like a galaxy. In order to express the "mystery" hidden in TOMOKO KODERA's creations, which are not bound by conventional concepts, in the space as well, all the jewellery displays on the tips of pipes suspended from the ceiling with displays parts developed using 3D printer technology. The jewellery shines at the tip of the rising energy. Photo: Tomooki Kengaku, Nacasa & Partners Inc

<Project Summary> This flagship store opened along Ginza Miyuki-dori and is one of the largest in Japan. The store, which consists of three floors from the basement to the second floor, is also home to the brand's first restaurant business, "ANTEPRIMA CASA CUCINA." The first floor is home to ANTEPRIMA/Wirebags and ANTEPRIMA/Mist, the collection line ANTEPRIMA on the second floor, and ANTEPRIMA CASA CUCINA on the basement floor, creating a flagship store that offers a wide range of worldviews from fashion to food and drink. <Client's Challenge> The challenge for the brand's first restaurant business, "ANTEPRIMA CASA CUCINA," was to create a home-like space that would allow customers to visit as if they were visiting a friend's house, and that would reflect the identity of creative director Izumi Ogino. In addition, the first and second floors were designed to retain the elements of the new store concept design that we created together in Roppongi, and were designed to create a space that would allow customers to feel the brand image of continuing to propose a sophisticated style backed by high-quality materials and solid technical skills, with the concept of Simple, Sophisticated yet Sexy. <Solution> At ANTEPRIMA CASA CUCINA, we placed a chef's counter and a large U-shaped counter at the center of the store, as a mechanism for naturally generating conversation between the chef and customers and creating a warm space as if they were visiting a friend's house. We also incorporated furniture and fixtures that we had selected in Italy with our customers into the space, creating a space that felt like home. On the first and second floors, just like in Roppongi, we created a sophisticated and high-quality space with artistic fixtures and the curved beauty created by natural wood as accents. <Our project members> [Direction] Ryu Kosaka [Sales and project management] Hisayasu Takenaka, Hiroyuki Iizumi, Hiroya Matsumaru, Taisuke Kawagishi [design, layout] Minehito Yoshimura [Production and construction] Masayuki Tabata, Akihiro Yoshida

< Project outline > Kawasaki Azalea is celebrating its 30 year anniversary with its first full renovation project. The concept of the renewal is a "life share mall where people share the rich time of their lives." Delichica (DELICHIKA), a large-scale food and beverage selling zone that covers 1/3 of the total area of Kawasaki Azalea, LIFE GRAND, a lifestyle zone that accumulates "slightly nice" things and things, & quot;; Rice for one person; Gourmet Messe (GOURMESSE) has helped complete the renovation of its three zones to accommodate a wide range of usage scenarios, such as lunch with children, dinner after work, and dinner with clients. our company was in charge of environmental design (including basic and implementation), Environment construction (Souzai Chashi, CRYSTAL ROND and others) and furniture and fixture manufacturing. < Client Challenges > (1) Recover the ability to attract customers to become a mecca of restaurants, food sales, and fashion miscellaneous goods, taking advantage of the good location in front of the station under various conditions such as the building structure and equipment of the underground public passageway 30 years ago. (2) Expanding the store facade as much as possible, creating a sense of bustling stores and agglomeration, and creating an environment that encourages purchase motivation (3) New ways of using the Sunlight Square environment from the 1st floor entrance to the basement central stairwell < Solution > (1) Creating a environmental design theme that matches the new business zoning for each area. By setting up a theme zone environment as the core of each area, we succeeded in connecting each aisle to increase customer attraction and mobility. (2) Store façade was constructed so as to cover up the existing finish without removing, and construction period cost was reduced. The ceilings and floors are basically the same as the existing ones, and the new concept design, centering on the shop front and key points, has been renovated to a minimum extent to create a sense of renewal by giving a wide range of features. (3) Lighting, greenery, FF & amp;; We have built an indoor garden space where you can stop by and take a break. We have created a hall environment suitable for various event venues with unique incidental production environments such as E. < our company Project Members > [Development] [Project Management] Hirano, Maekawa, Senda, Ichihashi [design, layout] Shimotsuke, Miura, Endo, Kawakami (NODE) [Sign, Graphic Design] Hoshi, Shinkawa (Nomura Products) [Production/construction] Takeuchi, Takahashi, Yoshinaga, Akizawa (Nomura Products) [furniture and fixture manufacturing] Kojima

<Project Description> To coincide with the 10th anniversary of its opening, Omotesando Hills underwent a renovation, focusing on the entrance environment. We deployed solutions for "people," "information dissemination," and "inbound tourist support," which are all concentrated at the entrances and exits. For "people," we improved functionality, including rearranging the information counter. For "information dissemination," we used digital signage to improve efficiency while maintaining aesthetics, and for "inbound tourist support," we solved the problem with multilingual (English, Chinese (Simplified and Traditional), and Korean) touch-screen guide signage. We also assisted with the existing distribution system and website, as well as the on-site installation concept design. <Customer Feedback> We are grateful that NOMURA Co.,Ltd. team, which is well-versed in the content, managed the project smoothly, keeping meetings and schedules moving forward. Thank you very much. <Our project members> [Sales and project management] Kazuya Senda [design, layout (interiors and signage cabinet)] Toshiyuki Taya, Yusuke Matsumoto, Kohei Hayashi [Production and construction (interiors and cabinet)] Keisuke Toda, Shuhei Tatsuda [Production direction (signage)] Tsutomu Tanuma

