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【プロジェクト説明文】 リニューアルのポイントは、日々、新たな動きのある天文学の情報が、きちんと展示でキャッチアップできるようにした点です。 例えば、新たな情報を加味したソフトを博物館独自で更新できる仕組みや、最新情報を掲示できるコミュニケーションスペースを設えました。 １００名以上の登録を超える天文ボランティアの方々が、毎日集う情報交換の場としてはもちろん、来館者に解説したり、研究発表を行なう市民活動の場としても留意し、デザインしました。 ＜当社プロジェクトメンバー＞ アートディレクション：志水 俊介 デザイン： 巻柄 利枝 装置デザイン：鈴木 俊幸 制作計画：伊藤 淳一 制作管理：池谷 雄、島田 武 プロデュース：吉岡 伸

【プロジェクト説明文】 「平城宮いざない館」は国営平城宮跡歴史公園に整備された朱雀門ひろば内に建つガイダンス施設です。奈良時代を今に感じる「特別な場所」である平城宮跡歴史公園の意義とすばらしさを伝え、往時の面影を残す公園や寺社へいざないます。 【お客様の課題／ご要望】 来館者を平城宮跡にいざなうため、「平城宮跡への興味を高め、現地での感動につなぐガイダンス展示」を目指しました。 【解決策】 現地では見えにくい平城宮跡の特別性”を空間化・体験化し印象づけることでフィールドへいざなうことを目指しました。 ゾーンは大きく3部構成。現在の公園を案内する「平城宮跡のいま」、往時の平城宮のいとなみを知り、体験する「平城宮のようす」、遺物より往時の平城宮・京を読み解く「時をこえて」。 ゾーンごとに切り口を変え、五感を通して特別性を印象づけることで、現地での感動につなぐ展示としました。   ＜当社プロジェクトメンバー＞ 【開発】　三輪晴也、橋爪和也 【営業・プロジェクトマネジメント】　三輪晴也 【企画】藤居重雄、末田ゆか、西村世津子 【デザイン・設計】赤嶺剛央、湯浅忠、築山知代 【サイン・グラフィック】井上禎人、長谷川聡子 【制作・施工】一万田隼人、山野吾朗、山岡遼平、井上禎人、山田克己、長谷川聡子、堀七重 【PR業務】赤嶺剛央、藤居重雄、井上禎人、長谷川聡子 【照査技術者】　橋爪和也

Twenty years have passed since the museum opened, and the theme of "the relationship between the lake and humans," which has been a focus since the beginning, has been further deepened in displays. concept design displays displays landscape, field, life, and thoughts uses the passage of 20 years and the changes, as well as the relationship with people, as a starting point to unfold the present state of Lake Biwa through experiences, dioramas, and live animal breeding. In the "Creature Collection" in displays Room C, specimens of creatures inhabiting Lake Biwa and its catchment area create a space where the beauty and diversity can be felt at a glance. In the aquarium displays room, the visualization of aquatic life connects to an interest in living organisms. With the addition of the popular Baikal seal and the "Micro Aquarium" featuring microorganisms, the museum is attracting many visitors and researchers as a new form of museum.

