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"THE BASE SPORTS BIKE & COMMUNITY" is a project to create a new concept shop specializing in road bikes for cyclists, in response to the increased demand for bicycles during the COVID-19 pandemic and the growing interest in road bikes due to the Tokyo 2020 Olympic and Paralympic Games. The exterior "cycling road" extends into the store, allowing customers to enter while still on their bicycles. In the center of the store, there is an artificial turf rest area and experience space where customers wearing clipless shoes can relax comfortably and enjoy events such as test rides, maintenance, and purchasing their favorite accessories to upgrade their bikes, fostering communication among customers through their shared hobby of cycling. The fixtures have pallet bases, allowing for flexible layouts, and the louvers surrounding the sales floor walls have the function of displays bicycles face out. concept design of the new store proposes a space where people can stop along a cycling road in their lives to rest or perform maintenance. <Our Project Members> [design, layout] no.10: Keita Aono, Yu Yoshie [Sales & Project Management] Rikiya Takasugi [building execution] Nanako Yamagishi

"Nagasaki Kaido Kamome Market" is a new bridge built by the West Kyushu Shinkansen Kamome, just as the Nagasaki Kaido once served as a bridge to transmit the culture and technology of Nagasaki to the rest of Japan. From "Nagasaki Kaido Kamome Market," the market transmits the charm of Nagasaki to the entire country. The facility development concept is "Nagasaki First." It aims to transmit "Nagasaki's unique character," "connect Nagasaki with other prefectures and the world," "create energy for Nagasaki," and "become a place you naturally want to visit every day." [Social Issues/Customer Issues/Requests] As the newly reborn land gateway to Nagasaki, there was a request to create a space where new exchanges could be born and a lively atmosphere could flourish. [Solution] concept design concept is "Nagasaki, a city of rich waterside culture and history," aiming to express the port that connects to the world. In the facade concept design, blue and white wave-shaped tiles are used to represent the waterside of Nagasaki Port and the light sparkling on the waves. In the interior concept design, we aimed to embody the city of Nagasaki by creating a highly circulating space. The configuration of a large outer perimeter circulation route and smaller paths leading inward allows visitors to encounter numerous shops that condense the essence of Nagasaki, resulting in a space that is "somewhat nostalgic" yet "new," harmonizing the city and its people. [Customer Feedback] Due to budget constraints, there were some aspects of the proposed concept design that we were unable to adopt. However, thanks to the flexible proposals and adoption of alternatives, we feel that we were able to realize an attractive space within our budget. <Our Project Members> [Sales/Project Management] Tadahiko Koga [design, layout] Hiroaki Koshizen, Yoshitaka Hirayama, Hideaki Hata, Mizuki Yamana

In real estate consultations, the most important thing is to understand and envision the future that the client envisions. Meeting rooms play a crucial role in this, and recognizing that they occupy most of the store's floor space, we considered how each room could be incorporated as a concept design element. By transforming each room into a cube shape and scattering them around, and by adding elements that allow glimpses of the interior, we created an efficient space that maintains a sense of privacy while easing the tension of visitors.

As part of the renovation project for the Mori Art Museum in Roppongi Hills, we supported the renovation of the Mori Art Museum Shop on the 3rd floor of West Walk, as well as the opening of the Tokyo City View Shop on the 52nd floor of the Roppongi Hills Mori Tower. The curved, original fixtures installed in the Mori Art Museum Shop's sales area create a sense of rhythm by varying their heights while guiding customers along a natural flow. Furthermore, by extending a portion of the white displays wall of the adjacent A/D Gallery into the sales area, we created a seamless relationship that encourages movement between the sales area and the gallery. The Tokyo City View Shop is a compact store located along the passageway, yet it incorporates a freestanding wall that allows for the display of a wider variety of products. <Our Project Members> [Sales & Project Management] Takashi Niijima, Yuka Sunakoda [Production & construction] Masato Takeuchi, Hitomi Nagami Image provided by: Mori Art Museum

