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With the expansion of the international terminal facilities at Tokyo International Airport (Haneda Airport) Terminal 2, we were responsible for the environmental concept design and construction of the commercial area facing the departure lobby. Aiming for a symbolic concept design befitting Japan's new gateway, we expressed the future "sky" of "Tokyo," which floats and blends into the "sky" like "clouds" and "wind," endlessly changing its form. Countless objects composed using cutting-edge 3D modeling design technology create the streamlined silhouettes of "clouds" and "wind," and the ever-changing "sky" emerges through the shifting light and color gradients. For example, the broad and magnificent appearance of "clouds" and "wind" seen from afar is, upon closer inspection, composed of a delicate geometric arrangement of approximately 5,500 strip-shaped parts. Furthermore, the daily passage of time and the changing seasons are expressed through the soft and delicate light and color gradations of approximately 1,800 uniquely developed lights. The dynamism of Japanese sensibilities, which repeatedly combines meticulousness and generosity, and the "Japanese aesthetic" that cherishes the changing seasons, such as falling cherry blossoms, waves, autumn breezes, and winter skies. By fusing these two elements into a space using unprecedented new-dimensional technology, we challenged the possibilities of future spaces. <Our Project Members> [Sales & Project Management] Kazuyoshi Hikota [design, layout] Shinjiro Kondo [Production & construction] Miyuki Nakamura, Hiroshi Udagawa, Ryosuke Takada

"Medicha," a self-conditioning business centered on meditation, was born from Mitsubishi Estate's new business proposal system. It is an immersive meditation studio that provides urban dwellers, who are exposed to a great deal of stress, with "luxurious time to create space for oneself" through a unique meditation program that liberates all five senses. Our company assisted Mitsubishi Estate from various angles, from the business planning stage of brand launch to the opening, providing support in areas such as consulting, experience concept design, spatial concept design, graphic concept design, meditation content advice, and art curation. [Customer's Voice] In creating an immersive studio that fuses "meditation," "art," and "tea," we received comprehensive support not only in interiors but also in realizing the concept and designing the service so that customers would experience meditation. We are also grateful that by collaborating with experts in each field, such as meditation, sound, lighting, and tea, we were able to realize a space and service that maximizes the effects of meditation while maintaining the worldview. <Our Project Members> [Sales & Project Management] Shun Kawai [Consulting & Planning] Shoko Miyazaki [design, layout] Hideaki Hata, Yoshitaka Hirayama, Keisuke Yoshida [Production & construction] Kenji Takekawa, Tomoharu Kawai, Yuko Yamashita, Tadahiro Nakajima

The science museum has been renovated due to the aging of the facilities and displays items of the existing science museum. We obtained a proposal using the DBO* method, which integrates design, construction, and operation, and completed the construction in a short period of about one and a half years from schematic design. With the main purpose of providing active learning-type learning, we plan displays experience stories as a basic policy that leads to in-depth learning through voluntary actions by arousing interest from experience. The displays space, which is zoned with six themes consisting of nature, power, sound, light, space, and new technology, has almost all more than 100 new science experience devices, centered on a large centerpiece displays that symbolizes each zone that can be participated by a large number of people. With the cooperation of companies representing Hamamatsu, displays were developed throughout the museum to arouse interest in local industries. In addition, the science museum has introduced the world's first scientific information learning system (app) equipped with AI (artificial intelligence) to realize a new way of communication concept design that expands interest and knowledge through dialogue. In addition to the displays room, the entrance welcome displays with art by local artist Yasuhiro Suzuki, as well as a children's science land, cafes, shops, and an outdoor science park, have been renovated to make it a comfortable place for not only children but also adults concept design while incorporating elements of a science museum. *DBO (Design, Build, Operate): A method of public-private partnership in which design, construction, maintenance, and operation are comprehensively ordered to private companies.

The second phase of renovation work at the Shiga Prefectural Lake Biwa Museum included the creation of "Adult Discovery" and the renovation of the "Discovery Room," restaurant, museum shop, atrium, and special displays rooms. "Adult Discovery," designed to satisfy the curiosity of adults and encourage repeated visits, is a learning and exchange space that conveys the enjoyment of museums, increases interest in Lake Biwa, and fosters a desire to participate in local and museum activities. With over 1,000 specimens of animals, plants, minerals, and more, the space and functions have been designed to encourage visitors to surround themselves with specimens and engage in activities such as looking at them, selecting and handling them, observing them under a microscope, researching them in encyclopedias, and asking questions to curators. There is a corner where visitors can experience how to carefully observe and sketch specimens, and an open lab where they can experience museum research and data organization firsthand. The Discovery Room, as the "entrance to the museum," is an interactive space where visitors can learn and discover through taxidermy and their five senses.

