WorksAll Achievements

In response to a rapidly diversifying society driven by advanced technology, Panasonic believes in and proposes a balanced lifestyle. They believe that by seamlessly reading, understanding, and grasping the condition of a person's skin, hair, and health in their daily life, and providing personalized care that anticipates their needs, they can offer an intuitive and balanced lifestyle. In the concept space at this displays, visitors experienced a series of stories, from how information about a resident is collected, integrated, and analyzed by the objects and spaces surrounding them, to how products with beautiful and universal concept design provide optimal care for that person. <Social Issues/Customer Issues/Requests> Newly planned and developed well-being products were unveiled for the first time at IFA. We were commissioned to concept design the concept displays space, striving to create a space that goes beyond a simple product displays, allowing visitors to interpret the product's concept and user experience. <Solution> Through detailed interviews and discussions with the London concept design Centre, which was responsible for concept development, we utilized new AV technologies and building materials to design a space that not only gains visitor understanding but also leaves a lasting impression as a user experience. <Customer Feedback> Even though the product and concept were still in the early stages of concept creation, before they even existed in the world, they were involved from the very beginning, helping us consider what kind of output would be most effective. Despite the short lead time, we were able to work together and complete the project by the deadline. <Our Project Members> [Sales] Makihide Ono [design, layout] Daisuke Nishida [Production/ construction] Yoichi Miura

NTT Anode Energy is a company that promotes smart energy projects utilizing the Group's ICT and DC power supply technologies, and we aimed to create an office environment that symbolizes an energy company representing the NTT Group. The scope of work included directing the entire project, coordinating with various architectural and facility works, and supervising the work, which required strict adherence to a schedule. The project was delayed from the original schedule due to a new type of coronavirus infection, but we shared the issues with the client and the project members worked together to resolve the problems. SOLUTION: We were appointed to the project in March, but due to the Corona disaster, we used online conferencing to promote the project. Online meetings were also held as necessary to discuss video content and plantings, to ensure communication and thorough schedule, quality, and cost management. ＜Our project members＞ [Development] Akihiko Nishimura, Akihiko Suganuma [Sales and project management] Fumiho Ohashi, Akihiko Nishimura [Planning concept design] Ryuichi Okuda, Toshio Yamamoto [design, layout] Toshio Yamamoto [Production planning] Akio Hiraishi [Production planning, production, construction] Akinobu Takahashi

Based on the concept of "PLAY THE FUTURE," this playground allows visitors to experience the future mobility society, "Human Connected," by becoming residents of the future and exploring various interactive content. Rather than depicting the connected city gradually becoming a reality, the design creates a highly abstract environment based on white and grids, and combines video projections that envelop the entire booth with stage productions to create an experiential space that stimulates visitors' imagination and their anticipation for the future. <Our Project Members> [Sales/Project Management] Shigeyuki Ishiyama [design, layout] Noriaki Tamura, Kazuya Maruyama, Kan Fujimura [Production/ construction] Jun Endo, Fumiya Sasaki ~Related Links~ [Related Achievements] ・Toyota Booth at the 45th Tokyo Motor Show

An experimental museum for the sustainability of people and global society. The frontrunners who have gathered at Hosei University have accumulated practical knowledge for living freely, with a pioneering spirit. The HOSEI Museum inherits this history, looks to the past and future of global society, and aims to become a magnetic field where knowledge can interact, connecting people inside and outside the university across disciplines, in order to realize a rich and just society. Our company has been consistently involved in everything from site selection to planning, research, consulting, logo concept design, content concept design, and displays design construction, and we continue to expand our operations to other campuses. [Social Issues/Customer Issues/Requests] The HOSEI Museum was established as part of the university's long-term vision (HOSEI2030), and was planned with the aim of contributing to the development of education and research by widely displays, making public, researching, and studying the history of the school, educational and research achievements, and academic resources possessed by Hosei University. [Customer Voice] We have worked with NOMURA Co.,Ltd. to connect the abundant academic resources of the university and aim to create a museum that will serve as a base for disseminating the Hosei brand. This museum is a place where current students can learn about the rich history and unique character of our university, and where alumni can reflect on their student days and look towards the future together. We also hope that this museum will be a place where people outside of Hosei University can consider together the meaning and value of a university's existence in society through the example of Hosei University. <Project Members> [Sales/Project Management] Kentaro Takahashi [Research/Planning] So Watanabe, Naoko Nakase, Chiho Kuroda [Consulting] So Watanabe, Shunsuke Shimizu, Naoko Nakase [design, layout] Shunsuke Shimizu, Kyoko Kosugi, Yuri Nakagawa [Production/ construction] Ken Hirao [Replica Production] Nomura Techno Co., Ltd.: Nobuyuki Endo

