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Ishikawa Takuboku Memorial Museum and Morioka City Tamayama History and Folklore Museum

Ishikawa Takuboku Memorial Museum and Morioka City Tamayama History and Folklore Museum

The Ishikawa Takuboku Memorial Museum, which opened in 1970 with the aim of honoring and preserving the records of Ishikawa Takuboku, one of the most representative poets of modern Japan, will reopen in 2025 with the addition of the Tamayama History and Folklore Museum. The two museums are connected by the concept of the word "hometown" left by Takuboku, and the Takuboku Memorial Museum focuses on the Meiji period when Takuboku lived, while the History and Folklore Museum focuses on the 1950s and 1960s, allowing visitors to see the current Tamayama. The entire space of the Ishikawa Takuboku Memorial Museum is used to depict the 26 years of Takuboku's life and the people's activities to honor him from his death to the present day as a huge timeline. Below the timeline, you can see the collections for each era and Takuboku's words from that time. The central symbolic displays displays the organ that Takuboku actually played, and on the large screen in the background, you can choose to watch two original animations, "Takuboku's Life" and "Takuboku and Hometown." There is also a special displays room and a book browsing corner. Tamayama History and Folklore Museum displays folklore materials donated by local residents, as well as folk performing arts and natural scenes, which are preserved and can be viewed using video and information search systems. In the corridor connecting the two buildings, there is a multipurpose hall where lectures and workshops can be held, a shelf displays called "Tamayama Connecting" where mini special displays can be held, and a "visible storage room" where part of the storage room is made of glass. From the windows, you can see the Saito Family Residence where Takuboku once lived, and Shibutani Elementary School.

#public
Being Furniture -DESIGNART TOKYO 2024-

Being Furniture -DESIGNART TOKYO 2024-

We exhibited "Being Furniture" at DESIGNART TOKYO 2024, Japan's largest concept design and art festival (with the theme "Reframing - The Beginning of Transformation"). "Being Furniture" is a project that reconsiders the relationship between people and objects. We create many things every day in our spatial concept design projects, but behind the scenes, we feel that there is a big issue with these things being discarded or no longer used while still fully usable. When we think about a situation in which an object is used for a long time and with great care, it is often the case that a relationship is formed that gives rise to an attachment to the object. In such cases, we noticed that we have gone from a sense of "owning and using" to a sense of "being with" the object and caring about it. Therefore, we thought that noticing this change in sensation might be one way to solve the problem. The furniture presented in the project is not particularly sturdy or functional. Rather, it has a certain instability and whimsy that makes us want to care for it. If furniture changes from "being" to "being there," how will we interact with it? Through a series of experimental concept design in this project, we ask society about the transformation in value between people and objects. Our company's vision is to "open up all kinds of spatial possibilities starting from the 'creativity' of each individual," and we are working to create spaces that enrich people's hearts. As part of this, we continue to exhibit at concept design events both in Japan and overseas in order to take on the social issues we face from a creative perspective and create a cycle of communication, exchange, and innovation through our output.

#hospitality
竹駒の杜 活性化プロジェクト

竹駒の杜 活性化プロジェクト

日本三稲荷の一つである竹駒神社様が地域コミュニティとにぎわい創出のために取り組んだプロジェクトです。当社がハブとしての役割を担い、神社、地域、企業が三位一体となったチームを形成しました。チームで取り組んだことは大きく分けて、「鎮守の杜の整備」「カフェ設置」「地域コミュニティ活性化」「プロモーション」「新しい祭をつくる」の5つです。当社は企画・ロゴデザイン・建築設計・造園デザイン・建設・外構工事・カフェ開業支援・カフェメニュー開発・商品開発・映像制作・広報PRなど全般におよぶ総合プロデュースを行いました。竹駒神社様が市民の生活に欠かせない存在として持続可能なかたちで未来へ紡いでいくことを目指しました。〇総合プロデュース内容①顧客課題抽出 ②課題解決方法立案 ③実施(運営)体制の検討 ④実施(運営)体制の構築(リーシング) ⑤神社・運営者の意見をふまえたデザイン ⑥商品開発(飲食メニュー、販売商品選定) ⑦神社全体の活性化検討 ⑧神社全体のプロモーション映像作成 ⑨CAFÉプロモーション検討 ⑩オープニングセレモニー計画 ⑪各種メディア誘致 ⑫オープン後のPDCA実施 ⑬新しい祭をつくる ⑭世界プロモーション映像を海外へ当社のネットワーク(地元企業中心に)から賛同者を募ることで、独立して可動できる体制を構築しました。

#public
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