■Project Description: "narafamily," a large, long-loved commercial facility in Saidaiji, Yamato, Nara Prefecture, underwent a transformation into a high-quality urban retail facility. A comprehensive renovation began in the spring of 2016 with a project investment of approximately ¥5 billion, resulting in a successful reopening in the fall of the same year. Collaborating with general producer Junji Tanigawa of JTQ Inc. and general creative director Ryu Kosaka of AND, environmental design concept explored the essence of Nara, based on "Yamato Modern." concept design expresses the strength of Nara, evoked by ancient temples and Buddhist statues, with a voluminous feel, while the dazzling arrangements offer a contemporary interpretation of the beauty of "Tenpyo culture," further enhancing the facility's distinctive character. The logo and facility signage were all revamped with a "Yamato Modern" concept design scheme. Furthermore, the facility's long-loved mascot, the camel "Pocola," was redesigned and installed in Camel Square as a second "Pocola" by sculptor Ryuichi Ohira. The renovation has significantly expanded the specialty store zone, and the facility has been redesigned to create an easy-to-understand shopping flow, with 55 new stores opening, including brands opening for the first time in Nara Prefecture, as well as fashion tenants and large household goods tenants. The new specialty store district has been reborn as "zoro." ■Project members < NOMURA Co.,Ltd. project members> [design, layout] Chief creative director: Kosaka Ryu (AND) / concept design director: Saeki Shunsuke / Chief designers: Shirodo Kensaku / Yoshinaga Hikari [Sign and graphic concept design] Ito Tomomi / Tsukamoto Tomohisa (Nomura Products) [Production and construction] Kaji Yuki / Okuno Takashi / Kobayashi Hiroto / Banno Katsuya / Yashima Kosha / Okimoto Ryuta / Tokuda Yonosuke / Akizawa Jo (Nomura Products) [furniture and fixture manufacturing office] Suzuki Toshimichi / Arii Tetsuhiko [Sales] Project manager and software sales: Watanabe Shinpei / hardware sales: Tsumoto Yuichi

<Project summary> LUCUA 1100 is a commercial complex directly connected to JR Osaka Station that opened in April 2015. With the key concepts of "gap, contrast, marriage," the facility offers "new value" by fusing a variety of products and shops from different genres. Despite being a major renovation, concept design significantly changed the image while retaining parts that could be kept from the design perspective. Our company was involved in the project, providing environmental design and furniture and fixture manufacturing services.

<Project Summary> Full renovation of Marui Imai and Sapporo Mitsukoshi to create a destination store that offers absolute value and attracts customers. We dug deep into the target customers and characteristics of the two stores, and created an environment that maximizes the different values of each store, sending a strong message to customers. We were in charge of concept design direction that brought the project together, as well as the main sales floor and strategic restrooms, and made the desired vision a reality.

<Project summary> A full-scale renovation was planned to address the decline in sales due to changes in the surrounding commercial environment, which arose as the facility infrastructure was due for renewal due to aging. The first large-scale renovation in 26 years was carried out by restructuring the MD taking advantage of the convenient location within the station, and unifying concept design image with a Japanese modern theme based on the renewal concept of "Hakata-like and new". We assisted with concept design, planning, construction and furniture and fixture manufacturing of the entire environment. <Customer feedback> The renewal concept was expressed through the greenery symbolized by Mining Square, the hanging wall concept design with a Hakata-ori motif, the different spatial presentation for each zone, the overlapping ceiling that gives an impression of "Japanese modern" and the warm interior lighting.

【Project Overview】 "Grand Emio Oizumi Gakuen" has opened in the lower part of the urban redevelopment "Lismo Oizumi Gakuen" in the Oizumi Gakuen North Exit area. It is a commercial complex consisting of four floors, from the first basement floor to the third floor, directly connected to Oizumi Gakuen Station, with the themes of "food×", "gathering", × "culture". It consists of 28 stores, including a supermarket on the first basement floor, cafes and fresh flowers on the first floor, bakeries and fashion shops on the second floor, and restaurants, bookstores, and music classes on the third floor. The concept of environmental design is a living room in the city where you can enjoy "live marche" and petit "luxury" for adults. The environment design is composed of natural materials, simple concept design, a mix of natural light pouring in from the atrium and soft lighting schemes. 【Customer's voice】 I believe that you have fully understood the concept of business and architecture, and that you have designed a simple but natural and high-quality commercial environment suitable for this region. (R.I.A. Co., Ltd.) [Person in charge of our company] Project Management: Hajime Mori concept design / Design: Toru Abe

A bookstore on the 4th floor of LaLaport Ebina, a shopping center directly connected to the west exit of Ebina Station on the JR Sagami Line. With a rich and fresh product lineup, diverse proposals, and events that create unexpected encounters, we aim to be a store that will be a "spice" in our customers' lives and will be patronized for 10 or 20 years.

