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This is a renewal of the permanent exhibition at the comprehensive museum (publicly approved facility) located in the Bunka no Mori Comprehensive Park, which combines humanities subjects such as archaeology, history, folklore, and arts and crafts with natural history subjects such as zoology, botany, geology, and dinosaurs. With a new concept, "A Complete Grasp of Tokushima - A Story of 'Life' and 'Time'," the permanent displays rooms have been completely renovated. The new permanent displays rooms are designed to allow visitors to experience the charm and characteristics of Tokushima through a wealth of displays, making the museum more enjoyable. Through workshops on both inclusive concept design and displays evaluation, the direction of displays content was confirmed, the experiential displays were verified, and universal concept design was implemented. With the museum as the "face of the region" in mind, the exhibition is designed to value dialogue and interaction between curators and visitors, and among visitors themselves, through the displays (objects) as they move from the newly created "Communication Zone" to the "Museum Street." The museum embraces Tokushima's appeal as "rich nature, traditional culture, and innovativeness," and as a base for conveying this appeal, it has evolved into a museum that is always full of fresh surprises and easy to enjoy. Rather than simply providing information to visitors, it is an displays space where visitors can learn about the charm of Tokushima through play, using actual materials (objects) as its core, and participatory displays methods such as 4K, VR, AR, XR, and hands-on experiences. [Social Issues/Customer Issues/Requests] - The existing permanent displays was basically based on the academic standards of 30 years ago, and although the knowledge and collection of materials related to nature, history, and culture have increased significantly through the accumulation of activities, the constraints of the room structure and displays cases made it difficult to change displays, and they had become outdated. - The old displays lacked a clear characteristic and did not represent the "face of the region," and its content was not differentiated from other museums that opened later. - There was a need to respond to social demands, such as initiatives that convey the joy of discovery and learning through objects (materials), and an increase in hands-on and participatory elements. - Universal design focused on accommodating foreigners and people with disabilities, as well as addressing damage and fading due to aging, air conditioning malfunctions, and the need for LED lighting. [Solution] - After consultation with the curator, we completely replaced the displays and, through workshops on inclusive concept design and displays evaluation, confirmed the direction of displays, verified the experiential displays, and implemented universal concept design. Along with creating a museum that serves as a "face of the community," we reorganized the flow of movement from the "Museum Street" to each displays corner, centering on the "Communication Zone," and adopted a partially selective flow of movement instead of a simple one-way route. <Our Project Members> [Sales/Project Management] Koichi Morimoto [Planning] Kyohei Kishida, Setsuko Nishimura, Mao Horii, Hironori Mima [concept design] Masaaki Mitsunaga, Tadashi Yuasa, Takeo Akamine, Rie Morita, Reiko Kagawa [Production/ construction] Hayato Ichimanda, Yoshito Inoue, Yu Oishi, Koichiro Takahashi

