WorksAll Achievements

JR高輪ゲートウェイ駅直結の新商業施設、ニュウマン高輪内に開業した「POSTUDIO（ポスタジオ）」は、日本郵政グループ様による、「好き」をきっかけに思わず日本各地に行きたくなる体験を提供する施設です。POSTUDIOでは、日本各地に点在する「好き」スポットをテーマごとに特集します。併設のカフェで、コーヒーやスイーツを味わいながら、壁一面の大型LEDビジョンに映し出される「好き」なテーマと連動した日本全国のお店や施設などの映像が、来場者を旅気分へと誘います。「好き」から始まる新たな出会いを通じて日本がさらに「好き」になるような場を目指すPOSTUDIOにおいて、当社では内装施工業務を担当しました。

Ginza Niigata Information Center THE NIIGATA is Niigata Prefecture's information hub for the greater Tokyo area. It spans five floors, from the basement to the third and eighth floors, and is equipped with a variety of functions, including retail, a sake tasting corner, an event space, a restaurant, and an immigration consultation desk. Our company was responsible for the design and construction of the first basement floor to the third floor, as well as the facility branding plan and brand logo development. In addition to showcasing Niigata's rich attractions, such as rice, sake, and snow, we focused our planning and design on concept design. We aimed to create a facility that would allow visitors to experience Niigata's charms and serve as an opportunity to visit the city, with materials and displays originating from Niigata scattered throughout.

Cartier, a brand that has always supported women, will be exhibiting at the Women's Pavilion at Expo 2025 Osaka, Kansai, calling for a fair and sustainable future through the experiences and perspectives of women, with the concept of "Towards a future where we live together and shine together." With a spatial concept design that creates an artistic and overwhelming worldview and an immersive displays experience using an audio guide, the pavilion will spotlight the contributions of women in society and invite visitors on a journey that unravels their "power of change."

This project involved planning the architectural exterior of the company building of Chef Wakiya Tomoyuki, a leader in the Chinese cuisine industry in Japan for many years. The restaurant is conveniently located just down an alley from the Ginza 4-Chome intersection, and Chef Wakiya runs the Chinese restaurant on the first and second floors, the soba restaurant "Daidai" on the third floor, and the members-only floor on the seventh floor. We were responsible for concept design concept design of the building's facade as well as the three directly managed restaurants.

With the aim of strengthening the competitiveness of the office area of JR Central Towers, which is directly connected to Nagoya Station, we renovated the lobby and installed a lounge. The lobby was renovated into a space that stands out as the face of the office area, and the lounge on the 34th floor was created under the concept of "Towers Maison Lounge," taking advantage of the views that can only be enjoyed from high floors, creating a place where office workers can relax.

Located within the Osaka Healthcare Pavilion at the 2025 World Exposition, Osaka, Kansai, Japan (Osaka-Kansai Expo), this space offers a close-up look at actual myocardial sheets made from iPS cells. A symbolic sculpture has been installed with the motif of a "tree" growing from the seed of iPS cells into a mighty tree, representing the progress of research and development around the world since the discovery of iPS cells and the development of science and technology. Within the "tree" is a giant heart model that moves in sync with the beating of the myocardial sheet on displays, and the heartbeat reverberating loudly in the atrium, along with video effects, express a future where people can live healthy lives thanks to advances in regenerative medicine.

This content is a tour video introducing Sogenji Temple, the national shrine of the Ryukyu Kingdom, located in Naha City, Okinawa Prefecture. The video uses 3D computer graphics and animation to explain and introduce the history of Sogenji Temple, the characteristics of the building, the appearance of Naha when Chinese envoys "Sakuhoshi" visited, and related historical sites and anecdotes. It also features interactive content that allows users to tour historical sites related to Sogenji Temple. The interactive content, "Ryukyu History Travel" (website), is designed to allow users to experience what Naha was like in the past along three routes, guided by a navigator, and to become aware of the changes in the city of Naha through quizzes. Our company was responsible for exhibit execution.

The "Cities of the Future" Pavilion at the 2025 World Exposition, Japan (Osaka-Kansai Expo) is a joint exhibit project by the Expo Association and 12 other sponsors. Based on the concept of "WIND VISION," the MOL displays Place features a large-scale model of the hydrogen production ship "Windhunter," which MOL is developing, and a large screen. An interactive, experiential displays was created to allow visitors to experience the "wind," an inexhaustible natural energy source captured by the Windhunter, and the "wind" created by the ship.

Located in Shimonoseki City, Yamaguchi Prefecture, Kaikyokan is a popular aquarium that displays a wide variety of pufferfish, a unique feature of Shimonoseki, as well as one of the largest penguin displays in Japan, and is known for its "Lifestyle displays" that focus on the natural habits and behavior of animals. This is the first major renovation since the aquarium opened, and involved updating and renovating aging facilities, while also renewing displays. In addition to the novel concept design meets the expectations of visitors to the facility, which is beloved not only locally but also widely in the Chugoku and Kyushu areas, the structure also places emphasis on functionality.