東京都中央区「京橋第一生命ビルディング」のテナントで永く愛されてきた中華料理「國泰飯店」。ビルの建て替えに伴い交差点を挟んだ隣のビル「京橋創生館」に移転してのリニューアルオープンとなりました。 京橋交差点に面しており、東京メトロ銀座線京橋駅よりすぐという好立地によって認知性も高く、日常用途から接客用途まで、移転前と変わらず地域の人びとに親しまれる中華料理店です。 【社会課題／お客様の課題／ご要望】 既存店のビル建て替えによる移転ということで、厨房の使い勝手や、店舗として宴席の需要が多いことから、客席の個室の数や席数についてのレイアウトを踏襲して欲しいとのご要望をいただきました。 【解決策】 既存店のレイアウトを参考にしながら、新規店舗区画に合わせた配置計画を行うとともに、使い勝手について改良を加えながらご要望に応えていきました。 加えて、入口のみ路面に接していた店舗から今回の移転で2面がガラスで道路に接した路面店となったことに対し、一目で中華料理店と認識できるように中華格子を効果的に用いて、より多くのお客様に認知していただくとともに、店内の視認性を高め、入りやすいデザインとしました。 また、個室のプライベート性についても格子戸を有効活用し、外からの視認性とプライベート性といった相反する目的に対しても解決策を施しています。 ＜当社プロジェクトメンバー＞ 【営業・プロジェクトマネジメント】 新沼 晴康、緒方 啓亮、杉原 秀彦 【デザイン・設計】 田谷 利之 【制作・施工】 中村 美行、地崎 翔太

Mitsukoshi Ebisu, which operated in the commercial building of Ebisu Garden Place, has closed its doors and been reborn as "Center Plaza." Ahead of the grand opening in the fall of 2022, "Foodies Garden" was established on the B2 floor, and the flagship store "Central Square Ebisu Garden Place" opened in one corner of it. Our company supported everything from leasing to store concept design, interiors construction, and production of product display fixtures leading up to the opening of "Foodies Garden." [Social Issues/Customer Issues/Requests] Life Corporation requested that, in preparation for the opening of their flagship store Central Square, they create an even more attractive store while incorporating the essence unique to Ebisu, the location of the store, and following the Central Square brand. [Solution] In concept design of the store facade, we incorporated a "brick wall" inspired by the historical motifs of Ebisu, such as the beer factory and the train station, and utilized materials that evoke the history of Ebisu to create a dignified facade concept design befitting a flagship store. The store's interior concept design utilizes the graphic and sign concept design formats used at Central Square, following the image of Central Square while creating a store unique to Ebisu and integrating it with Central Square's VI (*). (*)VI: Abbreviation for Visual Identity. Refers to the design of the logo or symbol mark. <Our Project Members> [Development/Leasing] Masakazu Kawai [Sales/Project Management] Kensuke Aiba [design, layout] Mari Matsumoto, Ayako Hiruta, Ayumi Okada, Aya Sato, Ayuko Kaisawa [Signs/Graphics] Ayako Hiruta, Tomomi Ito [Production/ construction] Koji Kurosawa, Yuka Ohara, Yuichi Yamakawa / Nomura Arcs: Yudai Okazaki

Newman Yokohama, which opened in June 2020 at the west exit of JR Yokohama Station, is located on the 1st to 10th floors of JR Yokohama Tower as the 2nd Newman after Shinjuku in Tokyo. interiors concept design is Atelier Tsuyoshi Tane Architects, Signe concept design is 10inc. is responsible for. our company was in charge of interiors Basic, working drawings and interior administration, Sign Design construction, Environmental interiors construction, Tenant B Construction, furniture and fixture manufacturing and A and B Construction. It is creating a lively atmosphere as a new commercial facility in Yokohama. Each floor has its own concept and is comprised of 115 shops that offer lifestyle suggestions across all genres including fashion, beauty, food, wellness and culture. environmental design that catches your eye as you walk through the building is designed by Tsuyoshi Tane, an internationally active architect. Each floor uses 300,000 different custom-made tiles, making it feel like you're walking down the street while staying indoors. < our company Project Members > [Development] Moriji Maekawa [Sales] Shinnosuke Nishida, Hironari Sakimoto, Ryutaro Ando, Masashi Kondo [Design] Masaki Harashima, Hora Latul, Akiko Onishi, Junya Hagiwara, Kazuhiko Komuro, Minatsu Kazawa/NODE: Hirofumi Negoro, Teruko Inomata, Fumiya Ito, Hiroyuki Nii [Production and construction] Keisuke Toda, Shuhei Tatsuta, Sokichi Yamamoto, Yumiko Matsumoto, Takeshi Koshige/Nomura Products: Kenji Takaba, Hirohito Usui, Teru Ariyama, Akio Takada, Riho Murai * As of March 1, 2022, Nomura Products has been integrated into Nomura Arcs.

