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The public relations and displays space was set up alongside the G20 summit, which brought 30,000 officials and press from around the world to Osaka. It featured a floating, cutting-edge technology displays area inspired by a futuristic miniature world floating on the sea, a live kitchen reminiscent of street food stalls, and a bright white cultural area expressing hope from reconstruction to the Olympics. The three different areas were seamlessly connected and merged to concept design a new style of presentation that allowed visitors to relax and enjoy present-day Japan. [Social Issues/Client Issues/Requests] The client requested that we express Japan's innovative technologies and ideas that realize a virtuous cycle of environmental conservation and growth, creating a new era that is rich for both people and the planet. [Solution] At the G20 Osaka Summit, we actively implemented waste reduction initiatives based on the concept of "3R" + "Renewable Sustainable Resources," and in the public relations displays, we realized cutting-edge technology and spatial concept design related to the marine plastic waste problem. The displays was structured to show Japan's technologies and initiatives for plastic resource recycling in stages: "Reduce," "Replace," "Reuse," "Recycle," "Collect," and "displays." With concerns that by 2050 the ocean will contain more plastic waste than fish, we created a floor design depicting a beautiful ocean to convey Japan's commitment to protecting this state of the sea. <Our Project Members> [Sales & Project Management] Yuji Hayamizu, Yasuo Ogawa, Shigeyuki Ishiyama [design, layout] Yutaka Hanaoka, Takayuki Kobayashi [Production & construction] Yu Kimura, Yoichi Miura, Yukari Takahashi, Shigeki Ueno, Yuka Tabata, Yuki Higashihara

国内外で活動する株式会社乃村工藝社デザインチーム no.10が、人とグリーンとの新しい関係を提案し続けるSOLSOと、ユニクロの2021年春コレクションを楽しめる展示「LifeWear SPRING」（東京都中央区銀座、UNIQLO TOKYO１F LifeWear SQUARE内）でコラボレーションしました。 今回の展示では、ユニクロの、自然との共生を考え、地球に余計な負荷をかけない服づくり「Lifewear」の理念を「空間づくり」にもあてはめています。サステナビリティと機能性に考慮し、＜SOLSO＞の創り出すグリーンとともに自然と共生する優しい空間になっています。 ■「LifeWear SPRING」開催概要 ・開催期間：2021年1月15日（金）～2021年３月中旬 ・開催場所：UNIQLO TOKYO１F　LifeWear SQUARE ・住所：東京都中央区銀座３丁目２-1マロニエゲート銀座２ ・開催時間：対象店舗営業時間内　※詳しくはホームページをご参照ください。 【社会課題／お客様の課題／ご要望】 ・春のコレクション展示ということで、春のフレッシュさを表現した展示空間が求められました。 ・エントランスから入ってきたお客様の目を引く、インパクトのある空間が求められました。 ・サステナブルに力をいれているUNIQLO様として、環境に優しい素材で今後も継続的に使っていける什器が求められました。 ・新型コロナウイルス感染症対策として、造作ベンチを清掃しやすく制作する必要がありました。 【解決策】 店内に植物を沢山配置し、室内にいながら緑あふれる春の公園のような空間を演出。さらに中央には3.5ｍにもおよぶシンボルツリーを配置し、インパクトを出しました。 マテリアルにはコルクを使用し環境にも配慮、新型コロナウイルス感染症対策としてはベンチの座面を取り外しできるようにすることで、座面にビニールをかぶせることができ、清掃のしやすい仕様としました。 ＜当社プロジェクトメンバー＞ 【営業・プロジェクトマネジメント】 宮浦 英典 【デザイン・設計】 no.10：安藤 陽介、福本 麻由子、岡崎 大輔 【制作・施工】 北 優莉香、梶元 胡桃