[Project Overview] The Kagoshima Municipal Archaeological Museum was established with the aim of deepening citizens' understanding of Kagoshima City's history through the cultural heritage left behind by their predecessors and contributing to the creation of a unique civic culture. Particularly popular are the interactive displays such as the "Excavation Experience," where visitors can feel like archaeologists, and "Let's Shape with a Giant Arc," which uses a giant version of a tool for examining the shape of pottery, fostering children's interest in archaeology and the history it reveals. Our company provided comprehensive support from basic planning and design to construction. [Client's Challenges] After 20 years since its opening, the museum was showing signs of aging, and a renewal of its content and facilities was required. displays renewal aimed to realize the presentation of the latest research results, the introduction of interactive displays, and the development of bright and easily maintainable displays facilities. The direction of the plan was as follows: firstly, a regionally focused displays that pursues "Kagoshima's unique character"; secondly, a fun and educational museum aiming to "create a place for participatory experiences"; and thirdly, the development of displays environment as "creating an environment for realizing a more user-friendly facility." This aimed to create a facility where people of all ages, from children to adults, could learn about local archaeology in an enjoyable way. [Solution] The first thing that makes an impression of "Kagoshima-ness" is the huge topographical table in the center overlooking the atrium space, which includes Sakurajima and the entire city of Kagoshima. It is accompanied by easy-to-understand explanations of archaeological sites in various locations. Next, a prime example of "creating a place for participatory experience" is the hands-on corner with various items that make learning archaeology fun. And as "creating an environment that makes the facility more user-friendly," we made detailed suggestions such as airtight cases that allow humidity control, the introduction of user-friendly universal concept design, and the installation of environmentally friendly LED lighting. <Our Project Members> [Development] Tatsuya Fujii [Sales & Project Management] Tatsuya Fujii, Yumeki Kusumoto [Planning] Takeshi Kami, Kyohei Kishida, Setsuko Nishimura [design, layout] Sho Inanobe [Production & construction] Yoshito Inoue, Hayato Ichimanda, Takeshi Sue, Shin Kameoka, Nanae Hori [maintenance management] Katsumi Yamada, Takatoshi Nakamura

[Project Overview] Karatsu has long been a gateway to the continent. During the Edo period, the Karatsu Domain was an important base for the shogunate's rule of Kyushu, and it was also a historical and cultural city where unique cultures such as the Karatsu Kunchi displays and Karatsu ware flourished. Our company believed that Karatsu Castle, the starting point for Karatsu tourism, should play a role in leveraging the charm of Karatsu's brilliant history and culture and acting as a circulating mechanism for walking tours of the city. Therefore, we comprehensively reviewed the exhibits, facilities, and operations, aiming to redevelop Karatsu Castle as a comprehensive guidance facility for "walking tours" in Karatsu City, a hub that will revitalize the region by maximizing the appeal of Karatsu Castle. Our company assisted with the basic planning, design, and construction from start to finish. [Client's Challenges] There were three challenges with Karatsu Castle before the renovation. First, the client desperately wanted to update the aging facilities, outdated displays, and outdated displays themes. Second, Karatsu City's attractive resources were not being fully utilized, and there was a need for collaboration with collections and other tourist spots. The third issue was safety and cultural property preservation, requiring measures to address issues such as natural light, universal concept design, earthquakes, and theft. By solving these three challenges, we aimed to create a tourist hub befitting a "city of tourism and cultural exchange where authenticity shines, surrounded by nature, history, and culture." [Solutions] To solve the challenges, we aimed to create displays that allows visitors to enjoy Karatsu, developing displays story centered on the history of the castle town and successive castle lords, realizing an attractive displays space utilizing the Hizen Province Products Illustrations and Karatsu ware, and actively utilizing IT, such as introducing AR displays explanations. Next, aiming to create a "comfortable displays," we created a welcoming space such as a museum shop, reviewed the flow of movement within the building and took into consideration visitors with disabilities, such as foreign tourists, and installed toilets, stairlifts, and a multipurpose room. Furthermore, aiming to create a "safe displays," we enhanced the functions of the facility as an introduction to tourist Karatsu, such as a tourist information corner, promoted the ability to move around by disseminating information on sightseeing facilities, and thoroughly implemented risk management for accidents and losses. In summary, we have put forward three solutions. <Our Project Members> [Development] Yumeki Kusumoto [Sales & Project Management] Tatsuya Fujii, Yumeki Kusumoto [Planning] Takeshi Kami, Kyohei Kishida [design, layout] Masaaki Mitsunaga, Rie Morita [Production & construction] Takeshi Suezaki, Goro Yamano, Nanae Hori [maintenance management] Katsumi Yamada, Takatoshi Nakamura