Founded in 1979, Hourglass is an international luxury watch retailer with 29 stores in 10 cities, primarily in Asia, carrying over 50 of the world's finest brands and boasting an unparalleled selection. The Ginza store, which opened in 2002, always stocks a wide variety of carefully selected watches, and customers can enjoy a leisurely selection while sipping champagne at the bar counter, relaxing on comfortable sofas, and engaging in conversation with knowledgeable staff. In 2021, the store underwent a grand renovation, boldly installing an iconic bar counter in the center of the store and redesigning the interior to place even greater emphasis on dialogue with customers, creating added value that encourages customers to visit the physical store. Inspired by the store name "HOUR GLASS," concept design incorporates features such as the selection of stones with curves and custom-made lighting. Using custom-made materials that utilize traditional Japanese craftsmanship, and materials with meticulous attention to expression and texture, each detail is carefully considered to create a space where a high-quality atmosphere and dialogue can flourish.

HIRODEN etto, a tourist and commercial facility operated by the Hiroshima Electric Railway Group, opened in April 2020 on land adjacent to the Miyajimaguchi Passenger Terminal, which began operations in February 2020 as part of the Miyajimaguchi Port Development Project promoted by Hiroshima Prefecture. Based on the concept of "DISCOVER MIYAJIMAGUCHI," it consists of 16 stores, mainly companies Head Office in Hiroshima Prefecture. It offers the enjoyment of both everyday (local) and extraordinary (tourism) experiences with a Hiroshima-like touch, and as a facility where visitors can experience "fun, delicious, and a new Hiroshima," it is disseminating the charm of Hiroshima to tourists and local residents alike through connections with them. [Social Issues/Customer Issues/Requests] As a measure to alleviate chronic congestion on National Route 2, which is also a route used by local residents, a plan for a new urban planning road has emerged. Accordingly, it has been decided to redevelop the aging passenger terminal through the expansion of reclaimed land, and to relocate the Hiroshima Electric Railway Group's directly managed tourist and souvenir facility and the Hiroden Miyajimaguchi Station building/tracks. We received a request to create a medium- to long-term phased development scenario and propose a suitable proposal for the new facilities that the Hiroshima Electric Railway Group will construct adjacent to the passenger terminal, in a way that would serve as a prologue and epilogue to the Miyajima pilgrimage. [Solution] We believe it is important to build a development strategy from a regional branding perspective to give "Miyajimaguchi," which has always been merely a transit point to Miyajima, a sense of "place." This includes: - Naming and VI plan (*) to give a new identity to the colorless Miyajimaguchi - Leasing that resembles a journey to find investors for the future of Hiroshima/Miyajimaguchi - Lighting plan that evokes the surface of the Seto Inland Sea and the active use of wood that evokes Hatsukaichi, a town known for its timber, etc. We approached the creation of a place and space that would add flair to the "first phase of the Miyajimaguchi town opening" from both a soft and hard perspective. As a result, we are creating new employment opportunities by providing a new place of business, mainly for businesses within the prefecture, and contributing to the economic cycle within the prefecture. Furthermore, as a model case of regional revitalization through private sector participation in government-led redevelopment projects, it embodied the Hiroshima Electric Railway Group's management vision of "connecting people and opening up an attractive future for the region," fostering expectations for subsequent developments. (*VI: Abbreviation for Visual Identity. Refers to the design of the logo or symbol mark.) [Customer Feedback] Thanks to the tremendous cooperation we received from both the soft and hard aspects, from the conceptual planning stage to the concrete facility plan, we were able to create a facility that matched our concept. We hope that it will grow into a facility befitting the prologue and epilogue of a pilgrimage to Miyajima. <Our Project Members> [Sales/Project Management] Ichiro Morimoto [Consulting/Planning/Soft Direction] Mayumi Tenma [Leasing] Takaaki Hiraki, Eri Morita [design, layout] Kazumi Doi, Yukari Ozaki [Production/ construction] Katsunori Sugino [Pre-Interior Supervision/ furniture and fixture manufacturing] Toshimichi Suzuki [Branding] Yuri Watamoto [Opening Promotion/PR] Daisuke Karube, Hikaru Oura ~Related Links~ [Announcement] ・Announcement of winning the Silver Award and other awards at the 54th Japan Sign concept design Awards