EDOCCO, the Kanda Myojin Cultural Exchange Center, which we comprehensively produced from concept development to opening, is a facility that inherits tradition and creates new culture based on the concept of "tradition x innovation." It is a unique multi-purpose facility with four above-ground floors and one basement floor, which also includes the function of a shrine's amulet distribution office. Centered around a multi-purpose hall, it operates 365 days a year, hosting corporate presentations and displays on weekdays and transforming into a live music venue on weekends. Furthermore, the Japanese cultural experiences, which focus on preserving traditional performing arts and crafts, target inbound tourists. The facility incorporates mechanisms to improve visitor satisfaction, such as introducing merchandise sales and cafe services that will please visitors, while fostering collaboration with the local community. [Challenges/Themes] In 20 years, there are two challenges: the crisis that 40% of temples and shrines will disappear due to the effects of a declining birthrate and aging population, and the decrease in Shinto wedding ceremonies. This project started in response to the desire to increase the number of worshippers of shrines in the future. [Solution] By injecting marketing principles into the shrine and developing a plan to attract demographics that had not previously visited shrines (young people and inbound tourists), this facility was created, incorporating two functions: a multipurpose hall and a Japanese culture experience studio. The facility attracts three target groups—business people, young people, and inbound tourists—and is bustling with activity every day. <Our Project Members> [Producer] Kenichi Sakazume [Sales] Seiji Yamaguchi, Tsuyoshi Inami, Motoo Kawada [Planning] Keita Kobayashi, Yoshiko Watanabe [concept design] Ryo Onishi, Eri Okuyama, Nanako Wajun, Ayumi Sasai [Production] Shigeyoshi Takahara, Jun Endo, Hiroki Kimura ~Related Links~ [News Releases] ・Kanda Myojin Cultural Exchange Center "EDOCCO" to be comprehensively produced by Kenichi Sakazume, Chief Planner NOMURA Co.,Ltd. Kogeisha, with interiors design by Ryo Onishi ・Announcement of "Toshio Suzuki and Ghibli Exhibition" to be held at Kanda Myojin Cultural Exchange Center "EDOCCO" [Media Coverage Information] ・2019.04.09 "Nikkei ESG" May issue ・2019.02.19 "Nikkei Sangyo Shimbun" ・2019.02.18 "Nikkei Sangyo Shimbun"・2019.02.06 "Hata Lab"

The Annual Layer Museum is the world's first museum dedicated to a single theme: "annual layers." Annual layers are layers of mud that have accumulated at the bottom of lakes over long periods of time. The annual layers of Lake Suigetsu, one of the scenic Mikata Five Lakes (Fukui Prefecture), record an enormous period of time—70,000 years—the longest in the world, and are deposited to a depth of 45 meters, recognized worldwide as the world standard for dating. One hundred thin slices of "shining soil = annual layers" are displays facing the lake, becoming a regional symbol that transcends the boundaries of a typical museum. Here, the landscape is also an displays. You can feel the changing passage of time, and as the sun sets, displays change their appearance along with the landscape. A harmonious worldview has been created where the boundaries between displays, architecture, and landscape are blurred. [Customer Feedback] "Annual layers" is a generally unfamiliar and difficult theme, but after repeated discussions and considerations to create displays that would satisfy visitors, we were able to create displays that is both academic and easy to understand, and has received high praise in visitor surveys and other feedback. <Our Project Members> [Sales & Project Management] Akihide Inoue [Planning] Kyohei Kishida [concept design] Sho Inanobe [Production & construction] Takeshi Suezaki, Nanae Hori, Riku Murata

The former Ohara family residence, a nationally designated important cultural property, is the home of generations of the Ohara family, who, starting with Ohara Magosaburo, founded companies such as Kurabo, Kuraray, the Ohara Museum of Art, and Kurashiki Central Hospital, laying the foundation for the development of Kurashiki. We aimed for this house to continue to grow as a catalyst—a place where people can recognize the great achievements of the Ohara family and discuss the present and the future. A portion of the publicly accessible area was designated as a "Conversation Space (Katalyzer)," realizing a contactless concept design using words, a family tree, and projection mapping. <Our Project Members> [Sales/Project Management] Shinpei Yuasa [Direction] Hirofumi Hirabayashi [design, layout] Hirofumi Hirabayashi, Kenichi Kishikawa [Production/ construction] Masahiro Hitobe