In response to a rapidly diversifying society driven by advanced technology, Panasonic believes in and proposes a balanced lifestyle. They believe that by seamlessly reading, understanding, and grasping the condition of a person's skin, hair, and health in their daily life, and providing personalized care that anticipates their needs, they can offer an intuitive and balanced lifestyle. In the concept space at this displays, visitors experienced a series of stories, from how information about a resident is collected, integrated, and analyzed by the objects and spaces surrounding them, to how products with beautiful and universal concept design provide optimal care for that person. <Social Issues/Customer Issues/Requests> Newly planned and developed well-being products were unveiled for the first time at IFA. We were commissioned to concept design the concept displays space, striving to create a space that goes beyond a simple product displays, allowing visitors to interpret the product's concept and user experience. <Solution> Through detailed interviews and discussions with the London concept design Centre, which was responsible for concept development, we utilized new AV technologies and building materials to design a space that not only gains visitor understanding but also leaves a lasting impression as a user experience. <Customer Feedback> Even though the product and concept were still in the early stages of concept creation, before they even existed in the world, they were involved from the very beginning, helping us consider what kind of output would be most effective. Despite the short lead time, we were able to work together and complete the project by the deadline. <Our Project Members> [Sales] Makihide Ono [design, layout] Daisuke Nishida [Production/ construction] Yoichi Miura

Based on the concept of "PLAY THE FUTURE," this playground allows visitors to experience the future mobility society, "Human Connected," by becoming residents of the future and exploring various interactive content. Rather than depicting the connected city gradually becoming a reality, the design creates a highly abstract environment based on white and grids, and combines video projections that envelop the entire booth with stage productions to create an experiential space that stimulates visitors' imagination and their anticipation for the future. <Our Project Members> [Sales/Project Management] Shigeyuki Ishiyama [design, layout] Noriaki Tamura, Kazuya Maruyama, Kan Fujimura [Production/ construction] Jun Endo, Fumiya Sasaki ~Related Links~ [Related Achievements] ・Toyota Booth at the 45th Tokyo Motor Show

As part of Panasonic's 100th anniversary celebrations, the event spanned 5,500 square meters, featuring a product displays area tracing the company's 100-year history from its founding to the present, and a comprehensive displays area showcasing Panasonic's vision and initiatives for the future. By integrating giant video content with the space, a dynamic environment was created, resulting in a space where visitors could immerse themselves in a vision of future living. <Our Project Members> [Sales & Project Management] Tomohiro Yamashita, Etsuko Nagano, Shiho Shikishima, Shunichiro Kohama, Ryo Sugaya, Makihide Ono, Hikaru Sato [design, layout] Naruhito Suga, Akane Yamaguchi, Hironori Yanase, Kazutomo Mukai, Takashi Okumura, Daisuke Nishida, Yoshifuru Yamaji, Masako Tanaka, Mitsutaka Hagiwara, Mayumi Shigematsu [Planning] Nobuaki Yabe [construction] Kazuhiro Sano, Yoichi Miura, Mao Tamaki, Dai Shimizu, Hiromitsu Furuichi, Mikio Arai, Yuta Kumazawa

【プロジェクト説明文】 TOYOTA の人工知能とその進化的価値を空間全体で感じさせる体感演出空間 TOYOTA の提案する人工知能= CONNECTEDがもたらす未来の愛車の姿をブース全体で伝えていくプレゼンテーションステージ。白を基調としながらひとつひとつのクルマを際立たせ、美しく見せ、円や曲線をモチーフに空間全体が有機的につながり天井も床も一体感のある空間に柔らかく包まれてるような印象を与える。演出時にはブース全体に生命が宿り、人工知能の胎動を感じさせるようなブルーの光に包まれる空間としている。 ＜当社プロジェクトメンバー＞ 【営業・プロジェクトマネジメント】石山 滋之、西野 正浩 【デザイン・設計】田村 啓宇、田村 憲明 【制作・施工】三浦 洋一、熊谷 秀信

[Project Overview] This is a spatial installation by the Italian luxury watch brand "PANERAI". First, a transparent, shell-like watch was concept design, condensing Panerai's characteristic features such as the indices made with single-stroke numbers and the square-shaped case. This shell was then stretched to a length of 16 meters using extrusion molding. Watches are then made by hand, gradually slicing this elongated "shell watch," and visitors can take home the finished product. As the visitor's "age" is converted to "mm" and cut out, watches with various proportions are naturally produced. A circular atelier space is prepared for each work process, such as polishing, sandblasting, and assembly, and the way these spaces mesh and work together to gradually complete the watch is like the gears of a clock. One watch is made every 5 minutes, and the elongated "shell watch" gradually shortens during displays period, ending the installation the moment it all disappears. In other words, this "shell watch" also serves as a device to make us perceive time, like an hourglass. We thought that by converting "time" into "length," like selling time by weight, it would be possible to experience time and even "take home your own time." This project was handled by our concept design team "onndo (*)." *What is "onndo"? Operated by nomura and nendo design office, onndo is our creative team that has a business partnership with nendo, concept design office headed by the globally acclaimed designer Oki Sato.

