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The BANDAI HOBBY CENTER PLAMO DESIGN INDUSTRIAL INSTITUTE MUSEUM (BHC PDII MUSEUM), located within the new factory of BANDAI SPIRITS' plastic model production facility, "BANDAI Hobby Center" in Shizuoka City, is based on the theme of "A base for promoting the appeal of manufacturing." Visitors can tour the new factory and experience their own "Plastic Model Designer Experience." The museum also displays the know-how and commitment cultivated over more than 50 years of plastic model manufacturing, as well as the latest technologies that support product quality. It's a fun place for children and adults to learn about manufacturing. In this project, we worked closely with BANDAI SPIRITS to plan, design, and construction the facility's displays and content, as well as its operational planning. We utilized our spatial implementation capabilities and displays concept design expertise to realize the museum concept and ideas of BANDAI SPIRITS, which is filled with "Plastic Model Love," and to convey the hidden dedication of factory workers to manufacturing. To realize BANDAI SPIRITS' facility concept of "changing the way plastic models are viewed," displays feature real molding machines and molds used in factories that are not normally visible, allowing visitors to experience the manufacturing process, and through friendly graphics and displays, visitors can learn about BANDAI SPIRITS' commitment to manufacturing, which is the essence of plastic models, as well as the evolution and challenges of that technology.By providing visitors with the experience of actually being a plastic model designer, the exhibit aims to be a place that gives them the opportunity to enjoy plastic models from a new perspective, by providing them with an awareness of a new side to plastic models.

This project involved the renewal of the common office spaces of Shinagawa Grand Central Tower, located at the Konan exit of Shinagawa Station in Tokyo. Our company was responsible for everything from interiors and sign design to construction, and has been steadily promoting the renewal of a total of 18 floors since 2019. The objective of this project was to increase the value of the building by revamping the common office spaces, leading to the attraction of tenants. To achieve this, we incorporated a good balance of materials that combine hardness and softness, and established concept design concept of a "semi-private space that connects private and work spaces." The richly textured interiors finishes created an office environment that was comfortable for tenants and attractive to companies, contributing to the enhancement of the building's value.

This is a renovation project for the 24th floor of Okamura's head-washed office "We Labo", which handles office furniture and store fixtures. For the complete renovation of the first floor, under the design of Okamura's creative team, we were in charge of the construction of the interiors construction work.

The "Future City" Pavilion at the 2025 World Exposition, Japan (Osaka-Kansai Expo) is a joint exhibit project by the Expo Association and 12 supporting organizations. The Kubota Germination Lab is a research institute that addresses people's aspirations and global issues, and considers future food and agriculture that is friendly to both people and the earth. Life, food, and agriculture are connected from the past to the present and into the future, and we believe that we too play a role in these connections. This was a forum for participants to realize and consider the importance of each individual considering the entire food system, from production to consumption, and the importance of communicating the technology that supports the food system.

The Sumitomo Pavilion at the 2025 World Exposition, Osaka, Japan (Expo 2025 Osaka, Kansai) is a pavilion where visitors can experience a magnificent "Story of Life" set in the "Unknown Forest." Lanterns in hand, visitors of all ages can wander freely through the forest, experiencing the interconnectedness of life that is invisible in everyday life. Light and mist change in response to visitors' movements, revealing the "Story of Life" in nature, including trees conversing underground, the centuries-old life cycle of trees, and the animals and fungi that lurk in the forest. A theater deep in the forest depicts the journey and fragments of memory of Mother Tree, who has watched over the forest from its birth to its final moments. The wind and mist drifting through the space stir visitors' senses, culminating in a powerful performance that combines layered images, music, and people. After the forest experience, visitors can tour the "Seeds of the Future" area, which displays over 700 cutting-edge technologies and initiatives from the Sumitomo Group and connects to a platform that utilizes generative AI, allowing anyone to create and share ideas for the future. The Sumitomo Pavilion was built using approximately 1,000 cedar and cypress trees planted in 1970, the year of the Osaka Expo. In addition to their experience in "Unknown Forest," visitors can also participate in a "tree-planting experience" where they can come into contact with seedlings and soil, and the newly grown seedlings will be returned to their original forest. The "story of life" will continue even after the Expo and be passed on to the next generation.

In conjunction with the renovation of the Suntory Tennensui Beer Factory in Musashino, Tokyo, our company reconstructed the spatial design of the Theater Hall, which is located at the entrance to the tour route, and the sake storage tank area within the manufacturing process. As a new challenge in this renovation, we installed a 3D sound system in the Theater Hall, evolving it from a simple place to watch videos into an experiential theater where visitors can "feel the brand philosophy."

We have newly built a conference room and waiting lounge space for recruitment interviews in NOMURA Co.,Ltd. Head Office office building. As we expect that those who will be using this space will be feeling nervous, we aimed to create a space where everyone can relax and perform at their best, as well as a space that will make interviewees think, "I want to work for NOMURA Co.,Ltd."

