Works#Kanto

昭和館は、昭和の時代に国民が経験した戦争の記憶を継承し、またその時代の国民生活に係わる歴史的資料・情報を収集、保存、展示し、その労苦を次世代へ伝える国立の施設で、「戦前・戦中・戦後を通した国民の暮らし」をテーマとした展示を行っています。 本プロジェクトは、エピローグ「昭和のくらし―昭和30年代体験エリア―」のリニューアルで、2023年の基本計画から段階的に整備を行いました。終戦からの復興を経て高度経済成長期へと向かうこの時代は昭和レトロの懐かさと共に、明るくワクワクする魅力満載の展示となっています。展示空間は、商店街の「電気屋」をイメージした再現家屋と「路地裏」です。電気屋には、当時憧れの家電だった各社の“三種の神器”が贅沢に並べられています。板塀に貼られた数々のポスターからは、当時の世相や文化を垣間見ることができます。路地裏は電気屋の裏庭・縁側空間につながり、手押しポンプ・手回し洗濯器シミュレーションによって、電化以前の水仕事を擬似体験できます。広場の紙芝居師の演目は、大人気の「黄金バット」です。 電気屋の一家のシルエットパネル（父親・母親・子ども）はスマートフォンをかざすと、各人の暮らしを昭和30年代から語りかけてくれます。

This is the flagship store of Koala Sleep Japan, an Australian bedding brand. Its concept is an "urban oasis" where you can experience Australian nature and culture even in the city. You can try out their main product, mattresses, and their versatile sofa beds. You can also enjoy a fun shopping experience with cushions and rugs inspired by Australian concept design, and at the adjoining Koala Cafe, you can enjoy Allpress Espresso coffee and food menus that express "Aussie" culture. *As of February 2026, the company name has changed from Koala Sleep Japan Co., Ltd. to Koala JP Co., Ltd.

The Tochigi Children's Science Museum, having been in operation for over 35 years since its opening in 1988, underwent renovations to address the aging of its buildings and displays. This included extending the lifespan of the building and updating planetarium equipment and displays. Our company handled the entire process, from schematic design and working drawings of the large-scale renovation, including displays, interiors, and outdoor playground equipment, to the construction displays Based on an interactive approach, 156 displays and playground equipment incorporating new technologies such as AI and AR were created through a combination of newly manufactured and reused items. displays that have been beloved by the people of Tochigi for many years were also cleaned and refurbished for continued use. Furthermore, collaborative displays themed on the prefecture's natural environment and industries, a large symbolic displays, and a lounge were added, highlighting the museum's unique character as a science museum that reflects Tochigi's identity. This also aimed to reduce renovation costs, improve maintenance efficiency, and create a new science experience space that balances safety and functionality.

"SEGA STORE TOKYO" opened in Shibuya PARCO as the first flagship store in Japan to embody Sega's "transmedia strategy." It showcases the worldview of the company's diverse IP* as an "experience" that goes beyond simply selling merchandise, serving as an information dissemination hub that delivers new surprises and excitement to fans around the world. Our company was responsible for design, layout, production, construction, and VMD (visual merchandising) support for this project. We created a space where fans can enjoy the appeal of Sega's unique content with all five senses, creating a "place" that connects content with fans both in Japan and overseas. *Refers to all content protected by intellectual property rights.

We provided total support for the design, construction, operation, and stage direction of the Sega/Atlus booth at Tokyo Game Show 2025. Equipped with a large stage and high-definition LED vision in the center of the booth, we created a space that maximized the unique worldview and information transmission capabilities of Sega and Atlus.

This project involved the renewal of the common office spaces of Shinagawa Grand Central Tower, located at the Konan exit of Shinagawa Station in Tokyo. Our company was responsible for everything from interiors and sign design to construction, and has been steadily promoting the renewal of a total of 18 floors since 2019. The objective of this project was to increase the value of the building by revamping the common office spaces, leading to the attraction of tenants. To achieve this, we incorporated a good balance of materials that combine hardness and softness, and established concept design concept of a "semi-private space that connects private and work spaces." The richly textured interiors finishes created an office environment that was comfortable for tenants and attractive to companies, contributing to the enhancement of the building's value.

Le Cafe Benoît Niant, which opened at Seibu Ikebukuro Main Store, is the first cafe-style store in Japan. Benoît Niant is a chocolate brand created by Benoît Niant, a leading Belgian chocolatier. While working as an engineer for a steel manufacturer, Benoît Niant was captivated by the profound appeal of chocolate, and after extensive research on his own, began his journey as a chocolatier.

This project was a renewal of the food and beverage zone (basement 1 and 2 floors) of the Meiji Yasuda Life Building in Tokyo, which is celebrating its 20th anniversary since its completion. On the 2nd basement floor, the newly opened "Marunouchi Food Hall" is made up of six stores offering a wide variety of food and drinks. In addition to breakfast, lunch, and dinner, the hall also offers cafe and takeout options to suit the needs of each visitor. Our company was responsible for research, merchandising planning, leasing, furniture and fixture manufacturing, environmental design and construction, and operational planning.