At the demonstration plant "RITE Future Forest" exhibited by the National Institute of Global Environmental Technology (RITE) at the 2025 Japan International Exposition (Osaka-Kansai Expo), we provided comprehensive production from planning, concept design, architecture, displays design and supervision to operational support. The facility is engaged in demonstration experiments of future technologies that are expected in the future by combining both DAC (Direct Air Capture)*1, which directly captures carbon dioxide from the atmosphere, and CCS (Carbon dioxide Capture and Storage)*2, which stores carbon dioxide directly from the ground. This project aims to create a new forest in the future, by capturing carbon dioxide emitted by humans with human power. In the Guidance Building, we also worked on architecture as a demonstration experiment for new technologies, and realized the world's first future wooden construction technology, the CLT*3-fold structure hanging method, based on the concept of the forest of the future. The hang-up method is a conceptual method in which triangular CLT panels that are tightly connected to each other by hinge hardware are laid on a horizontal surface, and a specific part is lifted by a crane to deform it like origami under its own weight to form a folding plate structure. This time, by using this construction method, it was also an architectural demonstration project to create a large space with a structure with an expressive expression and to promote the spread of CLT structures that have both concept design, functionality, and construction. As a result, an architectural space that exudes a sacred atmosphere that exudes a sense of tightness has emerged, and the CLT folding structure itself made of domestic cedar has become a unique building that realizes an acoustic environment like a concert hall that resonates with displays videos and performances. After the exhibition, there are plans to relocate to the RITE headquarters in Kizugawa City, Kyoto Prefecture in order to use it as a sustainable building. Through exhibiting at the Expo and subsequent utilization, we addressed various social issues such as reducing carbon dioxide emissions, minimizing waste, and promoting the spread of CLT structures. *1 Technology to reduce CO₂ concentration in the atmosphere by removing CO₂ from the atmosphere *2 Technology to collect emitted CO₂ and store it in the ground *3 Wood-based materials made by layering and bonding the ground sheets so that the fiber directions are orthogonal after arranging them.

All floors of Loisir Hotel Shinagawa Seaside are located on high floors, with the reception and conference rooms on the 16th floor and seven floors of guest rooms on the 17th to 22nd floors. For this latest renovation, we were responsible for renovating the 50 guest rooms on the 18th floor. Taking advantage of the hotel's unique location and focusing on its convenient access to tourist attractions, we reflected concept design in the first experience of the stay. Based on the concept of "a space where the first step of a journey begins," we aimed to create a space where guests can feel the hospitality of the hotel by dividing the stay experience into smaller parts and incorporating concept design into that "first action." Furthermore, to take advantage of the unique scenery of the area, we incorporated the colors of the container terminal in the port area in front of the hotel into the FF&E, incorporating the outside scenery into the space as a backdrop.

This is Kawasaki Heavy Industries' displays space at the "City of the Future" pavilion at the 2025 World Exposition, Japan (Osaka-Kansai Expo). displays concept is "Mobility Instinct Laboratory." The Kawasaki Heavy Industries Group's vision of a mobility society in 2050 is expressed through an experiential displays using a full-scale mobility vehicle. Through visitors' experiences of "seeing," "touching," and "experiencing," the space provides a sense of great hope and expectation for the future of mobility. By combining a spatial presentation that combines a futuristic feel with an immersive feeling using large LEDs with displays and experience using a full-scale mobility vehicle, the space allows visitors to experience the future of mobility as if it were their own.

This is a Tokyo Head Office relocation project of Toman Toys, which handles the planning, manufacturing, sales, and consulting business of character miscellaneous goods and toys. Against the backdrop of rapid business growth, we started with the aim of expanding our office and rebranding our company, and we were in charge of construction from concept design design to interiors and construction work. Based on the "creative power" and "trust" that Toman Toys has built up so far, we are creating a new face of the company with an eye on future growth while valuing a friendly and soft corporate image. The layout plan reflects the company culture of closeness and friendliness in the spatial composition. concept design used a combination of materials in a one-tone color based on wood to express the intellectual atmosphere of an idea company. In addition, FF&E coordination based on Scandinavian furniture fosters a soft atmosphere of the corporate image. The corporate colors incorporated throughout as accents create a sense of unity throughout the space, creating a one-of-a-kind office.

Following the closure of the Panasonic Center Tokyo in Ariake, Tokyo in December 2024, displays for business customers has been relocated to Shiodome, Tokyo, and the Panasonic Corporate Showroom has been reopened as a place where visitors can experience the Panasonic Group's history, latest solutions, and vision for the future. Targeting VIPs from corporations and government agencies, the showroom encourages co-creation through empathy, presenting Panasonic's history and various initiatives for the future through hospitality and video presentations. We were responsible for design, layout, and construction.

EARTH MART, the signature pavilion for the 2025 World Exposition in Japan (Osaka-Kansai Expo), was produced by Kundo Koyama. Based on the theme of "Considering Life through Food," it shares the potential of the food culture cultivated by the Japanese people and the evolution of food through technology, creating a space for considering "new ways of eating" that will lead us into the future. The design, which showcases "life" in a supermarket setting typically filled with "food," allows visitors to experience and gain insights into the background of life. Discovering value in everyday scenes provides an opportunity to reflect on the choices we make in various daily situations. Furthermore, the space is constructed using living materials such as "vegetable flowers" and "recycled eggs made from eggshells." The content itself was developed in collaboration with various people involved in food (farmers, sushi chefs, biotechnology researchers), creating an "integrated worldview" that unfolds in the space, thereby conveying its message. By resetting various assumptions through these "fragments of life," visitors can become aware of what is truly important to life, develop gratitude and kindness, and experience a subtle happiness. This product embodies Producer Koyama's desire to leave you with a lasting impression that makes you want to cherish mealtimes just a little more than yesterday.