The Noriyama Satoyama Satoyama Sea Museum is a facility where visitors can experience the rich nature, wisdom of daily life, history, and culture nurtured in Nanao City. The museum does not categorize the charms of satoyama and satoumi as nature, history, or folklore, which cannot be captured in a unified manner, but rather as a fusion of fields and a multifaceted approach. The museum has set up mechanisms for both adults and children to enjoy, such as a spatial experience surrounded by insect and shell specimens, displays that tells visitors how fixed net fishing works, the experience of lifting Noto cold yellowtail, and a pull-out quiz. In the two-screen theater, a family's life and growth in the village are shown through images of Nanao's beautiful four seasons, drawing the viewer into the world of satoyama and satoumi. displays At the end of the room, we threw in the charms and challenges of satoyama and satoumi, creating an opportunity to think about the reality and the future of satoyama and satoumi. The client requested that we build a museum that creates the future based on the value of the 1,300 years of Noto Rikkoku life (nature, history, culture) and incorporate the perspectives of field museums, tourism, citizen collaboration, and local products. The Satoyama Sea is a system where people can coexist and sustain themselves with the nature they have nurtured. We proposed "Satoyama-Umi displays" as a comprehensive study by integrating various fields and conveying the concept in a multidisciplinary manner. The presentation also fosters civic pride by including a tourism introduction by a curator who guides visitors to Noto from a researcher's point of view and a video featuring citizens. In addition, the traditional crafts and local products of Noto Nanao are sublimated and expressed as elements of the space concept design, rather than being displayed as products. ＜Our project members ＞ [Sales/Project Management] Akihide Inoue, Masahei Kishida [Planning] Masahei Kishida, Tadashi Yuasa [design, layout] Tadashi Yuasa, Reiko Kagawa [Signage/Graphics concept design] Satoko Hasegawa, Tadashi Yuasa [Production construction] Shin Kameoka, Yoshihito Inoue, Yoshisei Shimode

Kamioka-cho, Hida City, Gifu Prefecture, is home to research centers dedicated to exploring the mysteries of the universe and elementary particles. The "Hida Space Science Museum Kamioka Lab" opened at the roadside station "Sky Dome Kamioka" as a place open to everyone, aiming to widely convey the appeal of research conducted using experimental equipment hidden 1,000 meters underground in the mountains of Hida, and to create a new relationship between science and society. Neutrinos (*1), mysterious elementary particles that are being researched all over the world, are the focus of this museum. The "Super-Kamiokande (*2)", the world's largest underground neutrino observatory, holds the key to unraveling the unsolved mysteries of the universe through neutrino research. Kamioka Lab aims to introduce the fascinating properties of neutrinos and provide a space where visitors can experience something far removed from everyday life, moving between the macroscopic world of the universe and the microscopic world of neutrinos. *1: One of the elementary particles whose name means "neutral" (meaning "without electric charge") and "ino" (meaning "small" in Italian). It is a mysterious elementary particle shrouded in mystery and is being researched all over the world. *2: Super-Kamiokande: The world's largest underground neutrino observatory operated by the Institute for Cosmic Ray Research, University of Tokyo. It investigates the properties of neutrinos themselves and aims to unravel the history of the universe using neutrinos. [Customer's Challenges/Requests] - To allow many people to experience Super-Kamiokande, which is only visited by about 1,000 members of the general public each year, through this facility. - To get many visitors interested in the activities and physics of Super-Kamiokande through the displays. [Solution] - To allow many visitors to experience and learn through immersive large-screen videos and games that are easy for visitors to understand. [Customer's Voice] We believe that the planning ability of NOMURA Co.,Ltd. Ltd. is behind the creation of this attractive facility despite not having a curator specializing in the research area of the exhibited subject. <Our Project Members> [Sales & Project Management] Haruya Miwa [Planning] Katsumi Hara, Kyohei Kishida [design, layout] Takaki Mizuno, Tadashi Yuasa [Production & construction] Hayato Ichimanda, Nanae Hori, Toshiyuki Suzuki, Katsumi Yamada, Yoshiaki Shimode

