Works#Regional revitalization

[Outline of the project] “Nihonbashi Toyamakan” is a comprehensive information receiving and disseminating base where you can sell products, provide tourist information, and hold exchange events, centering on restaurants where you can experience the taste of Toyama. Lumber produced in Toyama Prefecture and traditional crafts are used throughout the space. It is a new base that conveys the high-quality lifestyle of Toyama that makes you think, We assisted with consulting, design, layout, building execution, event management/public relations support. [Issue/Theme] “A place that conveys the quality of life in Toyama” The theme was to not only obtain things, but also to convey things, leading to the revitalization of industries and tourism. [Solution] We put into practice a proposal to revitalize the facility by introducing a new purpose that would serve as a centripetal force. Utilizing our CSV solutions "Forester Project" (*1) and "Japan Value Project" (*2) in the creation of public spaces, we are not just a product center, but a variety of things that Toyama Prefecture is aiming for, such as tourism, industry, and immigration. Realizing a plan design that can be used for regional revitalization measures, our designers visited sawmills in Toyama Prefecture to select the wood used for the tables and chairs that are actually used. selected. "Forester Project" (*1) "Japan Value Project" is a project to create facility interiors, furniture, and fixtures using local materials that are unique to the region, and to develop facilities that strongly impress the local brand while supporting the forestry industry. (*2) Efforts to collaborate with businesses nationwide that handle traditional techniques and materials and provide a place to disseminate them by providing specs to facilities <Our project members> [Development and project management] Ryuichi Fujinaka [Sales promotion] ] Noboru Sato, Nobuyuki Tanaka [Planning] Echiyo Suzuki, Ryuichi Fujinaka [Creative direction] Echiyo Suzuki [design, layout] Yutaka Hanaoka [Signature and graphic concept design] Hisae Ito (Cross) [Production and construction] Yukio Marumori [Others] (Event planning, PR support, etc.) Ryuichi Fujinaka

<Project description> The Kyoto Railway Museum, where you can experience the history of Japan's modernization through the history of railways, has opened in Kyoto, where tradition is valued and innovation continues. The basic concept is "a hub of railway culture that moves forward with the community." Our basic mission is to "contribute to regional revitalization through business activities centered on railways," and we aim to coexist with the region. We assisted in consulting, planning and design, and displays production. <Our project members> [Development] Akihiko Nishimura [Sales and project management] Noriyuki Iwamoto [Direction] Takahiro Kurihara [Planning] Yukihiro Yoshimoto, Kyohei Kishida [Consulting] Takahiro Kurihara, Yukihiro Yoshimoto, Ryuichi Okuda [Art direction] Ryuichi Okuda [design, layout] Koki Mizuno, Kenji Takahashi [Signature and graphic concept design] Shota Umetani, Mieko Yoshioka [Production and construction] Akio Hirayama, Akimitsu Kishi, Michiko Funakura, Masanori Nakajima, Soji Wakasugi, Daisuke Inoue, Hideo Hara, Katsuyoshi Tsuge [Maintenance plan] Akihiro Hokawa, Tomokazu Araki [Operating plan] ] Tsutomu Makura [public relations] Hitomi Matsuura, Yuri Yoshida, Satoko Sone

[Project Overview] The Takenaka Set Museum was opened as the only museum of carpentry tools in Japan with the theme of "connecting people and nature, connecting tradition and innovation". Carpenter's tools have a severe fate that the higher their quality, the more they are used until they wear out, and then disappear. It is a space where you can feel the skills and wisdom of the craftsmen and their commitment to work through the five senses such as models, tools, videos, photos, and workshops. We assisted with design, layout, interior administration, construction, and construction supervision. [Customer's voice] We asked them to dig deep into each theme and pursue the maximum possible concept design suitable for each displays, not just superficial things. Even when it came to construction, we were asked to carry out very careful work promotion, such as checking with prototypes. By introducing a participatory experience type displays that was not in the old building, the number of family visitors increased, and the expected effect was produced.

It is a one-stop shopping type large-scale store that comprehensively develops convenience and souvenirs, which are one of the most important elements of station needs. At NOMURA, I was in charge of design, layout, production, and construction.

It opened in November 2005 and brings together valuable materials related to Nagasaki's overseas exchanges. It attracted attention for being the first prefectural-level museum to introduce a designated manager system that includes a curatorial department. Since its opening, NOMURA has been involved in facility management as the designated manager. While leveraging our comprehensive capabilities to hold exhibitions and events, we also actively engage in activities with the cooperation of citizens, such as volunteers recreating judgments in skits at the restored magistrate's office. It also plays a role as a research center for Nagasaki Studies, and operates in collaboration with its founder to ensure the continuity of cultural administration.