WorksAll Achievements

台湾の不動産開発会社Walsin (南京) Development Co., Ltd.様が運営する「VVG Lifestyle Village」は、ヒューマニズムとクオリティ・オブ・ライフを特徴とする緑豊かな都市複合施設の中にある南京 ONE MALLにオープンしました。 施設のテーマが海や大地などの自然（earth）であることと、3層に渡る大きな吹抜がある空間特性から、ここを「森」のような空間にすることで施設全体との調和とその魅力を拡大できないかと考えました。この「森」のような空間では、多様な生物の営みや自然の循環のように人々の出会いやつながりが生まれ、そして森を散策する動線が生まれました。 「枝葉」をモチーフにした巨大な格子を35列連続して配置し、吹抜空間ではアーチ状に変化させ空間全体を覆い尽くしました。その中に台湾の国花である「梅」の照明をランダムに配置し、規則性と不規則性のある「森」を創り出すことで、日本の繊細さと台湾の感性を融合した『VVGの森』を完成させました。 ＜当社プロジェクトメンバー＞ 【プロジェクトマネジメント・営業】 須田 慶太、藤目 良 【デザインディレクション】 no.10：青野 恵太 【デザイン】 no.10：鈴木 祥平、藤原 ちひろ

国・県レベルでの東日本大震災に関連した施設として、国内初となる岩手県の施設です。2011年３月11日におこった東日本大震災津波の悲劇を繰り返さないため、震災津波の事実と教訓を後世に伝承し、復興の姿を国内外に発信しています。「命を守り、海と大地と共にいきる」を展示テーマに、三陸の津波被害の歴史や東日本大震災津波の事実、教訓などを展示やグラフィック、映像等でしっかりと学ぶことができる施設です。 ＜当社プロジェクトメンバー＞ 【開発】吉岡 伸 【営業・プロジェクトマネジメント】鞠子 猛 【企画】齊藤 恵理、中瀬 尚子 【設計】正木 秀司、堀越 さやか、芦田 光代、冨永 育穂 【制作・施工】平石 昭雄

福岡ソフトバンクホークスの本拠地である福岡PayPayドームの隣、複合エンターテインメント施設「BOSS E・ZO FUKUOKA」の４階にリニューアルオープンした本施設は、「野球人・王貞治」の魅力を伝えるとともに、「楽しむ」に重点を置いたスポーツミュージアムです。『王貞治ヒストリーゾーン（展示）』では、野球人・王貞治の偉大さや波乱万丈の道のりを最新の展示手法で表現、『89パーク（体験型アトラクション）』では、「野球を楽しんでほしい」という王貞治氏の野球への想いを体験型アトラクションに凝縮し、打つ・投げる・捕るなど様々なチャレンジが楽しめます。

海外渡航中のモバイルインターネットをはじめとする”通信環境の提供”に強みを持つエクスコムグローバルの本社エントランスロビー。 モバイル通信サービスは、世界中で様々な関わり合いを生み、人と人、人とコトを結びます。国や世代を超え、個々のコミュニケーションの連鎖がやがて世界的なムーブメントを生んだり、1つの大きな存在を紡ぎだしていくその様子は、様々な生物の営みとつながりが、より多くの生命の拡がりを生んでいく「森」の様子を思い起こさせます。 エクスコムグローバルの事業が世界にもたらす無限のつながりと可能性を、豊かな森の有り様(ありよう)と重ね合わせ、そこでの自然の造形や、森の成長の記憶、時間ごとに移ろう美しい姿をデザインのテーマとしました。壁面は、森の風景を象徴する要素として、木々の重なり合うシルエットをモチーフにしたパネルをデザインし、空間を覆いました。日中は陽の光、日没後は照明の灯りが、パネルの開口を通して床や壁に柔らかい影を落として木漏れ日のような印象を与え、渋谷の高層ビル内でありながらも森の中にいるような情景を作り出しています。また、印象的なテーブルやドリンクカウンターは、森の成長の記憶として「年輪」をデザインのモチーフとしました。曲げた金属板を同心円状にオフセットさせながら組み上げ、天板はその様子が見て取れるよう透明のアクリル板としています。 レイアウトプランとしては、来客を迎えるレセプションエリア、商談などを行うミーティングエリアの2つに空間を分節し、上記のデザインテーマの下でそれぞれのシーンに適した視線の遮り方や透過性を作り出す工夫をしています。 【お客様の課題/ご要望】 ラグジュアリーホテルのロビーのような雰囲気のレプションスペース及び商談スペースをデザインしてほしい、というご要望をいただきました。 ＜当社プロジェクトメンバー＞ 【営業・プロジェクトマネジメント】 石井 和茂、村上 香織 【デザイン・設計】 北村 喜裕 【制作・施工】 近石 郁雄、小池 徹治、香川 拓也