This project involved the reopening of the south zone on the first floor of the main building of S-PAL Koriyama, adjacent to JR Koriyama Station. The aim was to enhance the flow of daily use, catering to diverse customer needs and offering numerous shops for lifestyle coordination. The proposed environmental design concept is "RAMBLING STATION TOWN." Based on the theme of "an urban shopping center where people gather at the station and enjoy a pleasant time, like strolling through a town," the entire space was enveloped in a fashionable yet gentle atmosphere. Specifically, the facility's facade features a "rhythm line border" bathed in indirect light, reminiscent of Koriyama City in Fukushima Prefecture—a "city of music" known for its vibrant musical scene. This border extends to envelop the station concourse, creating a new patio for passersby and S-PAL Koriyama. Furthermore, within the facility, a coffered ceiling composed of wood and white rhythm lines, using "musical scores" as a concept design element, was strategically placed in conjunction with the Nakajima tenant environment. This rhythmic guidance draws people deeper into the facility. S-PAL Koriyama aims to be a place supported by customers of all ages as an urban shopping center. [Social Issues/Customer Issues/Requests] - As the project was being promoted at the same time as the COVID-19 pandemic in the fall of 2020, the way in which commercial businesses attract customers was questioned. - Due to the earthquake in the spring of 2021, safety design was strongly required. - There was a need to upcycle the environment by utilizing the existing lease lines without changing the main flow of people. [Solution] While the lines of the circulating flow remained the same, the floor material was renewed to resemble cobblestones, and wooden material was incorporated in some parts to connect the entire facility, creating a street that allows visitors to enjoy strolling around town. In the atrium environment that serves as the axis of vertical circulation within the facility, the "Rhythmical Line Gate," which is reminiscent of "Rakuto" (city of music), was added to the existing design, and the "New Center Court" was renovated to become a concept design symbol for the entire facility, providing visitors with a natural and symbolic park environment that combines "things x events x moments". A new stage has been created for people passing through town and for S-PAL Koriyama. <Our Project Members> [Planners] Hiroko Okazaki, Yuri Watamoto [Sales & Project Management] Hiroyuki Uesugi [design, layout] Kenichi Suzuki, Makio Miura [Production & construction] Johei Saito

A proposal competition was held for the complete renewal of SEPPAL SENDAI II in June 2020, 13 years after its opening in 2008, and we were selected. The environmental design concept we proposed for the renewal is [MORI TERRACE], to refine Tohoku's highest level of sensitivity and transform it into a new select store zone that offers customers proposals that are one step ahead of their lifestyles. Under the themes of "cozier than anywhere else" and "inspiration for everyday life," the entire space was composed based on organic lines and earth colors, enveloping the entire area in a mode and gentle atmosphere. Specifically, "big awnings and greenery" were deployed in the exterior plaza to create a new nexus between the facility and the people on the street. In addition, a light court on the ceiling, which is an element of "sunlight filtering through the trees" (concept design), is placed inside the facility in conjunction with the corridor environment, drawing people to the back of the facility through the sunlight. The light court is linked to the passageway environment, leading people to the back of the facility through the trees. The building aims to be a place that will be supported by customers of all ages with next-generation values by providing a sense of "relaxation and a sense of fun" with a sophisticated sensitivity. The project started in August 2020, when the Corona Disaster was to be promoted, and it was a development project that was questioned as to how to attract customers to commercial facilities. While negotiations with tenants were difficult, the project required an upcycling of the environment, with 90% of the main traffic lines using the existing lines. In addition to attracting customers, the project was also required to create a "new nexus between people on the street and S-PAR Sendai," and to attract and spread people further into the facility. SOLUTION: We installed "the most comfortable big awning and greenery" and "LED vision that provides inspiration for daily life" in the external plaza as a nodal point for people on the street, and as an information transmission plaza for this facility located at the northernmost point of S-PAL Sendai, we are providing information about events and tenants to the people on the street. It is a plaza that transmits information about events and tenants to people on the street. The LED Vision also provides hints for future content development, with a view to developing into a media medium from an interactive perspective between the facility and its customers, and creates a connection between the people on the street and the S-PAL. The goal was to create a place where people could "feel, touch, and communicate" from a passing facility. ＜Our project members＞ [Sales and project management] Hiroyuki Uesugi [Planning] Chihiro Watakai, Mayu Nakamura [design, layout] Kenichi Suzuki [Structural design] Taizo Komatsu [Production, construction] Tatsuo Sato

