Works#Chubu

Kamioka-cho, Hida City, Gifu Prefecture, is home to research centers dedicated to exploring the mysteries of the universe and elementary particles. The "Hida Space Science Museum Kamioka Lab" opened at the roadside station "Sky Dome Kamioka" as a place open to everyone, aiming to widely convey the appeal of research conducted using experimental equipment hidden 1,000 meters underground in the mountains of Hida, and to create a new relationship between science and society. Neutrinos (*1), mysterious elementary particles that are being researched all over the world, are the focus of this museum. The "Super-Kamiokande (*2)", the world's largest underground neutrino observatory, holds the key to unraveling the unsolved mysteries of the universe through neutrino research. Kamioka Lab aims to introduce the fascinating properties of neutrinos and provide a space where visitors can experience something far removed from everyday life, moving between the macroscopic world of the universe and the microscopic world of neutrinos. *1: One of the elementary particles whose name means "neutral" (meaning "without electric charge") and "ino" (meaning "small" in Italian). It is a mysterious elementary particle shrouded in mystery and is being researched all over the world. *2: Super-Kamiokande: The world's largest underground neutrino observatory operated by the Institute for Cosmic Ray Research, University of Tokyo. It investigates the properties of neutrinos themselves and aims to unravel the history of the universe using neutrinos. [Customer's Challenges/Requests] - To allow many people to experience Super-Kamiokande, which is only visited by about 1,000 members of the general public each year, through this facility. - To get many visitors interested in the activities and physics of Super-Kamiokande through the displays. [Solution] - To allow many visitors to experience and learn through immersive large-screen videos and games that are easy for visitors to understand. [Customer's Voice] We believe that the planning ability of NOMURA Co.,Ltd. Ltd. is behind the creation of this attractive facility despite not having a curator specializing in the research area of the exhibited subject. <Our Project Members> [Sales & Project Management] Haruya Miwa [Planning] Katsumi Hara, Kyohei Kishida [design, layout] Takaki Mizuno, Tadashi Yuasa [Production & construction] Hayato Ichimanda, Nanae Hori, Toshiyuki Suzuki, Katsumi Yamada, Yoshiaki Shimode

Project Description] In constructing a plant for the mass production and assembly of the MRJ, the first domestically produced regional jet passenger plane, which is being developed by Mitsubishi Heavy Industries, Ltd. This facility allows visitors to see the actual production site of the aircraft and experience the aircraft manufacturing process. The MRJ production site will be open to the public, and visitors will be able to experience the dynamic and broad scope of the aircraft industry, which is made up of more than 20,000 parts. In addition, the facility will be designed to highlight the comprehensive capabilities of MHI, which also develops aircraft. SOLUTION: Make the most of the facility's location as a tour facility attached to an aircraft production site by creating a full-scale mockup of the MRJ (displays) and other realistic content that can only be experienced here, and by creating a space that is consistently "aircraft" from the entrance to the exit. The concept design and atmosphere of the entire facility are a major force in promoting the advanced nature of the MRJ. ＜Our project members＞ [Sales/Project Management] Nobuyuki Tanaka [Planning] Kunihiko Oka, Hideki Sato [design, layout] Ryo Onishi, Hirofumi Inoue, Fumihiko Kaneko [Signage/Graphics concept design] Kiyohisa Moriwaki [Production/ construction] Yushi Matsuda, Keisuke Taneda, Seiichi Norenuchi, Kei Sakuma

