Works#Chubu

[Project Description] This is a project for a corporate PR and educational facility on the first floor of the new building No. 21 at Yamaha's headquarters. We aimed to create a "place" where people can gain new realizations and discoveries whenever and how many times they visit by fully showcasing Yamaha's technology, know-how, and sensibility that have been cultivated over a long history. [Customer's Issues/Requests] The theme of concept design was to create a facility where people can "see," "listen," and "touch" Yamaha's DNA, its current and future challenges. The challenge was to create a space that conveys Yamaha's corporate attitude and a way to display instruments differently from a physical store. [Solution] - Zoning that clearly separates bright and dark areas, and the creation of a main street as the axis - Graphic appeal and sharp instrument displays that can be enjoyed by both adults and children - Creating a space where you can see all the way to the back by keeping the partition walls below eye level (H1500) [Customer's Comments] We felt reassured by their extensive track record, and with their meticulous project progress and on-site construction, we were able to complete a wonderful facility. Thank you very much. <Our project members> [Sales and project management] Takashi Sakamoto, Kensuke Aiba, Kyoko Watanabe [design, layout] Hiroyuki Tamura, Noriaki Terunuma, Atsuko Nakazawa [Planning, sign and graphic concept design] Tomoko Yanagihara, Mika Kobayashi [Production and construction] Atsushi Yanome

[Project Summary] This is a renovated facility with the aim of introducing the history of the evolution of Japanese, American and European automobiles from their birth to the present through their relationship with society. The previous displays style, which had Japan and Europe and the US on separate floors, has been replaced with an integrated displays that conveys how Japanese car manufacturing has developed in one world history. The museum features a graphic arrangement that does not distract from the appreciation of cars, such as catchy message slogans and photographic presentations that provide the background of the era, and has created a museum where visitors can intuitively understand the emotional world of car concept design that has developed along with the evolution of technology. [Customer's Challenge] The challenge was to create an integrated exhibition that would convey how the Japanese automobile industry has developed in relation to society, such as the social needs and challenges of each era in world history, and to displays the value and appeal of the cars. [Solution] We paid attention to an explanation plan that would be easy to understand for a variety of visitors and deepen their understanding, and to an effective vehicle arrangement. The history of Japanese cars and Western cars, which was previously separated by floors, is now presented as one world history, and an integrated displays that allows visitors to intuitively feel the history of the development of automobiles. Our goal was to create displays structure that would allow visitors to naturally learn, as they walk around displays, what role Japan has played in the 100-year history of automobiles. [Customer feedback] By using transparent partitions such as mesh tarpaulins and ball bead curtains to explain the displays zones and create a spatial presentation, we were able to make use of the open space that is a characteristic of the original building, while also dividing the exhibits into zones and presenting the space with large graphics, thereby enriching displays content and improving the quality of the space. [Project members] Sales and project management: Tanaka Ryo Direction: Yoshinaga Mitsuhide design, layout Kosaka Yuzo Sign and graphic concept design: Kawashima Asako Production and construction Nakano Kazuaki

[Project introduction] We created a projection mapping project with the theme "The Four Seasons of Hida Takayama" to commemorate the 80th anniversary of Takayama City's establishment and the 140th anniversary of the merger of Hida and Mino, set at the "Takayama Jinya National Historic Site". Takayama Jinya was the administrative center after Hida became a direct territory of the shogunate during the Edo period. Of the more than 60 district magistrate and magistrate offices that were said to have existed throughout the country at the end of the Edo period, Takayama Jinya is the only one whose original building remains. It was designated a national historic site in 1929. This time, in the large hall (a room built in the shoin style) inside Takayama Jinya, we will be holding a limited-time "Hida Shin Projection Mapping" project with the theme "The Four Seasons of Hida Takayama". We assisted with research, planning, concept design, exhibit execution, interior execution, and website production.

Geolia will lead the Izu Peninsula Geopark to World Geopark certification and play the role of a base facility for sustainable activities. Shuzenji Onsen is located in the central part of the peninsula and is a key transportation hub. Taking advantage of that advantage, it is a place to gather information on all activities rooted in the land of Izu, and to create a "mechanism and mechanism" that enlivens the entire Izu Peninsula from the perspective of history, folklore, and life as well as nature. We provided comprehensive support, including the formulation of an action plan involving local residents, and the development and operation of a smartphone app that utilized videos introducing geosites. ●What is a geopark? A word that combines "Geo" and "Park", it means "park of the earth" and refers to a place where you can learn about the earth (geo) and enjoy it as a whole. increase.