住友商事様の第2の創業の地である神田エリアに計画されたKANDA SQUARE（神田スクエア）。住友商事様の新しい街づくりの挑戦として誕生した地上21階の複合型オフィスビルの神田のランドマークです。当社は１階商業ゾーンの環境の内装、サインの設計、施工業務と内装監理業務を担当しました。

Nomura Co., Ltd. was responsible for the design and basic planning of the food court in the Shanghai World Financial Center (SWFC), a landmark skyscraper in Shanghai, China. The food court was designed to be a relaxing space enveloped in "light" and "greenery" to support the eating, working, and socializing needs of office workers. NOMURA Co.,Ltd. was responsible for concept design and schematic design, while NOMURA (Beijing) Co., Ltd. was responsible for working drawings and construction. [Client's Challenges/Requests] The "Food Garden" food court, located on the second basement floor of the SWFC, a Shanghai landmark, brings together 12 stores. The goal was to provide daily food support to over 10,000 office workers, while also creating a space that enhances the building's value by providing a place for office workers to relax, as well as event spaces and conference rooms that can be used for seminars and networking parties. [Solution] To create a comfortable relaxation space for office workers despite being underground, the "light" streaming in from above was visualized as louvers, creating a continuous scene of "greenery" creeping up towards the light. Furthermore, the event space and meeting rooms (with the possibility of catering from the food court) were planned as an integrated unit, creating a configuration that can attract customers even after the peak lunch hour. <Our Project Members> Design: NOMURA Co.,Ltd. AND Co., Ltd. [Sales] Hisayasu Takenaka [concept design / schematic design] Keisuke Sasaki, Kai Nishihara, Hitomi Kataoka construction: NOMURA (Beijing) Co., Ltd. [Project Management] Nobuya Sugimura [working drawings] Lei Yu, Hideki Niwa [construction] Lei Yu, Hideki Niwa, Shuangshuang Li, Xing Zheng, Yu Lin, Jian Wang

With the expansion of the international terminal facilities at Tokyo International Airport (Haneda Airport) Terminal 2, we were responsible for the environmental concept design and construction of the commercial area facing the departure lobby. Aiming for a symbolic concept design befitting Japan's new gateway, we expressed the future "sky" of "Tokyo," which floats and blends into the "sky" like "clouds" and "wind," endlessly changing its form. Countless objects composed using cutting-edge 3D modeling design technology create the streamlined silhouettes of "clouds" and "wind," and the ever-changing "sky" emerges through the shifting light and color gradients. For example, the broad and magnificent appearance of "clouds" and "wind" seen from afar is, upon closer inspection, composed of a delicate geometric arrangement of approximately 5,500 strip-shaped parts. Furthermore, the daily passage of time and the changing seasons are expressed through the soft and delicate light and color gradations of approximately 1,800 uniquely developed lights. The dynamism of Japanese sensibilities, which repeatedly combines meticulousness and generosity, and the "Japanese aesthetic" that cherishes the changing seasons, such as falling cherry blossoms, waves, autumn breezes, and winter skies. By fusing these two elements into a space using unprecedented new-dimensional technology, we challenged the possibilities of future spaces. <Our Project Members> [Sales & Project Management] Kazuyoshi Hikota [design, layout] Shinjiro Kondo [Production & construction] Miyuki Nakamura, Hiroshi Udagawa, Ryosuke Takada