[Project Overview] The museum, boasting a collection of masterpiece chairs and posters, places more emphasis than ever on concept design, aiming to become an experiential creative museum that "connects art and concept design." There are six displays rooms of varying sizes. Our company was responsible for the design and construction of the wall cases in the special displays room on the second floor. In addition to permanently displays approximately 50 chairs from the collection of about 240 chairs, we developed displays system for concept design displays room, which boasts a collection of approximately 13,000 posters. We also handled displays of works and materials by Shuzo Takiguchi and Simon Goldberg, which were donated when the museum was the Toyama Prefectural Museum of Modern Art. In the hall, we developed an experiential "interactive art" installation that creates light art through body movements. [Client's Challenge] The museum possesses a rich collection of 20th-century art and an unparalleled collection of concept design (chairs, posters). The goal is to create an experiential creative museum where visitors can freely explore this museum, deepen their knowledge of one genre, and not only grasp things in relation to various genres, but also develop a deep understanding and critical thinking skills. [Solution] We created distinctive displays spaces tailored to the theme of each displays room, including displays fixture planning, color scheme planning, lighting plan, and video/sound plan, resulting in memorable art and concept design experiences. Furthermore, we introduced "interactive art" in the hall, where visitors create light art through body movements, contributing as an element of an experiential, imaginative museum that connects art and concept design. <Our Project Members> [Development] Atsushi Ishikawa [Sales/Project Management] Atsushi Ishikawa [design, layout] Yasushi Kasuga [Production/ construction] Shunichiro Nagayama [Video] Akinori Goto

[Project Overview] This project involves the complete beautification and renovation of the existing Seibu Chichibu Station building, with the aim of creating a new vibrant hub for regional tourism that brings together the diverse attractions of the Chichibu area and disseminates them to the world. Through the selection of materials unique to Chichibu, such as locally produced cedar wood and lanterns, and the creation of an original logo, the project communicates the diverse charms of the Chichibu area. Our company assisted with everything from the concept to the basic concept design of the architecture and interiors, and design supervision. [Client's Challenge] The client wanted a station building that would heighten the expectations of customers heading to the tourist destination and leave a lasting impression on customers returning from the tourist destination, thereby making Chichibu tourism more memorable and contributing to the sustainable development of the region. [Solution] We aimed to create a station building that brings together the diverse attractions of Chichibu, such as its rich nature, inherited culture, and vibrant festivals, and is loved by the local people and serves as a "place" that conveys and connects with visitors. Against a backdrop of dignified "ink black," the use of locally produced "Chichibu cedar" and "lanterns," a local industry, expresses the regional culture. The delicate lattice patterns of "Woven Patterns," which weave together landscapes and culture, and the "Chichibu crests," which change with the seasons, add color to the space, creating an environment where you can feel Chichibu at every turn. We planned a "place" where the local area and tourism are connected, and new experiences and communication are born, in a space that emphasizes the climate, history, and culture of Chichibu. [Our project members] [Development] Toshiyuki Shirai [concept design] Toshihito Kato, Masataka Myonaka *The year of opening listed below is the year the renovation work was completed.

[Project description] A small licensed nursery school in Aeon Mall Okinawa Rycom. This is a nursery school attended by the children of employees of AEON MALL, etc. and the children of Kitanakagusuku Village. The theme of the park is Kids Corporation's motto "Kids First", which is "We want you to grow up without forgetting your child's heart". This is the first nursery school with both licensed and unlicensed facilities in Okinawa, where many children are on waiting lists. It was also the first small-scale nursery school in Okinawa for Kids Corporation. [Customer issues and themes] Based on Kids Corporation's motto, "Kids First," which says, "We want you to grow up without forgetting your child's heart," we expressed the world view of the fairy tale Peter Pan and the southern island of Okinawa. We aimed to create a fun space that stimulates the imagination of children with the image of children playing freely. [Solution] This project started with the slogan of wanting to see the smiles of children. The height of the ceiling and windows is 3m80cm. The children's room was laid out with the image of children playing freely in a room with a high ceiling and large windows. We used graphics on the walls and windows to create a fun space that stimulates children's imagination. In addition, we tried to arrange safe and efficient rooms so that the work flow line of the staff can concentrate on childcare.

