Works#2021

"OMO5 Kyoto Sanjo" has opened on Kyoto Sanjo Street, where Kyoto is packed with fun things to see, buy, and eat. As a mechanism to fully enjoy "Kyoto Sanjo", there is a townhouse tower that conveys the history of Takasegawa and information on shops, a town walking map that allows you to enjoy two different courses along the Takasegawa and Sanjo retro town, and a walking map around Sanjo. In the lobby, we have set up content that leads to walking around Sanjo, such as an artwork with the letter "San" lined up with old maps from three different eras, and an art panel frottage of Sanjo no Michi. In addition, in the renovation of the guest room, we have created a small rise where suitcases can be stored, and have devised ways to use the space widely by consolidating the bed and sofa areas.

Business Brain Ota Showa Co., Ltd. (Below, BBS) has been in business for more than 50 years and provides consulting, system construction and operation, and business process outsourcing. The head office was relocated due to the reduction of office space in order to adapt to new ways of working and consideration for the realization of a carbon-neutral society. our company was in charge of the entrance and the guest meeting room area in design, layout construction. The layout plan is structured around two key words: history, which has supported client management accounting, and the near future, which supports innovation and digital innovation. It also conveys a sense of gravity as a consulting company originating in Japan and a desire to become a 100 year company. In order to express the "history" and "near future" characteristic of BBS, the "history" was expressed with wooden ribs of different sizes, and the base material of the whole space was used. In contrast to the wooden ribs, the "future" is represented by a light box at the center of the floor, and the same delicate lines of original glass film and indirect lighting are used. < our company Project Member > [Sales/Project Management] Keiji Kawashima [Planning/Design/Direction] Hisako Kashiwase [Planning/concept design] Sayaka Eto [Production Management] Yusuke Yamazaki

Since opening as a whisky museum in 1998, the number of visitors has exceeded 600,000, due in part to the airing of TV dramas and the arrival of the highball boom. As the facility has deteriorated and the way displays are displayed has become outdated, the decision was made to renovate the former Whisky Museum in the first phase of the project while also reviewing the entire Yoichi Distillery tour facility. The Yoichi Distillery is an important point of contact where visitors can experience Nikka, and it is also a sacred place for whisky fans. However, the previous tour facility was not at a level commensurate with its importance, and the fact that it has not kept up with the changes and evolution of the world was a major issue in the current renovation. The main theme of the renovation is to create a story about the ideal whisky making of founder Masataka Taketsuru, or Yoichi as the origin of Nikka, and how it will move forward into the future, and to foster understanding and empathy for the Nikka brand. [Social issues / Customer issues / Requests] 1. The purpose of the renovation is to further improve the understanding and satisfaction of visitors, increase the number of Nikka fans, and strengthen the brand. ② With the growing popularity of whisky, we will renovate displays to meet the needs of the expanding user base and diversifying visitors. ③ We will reorganize the exhibits to accommodate the increasing number of foreign visitors. ④ We will target visitors who are interested in whisky. ⑤ We will displays everything from the basics, such as the manufacturing process, to the details and trivia, but we would like the exhibits to be intuitive and not comprehensive. These were the requests we received. [Solution] In planning and designing this exhibit, we made a major shift in our thinking from the general and comprehensive whisky information provided by the whisky museum, and tried a completely new approach to displays. Based on the concept of "Learn about the essence of Nikka Whisky through the brand stories of Nikka's four products," we focused on the four brands that represent Nikka and turned each brand story into an displays experience. We aimed to create an experience where visitors could learn about the essence of Nikka Whisky and basic knowledge of whisky while following the brand stories. displays include footage of various people working at the distillery giving talks and introducing the important role of the blender, and for the first time ever incorporate displays design that whisky fans have never seen before. displays commentary includes trivia information for the main target audience, and many displays also include content that reveals the secrets of the manufacturing process that gives shape to the individuality of the products. Regarding multilingualization, displays commentary will be written in Japanese and English as a base, and digital technology has been introduced that allows visitors to read translated commentary on their personal mobile phones to accommodate Chinese visitors, who make up the majority of the visitors. <Our project members> [Sales/Project Management] Matsubara Tadayuki [Creative Direction] Tamura Keiyu [concept design Direction] Suzuki Fujie [concept design Planning] Yamada Akira, Shirodo Kensaku [Planning] Yanagihara Tomoko, Iizuka Atsuro [Production] Iwasaki Tsukasa, Umemoto Ikushige