"Medicha," a self-conditioning business centered on meditation, was born from Mitsubishi Estate's new business proposal system. It is an immersive meditation studio that provides urban dwellers, who are exposed to a great deal of stress, with "luxurious time to create space for oneself" through a unique meditation program that liberates all five senses. Our company assisted Mitsubishi Estate from various angles, from the business planning stage of brand launch to the opening, providing support in areas such as consulting, experience concept design, spatial concept design, graphic concept design, meditation content advice, and art curation. [Customer's Voice] In creating an immersive studio that fuses "meditation," "art," and "tea," we received comprehensive support not only in interiors but also in realizing the concept and designing the service so that customers would experience meditation. We are also grateful that by collaborating with experts in each field, such as meditation, sound, lighting, and tea, we were able to realize a space and service that maximizes the effects of meditation while maintaining the worldview. <Our Project Members> [Sales & Project Management] Shun Kawai [Consulting & Planning] Shoko Miyazaki [design, layout] Hideaki Hata, Yoshitaka Hirayama, Keisuke Yoshida [Production & construction] Kenji Takekawa, Tomoharu Kawai, Yuko Yamashita, Tadahiro Nakajima

The science museum has been renovated due to the aging of the facilities and displays items of the existing science museum. We obtained a proposal using the DBO* method, which integrates design, construction, and operation, and completed the construction in a short period of about one and a half years from schematic design. With the main purpose of providing active learning-type learning, we plan displays experience stories as a basic policy that leads to in-depth learning through voluntary actions by arousing interest from experience. The displays space, which is zoned with six themes consisting of nature, power, sound, light, space, and new technology, has almost all more than 100 new science experience devices, centered on a large centerpiece displays that symbolizes each zone that can be participated by a large number of people. With the cooperation of companies representing Hamamatsu, displays were developed throughout the museum to arouse interest in local industries. In addition, the science museum has introduced the world's first scientific information learning system (app) equipped with AI (artificial intelligence) to realize a new way of communication concept design that expands interest and knowledge through dialogue. In addition to the displays room, the entrance welcome displays with art by local artist Yasuhiro Suzuki, as well as a children's science land, cafes, shops, and an outdoor science park, have been renovated to make it a comfortable place for not only children but also adults concept design while incorporating elements of a science museum. *DBO (Design, Build, Operate): A method of public-private partnership in which design, construction, maintenance, and operation are comprehensively ordered to private companies.

"Maison KOSÉ" is a concept store that blends digital technology and experiential learning, allowing customers to try out all of KOSÉ's brands, from skincare and makeup to haircare. With the theme of "Find Your Own Beauty," the store utilizes digital technology to create a space where customers can discover their own unique beauty in a more personal and accessible way. For KOSÉ, it's a completely new concept store that serves as a "place for communication with customers," creating points of contact and quickly feeding back the information and experiences gained to KOSÉ as a learning platform. <Our Project Members> [Sales & Project Management] Reika Nagakura, Kanoko Taguchi [concept design] Kumiko Baba, Sayaka Kobayashi, Kaori Suzuki [Architecture] Tetsuro Urita [Production & construction] Yorikazu Iwata [Video System Design & construction] Nomura Techno: Mizuki Suzumura, Kei Sakuma

SHIBUYA SKY, the observation facility at Shibuya Scramble Square, a new landmark facing the Shibuya Scramble Crossing, boasts one of Japan's largest rooftop observation spaces (approximately 2,500 m²) at 229 meters above Shibuya. SHIBUYA SKY is composed of three zones: "SKY GATE," a transitional space from the 14th to 45th floors; "SKY STAGE," an outdoor observation space; and "SKY GALLERY," an indoor observation corridor on the 46th floor. It is an observation device that not only allows visitors to enjoy a 360-degree view from 229 meters above Shibuya, but also stimulates intellectual curiosity and fosters imagination through a series of experiences. In collaboration with Rhizomatiks concept design, our company was responsible for interiors space concept design, schematic design, working drawings, construction, and system hardware.