Project Description] This project is a first floor corporate PR and awareness facility for Yamaha Head Office 's new Building No. 21. The goal was to create a "place" where visitors could gain new insights and discoveries no matter when or how many times they visited, by appealing to the full range of Yamaha's technologies, know-how, and sensibilities cultivated over the company's long history. The theme of concept design was to create a facility where visitors can "see," "hear," and "touch" Yamaha's DNA, its present, and its challenges for the future. The challenge was to create a space that would convey Yamaha's corporate stance and showcase its musical instruments in a way that was different from that of a physical store. displays The main street was to be the axis of the building, and the zoning was to clearly separate light areas from dark areas. We feel comfortable with your extensive track record, and the detailed project progression and on-site construction have resulted in the completion of a wonderful facility, thank you very much. ＜Our project members＞ [Sales/Project Management] Takashi Sakamoto, Kensuke Feiniwa, Kyoko Watanabe [design, layout] Keiu Tamura, Noriaki Terunuma, Atsuko Nakazawa [Planning/Signage/Graphics concept design] Tomoko Yanagihara, Mitsuka Kobayashi [Production/ construction] Atsushi Yanome

[Project Overview] This facility was renovated with the aim of introducing the history of the evolution of automobiles in Japan, the United States, and Europe from their birth to the present day, through their relationship with society. The previous displays style, in which Japan and Europe were arranged on separate floors, was changed to an integrated displays that conveys how Japanese car manufacturing has developed within a single world history. A key feature is the graphic arrangement that does not distract from the appreciation of the cars, such as the creation of catchy messages and photographic presentations that show the background of the era, and the realization of a museum where visitors can intuitively understand the emotional worldview of car concept design that has developed alongside technological advancements. [Client's Challenge] The challenge was to create an integrated exhibition that would reveal the value and appeal of cars by conveying how the Japanese automobile industry has developed within the context of its relationship with society, such as the social needs and challenges of each era in world history. [Solution] Attention was paid to displays an explanatory plan that is easy to understand and deepens the understanding of diverse visitors, as well as an effective placement of vehicles. The history of Japanese cars and European cars, which were previously separated on different floors, were presented as a single world history, creating an integrated displays that allows visitors to intuitively feel the history of automobile development. displays displays designed so that visitors would naturally learn about Japan's role in the 100-year history of automobiles as they walked around. [Customer Feedback] By using transparent partitions such as mesh tarpaulin and ball bead curtains for zone displays explanations and spatial design, we were able to utilize the original building's characteristic of high openness while realizing zone divisions and spatial design with large graphics, enriching displays content and improving the quality of the space. [Project Members] Sales/Project Management: Ryo Tanaka Direction: Mitsuhide Yoshinaga design, layout Yuzo Kosaka Signage/Graphic concept design Gosako Kawashima Production/ construction: Kazuaki Nakano

[Project Introduction] We have created a projection mapping project themed on "The Four Seasons of Hida Takayama" to commemorate the "80th Anniversary of Takayama City's Establishment" and the "140th Anniversary of the Merger of Hida and Mino Provinces," set against the backdrop of the "National Historic Site Takayama Jinya." The Takayama Jinya was the administrative center of Hida after it became a direct territory of the shogunate during the Edo period. Of the more than 60 magistrate's offices said to have existed throughout Japan during the late Edo period, the Takayama Jinya is the only one whose original building remains. It was designated a National Historic Site in 1929. This time, we will be holding the "Hidashin Projection Mapping" themed on "The Four Seasons of Hida Takayama" for a limited time in the large hall (a room built in the Shoin style) inside the Takayama Jinya. Our company assisted with the research, planning, concept design, exhibit execution, interior execution, and website creation.

Geolia will lead the Izu Peninsula Geopark to World Geopark certification and play the role of a base facility for sustainable activities. Shuzenji Onsen is located in the central part of the peninsula and is a key transportation hub. Taking advantage of that advantage, it is a place to gather information on all activities rooted in the land of Izu, and to create a "mechanism and mechanism" that enlivens the entire Izu Peninsula from the perspective of history, folklore, and life as well as nature. We provided comprehensive support, including the formulation of an action plan involving local residents, and the development and operation of a smartphone app that utilized videos introducing geosites. ●What is a geopark? A word that combines "Geo" and "Park", it means "park of the earth" and refers to a place where you can learn about the earth (geo) and enjoy it as a whole. increase.