Built in 1910 and designated a National Important Cultural Property in 1974, this is a representative example of Hokkaido's wooden pseudo-Western style architecture. It was closed from October 2018 for large-scale preservation and repair work, the first in 40 years, but reopened in April 2021. In accordance with the preservation and utilization plan based on the concept of "a public hall where everyone can protect, see, learn, and gather," displays design concept is "HEROE'S JOURNEY," which not only explains the architectural highlights but also introduces the skills and aspirations of the famous and unknown pioneers (heroes) who contributed to the construction of the Old Hakodate District Public Hall. As the building itself is an Important Cultural Property, careful consideration was given to concept design so as not to spoil the image of the landscape and interior atmosphere, and meticulous care was taken in the installation and adjustment of furniture and other fixtures, without any fixing, to minimize damage. Furthermore, using a smartphone AR app, valuable furniture and furnishings are explained in multiple languages, and the actual living spaces are recreated to show how they might have been used at the time. [Social Issues/Client Issues/Requests] While the number of tourists visiting Hakodate has increased, the number of visitors to the public hall has been declining, and the exterior, interior, and displays were quite old and in a dilapidated state. In addition, the number of local citizens visiting was low compared to the number of visitors, and there was a lack of communication about the history of the hall and the appeal of its interior that would motivate people to visit. Although it was built as a "building for the citizens," in order to preserve it as a source of pride for the city, it was necessary to convey its value to those living today and encourage them to use it. [Solution] We believe that letting people know the reasons and value for preserving the public hall is important for future preservation and utilization plans. Following the Hakodate City's plan, which prioritizes not affecting the preservation of the building as an important cultural property, we created videos and displays to convey to visitors that famous and unknown local pioneers were involved in the planning, aiming to increase awareness that it is a "public hall that citizens can be proud of." [Sports Room: History Table] When the building was constructed, the sports room had a billiard table. displays stand, modeled after that billiard table, depicts the changes in the people who used the public hall using a 1/100 scale architectural model accessory set, and also includes playful elements that make you want to take pictures, such as "actual objects" of valuable designs and building materials that you can touch, and a map of Hakodate City's traditional building preservation district using beautiful transparent colored acrylic cubes. [Small Dining Room: Theater] The room that was used as a dining room has been renovated into a small theater room that introduces the history leading up to the construction of the public hall. [Each Room: AR Explanation] Using an AR app, you can enjoy overlaying motions that recreate the time of construction and the architectural structure to the real scenery. This is a contactless displays explanation that can be recorded and shared on your own smartphone. [Our Project Members] [Sales & Project Management] Akihide Inoue, Kosuke Takeda [Planning, Graphic Direction, Video Direction, Model Direction] Yuki Shimokuni, Remi Abe [concept design] Atsuko Nakazawa (working drawings), Akika Yamada (schematic design)

This project is one of the initiatives aimed at helping residents of areas to be submerged by the construction of the Yamba Dam to rebuild their lives and find meaning in life. Our company was responsible for the basic planning, schematic design, working drawings, interior administration, and consulting services supporting local operating companies for the "Regional Development Facilities" in the "Kawarayu District" and "Yokokabe District" of the area for approximately six years. For the Yokokabe Regional Development Facility, we handled not only the facility plan, but also the planning and production, including supporting the establishment of the operating body to be set up in the district, attracting participating companies, consulting for restaurants operated by residents, menu development, and operational supervision of opening equipment. The facility concept design was based on the concept of "inheriting and developing the town's memory," and recreated the former Naganohara Town Hall*, which had served its purpose for over 90 years since its construction and was scheduled for demolition, as a symbol of the district. The design aimed to create opportunities for the town's history to be seen by children who will lead the district in the future and by visiting tourists, so that the new businesses that will be operated here will lead to the regeneration, reconstruction, and development of the district. *The old government building, constructed in 1929 (Showa 4), was a two-story wooden building with a hipped roof and clapboard exterior walls, and a hipped roof above the porch, making it a hybrid of Japanese and Western architectural styles. It was also said to be "the only wooden government building in Gunma Prefecture." [Social Issues/Customer Issues/Requests] [Business Aspects] With the construction of the Yamba Dam, it was necessary to establish a new business, unprecedented in this region, as a facility to help residents of the area to be submerged rebuild their lives and find meaning in life. It was also requested that the facility be differentiated from facilities planned in other areas or similar facilities, and that it have the ability to attract visitors and possess uniqueness. [concept design Aspects] It was requested that the old government building, which is filled with people's memories, be utilized in some way, that the plan be designed to be visible from the busy national highway from the perspective of attracting visitors, and that the plan be designed to take advantage of the view that allows for a distant view of the Yamba Dam and a panoramic view of the lake. [Solution] [Business Aspect] In order to realize the requests, we prioritized three things: firstly, making suggestions to make feasible business ideas from local residents; secondly, differentiating the community development facilities in the "Yokokabe area" and the "Kawarayu area"; and thirdly, strongly supporting the establishment of a local operating company. In this project, we aimed to open a restaurant, something that all residents of the area had no experience with, and promoted it in a way that was in line with the characteristics of the region and the characteristics of the business. In particular, we held numerous dialogues about "finding what makes Yokokabe area unique" and "utilizing local recipes," and worked together to develop the menu, proceeding with a plan that was closely tied to the community. Professional chefs were invited to the trial and tasting sessions to support raising awareness among residents, revitalizing the region through improved cooking skills, and strengthening self-reliance. [concept design Aspect] When functionally transforming the building from a town hall to a lakeside station, we surveyed the existing building and chose to recreate it in a modern way while taking care to evoke a sense of nostalgia for the former town hall. The retro and distinctive design of the old government building has been recreated to create a visual appeal. In addition, by creating open openings facing the Yamba Dam, it has been made a location with one of the best views among the facilities around the dam lake. Furthermore, in order to maintain the atmosphere of the old government building while adhering to current building regulations, careful consideration was given to the structural design. <Our project members> [Sales/Project Management] Satoshi Arai, Hitomi Yamamoto [Planning/Consulting] Kenichi Sakazume, Yuki Shimokuni [design, layout] NAU: Sakae Kirioka, Nana Kosano