This is the first MUJI HOTEL project in Japan, based on the concept of "anti-gorgeous, anti-cheap." The building, with a total floor area of over 9,000 square meters, houses the flagship store "MUJI Ginza" from the basement to the 6th floor, and "MUJI HOTEL GINZA" from the 6th to the 10th floor, making it a global flagship store where the world of MUJI comes together. Our company was in charge of construction of ATELIER MUJI GINZA on the 6th floor and the hotel lobby and restaurant of MUJI HOTEL GINZA. <Client's Request> In order to embody the world view that Ryohin Keikaku has cultivated over the years and the designer's vision, a lot of time was spent selecting interiors materials and deciding on the plan. As a construction company, we understood their approach, but our challenge and the client's request was to complete the project within the predetermined period. <Solution> In order to achieve the best results within the limited time, we held countless meetings with UDS and aimed to bring their vision to life. While completing the project within the given timeframe was a "request," it was only thanks to the cooperation of Ryohin Keikaku and UDS that we were able to achieve this. <Our Project Members> [Sales/Project Management] Taisuke Kawagishi [Production/ construction] Soji Wakasugi, Yoshito Hamabe, Naoto Higashiyamazaki, Yuna Kawai, Ryohei Sakaki

"An Experiential Cafe Overflowing with Love for Cars" This is the first motorsport-themed cafe to open at "MEGA WEB," Toyota Motor Corporation's experiential theme park. It's not just a cafe with cars in it; the styling is designed to subtly stimulate interest in cars. A large table modeled after the Nürburgring circuit in Germany, where Toyota Motor Corporation and other automakers from all over the world participate for development, is placed in the center, and the cafe is adorned with goods that will stir the hearts of car enthusiasts and art that can be enjoyed by children and adults alike. This circuit-modeled table is the symbol of the cafe and is concept design as a communication belt that encourages natural conversations among people. In fact, it is bustling with people taking pictures in various places, and many conversations can be heard. We hope that families, friends, and sometimes even strangers will connect and expand their relationships through conversations about motorsport. The machines that are the heart of the cafe are actual racing cars that have competed in races, creating a realistic atmosphere. In addition, furniture concept design using only parts from Toyota cars has been created and can only be seen here. More than just furniture, it's furniture with a message, making it popular with both Japanese people and many foreign tourists. The food, made with carefully selected ingredients, includes lunch plates where you can choose your main and side dishes, as well as soy smoothies and soy milk donuts made with soy milk and okara from a long-established tofu shop, and gluten-free soy brownies, creating a place where people of all ages can enjoy a meal with peace of mind. This reflects Toyota Motor Corporation's initial philosophy of allowing people who might be somewhat distant from motorsport, such as women and children, to naturally experience the world of motorsport while enjoying the cafe. We focused on providing a real experience that cannot be found in a cafe that simply displays cars, creating a space where not only core car fans but also young women and families can enjoy the world of motorsport after visiting the cafe. <Our Project Members> [Sales/Project Management] Takuya Fujioka, Yukari Tange [Creative Direction] Mitsuhide Yoshinaga [design, layout] Yuzo Kosaka, So Kato [Production/ construction] Ryuichiro Katsura