<Project Description> Mount Fuji, a World Cultural Heritage site that Japan is proud of. The Mount Fuji World Heritage Center is a facility that aims to raise awareness of the importance of preserving Mount Fuji for the future, by learning about and enjoying its value from both the "nature" and "culture" perspectives, as it is registered as a World Heritage site as "an object of worship and a source of artistic inspiration." Our company has addressed the challenge of effectively conveying the "fascination of learning about Mount Fuji" to visitors, including many foreigners, by creating a spatial experience with sound, video, and lighting effects that feature nonverbal content (non-verbal displays), and by providing displays guidance through the "Fujimeguri" app, which includes multilingual (7 languages) explanations and audio commentary narrated by Shuzo Matsuoka. We are creating a "one-of-a-kind experience" by combining "giant object structures" + "ICT content" + "lighting, sound, and video" in a complex presentation. [What is the original app "Fujimeguri"?] It is AR content that works in conjunction with a group of approximately 30 displays items. Enjoy AR experiences where figurines of people associated with Mount Fuji begin to speak, and AR that brings to life ancient pilgrimage routes on an 18-meter diameter floor map. In addition, when taken outdoors, it can be used as a tool to explain famous places such as temples and shrines, lakes and marshes, and hiking trails. <Our Project Members> [Development] Masanori Yokoyama [Sales and Project Management] Kohei Mizoguchi [Planning] Yuichi Kameyama, Ryuta Ohashi [design, layout] Yuichiro Tsutsumi [Digital concept design] Hironori Mima [Library concept design] Toshihiko Odagiri [Modeling concept design] Kenichi Kishikawa [Production and construction] Kensaku Yajima, Yuka Ohara

[Project Overview] Alpen Co., Ltd. is the largest sports retailer in Japan. Its sales are supported by its own brand products. In order to make its private label products even more innovative, the company gathered its own designers on one floor and created a "co-creation floor" with the floor concept of "gathering and creating." This floor is a place where people can gather, talk, inspire each other, empathize with each other, and create new things together. [Customer Feedback] Because it combines concept design and practicality, I feel that it is not only a stylish space but also a floor equipped with facilities and functions suitable for each task. The desks are arranged randomly, so the whole space feels very open. There is a standing meeting space in the center, which is very convenient when working on projects that involve multiple groups, and we use it often. I also feel that the detailed allocation of electrical wiring has an effect on saving energy.

[Project Overview] The Toyota Techno Museum Commemorative Hall of Industry and Technology, jointly operated by the Toyota Group, will celebrate its 20th anniversary on June 11th. As part of the commemorative activities, the founding period zone of the automobile hall was renovated and reopened in January. displays has been transformed from a displays method that relies solely on objects and explanations to incorporate many new and innovative features. Our company participated in the project from the planning stage, providing comprehensive support from planning and design to construction. [Project Members] Project Management: Kosei Tsujimura Direction: Mitsuhide Yoshinaga concept design Yuzo Kosaka, Sakiko Iwano Graphic concept design Yoshitoshi Konno Sculpture and Direction: Kenichi Kishikawa Production construction Kazuyuki Chino