[Project Outline] Along with the renewal of Seibu Chichibu Station, which is the gateway to Chichibu City, Saitama Prefecture, where more than 300 festivals are held annually, “Seibu Chichibu Ekimae Onsen Matsuri-no-Yu, ” a new multi-use hot spring facility, opened from Nakamise Street in Seibu Chichibu in April 2017. Based on concept design concept of "Matsuri," which symbolizes the Chichibu area, it has a hot spring, a food court, and souvenir shops. As a facility where you can fully enjoy the characteristics of the Chichibu area, it has become a new base for sightseeing in the Chichibu area and has created a bustling atmosphere. our company assisted with development planning and consulting, basic concept design, environmental design supervision, stage decoration/graphic concept design and sign, facility logo concept design, etc. [Customer's issue] In order to make visitors to the Chichibu area enjoy the various attractions of the four seasons, such as the moss pink in spring and the night festival in winter, we supported commercial planning through food and beverage planning at the food court where visitors can enjoy the menus and ingredients unique to Chichibu, as well as product sales planning of sweets and goods in collaboration with famous local stores, and helped realize Concept concept design through design supervision of interiors and architecture as a matsuri no yu. [Solution] Through the basic cooperation of concept design and design supervision throughout the project, we have contributed to the realization of the expression of the facility concept of "Matsuri" and synergistically to the improvement of brand value through very smooth relations and close communication with the project operator, design company, and construction company. < our company Project Members > [Development] Toshiyuki Shirai [Sales/Project Management] Tetsuo Mori [Research/Planning/Consulting] Kenichi Sakazume, Tetsuro Yasuda/Ai Ichikawa [design, layout] Toshihito Kato/Chujo Takashi Myo [Production/construction] Masato Takeuchi

【Project Overview】 The project is underway for completion in the spring of 2019, and the commercial facility "Green Blue" at the domestic passenger terminal at Fukuoka Airport is underway. As the entire airport is being redeveloped under the park concept, we are in charge of environmental planning for the commercial zone. It aims to be like a park where tourists and people from the city can gather. This time, I was in charge of the design and construction of the food hall, which was the centerpiece of the early opening. 【Challenges/Themes】 ■ concept design Concept "Captain's Base" "Captain's Private Base Flying Around the World" Based on this concept, we took a lot of inspiration from maintenance yards and airplanes and deployed them in concept design zones and details. By adding a story, we deepened the charm of the space. ■The best trip starts from the best "If the waiting time is fun, the trip will be even more wonderful." Based on this idea, in order to provide guests with a way to spend their waiting time according to their goals, we have set up a unique seating space for each zone, and scattered concept design with a playful spirit. Solution: The north zone near the boarding gate has a high counter zone where you can easily drink a drink and board immediately. In the south zone, we displays airplane parts to create a museum-like space. Plan to spend time touching airplane equipment that you can't usually see. In addition, the central hall seats are equipped with original lighting inspired by the truss structure of the maintenance yard. It has random movements and creates a fun buzz. The space in the back is inspired by the captain's study. I draw a memo writing on the blackboard on the ceiling that expresses my thoughts on becoming a pilot. [Our project members] 【Sales】Naoki Goto 【Consulting】Hayako Suzuki 【Design】Ryutaro Matsuura / Tomohiko Deguchi / Kosuke Omura 【working drawings】Satoshi Matsuo 【construction】Mitsuru Kanayama / Toshihide Tsumagari

[Explanation of the project] In Daisen City, Akita Prefecture, where the Omagari Fireworks Festival, Japan's highest national fireworks competition, is held, we created a "Daisen Fireworks Camera" that allows anyone to easily and beautifully shoot. Equipped with a mode that automatically shoots fireworks with reduced camera shake, a compositing function, and an AR function that allows you to shoot together with "Fireworks of Omagari". In addition, you can enjoy fireworks footage of Daisen City, including Omagari fireworks, in various variations such as 360-degree shooting and drone shooting. In addition, useful information for sightseeing in Daisen City, such as nature, food, and leisure spots, is covered.