As Tokyo Skytree celebrates its 10th anniversary in 2021, the 4th floor entrance floor has been renovated to prevent the spread of COVID-19 by creating an easy-to-understand entrance path for customers and reducing the number of face-to-face ticket sales counters. The existing ticket counter was relocated and a new exhibition area, "SKYTREE® ARCHIVES," was opened on July 1, 2021, which introduces the history of the surrounding area, including the Oshiage district where Tokyo Skytree is located, and the role of the displays tower in a chronological format through videos and photos. The "Sumida River Digital Picture Scroll," which was displays on the 1st floor group floor, has been relocated to this area. We were responsible for design, layout, and construction of the new ticket counter, "SKYTREE® ARCHIVES," and "Sumida River Digital Picture Scroll." We have also been supporting the creation of the space at Tokyo Skytree Town® (Tokyo Skytree, Tokyo Solamachi®) since its opening in 2012. [Social Issues / Customer Issues / Requests] ・The ticket counter is the first place visited by many people, both domestic and international. Therefore, we received requests for it to be easy for anyone to understand, to have affinity with environmental design, and to improve hospitality and service. ・For "SKYTREE® ARCHIVES," we received requests for concept design and displays method that would interest customers and be easy to understand, with large-scale images, a historical timeline, and actual displays in a limited space. [Solution] ・To clearly communicate the existence of the ticket counter, we placed it facing the 4th floor entrance and gave it a calm, traditional concept design that fits the environment. We also installed an easy-to-see sign at the top and lit the decorative material using cut glass on the back of the counter with indirect lighting, so that it can be intuitively understood even from a distance. ・For "SKYTREE® ARCHIVES," the relevant parties conducted on-site mockups to check the color and size of the graphics, the placement of displays, the lighting plan, etc., to verify the ideal form. It has become a place of learning for visitors to learn about Tokyo Skytree and the surrounding area, and to enjoy the view from Tokyo Skytree, which is built on that history. In addition, by arranging all the pictures in the "Sumida River Digital Picture Scroll" in a continuous manner, the continuity of the scroll is emphasized, and it has been reborn as a more powerful piece of content. The above synergistic effects have made the view from the observation deck even more appealing by smoothly guiding visitors from "SKYTREE® ARCHIVES" near the main entrance to the ticket counter and then to the departure gate (elevator platform to the observation deck) and creating a sense of exhilaration. <Our project members> [Sales/Project Management] Hashida Yukinori, Nekoda Hiroki [concept design] Hirata Wakako, Sato Tomoya [Production] Nara Shota, Oikawa Yasuhiko, Sakurai Ryota, Wada Kaoru

This is a new office relocation project for GrowthX Partners, Inc., which provides digital transformation support for companies. The company relocated its headquarters to the 48th floor of the Shinjuku Nomura Building, aiming to create a place where employees can be happy and improve their performance. The basic concept of the design is not just a place to work, but a communication space that promotes encounters and discoveries, like a plaza where all employees can gather. [Social issues / customer issues / requests] COVID-19 has drastically changed our lives, and while we are now working and eating at home more often and have become able to work flexibly, the purpose of the office has come into question. While remote work can be done without any problems, the president wanted everyone to come to the office. The new office was required to make coming to the office fun and increase motivation and engagement. [Solution] We explored and designed an office that is not just a place to work, but one that has communication at its core that makes people want to gather together naturally. There are plenty of mechanisms scattered throughout the office that allow active action and spark communication, such as a lounge space where you can work like you're playing and a space where you can freely customize the furniture layout to suit your purpose. In order to foster pride in employees and boost their motivation, artwork by Leslie David, an up-and-coming art director active in Paris, has been boldly placed throughout the space, making it a fun place to come to work. We proposed the original name "Sky AGORA," combining AGORA, which symbolizes a "square" as a place to gather, with the location's high-rise location on the 48th floor. <Our project members> [Sales/Project Management] Nekoda Hiroki [Planning] Masubuch Kenta [design, layout] Yamanobe Manabu, Sato Tomoya, Ami Shunsuke [Production/ construction] Yoshimura Kazuiso