The castle tower of Hamamatsu Castle is a park facility constructed in 1958 with donations from citizens. 60 years had passed since it was completed, and displays inside the facility and the decorations were deteriorating. This project aims to enhance the appeal of Hamamatsu Castle Park as a central park and improve the satisfaction of citizens and visitors in displays area, marking 450 years since Tokugawa Ieyasu built Hamamatsu Castle. At our company, I was in charge of design construction including interiors, sign graphics, video software hardware, lighting and electrical work, and furniture and fixtures. [Social Issues/Customer Issues/Requests] ・ Introduces the history from Hikima Castle, the predecessor of Hamamatsu Castle, to the construction, reconstruction and demolition of Hamamatsu Castle, and to Hamamatsu Castle Park. ・ Introducing the castle ruins that can be visited in the city, and conveying the multi-layered history of Hamamatsu Castle and the appearance of castles in various parts of the city. - Give a sense of unity to current displays works and historical background. ・ Production of multilingual panels and digital video contents ・ displays. Study of traffic lines and concept design, taking into account operations during the COVID-19 pandemic. Use of FSC® certified Tenryu lumber (municipal lumber) to obtain FSC® project certification. We received the above request. [Solution] ・ Focusing on the fact that the young Ieyasu lived in Hamamatsu Castle, the historical background of Ieyasu and the people surrounding him during those 17 years, planning and design was done by zoning into "passion," "situation" and "scenery" layers. Produced a passion stage expressing the "passion" of young Ieyasu. The entire history of the castle, from Hikima Castle, the predecessor of Hamamatsu Castle, to the construction, renovation and demolition of Hamamatsu Castle, and to Hamamatsu Castle Park, was introduced through a panoramic theater using existing models. ・ Tenryu cedar from Hamamatsu city is used for the "scenery" layer on the third floor. During the renovation, the castle became the first castle in Japan to receive FSC® project certification. [Customer comments] For this renewal, we have thoroughly renewed the castle tower by accurately organizing the current status and issues of the castle tower, incorporating videos using the latest technology, and recent discoveries and research. In addition, there was an introduction to the castle ruins that can be visited in the city, as well as explanations of places related to Ieyasu, legends, and food culture. The newly renovated Hamamatsu Castle is not only a place for learning, but also a facility where you can look back on the history of Hamamatsu again, such as the reconstructed castle tower. Visitors have commented that "you can understand the origin of Hamamatsu Castle" and "it has become more fashionable." The City of Hamamatsu believes that the park has improved its function as a central facility for further regional revitalization and tourism exchange, in addition to enhancing the appeal of Hamamatsu Castle as a Central Park and improving the satisfaction of citizens and visitors. < our company Project Members > [Direction] Atsushi Suzuki [concept design] Sayaka Horikoshi [Planning] Mima Inagaki [Production/construction] Akinobu Takahashi [Sales/Project Management] Akinori Ogasawara and Haruka Tashiro [Related Links] NOMURA Co.,Ltd. opens "Hamamatsu Castle" and "Hamamatsu Kodomokan," Japan's first FSC® certified facilities using domestic wood.