This is a concept shop for "Okomebran," a rice bran specialty store brand created by Shinmei Group, one of Japan's largest and oldest rice wholesalers. Okomebran is a rice bran specialty store brand with the vision of "organizing everyday life," and this store aims to be a new type of urban store composed of three spaces: "FACTORY SHOP," "EAT IN CAFÉ," and "KITCHEN LAB." All of Okomebran's products are made with meticulous attention to detail, from the manufacturing process to the transportation process. In order to convey the appeal of these products to the fullest, we have devised a "FACTORY SHOP" that adds displays function to the conventional retail and cafe functions. It has displays function that clearly explains the manufacturing process, and a function that allows customers to pick up and learn about brown rice, rice hulls, white rice, rice bran, and scenery of the production area for each brand. In addition, we have attached a "KITCHEN LAB" that visualizes the kitchen and office, and will hold workshops, as well as concept design a space that will show the product development process that is not usually seen by the public. Our company has been involved since the opening of the first Okomeburan store (LUCUA Osaka) in February 2021. In addition to store design and construction, we have provided comprehensive support, including rebranding to set the brand name and vision, logo and packaging concept design, and supervision of product and cafe menu development.

元プロサッカー選手（ティム・ブラウン氏）とバイオテクノロジーの専門家（ジョーイ・ツウィリンジャー氏）が研究を重ね、メリノウール、ユーカリ、サトウキビなどの自然素材を使い、革新的でサステナブルなシューズの開発に成功し、ライフスタイルブランド「オールバーズ」が誕生しました。2016年サンフランシスコにて設立、日本には2020年に上陸し、原宿店に続いて、国内2店舗目となる丸の内店が2021年6月にオープンしました。 当社はオールバーズ様のローカルアーキテクトとして設計段階からサポートさせていただきました。 2店舗分の区画を得られたことで、間口の広いガラス張りのファサードからは日差しが入り、丸の内仲通りより店内の様子が見渡せることで、お客様が入りやすく、明るく開放的な空間になっています。 エントランスは2か所設けられ、木製の大きな足をかたどったユニークなドアハンドル、店内中央には自然素材を用いた肌触りが優しいTシャツ、ルームウエア、パフォーマンスウエアがラインアップされています。シューズは素材や機能によってタイプ別にディスプレイされ、足元や壁面には雲形のミラーを施し、シューズを試着しやすいように傾斜する無垢材の木製チェアなどを設置して、シンプルななかにも遊び心があるインテリアで構成されています。 【社会課題／お客様の課題／ご要望】 世界に35店舗ほどあるグローバルブランドの世界観を忠実に創りだすこと、そして本国であるサンフランシスコの責任者と密にコミュニケーションをとること、基本設計段階から竣工に至るまでの業務を一社で一貫してハンドリングできること、以上のご要望がありました。 【解決策】 当社は設計に関連する法的問題の解決や、デベロッパー様との交渉、マテリアル調達、実施設計、施工およびスケジュール・コスト管理、音響、映像システムや什器輸入調整など、総合的なマネージメントをおこないました。 当社は、今後は日本から世界に向けての発信をおこなっていきたいというご要望にお応えすべく、オールバーズ様の自然や環境を重んじる“サステナビリティ”というデザイン哲学に敬意を表し、それに呼応する内装素材や空間構成を将来的なご出店に向けて検討中です。 ＜当社プロジェクトメンバー＞ 【営業・プロジェクトマネジメント】 山田 佳紀 【設計】黒瀬 陽子 【制作・施工】辰田 修平 【コーディネート】志村 敦子