<Project Description> Mt. Fuji is a world cultural heritage that Japan is proud of. The Mt. Fuji World Heritage Center is a facility that raises awareness of the importance of learning and enjoying the value of Mt. Fuji, which was registered as a world heritage site as an object of faith and a source of artistic inspiration, from both the natural and cultural perspectives, and of preserving it for the future. Our company solved the problem of effectively conveying the "interestingness of learning about Mt. Fuji" to visitors, including many foreigners, by providing a spatial experience with audio, video, and lighting productions featuring non-verbal content (non-verbal displays), and an displays guide using the app "Fuji Meguri," which includes multilingual (7 languages) explanations and audio commentary narrated by Shuzo Matsuoka. The combination of "huge object structures" + "ICT content" + "lighting, audio, and video" creates an experience that can only be found here. [What is the original app "Fuji Meguri"?] It is AR content that works with about 30 displays items. You can enjoy AR where figures of people connected to Mt. Fuji start talking, and AR where ancient pilgrimage routes appear on a floor map with a diameter of 18m. In addition, if you take it outside, it can also be used as a tool to explain famous places such as temples, shrines, lakes, and hiking trails. <Our project members> [Development] Yokoyama Masanori [Sales/Project Management] Mizoguchi Kohei [Planning] Kameyama Yuichi, Ohashi Ryuta [design, layout] Tsutsumi Yuichiro [Digital concept design] Mima Hiroyoshi [Library concept design] Odagiri Toshihiko [Modeling concept design] Kishikawa Kenichi [Production/ construction] Yajima Kensaku, Ohara Yuka

[Project Summary] Alpen Co., Ltd. is the largest sports retailer in Japan. Its sales are supported by its own brand products. In order to make its private label products more innovative, the company gathered its designers on one floor, and with the floor concept of "gather and create," they realized a "co-creation floor" where people can gather together, talk, stimulate each other, empathize with each other, and create new things. [Customer's comments] Because it combines concept design and practicality, I feel that it is not only a stylish space, but also has the equipment and functions suitable for each task. The desks are randomly arranged, so the overall feeling is very open. There is a stand meeting space in the center, which is very convenient when planning across groups, and we often use it. I feel that the electrical wiring is finely allocated, which also has the effect of saving electricity.

[Project summary] The Toyota Commemorative Museum of Industry and Technology, which is jointly operated by the Toyota Group, will celebrate its 20th anniversary on June 11th. As part of this commemorative project, the Automobile Pavilion's early period zone was reopened in January after renovation. displays displays did not simply rely on objects and explanations to express its appeal, but also incorporated a number of new and innovative ideas. Our company was involved in the project from the planning stage, providing total support from planning and design to construction. [Project members] Project management: Tsujimura Kosei Direction: Yoshinaga Mitsuhide concept design: Kosaka Yuzo, Iwano Sakiko Graphic concept design Kanno Yoshitoshi Sculptural direction: Kishikawa Kenichi Production and construction Chino Kazuyuki

The Silk Fact Okaya Museum opened in Okaya, Nagano Prefecture, known as the "Silk Town." It is a unique museum in the world where visitors can experience various things, displays silk-reeling machinery from the early Meiji period. In addition, in order to create a museum that conveys the truth about silk factories and the silk-reeling industry, the museum invited the Miyasaka Silk Mill, the only one in Japan that still uses traditional raw silk production methods, to the museum, and has become a factory museum where visitors can experience the manufacturing spirit that can be said to be the DNA of Okaya. We provided comprehensive support for schematic design, working drawings, interior administration, construction, and schematic design, working drawings, and construction supervision of the building renovation. [Our staff] Project manager: Masanori Yokoyama concept design director: Yoichi Miyakoshi design administration: Sakae Kirioka Planner: Tatsuro Noguchi Designer: Tomoki Fukano Product directors: Koichiro Takahashi, Atsushi Okuda <Awards> ● Encouragement award at the 34th Display Industry Awards (2015) ● Selected for the Japan Space concept design Awards 2015 [Customer feedback] Nomura Co., Ltd. embodied our desire to create a museum that conveys the history of Okaya's raw silk industry, which made its name known around the world as Silk Okaya, and that allows NOMURA to think about and create the future from that history. The museum is structured as follows: an entrance area where visitors can get an overview of Okaya's history, a museum area where visitors can explore machines and documents to introduce the silk capital of Okaya, and the Miyasaka Silk Mill, where the actual silk reeling site is located. The displays are based on black and white, and are designed to be sharp concept design. The balance of displays as a whole, the balance of stillness and movement, and the museum is unique in the country. All visitors have said that displays are easy to understand and that they want to come back again. Areas of responsibility: schematic design displays design, displays working drawings, displays construction, schematic design, detailed architectural renovation working drawings, interior administration