This is a renovation project for the 24th floor of Okamura's head-washed office "We Labo", which handles office furniture and store fixtures. For the complete renovation of the first floor, under the design of Okamura's creative team, we were in charge of the construction of the interiors construction work.

OMO5 Yokohama Bashamichi by Hoshino Resorts, a hotel set to serve as a celestial hub, inheriting the history of Yokohama's Bashamichi district (opening January 15, 2026). From planning to completion, Hoshino Resorts handled the entire project, from planning to concept design, engineering, and construction, in just under a year. Based on the concept of a "CRUISE SHIP," the entire space is imbued with the romance and playfulness of nautical life. The public space on the 46th floor takes advantage of the mixed use of existing tenants and the limitations of public open space to create a circulation flow that evokes the "interior of a ship." By exploring the lounge reminiscent of the bow of a ship, the mirror deck that amplifies the night view, the gallery, and the theater, we have created an "interior ship experience" that heightens the sense of exhilaration. The guest rooms, taking full advantage of the existing kitchen, were designed to resemble "ship's cabins," allowing for intimate moments with friends. We valued the density that can only be achieved with limited space, creating a functional and intimate space. The design, which reflects the colors and fonts associated with the Hikawa Maru, Yokohama's most iconic ship, acts as a switch that shifts your perspective from a voyage above the clouds to a deep stroll through the city.

At Inter BEE 2025, a professional exhibition for sound, video, and communications held at Makuhari Messe, our company was in charge of the spatial concept design of displays booth for Sigma, a global optical equipment manufacturer that proclaims "MADE IN AIZU, JAPAN," under the creative direction of Ichiro Iwasaki of IWASAKI DESIGN STUDIO. Even within the limited space, we concept design the fixtures and lighting plan to highlight the products themselves, eliminating unnecessary information to maximize the appeal of the Sigma brand's worldview. We achieved a sophisticated spatial concept design that stands out even among the diverse booths in displays hall. *Exhibition period: November 19-21, 2025

At Japan Home Show & Building Show 2025, one of Japan's largest architectural displays, we created displays booth to promote the new product "PANECO®," an environmentally friendly material made from upcycled discarded clothing. We were responsible for the entire booth, from concept concept design to construction. Based on PANECO® and lightweight steel (LGS), we concept design a large, approximately 4-meter-tall structure with floors, walls, and ceilings entirely made of PANECO®. The full-scale walls intuitively convey the scale of PANECO®'s use as an interiors building material, while the interior proposes lifestyle scenes that utilize PANECO®. By creating different surfaces on the exterior and interior of displays booth, we were able to directly and impressively convey its use as both a base material and a finishing material, as well as the relationships between construction materials, its workability, and the unique texture and appearance of the material itself.

The renovation of the first and second floors of Barneys New York's Ginza flagship store was based on the concepts of "memory" and "creation." The goal was to create a space that respects the brand's long-standing traditions (memory) while generating new value (creation). While utilizing existing fixtures such as muted wood-grain walls and niches, the design combines sustainable materials, materials that blend naturally into existing finishes, and unique, symbolic fixtures to create a fusion of timeless sophistication and provocative humor. The watch workshop at the back of the first floor was designed as a "visible customer service" space, and a semi-private meeting space with a private feel enhances the experience during the visit. Furthermore, the newly installed cafe counter was designed to be visible from the outside, aiming to attract new customers. Proceeding to the second floor, connected via the central staircase, mirrored walls at different angles are installed to bring the entire floor into view, creating a symbolic look. Furthermore, a display was placed in front of the vintage area at the back to enhance attraction and traffic flow. Within a short construction period and limited budget, we proactively repurposed existing fixtures and quickly verified them using point cloud data, resulting in a solid concept design proposal. The project created an iconic, luxurious space that is uniquely Barneys, preserving tradition while pioneering the future.

TAKANAWA GATEWAY CITY, a neighborhood directly connected to JR Takanawa Gateway Station, and THE LINKPILLAR 1 SOUTH, a skyscraper located directly opposite the station, boast an outstanding location with excellent access to major areas of the city center as well as Haneda and Narita airports and Shinagawa Station. The JW Marriott Hotel Tokyo, located on the 23rd to 30th floors of the building, is the second JW Marriott brand hotel in Japan named after founder J. Willard Marriott, and is one of the most prestigious brands among the more than 30 brands operated by Marriott International. Our company was responsible for interiors construction of public areas such as the lobby, restaurant and bar, pool, and banquet hall of the JW Marriott Hotel Tokyo, which will have its grand opening on October 2, 2025. To embody concept design of Yabu Pushelberg, an internationally acclaimed concept design studio that has worked on many luxury hotels, including Marriott, we worked together with project management and local architects over a period of just over three years.

In conjunction with the renovation of the Suntory Tennensui Beer Factory in Musashino, Tokyo, our company reconstructed the spatial design of the Theater Hall, which is located at the entrance to the tour route, and the sake storage tank area within the manufacturing process. As a new challenge in this renovation, we installed a 3D sound system in the Theater Hall, evolving it from a simple place to watch videos into an experiential theater where visitors can "feel the brand philosophy."