「CHOOSEBASE SHIBUYA」は、株式会社そごう・西武様がオープンした百貨店業態初となるメディア型ＯＭＯストア（※）です。西武渋谷店パーキング館１Ｆをフルリニューアルしミレニアル世代やＺ世代の支持を集めるＤ２Ｃブランドとの協業を通して新しい小売ビジネスの創出を目的としています。ご来店いただいたお客さまには、没入感のある空間のなかで、オンラインとオフラインを融合した新しい購買体験をスマートフォンにて楽しんでいただけます。今回リアル店舗と同時にＥＣサイトをオープンし、オンラインで購入した商品を店頭で受け取れる販売形態をはじめとした、新しいショッピングサービスを提案されています。AIカメラなど最先端のテクノロジーを活用し、テストマーケティングや商品企画、サービス改善にご活用いただけるデータを出店者様にも提供されています。※ＯＭＯストア ＝ 店頭とECで顧客・商品・在庫情報が統一されたストア形態 新しい世代のお客様と新しいブランドとの出会いの場を創ることが、新しい百貨店の在り方ではないかという発想から立ち上がった新規事業です。百貨店ならではの編集力をテクノロジーの力で増幅させるという最新の技術を活用したメディア型OMOストアでありながら、テクノロジーに寄りすぎない人間的な消費の在り方を体験できる場となるよう、百貨店ならではの「編集」というキーワードをもとに、余白のある世界観の構築を目指しました。ストア全体は2本の太い導線がクロスした空間構成となり、各エントランスから十字路に向かってわずかに先細りさせることで、没入感を強めています。十字路には「BASE」と呼ばれる４つのエリアが隣接し、共通した世界観の中でそれぞれに素材の個性を与えています。天井が低い半地下のような既存の特性を活かし、彩度のないワンカラーの世界に、あえて温かみを消したブルーの塗り床が「少しの違和感」として未来の兆しを感じさせるようなアソートカラーとなっています。2本の通路は、有機的な曲線を描いた光のラインが奥へと誘引し、シルバーからブルーのグラデーションを施したトタンパネルはブルーモーメントを彷彿とさせ、立地ならではのヤンチャさを演出しながらも特別な体験を提供します。

Sumitomo Life's "Vitality" product combines features such as variable premiums and benefits (rewards) to support customers' efforts and continuation of health promotion activities. To allow more customers to experience its advanced features and value, we have developed walk-in stores. Our company was in charge of the following stores: ・Sumitomo Life "Vitality" Plaza Yurakucho Store (Opened April 2020) ・Sumitomo Life "Vitality" Plaza Shinjuku Store (Opened November 2019) [Social Issues / Customer Issues / Requests] While addressing three issues—increasing awareness of "Sumitomo Life "Vitality"", acquiring new customers, and improving policyholder loyalty—there was a need to utilize "digital" to create new experiential value rooted in "people". By developing stores in the heart of Ginza, one of Japan's leading commercial districts, and disseminating information, we promoted the project to contribute to Sumitomo Life's vision of "Each individual living a better life = well-being". [Solution] We created a space where customers can experience the world of Vitality by visualizing the features of Sumitomo Life's "Vitality" health program—"understanding your health status," "improving your health status," and "enjoying benefits (rewards)"—through benefit displays and videos. We created a flexible space that can be used to hold various events and seminars to support health promotion activities, and a meeting room where face-to-face support can be provided to existing policyholders, resulting in a plan that emphasizes value rooted in "people." Interactive content that makes health initiatives personal has been introduced in the entrance, providing a new "digital" experience with Ginza as the backdrop. We hope that this store will become one that supports the "daily lives" of each individual through the space in the heart of Ginza and contributes to the realization of a healthy and long-lived society. [Customer Feedback] Many design companies in the same industry visit our store because they are interested in design, layout of your company. Customers have said things like, "The wall concept design is wonderful," "It's a stylish space," "The smart partitions are cool," and "It's a space that makes you want to sign a contract," and some have been impressed by the monolith (a large touch-panel monitor). <Our Project Members> ・Sumitomo Life "Vitality" Plaza Ginza Flagship Store [Development] Mizuki Ogura [Sales/Project Management] Keita Shima [Planning] Yuki Noda, Hiroshi Matsushita [Digital Content Planning] Aya Watanabe [Leasing] Aya Nishimoto, Tomoko Shirasaki [design, layout] Yasushi Machida, Megumi Yatsuka, Mariko Yamagiwa [Production/ construction] Tomokuni Hasegawa [System Design/ construction] Keisuke Taneda, Yuki Kuga ・Sumitomo Life "Vitality" Plaza Yurakucho Store [Development] Mizuki Ogura [Sales/Project Management] Keita Shima [Planning] Yuki Noda [design, layout] Yasushi Machida [Production/ construction] Kazuki Misawa ・Sumitomo Life "Vitality" Plaza Shinjuku Store [Development] Mizuki Ogura [Sales/Project Management] Keita Shima [Planning] Koji Nakazato, Yuki Noda [design, layout] Yasushi Machida [Production and construction] Kazuki Misawa