The Okaya Silk Museum, "Silk Factory Okaya," opened in Okaya City, Nagano Prefecture, known as the "City of Silk." It is a unique museum in the world, offering a variety of experiences from displays of silk reeling machinery from the early Meiji period. Furthermore, with the desire to be a museum that conveys the truth (Fact) of silk, silk production, and the silk reeling industry, they invited the Miyasaka Silk Reeling Factory, the only place in Japan where traditional raw silk production methods are still preserved, to the museum, making it a factory museum where visitors can experience the spirit of craftsmanship that is in the DNA of Okaya. Our company provided total support, from schematic design, working drawings, interior administration, and construction, schematic design, working drawings, and construction supervision for the building renovation. [Our Team] Project Manager: Masanori Yokoyama concept design Director: Yoichi Miyakoshi design administration: Sakae Kirioka Planner: Tatsuro Noguchi Designer: Tomoki Fukano Product Directors: Koichiro Takahashi, Atsushi Okuda <Awards> ● Encouragement Award at the 34th Display Industry Awards (2015) ● Selected for the Japan Spatial concept design Awards 2015 [Customer Feedback] Our wish to create a museum that conveys the history of Okaya's raw silk industry, which has made a name for itself worldwide as "Silk Okaya," and allows visitors to think about and create for the future, was realized by NOMURA Co.,Ltd.. The structure consists of an entrance area where visitors can learn about the overview of Okaya's history, a museum area that traces the history of Okaya, the city of silk, with machinery and materials, and the Miyasaka Silk Reeling Factory, an actual silk reeling site, is located next door. displays are based on black and white and are composed in a clean and well-defined form, and are excellent in terms of concept design. The overall balance of displays, the balance between stillness and movement, is well-maintained, and they have designed a museum unlike any other in the country. Visitors have unanimously commented that displays were easy to understand and that they would like to visit again. Responsibilities: schematic design displays design, displays working drawings, displays construction, schematic design, detailed architectural renovation working drawings, and interior administration

In conjunction with the opening of the Shin-Tomei Expressway (Gotemba JCT ~ Mikahi JCT), 13 new commercial facilities (service areas and parking areas) were opened at the same time (121 stores in total).   At our company, I was in charge of furniture and fixture manufacturing (10 locations), environmental design (10 locations), food court furniture, fixtures, and equipment (5 locations), and the logo concept design of the new brand "NEOPASA". We helped create a service area and parking area full of individuality that has never been seen before, such as having a concept and characteristics that take into account regional characteristics and local products.   Responsibilities: design, layout, furniture and fixture manufacturing, Production/ construction, Research and Consulting

This showroom allows you to imagine yourself living in a Toyota Home and experience smart homes and other technologies. To embody Toyota Home's brand vision, "Sincerely for You – Together Through Life," the showroom's key concept is "From the Wife's Perspective!" We assisted with everything from planning and design to construction, coinciding with the relocation of the company's new headquarters. Our responsibilities included: design, layout, production, and construction

The Nagoya City Science Museum, a beloved institution for citizens since its opening in 1962, reopened on March 19, 2011, after renovations. Starting with the commissioning of the basic displays plan for four major displays, we were involved in various tasks, including displays displays working drawings and construction, as well as the basic planning and interior administration of the world's largest planetarium. Furthermore, beyond just space creation, after the reopening, we also handled the operation of the museum shop and museum cafe & restaurant, and the maintenance of the large displays equipment. Our efforts extended from space creation before the opening to revitalizing it afterward, all in an effort to contribute to attracting visitors to the Nagoya City Science Museum.

The "National Abundant Seas Creation Conference" is held annually in various locations across Japan, with the attendance of Their Majesties the Emperor and Empress, to raise awareness of the maintenance and cultivation of marine resources and the conservation of the marine, lake, and river environments in which these organisms live. In recent years, marine resources have been declining, and the recovery of resources and ecosystems is becoming a national issue. Through this conference, various initiatives are being promoted, such as the advancement of aquaculture, the cleaning of rivers and coastal areas, and tree-planting campaigns. Responsibilities: design, layout, Production, construction, Operation

As a facility that plays a central role in the redevelopment project in front of Shizuoka Station, the theme of the upper floors is Euro-Modern, while the theme of the middle floors is Orient-Modern, with 2 chapels and 14 banquet spaces. From the sky chapel on the 25th floor to the large banquet hall on the 4th floor with a ceiling height of more than 6m, we have designed a facility that takes advantage of the architectural characteristics of each and completed a facility that can provide a wealth of options. Grandiere Buke Tokai Homepage