<Project Description> The Tulip Shikisai-kan has celebrated its 20th anniversary and has renovated its permanent displays. The "Wonder Garden" allows visitors to see the process of tulips from sprouting to blooming all year round, and the "Under Farm" explores the mysteries of tulips using the latest technology. Our company assisted with the design and construction of the renovations. ◆Wonder Garden Tulip Palace Approximately 500 cut tulips are displays on a wall made of curved glass 3.7m high. You can have a magical experience surrounded by tulips. Palette Garden A garden where 5,000 tulips bloom all year round! Tulips spread out in all directions as if in a kaleidoscope. Growth Story Enjoy the process of tulips growing along with the seasons. ◆Under Farm You can shrink down and see the growth of tulips from the perspective of a bulb. The process is clearly explained with images projected onto the ceiling. You can also learn about the history, breeding, and cultivation tips. <Our Project Members> [Development] Isao Fujimori, Atsushi Ishikawa [Sales & Project Management] Atsushi Ishikawa [Planning] Yuki Shimokuni [design, layout] Tomoki Fukano [Video Direction] Akinori Goto [Graphics] GyoGyoMaaMa Creation Office, Ayashi Mizutani, Yumi Nakajima [Production & Planning] Tsutomu Fukushima, Akio Hiraishi [Production & construction] Atsushi Okuda, Koichi Yamada, Chinami Tadokoro [Design Cooperation] KAZAANA design studio, Tomoaki Hori, Yasuaki Hatakeyama [Production Cooperation Partners] Horai Co., Ltd., Nippon Electronics Service, Plantscape, Kyoda Creation, TV Asahi Create 4D, Endo Lighting [Photography] Shin Photo Works, Shinji Miyamoto

<Description of the project> Seven Park Ario Kashiwa, a large-scale shopping center that opened in April 2016, has attracted more than 1 million visitors within 10 days of its opening. "SKY KIDS" is a children's space within it, where local children can play safely and securely at any time. Therefore, as the main children's experience, we developed three interactive contents using multi-large screen signage, and "interactive play equipment" that responds to sound and light when touched or hit. It is a mechanism that aims to naturally train creativity, physical strength, and communication skills by letting children become absorbed in playing.

<Project Description> The Kyoto Railway Museum, where visitors can experience the progress of Japan's modernization through the history of railways, has opened in Kyoto, a city that values tradition while constantly innovating. The basic concept is "a railway cultural hub that walks hand in hand with the community." With the basic mission of "contributing to the revitalization of the region through business activities centered on railways," it aims for coexistence with the community. Our company assisted with consulting, planning and design, and displays production. <Our Project Members> [Development] Akihiko Nishimura [Sales & Project Management] Noriyuki Iwamoto [Direction] Takahiro Kurihara [Planning] Yukihiro Yoshimoto, Kyohei Kishida [Consulting] Takahiro Kurihara, Yukihiro Yoshimoto, Ryuichi Okuda [Art Direction] Ryuichi Okuda [design, layout] Takaki Mizuno, Kenji Takahashi [Sign & Graphic concept design] Shota Umetani, Mieko Yoshioka [Production & construction] Akio Hirayama, Akimitsu Kishi, Michitaka Funakura, Masanori Nakajima, Soji Wakasugi, Daisuke Inoue, Hideo Hara, Katsuyoshi Tsuge [Maintenance Planning] Akihiro Hokawa, Tomokazu Araki [Operational Planning] Tsutomu Makura [public relations] Hitomi Matsuura, Yuri Yoshida, Satoko Sone

ジオリアは伊豆半島ジオパークを世界ジオパーク認定に導き、持続的活動を行う拠点施設の役割を担います。 立地する修善寺温泉は半島の中央部に位置し、交通の要衝でもあります。そのメリットを活かし、伊豆の大地に根ざした活動全ての情報集約、自然はもちろん歴史民俗や暮らしの視点からも伊豆半島一丸となって盛り上げる「仕組みと仕掛け」を作りあげる場です。 弊社は地域住民を巻き込んだ行動計画策定や、ジオサイトを紹介する動画を活用したスマホアプリ開発・運営など総合的にお手伝いさせていただきました。   ●ジオパークとは？ 「地球・大地（ジオ：Geo）」と「公園（パーク：Park）」とを組み合わせた言葉で、「大地の公園」を意味し、地球（ジオ）を学び、丸ごと楽しむことができる場所を指します。