This project involved the integration of offices for five advertising media companies of GREE. The concept of this project is "creating opportunities for interchange." This concept was born from the idea of "providing a place that creates opportunities for serendipitous encounters and communication." The entrance space, which will be the face of the five companies, is designed to be a space where you can feel change and movement, with lighting colors changing according to the time and scene through glass bricks. When used for events, it is envisioned that the light will have a rhythm in sync with the music to create a party scene. Inside the office, there is a place called "Breakthrough Base" that will serve as a catalyst for interaction between the five companies. "Breakthrough" means "not just a relaxation space, but a place to open up the future and break through the current situation," and "Base" means "not just a place, but a base that gives a sense of strength and hints that something is being planned." The flooring is laid out in a way that anticipates the flow of movement, and is planned to be an "interchange: a place where paths intersect," and is utilized as a place for natural interaction between the five companies. Areas that are touched by hands have been given an aged finish, giving a sense of liberation as if you were feeling the sea breeze in Shinjuku, where the sea is not visible. The use of plain materials and a variety of chair concept design created a relaxed space with a warm, laid-back feel. Furthermore, reflecting the idea of a fresh start, we aimed for a minimalist space without over-designing. While maintaining a sophisticated and stylish atmosphere, we also incorporated photogenic spots, befitting a company involved in social projects. We designed a space that is stylish yet inspires anticipation of new ideas and possibilities. <Our Project Members> [Sales & Project Management] Masaki Yotsuya, Kaori Murakami [design, layout] Atsuko Ozawa, Keita Obana

In 2018, we assisted with the Metsä theme park, and the nearest station to it is Hannō Station on the Seibu Ikebukuro Line. The station was renovated to be positioned as a tourist hub and befitting the gateway to the nature-rich Hannō area. In order to incorporate "authentic Finnish concept design" that combines elements of "Hannō" and "Finland," the birthplace of Moomin, Seibu Railway and the Finnish Embassy co-hosted the "Hannō Station Renovation concept design Competition" in 2017, targeting designers in Finland, and the renovation work was carried out based on the winning concept design of this competition. Our company was in charge of the secretariat of concept design competition, interiors design, interiors construction, and opening ceremony arrangements. <Project Members> [Sales & Project Management] Masahiro Takamori [Competition Secretariat & Ceremony] Takashi Hosaka, Maki Kimura, Kaoru Ando [Design] Wakako Hirata, Takuro Ishizawa, Kiichi Fujihira, Hora Latul [Production & construction] Yohei Kaneko, Taishi Watamoto / Nomura Products Co., Ltd.: Kunihiko Hoshino

A storehouse in the samurai residences of Kakunodate, Akita Prefecture has been renovated into a lodging facility. The concept is "KURA STAY," and the hotel is a cultural experience hotel where the lifestyle of the time has been preserved in the storehouse. The hotel consists of three storehouses, the "Bushigura," the "Gakkogura," and the "Tamonogura," for rent. The space incorporates Kakunodate's traditional crafts of birch crafts and Iburi-gakko production scenes, textile art such as plant dyeing, and samurai family crests, providing a local cultural experience throughout the stay. In addition, decorations have been provided in cooperation with local shops, and information is provided within the facility, which also serves as a tourist hub to encourage travel.

