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KidZania, operated by KCJ GROUP, is a "city where children are the main characters," where they can learn about how society works while having fun. Sponsored by real companies, it's a facility where children can develop the skills to thrive in the future through realistic occupational and social experiences. The "Horse Center," which opened in a corner of "KidZania Tokyo" inside Lalaport Toyosu, operates under the principles of "getting close to horses and nurturing horse culture" and "interacting directly with horses and learning about their charm." Three activities allow children to "feel closer to horses" through jobs related to horses, which they don't usually have the opportunity to interact with. In "Veterinarian," children can experience a realistic abdominal surgery to treat a horse's twisted intestines, divided into surgeons and anesthesiologists. As an "Assistant Trainer," they can communicate with horses through grooming and experience the height of a horse by wearing horse tack and riding. Additionally, in "Horse Riding Experience," children can use a simulator to experience connecting with horses on three different riding courses at varying levels. The purpose of the KCJ GROUP and JRA is to create an opportunity for children to develop an interest in horses through their experiences at the "Horse Center," and to learn about the preciousness of life and the importance of working together as a team to accomplish things. From our position as construction and production company, we have embraced this vision and pursued a spatial quality that will give children profound insights, even under limited conditions.

"SEGA STORE TOKYO" opened in Shibuya PARCO as the first flagship store in Japan to embody SEGA's "Transmedia Strategy." It is an information hub that provides new "surprises" and "emotions" to fans around the world by developing the diverse worldviews of the company's IPs* as an "experience" that goes beyond mere merchandise sales. Our company was in charge of design, layout, production and construction, and VMD (Visual Merchandising) support for this project. We created a space where fans can enjoy the charm of SEGA's unique content with all five senses, realizing the "place-making" of connecting fans both domestically and internationally with the content. *Refers to all content protected by intellectual property rights.

At the "Tokyo Game Show 2025 Sega/Atlus Booth," we provided total support for design, construction, operation, and stage production. We installed a large stage and high-definition LED screen in the center of the booth, creating a space that maximized Sega and Atlus's unique worldview and information dissemination capabilities.

The BANDAI HOBBY CENTER PLAMO DESIGN INDUSTRIAL INSTITUTE MUSEUM (BHC PDII MUSEUM), located within the new factory of BANDAI SPIRITS' plastic model production facility, "BANDAI Hobby Center" in Shizuoka City, is based on the theme of "A base for promoting the appeal of manufacturing." Visitors can tour the new factory and experience their own "Plastic Model Designer Experience." The museum also displays the know-how and commitment cultivated over more than 50 years of plastic model manufacturing, as well as the latest technologies that support product quality. It's a fun place for children and adults to learn about manufacturing. In this project, we worked closely with BANDAI SPIRITS to plan, design, and construction the facility's displays and content, as well as its operational planning. We utilized our spatial implementation capabilities and displays concept design expertise to realize the museum concept and ideas of BANDAI SPIRITS, which is filled with "Plastic Model Love," and to convey the hidden dedication of factory workers to manufacturing. To realize BANDAI SPIRITS' facility concept of "changing the way plastic models are viewed," displays feature real molding machines and molds used in factories that are not normally visible, allowing visitors to experience the manufacturing process, and through friendly graphics and displays, visitors can learn about BANDAI SPIRITS' commitment to manufacturing, which is the essence of plastic models, as well as the evolution and challenges of that technology.By providing visitors with the experience of actually being a plastic model designer, the exhibit aims to be a place that gives them the opportunity to enjoy plastic models from a new perspective, by providing them with an awareness of a new side to plastic models.

On Sunday, July 13, 2025, the "IG Arena" grand opened in Meijo Park, overlooking Nagoya Castle in Nagoya City, Aichi Prefecture. Boasting a capacity of 17,000 people and a ceiling height of 30 meters, making it one of the largest arenas in Japan, it employs a hybrid oval-shaped arena surface that combines the oval shape suitable for sports viewing with the horseshoe shape suitable for concerts, enhancing both visibility and acoustic effects. Our company was in charge of the planning, design, and construction of the "d CARD LOUNGE (Premium Lounge)" which provides a premium viewing experience at the IG Arena, helping to create a hospitality space that makes you forget you are in an arena, both in terms of hardware and software. Furthermore, our company has signed an official supplier contract for the "IG Arena".

This is a renovation project for the golf course "GORA KADAN FUJI GOLF", located in the majestic and undulating land at the foot of Mt. Fuji, close to the hotel "GORA KADAN FUJI", which will open in the summer of 2025. In the two-story clubhouse with an area of approximately 2,600 square meters, we were in charge of the interiors and FFE concept design of the common areas such as entrances, lobbies, lounges, restaurants/bars, suites, shops, lockers/buses, as well as interiors working drawings, equipment basics, working drawings, supervision, interiors, and FFE construction of the entire building. GORA KADAN Conscious of the sense of grade that interacts with the brand's luxury hotels, we have created a modern and prestigious clubhouse space based on brick, wood, and marble.

The Hiroshima Motomachi Aquarium, which opened in Hiroshima Prefecture, has adopted displays concept of "A Museum of Water and Life," and expresses the strength and transience of life by displays the underwater world and the activities of living creatures, conveying a different message in each of its eight stages (scenes). Each stage is connected, reflecting the charm of living creatures that live in diverse environments and depicting the facility's theme, "The Stage of Life." "Welcome" fantastically depicts the beginning of life, and the next "Forest" conveys the changing seasons and the vitality of the forest. "White" shows a world that has lost its color and the brilliance of life, and "Marine Note" and "Coral" introduce the diverse ecosystems of the sea and the colors of coral reefs. "The Flowers, Birds, Wind, and Moon of the Sea" expresses the mystery and beauty of the underwater world, and "Zipangu" depicts the traditional beauty of Japan and the elegance of goldfish. In the final "Message," through a clock that marks the time of extinction and evolution, it appeals to the transience of life and responsibility for the future, providing emotion and resonance. To deliver a deep understanding of the concept and evoke emotion, we incorporated immersive experiences and interactive displays that stimulate the five senses.