水族館史上初！「いのち」をテーマにした”語る”ミュージアム。 城崎マリンワールド内での繁殖活動から知り得たことをスタッフ自身が語ってゆくコンセプト。メッセージ性のあるコピーから拡がるビジュアルや展示を、一枚のグラフィックとして捉え空間全体をデザイン。25ｍ×5ｍの大迫力の大型映像では豊岡地域の活動「コウノトリ繁殖プロジェクト」をダイナミックな自然の美しさと共にメッセージ化、その活動の軌跡を伝えました。 ＜当社プロジェクトメンバー＞ 【営業・プロジェクトマネジメント】岩本 典之 【デザイン】高橋 建司 【プランニング】岸田 匡平 【制作】貴志 晃充、舩倉 道孝、徳田 洋之助、長尾 成生

This is displays project for the newly established "Akita Dog Village" in Odate City, the sacred land of Akita dogs. Taking advantage of this valuable opportunity to interact with real Akita dogs, we created displays space where visitors can learn about how to interact with Akita dogs and their relationship with Odate City in an enjoyable way. [Client's Challenges/Requests] As it is located in front of JR Odate Station and is adjacent to the tourist information center, it was necessary to create an exhibition that is easy for tourists to enjoy and provides just the right amount of information. In addition, the design of the area where visitors can interact with real dogs must be concept design to not stress the dogs, which required ingenuity. [Solution] We created a bright and comfortable space that evokes the image of a slightly adult camping trip, using tents and hammocks. Within this space, visitors can play with stamps and frottage, and learn about the history of Akita dogs born in Odate. The displays area is designed with consideration for the dogs' stress levels, and easy-to-manage cages have been introduced. <Our Project Members> [Sales & Project Management] Akira Kato [Planning] Mima Inagaki [design, layout] Yu Uehara, Mika Watanabe [Production & construction] Junya Hanayama

In Nihonmatsu City, Fukushima Prefecture, they have been cultivating "showcase chrysanthemums," such as chrysanthemum doll dolls and "multi-flowered" chrysanthemums that produce hundreds or thousands of flowers from a single stem. However, their activities were limited to exhibitions at chrysanthemum shows and autumn chrysanthemum displays. With the desire to utilize chrysanthemums in a way that suits the modern era, in a variety of scenes and spaces, they launched the "Nihonmatsu Chrysanthemum Town Branding Project" in 2016, aiming to enhance the appeal of Nihonmatsu chrysanthemums. In 2017, the second year of the project, they requested branding services from our company, whose founding was partly inspired by the large-scale expansion of chrysanthemum doll doll exhibitions nationwide during the Meiji era, which became a major draw for visitors. Together with Nihonmatsu City, we helped to enhance the new value of Nihonmatsu's traditional chrysanthemum cultivation and evolve "Nihonmatsu Chrysanthemum Town" into a brand that can be promoted throughout Japan and the world. ◆Project Website *You will be redirected to an external website. Please click the URL below if you wish to proceed. http://senrinzaki.jp/ *Please note: ・The linked website is not the website of NOMURA Co.,Ltd. and is not under our control. ・The website address listed in this notice is current as of the time this page was created. Website addresses may be discontinued or changed. Please check the latest address yourself. ・For information regarding the linked website, please contact the organization or group that provides the link. [Customer's Challenges/Requests] We want to brand and develop a new business around the chrysanthemum cultivation in Nihonmatsu City, where advanced horticultural chrysanthemum cultivation techniques such as chrysanthemum doll dolls and Senrinzaki remain, and make it a symbol of intergenerational exchange and community development. Furthermore, by branding Nihonmatsu City's chrysanthemums, we hope to create new businesses and new fields for second-hand chrysanthemum products (souvenirs, chrysanthemum goods, etc.), and increase employment in the tourism industry and other service industries by increasing the number of visitors who come to see the chrysanthemums. [Solution] - Marketing and market research for the floriculture and display industries, identification of challenges in product supply, and development of sales strategies - Development of brand concept - Development of brand logo and colors - Production of a product catalog to promote Nihonmatsu chrysanthemums such as "Senrinzaki," "Hyakutarin," and "Kengai" - Production of a project-specific landing page - Development of a promotion strategy - Production of a promotional video (Japanese and English) - Support and production of event participation - Holding of branding and product development seminars for local businesses - Product development support [Customer Feedback] We received many suggestions for new ways to showcase the traditional Nihonmatsu chrysanthemums, such as the creation of promotional tools that further bring out their appeal, and participation in art events that we had never considered before, allowing us to confirm the potential of Nihonmatsu chrysanthemums. Through this project, we were able to introduce "Senrinzaki" to many people both domestically and internationally, and we were able to achieve our first overseas expansion. In addition to promotion and displays, we received support in a wide range of areas, including the development of related products with local businesses and advice on the "chrysanthemum doll Exhibition," which helped to build enthusiasm among the citizens. <Our Project Members> [Sales/Project Management] Hiroshi Yokota [Planning/Direction] Yuki Shimokuni [design, layout] Tomoki Fukano, Yuri Nakagawa [PR] Korei Fukazawa [Production/ construction (for DESIGNART TOKYO 2017/2018 exhibition)] Takeshi Shimada [Collaboration for DESIGNART TOKYO 2018 exhibition] Keiko Uchiyama (NOMLAB) ・NOMLAB DESIGNART 2018 exhibited work "Senrinzaki" Chrysanthemum MR http://www.nomlab.jp/jp/projects/detail/15 ・Release Information https://www.nomurakougei.co.jp/uploads/news/attachments/1/a7a75355626e63682aa71e0b4fb11fc91cfaa652524366dc8f100e9f068d9f55.pdf