This project is to relocate and build the Ishinomaki Cultural Center, a museum in Ishinomaki City that was damaged by the Great East Japan Earthquake. After the disaster, Ishinomaki City planned to build a complex of cultural facilities, including a theater and a museum, that would become a new cultural hub in the city, and the Ishinomaki City Museum, which would take over from the Ishinomaki Cultural Center, was developed. The concept of the Ishinomaki City Museum is "a museum that disseminates the rich history of Ishinomaki, nurtured by the great rivers and the sea," and it consists of a history and culture displays room, a Mori Collection displays room, a Takahashi Eikichi Works displays Room, displays room for ancestors connected to Ishinomaki, and a special displays room. displays space experience is characterized by displays that focuses on "landscape" as a new way of being for a history museum, displays that shares "history = time" in collaboration with contemporary artist Yamagami Yukihiro, displays space concept design that resonates with the architectural design of the complex cultural facility, and hands-on displays that allow visitors to immerse themselves in the real thing, imagine the site, and learn about history, and there are many ideas in place to draw out the interest and curiosity of visitors from various angles. In addition, exhibitions will be held in the special displays room, which meets the requirements of a "publicly approved facility" that allows valuable materials to be borrowed and made public.

We were in charge of planning, design, layout and construction of the employee cafeteria "Yao Daiichi Shokudo Isshoku" that opened at the Yao Works of Sharp Corporation (hereinafter referred to as "Sharp") on November 1, 2021. In proposing the plan, we were conscious of not just creating a stylish space, but of "proposals that only Nomura can make," and proposed a cafeteria as an inner branding space where customers can discover the "SHARP-ness" across organizational boundaries and generations, as well as an outer branding space that can be experienced by business partners and affiliated companies who visit the company. We created three zones, lunch, work and salon, and devised a space that can be used not only as an employee cafeteria, but also as a place to relax, hold meetings with internal and external guests, and where people can connect and communicate. The single red line (Sharp Red) that runs through the cafeteria represents Sharp's history and future. For this project, we came up with concept design that would retain the characteristics of the Yao Works, which has a history of about 65 years as a production base for white goods, while also ensuring hygiene. In addition, the mezzanine floor, which was previously used for the production line, was used as an displays space for past products that symbolize SHARP, reducing waste and removal costs, an initiative that takes the SDGs into consideration. [Social Issues/Customer Issues/Requests] As communication between divisions was weak, the customer requested that the space be made more active in encouraging internal connections. [Solution] We proposed that the space be used not just as a place to eat, but as a place to work and relax, and also proposed displays past products as a place to encourage communication between employees and experience and discover Sharp's history. <Our project members> [Sales/Project Management] Takahashi Yui [design, layout] Umedani Shota, Yamato Suzuha, Nakamura Yusuke, Miura Ayaka [Production Management] Mukaiyama Yoshitsugu ~Related Links~ [Announcements] ・ NOMURA 's social good activities: Case study of Yao Daiichi Shokudo Isshoku at Sharp's Yao facility

"EXPRESS WORK" is a new workplace for JR Central's EX service (Express Reservation and Smart EX) members*1. Located in the Marunouchi Chuo Building, it consists of two sections: the drop-in "EXPRESS WORK-Lounge" and the small rental office "EXPRESS WORK-Office." We have been involved since the concept formulation stage, and were in charge of project management, space concept design, and construction. "EXPRESS WORK-Lounge" and "EXPRESS WORK-Office" are directly connected to Tokyo Station and are in an excellent location, making them extremely convenient environments, especially for business users who use the Shinkansen. The space is a socially good space that reflects JR Central's efforts to protect the global environment and revitalize the local area. interiors materials are made from upcycled*2 aluminum (hereafter referred to as recycled aluminum) from the 700-series Tokaido Shinkansen train cars, and FUJI HINOKI MADE wood, a brand of Fuji cypress provided by Fuji City, Shizuoka Prefecture, along the Tokaido Shinkansen line, giving off a faint cypress scent and creating a soothing space for business users. *1 How to use the "EXPRESS WORK-Lounge": In addition to being an EX Service member, you must also register as an "EXPRESS WORK" member. *2 Upcycling: The process of giving waste that would otherwise be thrown away new life by upgrading it into a new product by adding new added value such as concept design or ideas. (Source: IDEAS FOR GOOD)