Hamamatsu Children's Center opened in November 2001 with the aim of providing children with a place for healthy play, creative experiences, and interaction, and to support the healthy upbringing of children who will lead the next generation and parenting. The purpose of this project was to concept design the interiors environment, including the play equipment, which had become aged and outdated after approximately 18 years since the center's opening, and to provide a safer and more comfortable service to users. "Hamamatsu Children's Center Philosophy" Children have an insatiable curiosity within them. Hamamatsu Children's Center aims to create a loving environment where these children can fully express their childlike nature and play to their heart's content with peace of mind. We hope that they will interact with many people and enhance their social skills and creativity. Furthermore, we will foster an environment where parents who are raising important children who will lead the future can expand their network of mutual support and enjoy parenting while receiving professional support for child-rearing. We believe that the experiences and thoughts that children have in a psychologically stable environment during this period are incorporated into their brains' long-term memories, forming fertile ground for them to live rich and happy lives. [Social Issues/Customer Issues/Requests] 1) While maintaining the operating philosophy and functions of the facility since its opening, update some of the play equipment and interiors. 2) Minimize the period of temporary closure and complete the design and construction within a short period of one year. 3) In the renewal, take part in the use of Tenryu timber (locally produced timber) promoted by Hamamatsu City and obtain FSC® project certification. The above requests were received. [Solutions] 1) concept design a playground that incorporates the characteristics of the region, such as Hamamatsu's nature and industrial technology, and create mechanisms to foster interest in and affection for the region. 2) In order to create a "Hamamatsu-specific playground" that nurtures the humanity and learning foundation of Hamamatsu children, we created original play equipment and spaces based on theories of human development. 3) Hamamatsu City-produced Tenryu cedar is used in the hall, Daichi Zone (floor, walls, and some play equipment), workshop room, and corridors. As an FSC® project team with Hamamatsu City as the project manager and our company as the deputy project manager, we have obtained the international forest certification system "FSC® Project Certification*" for a public children's facility of a similar type in Japan. *FSC® Project Certification - The FSC® standard is an international forest certification system based in Germany and is the highest standard in the world. - Obtaining FSC® certification guarantees that timber from properly managed forests is being used. - Hamamatsu City is particularly committed to using FSC® certified timber as a concrete action toward the SDGs. <Our Project Members> [Direction] Atsushi Suzuki [concept design] Mika Watanabe [Planning] Remi Abe [Production] Akinobu Takahashi, Hironari Ota, Takehiro Ichijo [Sales & Project Management] Akinori Ogasawara, Haruka Tashiro ~Related Links~ [Press Release] NOMURA Co.,Ltd. Opens "Hamamatsu Castle" and "Hamamatsu Children's Museum," the first FSC® project certified facilities in Japan to use domestically produced timber

The Wakura Onsen Festival Hall was created as a new tourist hub to introduce four festivals that Nanao City, Ishikawa Prefecture is proud of: the Seihaku Festival, the Notojima Mukouda Fire Festival, the Ishizaki Hoto Festival, and the Okumakabuto Festival. This was prompted by the registration of the Seihaku Festival's float procession as a UNESCO Intangible Cultural Heritage in December 2016. The Wakura Onsen Tourist Hall was renovated and rebuilt to serve as a new tourist base. It showcases the charm of Nanao, centered on its festival culture, and offers a variety of attractions that can be enjoyed by people of all ages, from children to adults and foreigners, including displays of actual giant lanterns and simulated festival experiences. <Project Members> [Development] Akihide Inoue [Sales/Project Management] Tetsuya Kurita [Planning] Konomi Taki, Kyohei Kishida [Design] Tomoyo Tsukiyama, Tadashi Yuasa, Katsumi Tanda [Production/ construction] Yoshito Inoue, Shin Kameoka, Satoru Inoue