This project involved renovating the box seats located at the top of the backstop at Yokohama Stadium into luxurious box seats that can be used for various occasions such as anniversaries, company get-togethers, and business entertaining. Our company was in charge of everything from planning design, layout to construction.

Juno Park, which opened in Kizugawa City, Kyoto Prefecture, is a project that renovated Sekisui House's experiential research facility, "Nattoku Kobo," into a "housing education edutainment facility" that nurtures children's sensibilities. It consists of four floors, with the first floor being a cafe and library that can be easily used by local people, and the second to fourth floors being paid experience areas. Our company was in charge of planning, developing, and operating the "Experience Activities," which are approximately 45-minute game-style group workshops linked to six themes related to "housing" based on Sekisui House's concept of "sensibilities nurtured in daily life," and the "Experience Gallery," displays that can be enjoyed by actually touching and thinking. We were also in charge of production of staff scripts and facility operation manuals, as well as the design and construction of interiors and outdoor signage for the entire facility.

This content is a virtual tour video introducing Sogenji Temple, the national temple of the Ryukyu Kingdom, located in Naha City, Okinawa Prefecture. The video explains and introduces the history of Sogenji Temple, the characteristics of its buildings, what Naha looked like when the Chinese envoys, known as "Sakhoshi," visited, and related historical sites and anecdotes, using 3DCG and animation. We have also released an interactive web browser-based content that allows users to tour historical sites related to Sogenji Temple. The interactive content, "Ryukyu History Travel" (website), is designed to allow users to experience what Naha was like in the past through three routes guided by a navigator, and to become aware of the changes in the city of Naha through quizzes. Our company was in charge of exhibit execution.

Located in Shimonoseki City, Yamaguchi Prefecture, the Kaikyokan Aquarium is a popular aquarium known for its diverse displays of pufferfish, a unique feature of Shimonoseki, and one of the largest penguin displays in Japan. It also boasts "lifestyle displays" that focus on the natural habits and behaviors of animals. This latest large-scale renovation, the first since the aquarium opened, involves updating and renovating aging equipment, as well as revamping displays. The new concept design, which prioritizes functionality, meets the expectations of visitors to the facility, which is widely loved in the Chugoku and Kyushu regions, as well as the local area.

We renovated "Mitette," a new interaction area at the Kyoto Aquarium, located within Umekoji Park in Shimogyo Ward, Kyoto City, which attracts a wide range of visitors from children to adults. The new area offers a variety of functions, including displays about the aquarium, workshops, and a rest area. The space is designed to help visitors appreciate the Kyoto Aquarium even more by learning not only about the animals themselves, but also about the staff's passion for them and the activities of the staff and the aquarium.

In May, when the zelkova trees lining the streets are covered in fresh green leaves and Sendai becomes its most beautiful "City of Trees," the "Sendai Aoba Festival," a historical festival showcasing the refined elegance of the Date clan, is held. This festival began in 1985, the 350th anniversary of the death of Date Masamune, as a revival of a festival from the Edo period Sendai domain. For the fourth festival in 1988, five Sendai Yamaboko floats were created to recreate the procession of floats from that time, and the procession was revived. The following year, five more floats were added, and in 1995, one more was created, bringing the total to eleven. Our Tohoku branch has been involved in the creation of the floats from the early stages, and because of that connection, our branch staff still work together every year to support the procession. And in 2025, for the first time in 30 years, a 12th float, the "Gokoku Hojo Yamaboko," will be added to the festival. Creating a new float requires considerable expense. Furthermore, with the participation of over 100 people, including those pulling the float and dancing, sponsorship requires a fairly large local organization or group. In this context, the cooperation of Iris Ohyama, a company based in Sendai, Miyagi, made the creation of a new float a reality. Due to our long-standing relationship with the "Sendai Aoba Festival," our company was in charge of the concept design and production of the float. *Event period: Every year on the third Sunday of May and the day before.

The project is scheduled to be completed in March 2025 after approximately five years of full-scale renovation work. It will include new stands (viewing facilities for a wide range of customers, including the general public and guests), entrance gates, the first double-sided paddock screen at a Japanese racecourse, and a grass plaza, and will open as a facility that allows many people, including local residents and horse racing novices, to experience the feeling of being an "open racecourse."

This project involves the complete renovation of the retail and environmental areas from the building's entrance to the lobby (grand hall) of the Takarazuka Grand Theater, which is celebrating its 111th anniversary. Based on the concept of "Dreams begin here," the aim was to create a space that would continue to deliver dreams to many customers and be loved by them, while carefully inheriting the charm of the Takarazuka Grand Theater that has been nurtured over the years. From the moment you step inside the building, you will be enveloped in the glamorous world of Takarazuka Revue, and the space will be an extraordinary and exhilarating experience that leads you to dreams and emotions. By unifying concept design of interiors environment and creating the world of Takarazuka Revue throughout the entire building, we planned a space that would make the time before and after the performance more comfortable, and that could be enjoyed by customers who are not attending a performance. By extracting motifs that represent "Takarazuka-ness" from elements of Takarazuka Revue's stages and shows, as well as the building of the Grand Theater, and reconstructing them as a modern concept design, we have created a space that will be loved even more by existing fans, and will also attract new fans, leading to an enhancement of the brand value that looks ahead to the future of Takarazuka Revue.