Shuri Castle is currently undergoing restoration and reconstruction following a fire that occurred on October 31, 2019. The project aims at the "Reiwa Reiwa Restoration" of Shuri Castle, the identity symbol of Okinawa, through various events and events aimed at the restoration and reconstruction of Shuri Castle, as well as conveying the memory of the fire, the appearance of the restoration that began at the site, and the historical culture of Shuri Castle, while weaving the thoughts of various stakeholders including local residents and prefectural residents, people with Okinawan roots living in and outside Japan, tourists, and those involved in the restoration project. In October 2021, a new viewing deck was set up for public viewing, and our company produced a signage to guide visitors to the toll area, a temporary enclosure graphic to convey the reconstruction work, and an explanatory graphic to convey the activities leading up to the reconstruction and details of Shuri Castle. [Social issues/customer issues/requests] ・ To raise awareness of "Shurijo Seiden Reconstruction" and create expectations for the main construction, and to carry out displays Plan, which conveys the contents of the reconstruction work plan, mainly the outline of the missing garden. ・ To enhance the attractiveness of the museum by weaving the thoughts of visitors and various other entities. ・ As an issue unique to Okinawa, production should be based on the assumption that the specifications can withstand typhoons, hot and humid weather, and salt damage. We have received the above requests and issues. [Solution] The signage used to guide visitors to the toll area was designed to introduce highlights, raise awareness of the restoration of the Seiden, and raise interest in Shuri Castle Park as a whole. In the temporary enclosure in front of the Hosshin-mon Gate at the entrance, we created a concept design that intuitively shows the work and process of reconstruction by tying together graphics that show the appearance of the former main hall of Shuri Castle, the scenes of reconstruction work, and the scenes of modern events. In addition, the detailed explanation attached to the temporary enclosure consists of an explanation of Shuri Castle as it was in its day and the details of the future construction. It is designed to be detachable in consideration of the relocation due to the progress of the construction and in the event of a typhoon. < our company Project Members > [Sales and Project Management] Haruya Miwa, Hiroko Yamase [Planning] Shigeo Fujii, Yuka Sueda [design, layout] Tadashi Yuasa, Misa Sanjoba [Structural Design] Katsumi Tanda [Production and construction] Yoshito Inoue

This creative museum opened in the Panasonic Center Tokyo as a successor to RiSuPia, which opened in 2006. It is a place where inquiry learning on themes such as SDGs is practiced based on STEAM education. As a place to cultivate children's intellectual curiosity and inspiration, it provides an environment where they can experience both learning and making things and events. The space was designed based on five themes to freely release curiosity and motivation for creativity: "Feeling that it's okay to get dirty," "Feeling that you can make it yourself," "Feeling that you can rearrange it," "Feeling that you're not confined to a framework," and "Feeling that you can concept design a session together." Furthermore, from the perspective of SDGs, the existing environment was effectively reused and updated while incorporating it as a concept design motif. The project team's desire to build on the history of the predecessor museum and to add new history to it is also expressed in the spatial concept design. <Our project members> [Sales/Project Management] Yamazaki Kei [Direction] Yamaguchi Akane [design, layout] Koga Sayaka, Tani Seiho, Sasai Ayumu, Nakade Mikiyuki [Production/ construction] Kumazawa Yuta, Asakura Yumi ~Related links~ [Release] ・ NOMURA 's social good activities: The case of AkeruE Creating a space that fosters children's intellectual curiosity and inspiration for a better recycling society in the future [nomlog] ・Until AkeruE was created. Talking about spatial concept design. (Part 1) ・Upcycling ideas, concept design you won't feel guilty about towards the earth (Part 2)

Aichi Prefecture and Nagoya City jointly opened this facility in the basement of the Life Science displays of the Nagoya City Science Museum, a registered museum, to deepen understanding of Nobel Prize winners with ties to Aichi and Nagoya through explanations of the research for which they received the award, items related to that research, and hands-on exhibits, as well as to convey their backgrounds, personalities, and messages to visitors. It is a hybrid space with movable unit displays, and when all the equipment is moved and stored and the roll-back chairs are deployed, it becomes a hall with approximately 200 seats. We were in charge of the basic concept and basic plan for this facility, as well as facility renovation, displays design, and displays production and installation work. (Production content included unit production, lighting and audio equipment, video software and hardware, models, sign graphics, etc.) Nagoya City Science Museum, Life Science Building: SRC structure, 6F above ground/2F B1, total floor area 6,816.13 m², displays area (total of 5 rooms) approx. 2,500 u (including approx. 300 u on B2F of the Memorial Room) [Social Issues/Customer Issues/Requests] 1. A "hybrid renovation design" that allows the different functions of the hall (auditorium) and displays room to be quickly converted. 2. "displays" of the personalities of the award winners and their passion for science, different from displays at universities and research facilities, and "experiential equipment" for the contents of the award-winning research as displays at the science museum. We received the above two requests. [Solution] Regarding 1.: We adopted wall-mounted seating (rollback chairs), secured a self-propelled displays booth and storage space, and adopted a scene dimming manager that can be used for a variety of purposes. Regarding ②: We have created experiences and games that incorporate playful elements from the content of real answers and information provided through direct interviews with the laureates, and thorough analysis of the contents of the prize-winning research. [Customer feedback] We received the following comments at the time of the opening. ・There are many Nobel Prize displays rooms all over Japan, but this displays gives the best understanding of the prize! (Professor Hiroshi Amano) ・As a Nobel Prize displays, it is packed with a variety of unique ideas, and children can have fun while learning about the laureates and their research. (Chief Curator of the Science Museum) <Our project members> [Sales/Project Management] Akihiko Suganuma, Maika Ueda [Creative Direction] Hideki Narita [Content Production Direction] Mao Horii [Research/Planning] Hajime Watanabe, Naoko Nakase, Mao Horii, Nozomi Fukao, Miwako Kiuchi [concept design] Mitsuyo Ashida, Yoichi Honda [Facility Renovation Design] Sakae Kirioka, Yoichi Kawakami [Production/ construction] Hironari Ota, Yoshiyuki Ando, Satoshi Iwama ~Related Links~ [Related Achievements] ・Nagoya City Science Museum