This project involves converting displays room within the Panasonic Center Tokyo into a VIP reception conference room. (Not open to the public) By utilizing the spatial composition that leverages human perception, 4K video is subtly incorporated into the space as if it were a material or landscape. Combined with ceiling height control and skylight effects using advanced lighting technology, the space is given a sense of spaciousness, pursuing a "comfortable atmosphere that encourages lively conversation." As the center receives many VIPs and state guests from both Japan and overseas, icebreaker elements have been incorporated throughout, such as ceiling designs inspired by the Japanese art of origami, video expressions reminiscent of a dry landscape garden, and scents that evoke a sense of Japanese aesthetics. Furthermore, handwritten patent application documents imbued with the founder's aspirations have been transformed into artwork and placed on the wall behind the head of the room, imbuing the space with soul. In conjunction with the lighting control, the scene can be switched according to various purposes, such as welcoming guests, dining, or meetings using multiple screens. While making full use of Panasonic's cutting-edge technology, we focused on understated expression to create an overall calm atmosphere, building a spatial value that combines novelty and high quality. <Our Project Members> [Sales/Project Management] Kei Yamazaki [Direction] Akane Yamaguchi [concept design] Shigemi Shimizu, Kiyoho Tani [Production/ construction] Hiromitsu Furuichi, Yuta Kumazawa

Jojoen, a renowned yakiniku (Japanese barbecue) restaurant founded in 1976, has planned its largest flagship store to date. At its founding location in Roppongi, many foreign customers visited the restaurant at the time, and the name of the restaurant comes from the sound of meat being grilled, which is pronounced "Jojo." Expanding on this idea from the sound of grilling meat, the concept of tone was adopted, and the finishes of materials such as Nishijin-ori (Kyoto textile), acrylic, stone, and glass were given characteristics that evoke a sense of rhythm. In addition, the piano booth was designed to visually appeal to the spread of sound during performance, creating a symbolic form. Drawing inspiration from the brand's history, this project strengthens the relationship between food, space, and sound. concept design aims to create a space that resonates with the five senses of customers and allows them to feel the happiness of food even more. <Social Issues/Customer Issues/Requests> - To create a presence and sense of luxury befitting a flagship store. - To plan seating that can accommodate various occasions. <Solutions> -concept design utilizes the characteristics of materials such as wood, stone, Nishijin-ori, and acrylic. We planned seating arrangements that can accommodate various occasions, including private rooms, semi-private rooms, pair seats, hall seats, and circular sofa seats. <Our Project Members> [Sales & Project Management] Yasuhiro Tsuruta [design, layout] RENS: Ryutaro Matsuura, Yuka Kurachi, Takuro Ishizawa [Production & construction] Mikiya Fujitaka, Takashi Yokoyama, Mariko Yamamoto

ミシュラン2つ星シェフ“ドミニク・ブシェ”が手がけるネオ・ビストロ。大型駅ビルへの出店に伴い、訪れたお客様にとって敷居が高いと感じさせない親しみやすさを持ちながらも、日常的に立ち寄りたくなる「サンルーム」のような自然を感じる居心地の良さをつくり出したいと考えました。有機的なフォルムやテーマカラーとなるグリーンのアクセントが自然をテーマとした料理と一体になることで、一過性ではない居心地の良さを生み新たな集客を実現しています。また、デザイン性とともに、シェフやスタッフが最高のパフォーマンスを発揮できる機能性も両立させるよう綿密な設計をおこないました。 【お客様の課題/ご要望】 ・自然の味を最大限活かしたドミニクシェフのフランス料理を引き立てる、自然を感じるインテリアデザイン ・レストランフロアに訪れたお客様にとって敷居が高いと感じさせない、ほど良いクラス感を生み出す ・デザイン性と機能性の両立 ＜当社プロジェクトメンバー＞ 【開発・リーシング】 中田 淳 【営業・プロジェクトマネジメント】 小堀 貴史、高橋 明子 【デザイン・設計】 FOO：久兼 将弘 【制作・施工】 田中 大成

台湾の不動産開発会社Walsin (南京) Development Co., Ltd.様が運営する「VVG Lifestyle Village」は、ヒューマニズムとクオリティ・オブ・ライフを特徴とする緑豊かな都市複合施設の中にある南京 ONE MALLにオープンしました。 施設のテーマが海や大地などの自然（earth）であることと、3層に渡る大きな吹抜がある空間特性から、ここを「森」のような空間にすることで施設全体との調和とその魅力を拡大できないかと考えました。この「森」のような空間では、多様な生物の営みや自然の循環のように人々の出会いやつながりが生まれ、そして森を散策する動線が生まれました。 「枝葉」をモチーフにした巨大な格子を35列連続して配置し、吹抜空間ではアーチ状に変化させ空間全体を覆い尽くしました。その中に台湾の国花である「梅」の照明をランダムに配置し、規則性と不規則性のある「森」を創り出すことで、日本の繊細さと台湾の感性を融合した『VVGの森』を完成させました。 ＜当社プロジェクトメンバー＞ 【プロジェクトマネジメント・営業】 須田 慶太、藤目 良 【デザインディレクション】 no.10：青野 恵太 【デザイン】 no.10：鈴木 祥平、藤原 ちひろ