~More than just a place to wait for trains, a station as a community space where everyone can feel comfortable~ Based on the concept of creating a place that fosters community, workshops and surveys were conducted with local residents from the planning stage. User needs were made apparent and reflected in the design. To create opportunities to experience various cultures through books during the time spent in the station, a corner where books and picture books can be read has also been installed. In order to convey the charm of local resources through the use of the station, the locally produced "Obi cedar" was actively used in various parts of the space, and the design and production of a space in which users can experience the charm of Obi cedar through their own experience was planned and produced. [Client's challenges/requests] The Nichinan Station, which was a place only for getting on and off trains and lacked any sense of community before the renovation, was to be transformed into a place that fosters local community and allows people to feel the "charm of the region". [Solution] In order to convey the appeal of local resources through the use of the station building, we collaborated with a local design firm, Ryohin Keikaku Co., Ltd., and actively incorporated locally produced "Obi cedar" into various parts of the space. To create opportunities for users to experience the charm of Obi cedar, we used wood for the station building's facade and window frames, while harmonizing it with the forest spreading behind the station building. In addition, we implemented a signage plan that makes the station's presence recognizable from a distance, and produced a space that harmonizes and integrates with the surrounding environment and the station building, with wood as the main material. [Customer's Voice] People other than JR users have started to visit the station building, and it has been renovated into an attractive space where local people can gather. We would like to continue to use it as a place for the local community, such as by holding events using the station building in the future. <Our Project Members> [Sales] Reiko Ibe [Planning, Production, Workshop concept design, design supervision] Mari Matsumoto ~Related Links~ [News Releases] ・ NOMURA Co.,Ltd., Ltd. opens a renovated old house facility as the first in a public-private partnership project to revitalize Nichinan City, Miyazaki Prefecture ・Nichinan City, Miyazaki Prefecture and NOMURA Co.,Ltd. conclude a "Comprehensive Partnership Agreement on Regional Revitalization" ・Nichinan City, Miyazaki Prefecture and NOMURA Co.,Ltd. sign the "Regional Revitalization Business Personnel Exchange Program" ・ NOMURA Co.,Ltd. takes on the role of a creative partner in community co-creation for urban development [Media Coverage Information] ・2019.07.05 "Construction Communications Newspaper" ・2020.04.01 "Nichinan TV" ・2020.04.07 "Miyazaki Nichinichi Shimbun" [Related Achievements] ・Plus D Nichinan Branch ・Kiraku Obi Goya Residence ・DENKEN PJM Photography: Park concept design Co., Ltd.

The Nomi Furusato Museum is a newly established comprehensive museum featuring a nature displays showcasing the unique natural characteristics of the region through life-size models of plants and animals, a humanities displays introducing cultural artifacts such as the Nomi Kofun Cluster historical site and the Hakusan faith of the early modern period, a folklore displays introducing modern and contemporary life, and a children's museum where preschoolers and toddlers can learn about the history and nature of Nomi through play equipment. Because the museum houses valuable cultural artifacts, including the prefecturally designated cultural property "Hakusan Mandala Painting on Silk," airtight cases suitable for displays displays displays displays area is 1251㎡. The building is a single-story structure with reinforced concrete and wood construction. Our scope of work included the construction displays and interiors, including joinery, sculpting, demonstration equipment and diorama creation, video systems, video software, graphics, signage, electrical equipment installation, and staging and lighting work. <Project Members> [Development] Akihide Inoue [Sales & Project Management] Tetsuya Kurita [Planning] Kyohei Kishida [Design] Sho Inanobe, Mina Miyagi

The Electricity Science Museum is a public relations facility of Chubu Electric Power, established in 1986 with the aim of "supporting the development of the next generation who will bear the future of the region and society," "promoting understanding of the energy and electricity business," and "building good relationships with the region and society." Our company was in charge of the section called "The Journey of Electricity" within that facility. The section was revamped to help children to thoroughly understand the overall picture of electricity supply (the value chain of electricity), which supports daily life and industry as the "unsung hero" behind the scenes, and to appeal to the attitude of power companies to provide new value in response to power system reforms and digitalization. By overlaying AR on a 16-meter-long diorama, the journey from fuel procurement to electricity reaching homes is explained, and the process is systematically and experientially introduced, showing the work of power workers in disaster recovery and what maintenance and inspections are like along the way. <Project Members> [Development, Sales, Project Management] Takuya Noda [Planning] Hideki Narita, Seiichiro Mori, Remi Abe [design, layout] Hideki Narita, Masato Fujii, Hiroshi Shigemoto [Signage and Graphic concept design] Seiichiro Mori [Production and construction] Atsushi Yanome