Marunouchi Street Park, which began in 2019, is a social experiment project to examine the future state and utilization of Marunouchi Nakadori. In the summer, the spatial concept was "Let's connect, summer street," and each of the three blocks spanning approximately 300 meters was developed with a different theme, while keeping in mind the connections between culture, regions, and people that are unique to Marunouchi. Block 1 in front of the Maru Building is themed on "Sports & Relax," and is planned as a wellness street where you can move your body and relax while refreshing yourself, with a ping-pong counter where you can enjoy table tennis and a deck with balance balls. Block 2 is themed on "Enjoy Eating Out," and offers the fun of eating in a parklet space surrounded by fairwood while enjoying outdoor live painting by artists based on the concept of SDGs and street piano. Block 3 is themed on "PARKcation," and was well received for its grass-surrounded workplace and cycle counter that represent the grassy hills swaying in the wind, and a summer beach resort scene using coral sand from Okinawa. In terms of safety and health, we also implemented special infection control measures such as measures against strong winds from typhoons and building winds, and spraying the entire building with an anti-viral coating. (Dates: August 2, 2021 to September 12, 2021) Fair Wood Initiatives For fixtures such as the counters, Nishikawa cedar and larch wood thinned in Hanno City, Saitama Prefecture is used. The design took advantage of the grain and color characteristics of the distinctive cedar heartwood known as the "black heart" and structural plywood. After the event, some of the wood used will be reused, and when it has completed its usefulness, it will be returned to nature and recycled into seedlings, reforestation, and forestry. <Our project members> [Project Director] Suzuki Echiyo [Sales Promotion] Ishiyama Shigeyuki, Yamamoto Hitomi [design, layout] Matsubara Miwa, Kaizawa Ayuko, Sudo Ryo, Sakuma Tonoeki [Planning] CIC: Saito Yusuke [Operation Management] CIC: Ando Kaoru [Production] Marumori Yukio, Yamaguchi Yuta, Yoshida Takuto ~Related Links~ [Notice] ・"Marunouchi Street Park Illumination Tour!" sponsored by NOMURA [Related Achievements] ・Marunouchi Street Park 2021 Winter

