WorksCorporate_

This is an office renovation plan for Star Precision, Head Office headquarters in Shizuoka City and the purpose of "Contributing to the sustainable development of society as a great small and medium-sized enterprise that takes on the world." The seven-story Head Office had its grand opening in 2017, with the first to sixth floors being open offices, and the seventh floor being a prestigious, secret executive floor. Seven years later, in 2024, it was decided to use the seventh floor as office space as well in response to an increase in the number of employees and changes in working styles. Based on the request, we proposed, designed, and construction the seventh floor together with Kiuchi Construction, Star Precision's prosperity partner, and reopened in February 2025. The plan, which has a light courtyard in the center of the floor, has a quiet area with 40 seats on the east side, an active area where lively discussions take place on the west side, private executive rooms on the south side, and an executive meeting room (usually an office area) on the north side, while maintaining an open atmosphere and maintaining a moderate sense of distance.

I-NEC has relocated Head Office to Frontier Meieki, an environmentally friendly, cutting-edge office building in Meieki, Nakamura-ku, Nagoya. The concept is "rays of hope," with the symbolic color "I-NEC Blue" and light interwoven in the space, so that people can take a new step and feel a hopeful future. The cutting-edge office space combines environmental consideration with concept design, and concept design elements of "light," "blue," and "environmentally friendly materials" create a place that embodies the company's purpose and vision. Under the direction of Taki Tanaka, representative of IZA, who is in charge of I-NEC's branding, a symbolic piece of "light" art was installed at the reception in collaboration with Takahiro Matsuo (artwork), representative of LUCENT Inc, and Setsuya Kurotaki (sound concept design), representative of NOiR inc. In addition, the entire office is gently enveloped in I-NEC Blue, bringing a sense of unity and connection to all who gather here. In addition, the existing base for the OA floor was washed and used as is, eliminating the need for finishing materials to reduce the environmental impact, and the walls are made of cement tiles made from recycled waste materials such as coal ash from thermal power plants and used coffee beans. We were in charge of the design and construction.

The shichimi can from Yawataya Isogoro is a famous Shinshu souvenir. The theme of displays held to commemorate the 100th anniversary of its sale was "Dissecting the Shichimi Can." The secrets hidden in the small can were unraveled from the perspectives of history, materials, and concept design. A panel concept design that resembled an unfolded label enveloped the small venue, and the shichimi can, a beloved supporting role on the dinner table, took center stage, adding color to the venue. This exhibition was also held at the Nagano Prefectural Art Museum's Civic Gallery, and recorded the highest number of visitors of any gallery displays.

Sorappa, which opened in Gran Green Osaka, is a lounge exclusively for workers, consisting of a dining area, a café that doubles as a workspace, and a terrace. The dining area is an open space with a 7m-high window that overlooks the Umekita Park, making it suitable for groups to use without worrying about others around them. The open space extends from the café to the terrace, and on sunny days you can enjoy a relaxing cafe time while looking at the beautiful view.

THE SEVEN is involved in planning and developing content for the global market and producing a variety of entertainment businesses. The company has recently expanded its floor space to create a groundbreaking office for further creative enhancement. The office is designed to consistently consolidate all functions of video production from planning to final checks in a single space, and to ensure that we continue to respond to extremely high-quality video, we place the utmost importance on the quality check process. For this reason, the preview room is equipped with an 8K projector and Dolby Atmos* 7.1.4 sound system to enable highly accurate correction instructions based on the highest quality video and sound checks, further improving quality. In terms of design, we aimed for a concept design that is both beautiful and unusual, based on the keywords "beautiful concept design like a video" and "Science Fiction (SF)". In order to avoid uniformity of expression, we incorporated hand-drawn sensual forms in various parts of the design, but also created a consistent regularity to maintain a comfortable balance in the space through repeated verification. concept design TBS Television concept design Center was in charge of the design work and interiors ・Fixtures, electrical and plumbing systems, and signage graphic work. We achieved smooth promotion and completion of the project by building good communication with TBS TV concept design Center and other construction vendors, while taking advantage of our strength to consistently demonstrate our design construction capabilities. *Dolby Atmos: The use of overhead and upward-facing speakers to create a three-dimensional soundscape.

The Panasonic Group Pavilion "Nomo no Kuni" is a pavilion based on the concept of "Unlock your nature" that draws out the potential of children through sensory analysis technology and experiences that stimulate the five senses. Utilizing the latest technology from Panasonic Holdings, we have achieved a spatial design that harmonizes with the worldview of "Nomo no Kuni" by using tiles that evoke the tactile sensation of walking on natural ground, natural wood finishes with metallic textures, and concept design techniques that combine with 3D printing. We adopted a spatial and experience concept design approach centered on what we can do for the future of children, incorporating cutting-edge design and construction methods in sustainability, such as reusable tiles and biodegradable concept design printing.

Founded in Nagano in 1736, Yawataya Isogoro is a long-established company that has created the image that "Shichimi is the best Shinshu souvenir." As part of the commemorative project for the 100th anniversary of the sale of canned shichimi in 2024, the company renovated its confectionery manufacturing workshop and warehouse to open a research and development site for shichimi togarashi. The new facility will function as a business negotiation lounge and test kitchen for B2B collaborative products, a hub for interaction between customers and employees, and a showroom.