The red building of Shiseido Parlour, a landmark of Ginza, was designed with the concept of a lighthouse that illuminates the streets of Ginza. With the idea of "making a bar that will become a symbol of Ginza" on the top floor of the building, we aimed to create an "adult bar" that many adults who gather in Ginza can enjoy. When you get off the elevator, the reception area is a stark contrast to the gorgeous lights that decorate the city, and you are greeted by the flickering light of candles. The bar area is a square with a maximum ceiling height of over 8 meters. In order to make the large space more concept design, a counter is placed in the center, and above is the "light of the lighthouse (Symbol)." Since the building concept is from the ground floor (earth) to the top floor (11th floor) (sky), we placed symbolic artwork that evokes the image of the "Sun (night sun)," "spark of light," (Shine) and "Soul" floating in the "sky." The symbolic red glow is reflected on the metal wall art and antique mirrors, giving it a mature look, while the shadows that extend from the artwork onto the walls give the space an organic feel. In order to make the large space comfortable, the floor is raised and lowered around the counter. The high counter side is a casual area designed for standing. The low counter side has comfortable chairs on a purple carpet, which is the theme color, allowing you to enjoy a relaxed bar. There is also a private seating area behind the bottle shelf, allowing you to enjoy a variety of situations. The lounge area at the back is a cozy space with more unique art and furniture, and the flickering of the flames, and can be used as an adult space where you can feel the ``social'' and ``sexy'' concepts. The ``S'' in ``Bar S'' is an adult space that incorporates the various ``S''s of Ginza.

[Project Summary] This is the first major renovation of the Seibu Shibuya Store in eight years since 2007. The theme of this project, "Art & concept design," aimed to further sharpen the store's message, "Art meets Life." As a collaborative project with art director Masaaki Hiromura and world-renowned music and video artist Carsten Nicolai, we assisted with the renovation of the entrance to Building A. The entrance's four pillars incorporate cutting-edge LED vision, and the progressive architectural form using curves and the constantly evolving visuals create a truly new symbol of Shibuya, welcoming visitors as an art gate. This project required unprecedented technical expertise in every aspect. To meet the new challenges of Sogo & Seibu, a company that has consistently led the way since the opening of the Seibu Shibuya Store, we harnessed the collective strength of NOMURA Co.,Ltd. Group, working with our group companies Nomura Products Co., Ltd. and Nomura Techno Co., Ltd. ◎Our group project members NOMURA Co.,Ltd. Co., Ltd. [Sales] Nishida Shinnosuke [concept design /Planning] Kondo Shinjiro, Takeda Shinpei [construction] Kaneko Yohei Nomura Products Co., Ltd. Hashimoto Yu Nomura Techno Co., Ltd. Kobayashi Keiji

Cocoon City is a large-scale commercial area with an operating area of approximately 70,000 square meters located in Saitama Shin-Toshin. Cocoon 2, the new core facility consisting of 164 tenants, opened this spring under the concept of "Life Creation" to add color to daily life. In addition to the existing Cocoon 1 facility, the former Ito-Yokado building was newly renovated as Cocoon 3, creating a shopping center with a "surprise every time you visit. As a partner in the Cocoon City project, which Katakura Kogyo developed on its own real estate, we provided comprehensive support for the realization of the project, from the development stage of Cocoon 2 to the planning consultancy and MD planning for commercial planning, environment design, layout, production construction, tenant leasing and furniture and fixture manufacturing operations, ranging from software operations to hardware operations. We provided comprehensive support for the realization of the project. The space is designed to be enjoyable for visitors of all ages, and expresses the liveliness and sparkle of life of visitors in a space incorporating sunlight that symbolizes the enjoyment of a pleasant stroll through the city. displays As the name "cocoon" (cocoon = "cocoon") suggests, this was originally the site of Katakura Omiya Silk Mill, which was the representative of Katakura Industries, Ltd. The project also includes a "Katakura Gallery" () and a "Corridor of Memories" (), which introduce the history of Katakura and Omiya. Nomura Group companies Nomura Products, Node, and Nomura Duo also participated in the project, demonstrating the "collective strength of the NOMURA Co.,Ltd. Group" in every aspect of the project to meet the diverse needs of the client. In addition to space creation operations, we also responded to operational needs, such as support for opening preparations and tenant follow-up services by leveraging our experience in management and operation, and assisted in the overall SC development.

[Project summary] At "JOINUS" in Yokohama Station on the Sotetsu Line, a new baby rest room was installed on the 3rd floor ladies fashion floor, and the women's restroom/multipurpose restroom was also completely renovated. Our company assisted design, layout, production, and construction, and "Team M", consisting of female employees who are currently raising children, joined the project team and worked with the client's staff to create a space that paid attention to details such as easy-to-use traffic flow and comfort for parents and children when breastfeeding.