Marunouchi Street Park, which began in 2019, is a social experiment project to examine the future state and utilization of Marunouchi Nakadori. In winter, the spatial concept was "Amazing Winter Street," and scenes were created in three blocks spanning approximately 300 meters, where visitors could feel the warmth with all five senses while enjoying the illuminations. Block 1 was themed "Wonder Dining!" and featured a playful area with a glass house where visitors could dine while enjoying the illuminations, tree hammocks, and big chess. Block 2 was themed "Wonder Lounge!" and featured a two-story hut that served as a general information center and shop, a postbox with a simulated flame for posting purchased Christmas cards, a billiards table that could be enjoyed under the illuminations, and a fire pit where visitors could relax and enjoy the street piano. Block 3 is themed "Wonder Terrace!" and features a "Corridor of Light" covered with mirrors and an "Artists in Fire Terrace" where artists can work around a fake fire in the fireplace. (Date: 2021/12/2-12/25) "Illumination Tour for the Visually Impaired 2021 Winter" hosted by our company This tour is based on the theme of "dialogue" and is a walking tour that allows "everyone" to truly experience a "comfortable space". Volunteer staff will escort the visually impaired to the three blocks (total length approximately 300m) of Nakadori Street in winter, which is beautifully illuminated. We aimed to create a program that allows people with visual impairments to enjoy the beautiful illuminations through conversations that warm the body and mind. During the "Marunouchi Street Park 2021 Summer" (August-September) event, visually impaired people were seen using the park, so we conducted interviews with people who are visually impaired from birth. The results were: "The places I want to go are places I've been to once and enjoyed," "I'm nervous about taking the first step when going to a new place," "I didn't know Marunouchi was a park," and "Because I can't see, I enjoy things by using my imagination." Therefore, if we can kindly and carefully convey the charm of Marunouchi by "using a method of announcements that can be properly conveyed to visually impaired people" and "providing guidance with reliable support," they will want to "go again" and will love Marunouchi Nakadori even more. And we decided to hold this tour with the hope that it will be an opportunity for "everyone" to "feel, connect, and spend the seasons." <Our project members> [Project Director] Suzuki Echiyo [Sales] Ishiyama Shigeyuki, Yamamoto Hitomi [Planning] CIC: Saito Yusuke [Operations management] CIC: Ando Kaoru [concept design] Sakuma Tonoyoshi, Ozawa Kazuki, Matsubara Miwa [Architectural advisor] NAU: Okamoto Kiwami [Production] Marumori Yukio, Sasaki Ikuya, Yamaguchi Yuta, Kawashima Ayaka ~Related links~ [Announcement] ・"Marunouchi Street Park Illumination Tour!" sponsored by NOMURA [Related achievements] ・Marunouchi Street Park 2021 Summer

Founded in 1979, Hour Glass is an international luxury watch specialty store with 29 stores in 10 cities, mainly in Asia, and boasts an outstanding selection of over 50 of the world's finest brands. The Ginza store, which opened in 2002, always has a wide selection of carefully selected watches, and you can enjoy a conversation with the sophisticated and knowledgeable staff while relaxing on a comfortable sofa and choosing a watch at your leisure. In 2021, the store underwent a grand renovation, with a bold and symbolic bar counter in the center of the store, and the interior was renovated to further emphasize dialogue with customers, creating added value for customers to visit the physical store. Inspired by the store name "HOUR GLASS", we concept design the selection of stones with a narrow waist and custom lighting. We used custom-made materials using traditional Japanese craft techniques, as well as materials that are carefully selected for their expression and texture, and stacked each detail to create a space where a high-quality atmosphere and dialogue can be created.

This project is the culmination project of "With an exclusive area of more than 100m2 in the heart of Tokyo, a brand that focuses on location and asset value and offers essential lifestyle through renovation."= "R 100 TOKYO" developed by Rivita. our company provided construction support for the renovation of Opas Arisugawa, a residence representing Tokyo with an exclusive area of approximately 198m2, which was created by OEO Studio, a Danish concept design company, in concept design. Based on the concepts of "CROSS-CULTURAL" and "COMPELLING MINIMALISM," this concept design living space incorporates new proposals based on the sensibilities common to Scandinavia and Japan. By using a lot of natural materials, such as solid wood, which develops its flavor the more you use it, the longer you live in it, the more blessings it will bring to your life. This new housing is a realization of the "value housing 100 years into the future" that "R 100 TOKYO" aims for. [Social Issues/Customer Issues/Requests] In the recent high-end residential market in central Tokyo, there is a growing demand for homes with unique values that are not limited to conventional values such as real estate prices and housing functions. Among the projects of Ribita, which aim to "We will continue to create the next common sense in order to restore the value of Japanese housing and real estate and leave it for the future," this project, which emphasizes natural materials and traditional construction methods, was an issue in terms of whether it can be established as a housing performance. [Solution] We had a number of meetings to promote the use of natural materials and handicrafts in the living space, taking into account housing performance, such as a wide variety of stone, plasterer, solid wood, han-zukuri, and ceramic tile. The solid wood kitchens of Garde Hvalsøe (read: Garde Vels), a Danish kitchen workshop that was the first in Japan to be installed in an ordinary house, have a great significance in the living space. Since there is no solid wood kitchen to replace them, our company's Global Division imported them from Denmark. [Customer's Voice] Thanks to your high level of technical and managerial skills, such as proposing solutions for difficult construction, precision of detail, and adherence to the construction schedule, we were able to not only go ahead with the overall schedule, but also create a wonderful space that understood the designer's intention. < our company Project Members > [Project Management] Masahiro Harada [Product Direction] Mikiya Fujitaka [Global Supply] Daiyuki Nakagome