We were in charge of the design and construction of the renewal of the entrance and facade (exterior of the building) at Mitsubishi Heavy Industries' displays facility, the Mitsubishi Minatomirai Industrial Museum, located in Yokohama, Kanagawa Prefecture.

The Mitsui O.S.K. Lines Museum Funeshiru, located at Osaka Nanko ATC, where the Sunflower ferry connecting Osaka and Kyushu is docked, is the first museum to be developed by this leading shipping company, with a history spanning over 140 years, and a desire to allow many people to experience the world of ships that support people's daily lives. Based on the concept of a museum where visitors can see, touch, and play with the ships that support our lives, the museum aims to provide a place where people of all ages can enjoy learning about how shipping supports people's daily lives and how ships are constantly evolving. The museum's space and experiences are designed to be child-friendly and exciting, with a large panoramic theater that allows visitors to experience the scale of ships and the ocean, and interactive displays that allow visitors to learn about jobs related to ships and shipping. Inspired by the image of a port where food transported across the sea is gathered, the museum also features a cafe serving original curry and a shop selling original goods unique to a museum dedicated to ships and shipping.

Juno Park, which opened in Kizugawa City, Kyoto Prefecture, is a project to renovate Sekisui House's experiential research facility, Nattoku Kobo, into a housing education edutainment facility to cultivate children's sensibilities. The facility consists of four floors, with the first floor being a cafe and library that local residents can use casually, and the second through fourth floors being a paid experience area. Based on Sekisui House's concept of "sensitivities cultivated through daily life," we planned and developed the "Experience Activities," a 45-minute game-style group workshop linked to six themes related to "living," as well as the "Experience Gallery," displays where visitors can enjoy hands-on interaction and thinking. We also handled the operational planning, including the creation of staff scripts and facility operation manuals, and the design and construction of the facility's interiors and outdoor signage.

With the aim of strengthening the competitiveness of the office area of JR Central Towers, which is directly connected to Nagoya Station, we renovated the lobby and installed a lounge. The lobby was renovated into a space that stands out as the face of the office area, and the lounge on the 34th floor was created under the concept of "Towers Maison Lounge," taking advantage of the views that can only be enjoyed from high floors, creating a place where office workers can relax.

The "Cities of the Future" Pavilion at the 2025 World Exposition, Japan (Osaka-Kansai Expo) is a joint exhibit project by the Expo Association and 12 other sponsors. Based on the concept of "WIND VISION," the MOL displays Place features a large-scale model of the hydrogen production ship "Windhunter," which MOL is developing, and a large screen. An interactive, experiential displays was created to allow visitors to experience the "wind," an inexhaustible natural energy source captured by the Windhunter, and the "wind" created by the ship.

This is Kawasaki Heavy Industries' displays space at the "City of the Future" pavilion at the 2025 World Exposition, Japan (Osaka-Kansai Expo). displays concept is "Mobility Instinct Laboratory." The Kawasaki Heavy Industries Group's vision of a mobility society in 2050 is expressed through an experiential displays using a full-scale mobility vehicle. Through visitors' experiences of "seeing," "touching," and "experiencing," the space provides a sense of great hope and expectation for the future of mobility. By combining a spatial presentation that combines a futuristic feel with an immersive feeling using large LEDs with displays and experience using a full-scale mobility vehicle, the space allows visitors to experience the future of mobility as if it were their own.

This is a Tokyo Head Office relocation project of Toman Toys, which handles the planning, manufacturing, sales, and consulting business of character miscellaneous goods and toys. Against the backdrop of rapid business growth, we started with the aim of expanding our office and rebranding our company, and we were in charge of construction from concept design design to interiors and construction work. Based on the "creative power" and "trust" that Toman Toys has built up so far, we are creating a new face of the company with an eye on future growth while valuing a friendly and soft corporate image. The layout plan reflects the company culture of closeness and friendliness in the spatial composition. concept design used a combination of materials in a one-tone color based on wood to express the intellectual atmosphere of an idea company. In addition, FF&E coordination based on Scandinavian furniture fosters a soft atmosphere of the corporate image. The corporate colors incorporated throughout as accents create a sense of unity throughout the space, creating a one-of-a-kind office.

Following the closure of the Panasonic Center Tokyo in Ariake, Tokyo in December 2024, displays for business customers has been relocated to Shiodome, Tokyo, and the Panasonic Corporate Showroom has been reopened as a place where visitors can experience the Panasonic Group's history, latest solutions, and vision for the future. Targeting VIPs from corporations and government agencies, the showroom encourages co-creation through empathy, presenting Panasonic's history and various initiatives for the future through hospitality and video presentations. We were responsible for design, layout, and construction.