[Project Overview] This is a PR project for SK-II's super prestige series, MASTERPIECE PITERA. To allow visitors to experience the world of MASTERPIECE PITERA firsthand, the space was designed to create a flow where visitors pass through a facade modeled after the packaging and then enter the bottle itself. The materials used to create the space were carefully selected from the characteristics of both the packaging and the bottle, and then incorporated into the space. From the distinctive bottle, we extracted shimmer, reflection, and three-dimensionality, and expressed these by layering 52 polycarbonate screens of varying widths, each covered with an original film. By using polycarbonate, we were able to simultaneously overcome issues related to load-bearing capacity for the building and interiors restrictions such as the use of non-combustible materials, which could not be resolved with glass or acrylic. An original video inspired by PITERA was projected onto the central table, and by incorporating interactive, shimmering ripples and reacting ripples, we aimed to further emphasize its identity, creating a captivating experience as if one had stepped inside the bottle.

【プロジェクト概要文】 いけばな草月流90周年を記念して行われた第四代目家元・勅使河原茜の個展「HANA SO」の会場構成。 通常はあらかじめ展示作品が決まっており、それを活かす空間を考えていくのが一般的であるが、 本展示は空間からインスピレーションを得て花を生ける、という逆のプロセスが家元から提案されました。 また、彫刻家イサム・ノグチが手がけた壇状の石庭「天国」が展示会場となるため、その空間的な特徴を活かすことも不可欠なプロジェクトでした。 そこで、0.5mm厚の鏡面仕上げのステンレス板をひし角が連なった形状に切り抜き、ひとつひとつに折り目をつけながら石庭を覆うことで「鏡のツタ」のような表現となることを考えました。  ツタは周囲の風景を写し込みつつ、下の石庭の質感や表情を見え隠れさせます。 そしてその隙間に生けられた花の色や輪郭を乱反射させ、まるで万華鏡のような視覚効果を生み出しました。 このように、花と石庭という二つの「作品」の間に新たなレイヤーを挿入することで、あたかも花が石庭を優しく包み込むような、そんな新たな融合と調和をもたらすことを考えました。 当物件は当社のデザインチーム「onndo（※）」が担当しました。   ※「onndo」とは？  operated by nomura and nendo design office 世界的に評価の高いデザイナー佐藤 オオキ氏が代表を務めるデザインオフィス「nendo」と 業務提携をしている当社クリエイティブチームです。   撮影：太田 拓実

[Project description] Tokyo Game Show 2016 “DMM GAMES” “Icchibanketsu ーONLINEー” At the photo booth, you can take pictures with your favorite characters in the world of the online game “Icchibanketsu ーONLINEー”. I created a production space that makes a newly evolved character appear with my own face. By reading the QR code from the result screen, we carried out a campaign in which you can win more gifts by tweeting the evolved character on Twitter. Also, even if you couldn't receive a numbered ticket or come to the venue, you could have the same experience from your smartphone or PC. Many experience tweets were seen on the day.