Along with the opening of the Shin-Tomei Expressway (Gotemba JCT ~ Mikaichi JCT), 13 new commercial facilities (service areas and parking areas) (121 stores in total) were opened at the same time.   We were in charge of furniture and fixture manufacturing (10 locations), environmental design (10 locations), furniture, fixtures and fixtures for the food court (5 locations), the new brand "NEOPASA" logo concept design, and various other constructions. We have helped create service areas and parking areas that are full of individuality that have never been seen before, such as having concepts and features that take into account regional characteristics and local products.   Responsible for design, layout, furniture and fixture manufacturing, Production / construction, Research / Consulting

This showroom allows you to imagine your wonderful self living in a Toyota Home home, and allows you to experience and feel everything from technology to smart houses. In order to embody Toyota Home's brand vision of "Sincerely for You - Let's go through life together," the keyword for the showroom is "From the wife's perspective!" With the relocation of the new office building as an opportunity, we assisted with everything from planning and design to construction. Areas of responsibility: design, layout, production and construction

Nagoya City Science Museum, beloved by local citizens since its opening in 1962, reopened on March 19, 2011. Starting with the commissioning of the master displays plans for four large-scale displays, we were involved in a variety of work, including displays working drawings, displays production and construction, and the master plan and interior administration of the world's largest planetarium. In addition to space creation, after the museum opened, we also operated the museum shop and museum cafe & restaurant, and were in charge of maintenance work for the large-scale displays equipment. In order to contribute to attracting visitors to the Nagoya City Science Museum, we have undertaken a wide range of activities, from space creation before the museum opened to space revitalization after it opened.

The "National Conference for Creating a Rich Ocean" is held every year in various locations in the country, attended by Their Majesties the Emperor and Empress, to raise awareness of the preservation and cultivation of marine resources and the environmental conservation of the seas, lakes, and rivers in which these creatures live. In recent years, marine resources have been declining, and the restoration of resources and ecosystems has become a national issue. Through this conference, various initiatives are being promoted, such as the promotion of aquaculture, cleaning of rivers and coastal areas, and tree planting campaigns. Areas of responsibility: design, layout, Production and construction, Management

As a facility that plays a central role in the redevelopment project in front of Shizuoka Station, the theme of the upper floors is Euro-Modern, while the theme of the middle floors is Orient-Modern, with 2 chapels and 14 banquet spaces. From the sky chapel on the 25th floor to the large banquet hall on the 4th floor with a ceiling height of more than 6m, we have designed a facility that takes advantage of the architectural characteristics of each and completed a facility that can provide a wealth of options. Grandiere Buke Tokai Homepage

Takahama City Yakimono no Sato Kawara Museum and Library is operated by NOMURA as a designated manager. It originally opened in 1995 as a museum with a theme of "kawara" (tiles) in Takahama City, Aichi Prefecture, the central production area of Sanshu tiles, which boasts the highest production volume in Japan. Since 2008, the management and operation has been changed to a designated manager, and from April 2023, it has become a complex cultural facility together with the city library. Based on the concept of "A forest of connections where people and cities grow," the museum aims to create a further circulation of feeling, learning, activities, and exchange by connecting various people with the library and museum. Through exhibitions in a wide range of fields including tiles and various projects focusing on regional collaboration, the museum creates a place where various people and things gather under the catchphrase "A museum for everyone." The library provides a familiar library space for everyone at the main building and three facilities in the city, and as a "supportive library," it supports daily life through books.

The wisdom, skills, and spirit of the Japanese people have been born from the connection between nature and humans. The displays spaces on the first, second, and fourth floors of the museum are designed to stimulate the imagination and allow visitors to discover sensibilities that evoke nostalgic memories of the Japanese people, using a variety of artistic expressions to allow visitors to experience the five senses. Prologue on the first floor: In a space reminiscent of a house, the original scenery of daily life is expressed on all sides through light, sound, and video, inviting visitors on a journey to rediscover the origins of Japan. Group reading epic drama "A Single Seed" on the second floor: The children's songs and festival calls that Japanese people have had since ancient times are filled with words of wisdom that have been nurtured together with nature. The audience seats are arranged around the central stage, and many performers surround it. The space is a dramatic space where the movements, words, sounds, videos, and lighting of many performers are in harmony. Art gallery on the fourth floor, "Garden of Light and Wind": An installation space that gives form to the forms of nature and the way we live with nature as captured by two artists. By drawing out the power of the materials, construction create a sense of space and time, with stillness and movement, darkness and light.