[The aquarium is based on the theme of "Shikoku Aquascape," the diverse waterscape of Shikoku, which is surrounded by the sea on all sides and is home to many clear streams and countless reservoirs. The Seto Inland Sea, Japan's world-class beautiful archipelago, spreads out before your eyes. Visitors can enjoy a rich time watching dolphins living in a pool that seems to blend in with the beautiful sea. The museum's environment is decorated with "sound, light, and scent" and "the flow of time," allowing visitors to "enjoy the change of expression. We aimed to create an aquarium that awakens visitors' senses by bringing them into contact with the history and culture of living creatures and people. The aquarium was to be a place of integrated customer satisfaction, not just a place to displays see living creatures. The Shikoku Aquarium is the gateway to Shikoku. The Shikoku Aquarium is the gateway to Shikoku, so it was necessary to create an environment that was appropriate for such a facility. Solution: We proposed an environment where visitors can "enjoy expression. displays The concept of the staging was "Touring the story of water and life. We created a variety of contents to promote a new Shikoku-like atmosphere. The welcome booth was designed by Nihonkaisui, which has been dealing with marine resources, to convey the charm of Shikoku's sea to visitors to the Shikoku Aquarium. We designed the booth to express the form that can be derived from a combination of the Shikoku Aquarium's goal and Nihonkaisui's corporate philosophy. The booth is composed of an aquarium tank using artificial seawater, a company product, and a video presentation inspired by salt art. displays The booth was designed to harmonize salt, the company's main product, with living creatures, and was highly rated by visitors. The booth was highly evaluated by visitors, and we feel that it made a significant contribution to the enhancement of our corporate image. ＜Our project members】 【Sales and project management】 Tatsuya Fujii, Teruko Takai 【design, layout】 Kaoru Sone, Sho Inanobe, Yuichiro Ishida, Shohui Gao 【Production・ construction】 Takeshi Suezaki / Nomura Techno: Shigeo Nagao / Nomura Products: Yoshiyuki Yamazaki

The Lake Biwa Museum opened in 1996 with the mission of building a better coexistence between the lake and people together with the local community. From 2015, it underwent renovation work over three phases, totaling six years. This third phase involves the renovation of displays Rooms A and B. displays Room A, titled "4 Million Years of the Lake and Us - Lake Biwa in Constant Change," introduces the changes in Lake Biwa, displays nature, and its living creatures 4 million years ago, along with their relationship to the current environment. In each section, through numerous fossils and geological specimens collected since the museum's opening, and reconstructed dioramas that allow visitors to experience past environments, the museum conveys the story of Lake Biwa and its living creatures, which have been constantly changing, as well as the charm of the Lake Biwa field. displays Room B, titled "20,000 Years of the Lake and Us: A History of Nature and Life," explores how humans have interacted with nature, using "forests," "watersides," "lakes," and "villages" as its backdrop. Using the "dragon," a symbol of nature from a human perspective, as a guide, the exhibition traces the environmental history centered around Lake Biwa, explaining how it connects to our lives today (displays Room C).