Ishiya Confectionery Co., Ltd. is a leading confectionery manufacturer in Hokkaido, well known for its Shiroi Koibito (white lover). Head Office built the Ishiya Chocolate Factory, a factory building, in 1995 and opened the entire facility, collectively called Shiroi Koibito Park. Shiroi Koibito Park has become one of Sapporo's most popular tourist attractions. With an eye on attracting 1 million visitors, a renewal plan was launched to improve customer service and add new entertainment features with the theme of a facility that offers surprises and fun by making the most of a candy factory. NOMURA Co.,Ltd. The "K" Line Group was engaged in the overall direction of the park, production of visual content, displays review of the plan, space concept design, production and construction (new café, renovation of the lounge, expansion of the experience corner, complete renovation of the factory store, review of signage plan), NOMURA Co.,Ltd. planning and design construction covering the entire range of the Group's know-how and produced the space in a single operation. We produced the space. We also produced a wide range of creative work, including the facility logo concept design, character re concept design and new character concept design, advertising concept design, and limited edition product packaging concept design for the renewal. The Chocotopia House, a projection mapping tour to explore the secrets of chocolate with "Dr. Chocolate Loves Chocolate Too Much", the Chocotopia Factory, a tour of the Shiroi Koibito production line, café, store, etc., are the main attractions of the new chocolate entertainment facility. The main theme of the facility concept design is to maintain the antique style, which is the basic tone of the entire facility, and to make the most of the atmosphere of the existing facility concept design ・The main premise of the project is to produce a production that will allow visitors to see, learn, taste, and experience chocolate. The first major issue was to eliminate the chronic congestion of over 700,000 annual visitors. Another issue was to create new attractions, and it was necessary to plan for not only the main tourists of the past, the out-of-town visitors, but also the in-town and foreign visitors. The first step was to clearly establish a guiding production concept and review the displays storyline and route planning, starting from the start of the attraction, through the tour route to the lounge and stores, with the aim of eliminating congestion on the visitor route. We also aimed to relieve congestion by adding more attractions, a new café, renovating the lounge, expanding the hands-on facilities, and expanding the concession stand at the end of the tour, thereby distributing the points of interest to visitors. We also aimed to create a new attraction by creating a new character for content creation and utilizing the latest production technologies such as projection mapping and a new diorama model based on a new concept. ＜Our project members】 [Sales/Project Management] Taku Wakita, Tadayuki Matsubara [Planning] Yuichi Saito, Tomoko Yanagihara, Moe Murakami [design, layout] Keiu Tamura, Fujie Suzuki, Kentaro Yamada, Yuki Masuda, Akika Yamada, Shifumi Kato, Sari Suzuki, Mayu Toyoda [Production, construction] Takashi Sasatani, Ikushige Umemoto [Creative Engineers] Akira Takashi, Mitsuru Kishikawa, Kenichi Kishikawa, Kenichi Kawamoto Mitsuru Takashi, Kenichi Kishikawa, Banji Kawai [Sign Planning] Naoaki Mamoru (Nomura Products) [Production Equipment and Modeling construction Cooperation] Mizuki Suzumura (Nomura Techno)

This project involved the complete renovation of three floors of the Roppongi Hills Mori Tower, where GREE's Head Office are located. The project took over two years from conception and was carried out in multiple phases. The concept of this project was "to showcase GREE's craftsmanship." Having established Head Office in Roppongi Hills Mori Tower approximately nine years ago, GREE returned to its roots and expressed its passion for craftsmanship in the office space. In a space where many workers supporting GREE's three pillars—game business, advertising and media business, and live entertainment business—are present, we created interiors and furnishings of the entrance, lounge, café, and Future Labo, emphasizing the quality of the materials used to express the image of creating high-quality products. Project members, along with clients, were actually involved in construction of the furnishings on-site, resulting in a space imbued with the passion for craftsmanship. D-Sign Co., Ltd. handled overall project management, and Puddle Co., Ltd. was responsible for concept design planning. [Customer Feedback] In the new space created by NOMURA Co.,Ltd., the number of events and other activities has quadrupled compared to before the renovation, and the number of visitors is also on the rise, bringing back vibrancy to our office. The space and furnishings have been meticulously designed down to the smallest detail, allowing us to welcome our clients with confidence. <Our Project Members> [Sales & Project Management] Kaori Murakami, Shuichi Sakashita [Production & construction] Naoto Tominaga