Fujifilm Business Innovation's Green Park FLOOP is a place where adults can make new discoveries and children can learn and think freely. It was opened in 2024 as an experiential facility where visitors can learn about environmental issues and Fujifilm Business Innovation's technology in an easy-to-understand manner while experiencing various multifunction printer-related technologies, and explore the future of a sustainable earth. In the four experiential displays zones (Studio, Technology, Think, and Action), visitors can learn about future city development, multifunction printer technology, and environmental issues in an interactive manner. The adjacent Cafe & Co-work offers environmentally friendly menus based on the concept of "circulation." Throughout the facility, the company's environmental efforts and technological innovations are expressed, providing an opportunity for visitors to think about and act on a sustainable future. We aimed to create a new learning space open to the community where adults and children can learn in a fun way.

We were in charge of design, layout and construction of Mazda's manufacturer showroom in the Tokyo metropolitan area, which aims to provide a place for people to experience and interact with the brand. The "TRANS" in "MAZDA TRANS AOYAMA" means "to change, to overcome," and the meaning behind the name is "We want to be a place that will be a catalyst for positive change." The first floor is a special space where you can experience the brand, with a cafe and goods shop supervised by Itsuki Coffee, which was founded in Miyajima, Hiroshima, and the second floor is a comfortable space where art displays and events and workshops can be held.

This is a renovation project for the Omiya Center Building, located at the west exit of Omiya Station, one of Japan's leading terminal stations. After investigating the area around Omiya Station and identifying issues with the building, which was completed more than 30 years ago, we decided on the theme of "combining dignity and comfort" as the theme for the renovation concept design. In the renovation process, we placed a key focus on improving the satisfaction of existing tenants and aimed to increase the building's presence in terms of both functionality and concept design compared to the surrounding buildings. By preserving the dignity unique to the existing stone material while achieving a good balance between the comfort created by light materials, we minimized the disposal of waste materials due to demolition and created a cost-effective concept design while being conscious of sustainability by combining old and good materials.

Air Water Hokkaido's new facility, "Air Water Forest," is an open innovation facility that tackles social issues to "achieve a sustainable society" and "achieve a safe, secure, and prosperous lifestyle." Restaurant and cafe "Eureka" was created within this facility as a place to disseminate and share "agriculture and food," one of the Air Water Group's initiatives. The space was developed in collaboration with the architectural concept design so that the concept of the facility, "sustainable and prosperous lifestyle," could be felt in the restaurant. Like the restaurant's name "Eureka" (which means "I found it! I understand it!" in ancient Greek), concept design allows customers to discover the rich land of Hokkaido and the natural deliciousness of the ingredients that grow there.

This facility is a showroom for condominium sales by Mitsui Fudosan Residential. It is located on the first floor of a building in the center of Sendai city, and taking advantage of its location that is easily visible from outside, the space was designed with the concept of "EN - A place that connects people with people, town with people, inside with outside, and connections" in mind, and was designed with the image of a "veranda" commonly seen in Japanese houses. In the presentation space in the center, a condominium model and video are used to welcome residents with an exciting displays. In the surrounding park-like space that connects to the outside, business negotiations about "living" can also be conducted. In order to promote diversity and inclusion, the company has introduced a paraart subscription service to some of the condominiums in the Sendai area, and is working to provide opportunities for people to support independence and thrive. In order to let many people know about this initiative, art is displayed in part of the meeting space, and a mini gallery introducing paraartists is also set up in a space that resembles a condominium balcony that can be seen immediately from the sidewalk.

This is a renovation plan for the office common area of Shinagawa Intercity, a large, high-rise complex that was developed in 1998 as the core of business and culture in the Shinagawa Konan area. The facility is long and narrow from north to south, and consists of three office towers, a commercial store tower, and a hall tower, with a complex structure like a city. Based on the concept of "a city where wind and people circulate," concept design to circulate people by utilizing various spaces in the building and to create a unified look among the multiple towers with the motif of "wind." In order to strengthen its competitiveness with the surrounding office buildings, we were conscious of a sense of luxury, and the wood-based space that leads to the comfort of the central garden that spreads out in front of you guides visitors beyond the building with the curved walls and ceiling that make you feel a gentle breeze blowing in, and the continuous vertical lines. We are also currently planning to create a new environment so that tenants can find comfortable places other than the office and use the space in a variety of ways.

Based on the concept of "NEXT HOME," this new office building project will be the foundation for the next generation for Yamaichi Jisho, which is celebrating its 50th anniversary since its founding. In response to the request from the company's president, Watanabe, that "we don't want a building that's just cool. We want a building that's alive," we held multiple workshops for all employees and the preparatory committee, and filled every corner of the new office with the thoughts of each employee, fostering a sense of it being "our office." Through this project, the motivation of each employee has changed, and new interactions have been created both inside and outside the company. An original "office for ourselves" has been born here, which will help Yamaichi Jisho solve the issues they expect from the company, such as communication, recruiting, and inheriting their DNA.

This was Head Office relocation project for Hybrid, a company that helps IT departments resolve issues and strengthen organizational functions. Based on the company's mission of "leading the fusion of information systems (IT) and management/business," concept design concept was "fusion of ideas, structure, and materials," and the aim was to improve the working environment and corporate value by fusing an industrial motif with a modern, sophisticated space.