小田原城天守閣、常盤木門SAMURAI館に続く、城址公園内で当社が手掛けた3施設目のリニューアル。 小田原北条氏を陰で支えたとされる小田原の忍者「風魔」について、デジタルテクノロジーとリアルな体験を通して楽しく学ぶことができる歴史体感型ミュージアムです。当社は展示・デジタルコンテンツに関する企画、デザイン・設計、制作・施工から、館全体の運営計画補助までを総合的に担当しています。また、小田原産木材（かながわ県産木材産地認証）を88%使用し、神奈川県の林業・木材産業の活性化にも貢献しています。 ◆小田原城天守閣 https://www.nomurakougei.co.jp/achievements/detail/242 ◆NOMLAB 乃村工藝社のデジタルコミュニケーション領域を開発する専門組織「Nomura　Open Innovation LAB」［NOMLAB（通称ノムラボ）］ http://www.nomlab.jp/jp/ ＜当社プロジェクトメンバー＞ 【開発】 小笠原 明徳、沢田 杏仁 【営業・プロジェクトマネジメント】 沢田 杏仁 【企画】 佐竹 和歌子 【デザイン・設計】 堀越 さやか、巻柄 利枝 【コンテンツディレクター】 中村 瞳（NOMLAB)、内山 慧子（NOMLAB) 【空調設備設計】 中島 忠宏 【電気照明設計】 山下 優子、坪井 優也 【制作・施工】 太田 広成、伊藤 淳一、鈴木 俊幸、美馬 弘宜、横山 敬  

[Project Description] The municipal central library is located on the first floor of the Kikuchi City Lifelong Learning Center KiCROSS. concept design incorporates large, curved, undulating bookshelves inspired by the flow of the river in the Kikuchi Valley, a source of pride for Kikuchi City, creating a diverse space that fosters various experiences. The bookshelves gently divide the space, inviting people in and defining the character of the area, from the lively area near the entrance to the quiet space for immersing oneself in reading. The bookshelves create various spaces by changing their shape, such as by having holes, forming staircases, and creating enclosed areas. NOMURA Co.,Ltd. was also commissioned concept design displays corner, facility VI concept design, library signage, and brochures. The open-shelf storage capacity is up to 85,000 books. <Our Project Members> [Sales & Project Management] Masanori Yokoyama, Haruka Amano [Direction] Kazunobu Nakamura [Planning] Yuichi Kameyama, Mima Inagaki [design, layout] Kazunobu Nakamura [Production & construction] Shunichiro Nagayama, Kensaku Yajima, Koichi Yamada

[Project Description] We have created a space at the large shopping mall "LaLaport Shonan Hiratsuka" that brings together functions to make it more comfortable and safe for families with young children. The 170u kids' zone "Kids Park," located next to the food court, is divided into areas according to age group and uses highly cushioned interiors materials that are carefully considered for safety, providing a safe space for children to play. "Koniwa House" is a rest space where parents with young children who are visiting the mall can take a breather. It has a small garden where adults and children can relax after taking off their shoes, a space for feeding babies solid food, and a nursing room where you can stretch out and relax. [Project Highlights] - Consideration has been given to reducing the psychological and physical burden on both children and parents, such as a kids' zone where children can rest before and after meals or eat while being supervised, and a nursing room where parents can stretch out and relax. - Zoning has been implemented according to the different ways of spending time, such as a quiet play zone, an active play zone, and a baby zone. - A simple space has been designed to incorporate features that stimulate children's instincts and curiosity. <Our Project Members> [Sales/Project Management] Hidefumi Ikuta [Planning] TeamM [design, layout] Yoko Suzuki, Kenta Omoto, Akika Yamada [Production/ construction] Katsuei Iwakura