[Explanation of the project] The National Convention for the Creation of Rich Seas is held annually in autumn as a wide-ranging national event aimed at raising awareness of the maintenance and cultivation of marine resources and environmental conservation of the sea, as well as deepening awareness of the fishing industry. This is a nationwide tournament. It is customary for Their Majesties the Emperor and Empress to attend, and it is positioned as one of the "Three Great Visits" along with the National Arbor Day and the National Sports Festival. [Overview] The theme of the event is “Relay of Life, Connecting Forests and Rivers to the Sea”. Ceremonial events such as commendation of groups that have contributed to the promotion of the fishery industry are held at Kibo Hall in Sakata City, and young fish are released at Nezugaseki Fishing Port. Did. [Production details] In the introduction of the prefectural fisheries industry at the opening, the coastline of Shonai Beach, which has been certified as a geopark, was shown from the perspective of black-tailed gulls using aerial drone photography. Directing interaction with people who inherit rivers and seas. Since the event will be held in the Tohoku region for the first time since the Great East Japan Earthquake, the event will be held in the presence of Their Majesties the Emperor and Empress. <Our project members> [Sales and project management] Hideo Inoue, Takashi Isozumi, Teruko Kazui [Production] Ryokichi Masuda, Ryuichi Shimada

[Project Overview] The 'Milan International Expo' held in 2015 was the first registered expo in history to focus on the theme of 'food.' 148 countries and international organizations participated, attracting 22.2 million visitors. The Japan Pavilion, produced by Dentsu, won the Gold Award in the displays concept design category of the large pavilion. Despite delays in venue construction, our company completed the displays production of the Japan Pavilion on time and handled the displays production operations for six months of the event without any issues, earning high praise. [Customer Feedback] construction Thanks to management capabilities and a network of partner companies, we have achieved high construction accuracy overseas based on a spirit of on-time delivery.

The National Tree Planting Festival is a central event of the national greening movement, held every spring with the attendance of Their Majesties the Emperor and Empress, and co-sponsored by the National Greening Promotion Organization and the host prefecture, in order to deepen the public's understanding of forests and greenery, which are the foundation of a rich national land. The basic plan was awarded in 2013. Subsequently, the implementation plan was completed in 2014, and the main event was held in 2015. We provided total support from planning to implementation, including venue preparation, ceremony direction, and operational support. ◎Our project members NOMURA Co.,Ltd., Ltd. [Sales] Hideo Inoue, Teruko Takai [Planning] Hideo Inoue, Teruko Takai [concept design /Architecture] Hideo Inoue, Yoshito Inoue, Teruko Takai [Signage/Graphics] Teruko Takai [construction] Toshihide Kanemitsu [Direction] Hideo Inoue [Operation] Hideo Inoue, Teruko Takai

At "WPHH JAPON 2014 in KYOTO," the new watch launch event by the Franck Muller Watchland Group, led by Franck Muller, our company was responsible for the total direction of the art and artwork, as well as concept design and construction. With only half a day for on-site construction, the key challenge was creating a space that would satisfy the invited guests. However, with the cooperation of Aomori Nebuta float artist Kitamura-san and flower designer Nicolai Bergmann, we were able to create a dignified and high-quality space. Our responsibilities: Art Direction, Project Management, construction, Design

「Wonder Life BOX 2020」はパナソニックセンター東京の施設内に開設した、パナソニックが考えるクラウドを活用した「2020年のより良いくらし A Better Life A Better World」を具体的な展示にして提案する施設。「憧れの豊かなくらし 自分らしく、快適に」をコンセプトとしており、「エントランス」、「LDK、プライベートオフィス」、「サニタリー、ベッドルーム」などを展示し、家電製 品や住宅設備から集まる生活者の音、画像、エネルギー等のライフログをもとに、最適な街、社会のサービスをうまく住まいに取り込むことで、主体的に心地よ く暮らす豊かなライフスタイルを提案する。見学はツアー形式になっており、見学者はアテンダントのデモンストレーションを通して体験し、見学後は同施設内 のミーティングルームにて意見交換を行う。「Wonder Life BOX 2020」を通じて最新の情報発信を行うとともに、新たなビジネスパートナーの創出や新規ビジネスモデルの構築につなげる空間となっている。 ＠当社プロジェクトメンバー 営業：大河延年 ディレクション：鈴木恵千代 デザイン：阿部幸子、中村寿考、古賀紗弥佳、吉田敬介 制作：富林健二、照井正道、矢野知宏、西英安、山下優子、松原亜津子、藤平貴一   ＜受賞歴＞ ●「第34回ディスプレイ産業賞（2015）」奨励賞 ●「日本空間デザイン賞2015」入選   担当箇所：デザイン・設計, 基本構想, 建築設計, 施工, 施工監理, 設計監理