国・県レベルでの東日本大震災に関連した施設として、国内初となる岩手県の施設です。2011年３月11日におこった東日本大震災津波の悲劇を繰り返さないため、震災津波の事実と教訓を後世に伝承し、復興の姿を国内外に発信しています。「命を守り、海と大地と共にいきる」を展示テーマに、三陸の津波被害の歴史や東日本大震災津波の事実、教訓などを展示やグラフィック、映像等でしっかりと学ぶことができる施設です。 ＜当社プロジェクトメンバー＞ 【開発】吉岡 伸 【営業・プロジェクトマネジメント】鞠子 猛 【企画】齊藤 恵理、中瀬 尚子 【設計】正木 秀司、堀越 さやか、芦田 光代、冨永 育穂 【制作・施工】平石 昭雄

福岡ソフトバンクホークスの本拠地である福岡PayPayドームの隣、複合エンターテインメント施設「BOSS E・ZO FUKUOKA」の４階にリニューアルオープンした本施設は、「野球人・王貞治」の魅力を伝えるとともに、「楽しむ」に重点を置いたスポーツミュージアムです。『王貞治ヒストリーゾーン（展示）』では、野球人・王貞治の偉大さや波乱万丈の道のりを最新の展示手法で表現、『89パーク（体験型アトラクション）』では、「野球を楽しんでほしい」という王貞治氏の野球への想いを体験型アトラクションに凝縮し、打つ・投げる・捕るなど様々なチャレンジが楽しめます。

海外渡航中のモバイルインターネットをはじめとする”通信環境の提供”に強みを持つエクスコムグローバルの本社エントランスロビー。 モバイル通信サービスは、世界中で様々な関わり合いを生み、人と人、人とコトを結びます。国や世代を超え、個々のコミュニケーションの連鎖がやがて世界的なムーブメントを生んだり、1つの大きな存在を紡ぎだしていくその様子は、様々な生物の営みとつながりが、より多くの生命の拡がりを生んでいく「森」の様子を思い起こさせます。 エクスコムグローバルの事業が世界にもたらす無限のつながりと可能性を、豊かな森の有り様(ありよう)と重ね合わせ、そこでの自然の造形や、森の成長の記憶、時間ごとに移ろう美しい姿をデザインのテーマとしました。壁面は、森の風景を象徴する要素として、木々の重なり合うシルエットをモチーフにしたパネルをデザインし、空間を覆いました。日中は陽の光、日没後は照明の灯りが、パネルの開口を通して床や壁に柔らかい影を落として木漏れ日のような印象を与え、渋谷の高層ビル内でありながらも森の中にいるような情景を作り出しています。また、印象的なテーブルやドリンクカウンターは、森の成長の記憶として「年輪」をデザインのモチーフとしました。曲げた金属板を同心円状にオフセットさせながら組み上げ、天板はその様子が見て取れるよう透明のアクリル板としています。 レイアウトプランとしては、来客を迎えるレセプションエリア、商談などを行うミーティングエリアの2つに空間を分節し、上記のデザインテーマの下でそれぞれのシーンに適した視線の遮り方や透過性を作り出す工夫をしています。 【お客様の課題/ご要望】 ラグジュアリーホテルのロビーのような雰囲気のレプションスペース及び商談スペースをデザインしてほしい、というご要望をいただきました。 ＜当社プロジェクトメンバー＞ 【営業・プロジェクトマネジメント】 石井 和茂、村上 香織 【デザイン・設計】 北村 喜裕 【制作・施工】 近石 郁雄、小池 徹治、香川 拓也

住友商事様の第2の創業の地である神田エリアに計画されたKANDA SQUARE（神田スクエア）。住友商事様の新しい街づくりの挑戦として誕生した地上21階の複合型オフィスビルの神田のランドマークです。当社は１階商業ゾーンの環境の内装、サインの設計、施工業務と内装監理業務を担当しました。