 「人・地球社会の持続可能性」のための実験型ミュージアム。 法政大学に集ってきたフロントランナーたちは、「進取の気象」をもって、自由を生き抜くための〈実践知〉を積み重ねてきました。 HOSEIミュージアムは、その歴史を引き継ぎ、地球社会の過去と未来を見据え、豊かで公正な社会を実現するために、分野を超えて学内外を結び付け、知が対話する磁場になることをミュージアムの目指す姿として、計画を進めていきました。 当社は候補地選定から計画、調査、コンサルティング、ロゴデザイン、コンテンツデザイン、展示設計施工まで一貫して取り組み、現在も他キャンパスでの展開を継続しています。 【社会課題／お客様の課題／ご要望】 HOSEIミュージアムは、本学長期ビジョン（HOSEI2030）の一環として設置され、学校法人法政大学様が有する学校の歴史及び教育・研究成果、並びに学術資源を広く展示、公開、調査・研究することにより、教育・研究の発展に資することを目的として計画されました。 【お客様の声】 乃村工藝社の皆様と、本学の豊富な学術資源を結び付け、法政ブランド発信拠点としてのミュージアムを目指し取組んできました。このミュージアムは、本学学生・生徒の皆さんが大学の豊かな歴史と個性を学び、卒業生の皆さんが、学生時代を振り返りながら、ともに未来を展望する場です。そして本学関係者以外の皆様にも、法政大学の姿を通じて、大学が社会に存する意味と価値をともに考えていただく場となることを願っております。 ＜プロジェクトメンバー＞ 【営業・プロジェクトマネジメント】 髙橋 健太郎 【調査・企画 】渡邉 創、中瀬 尚子、黒田千穂 【コンサルティング】 渡邉 創、志水 俊介、中瀬 尚子  【デザイン・設計】 志水 俊介、小杉 今日子、中川 百合 【制作・施工】 平尾 健 【レプリカ制作】 ノムラテクノ株式会社：遠藤 信之

In 2018, we assisted with the Metsä theme park, and the nearest station to it is Hannō Station on the Seibu Ikebukuro Line. The station was renovated to be positioned as a tourist hub and befitting the gateway to the nature-rich Hannō area. In order to incorporate "authentic Finnish concept design" that combines elements of "Hannō" and "Finland," the birthplace of Moomin, Seibu Railway and the Finnish Embassy co-hosted the "Hannō Station Renovation concept design Competition" in 2017, targeting designers in Finland, and the renovation work was carried out based on the winning concept design of this competition. Our company was in charge of the secretariat of concept design competition, interiors design, interiors construction, and opening ceremony arrangements. <Project Members> [Sales & Project Management] Masahiro Takamori [Competition Secretariat & Ceremony] Takashi Hosaka, Maki Kimura, Kaoru Ando [Design] Wakako Hirata, Takuro Ishizawa, Kiichi Fujihira, Hora Latul [Production & construction] Yohei Kaneko, Taishi Watamoto / Nomura Products Co., Ltd.: Kunihiko Hoshino

This facility in Iwate Prefecture is the first of its kind in Japan to be related to the Great East Japan Earthquake at the national or prefectural level. To prevent a recurrence of the tragedy of the Great East Japan Earthquake and Tsunami that occurred on March 11, 2011, it aims to pass on the facts and lessons of the earthquake and tsunami to future generations and to communicate the progress of reconstruction both domestically and internationally. With displays theme "Protecting Lives, Living in Harmony with the Sea and Land," the facility allows visitors to thoroughly learn about the history of tsunami damage in the Sanriku region, the facts and lessons of the Great East Japan Earthquake and Tsunami through displays, graphics, videos, and other materials. <Our Project Members> [Development] Shin Yoshioka [Sales & Project Management] Takeshi Mariko [Planning] Eri Saito, Naoko Nakase [Design] Shuji Masaki, Sayaka Horikoshi, Mitsuyo Ashida, Ikuho Tominaga [Production & construction] Akio Hiraishi

Located on the fourth floor of the "BOSS E・ZO FUKUOKA" complex, next to the Fukuoka PayPay Dome, the home stadium of the Fukuoka SoftBank Hawks, this newly renovated facility is a sports museum that conveys the charm of "baseball player Sadaharu Oh" while also focusing on "enjoyment." In the "Sadaharu Oh History Zone (displays)," the greatness and eventful journey of baseball player Sadaharu Oh are expressed using the latest displays methods, while in "89 Park (experiential attraction)," Sadaharu Oh's passion for baseball, his desire for people to "enjoy baseball," is condensed into an interactive attraction where visitors can enjoy various challenges such as hitting, throwing, and catching.