WorksAll Achievements

Producer Hiroaki Miyata's signature pavilion for the 2025 Japan International Exposition (Osaka-Kansai Expo), "Better Co-Being," is a pavilion without a roof or walls, standing as if blending into the adjacent "Forest of Tranquility." With the theme of "Resonating Lives," visitors are led through a resonant experience consisting of three sequences, starting from the unique connections they make when they gather on that day and at that time. In Sequence 1, visitors reflect on themselves and others, and rediscover "what connects us." By confronting diverse motifs, they become aware of the value of others and their own desires, gaining clues to resonance toward the future. In Sequence 2, they experience a perspective that resonates with nature, culture, and the lives nurtured there. Through the universal motif of "voice," they listen to global values and realize how the customs of distant regions connect to their own lives. In Sequence 3, visitors connect with one another and experience envisioning a better future while engaging with the world. By feeling connected to people and nature and creating a rainbow together, they acknowledge their differences while looking up at the same sky and gain a sense of moving towards the future. In the final epilogue, a unique video is screened that overlays the actions and environmental data experienced by visitors at that moment, providing clues to their connection with the world and their journey towards the future together. In this pavilion, our company was responsible for the production and installation of the art installation that forms the core of the resonant experience, as well as the installation displays work of communication equipment related to "echorb" (sponsored by Murata Manufacturing Co., Ltd.), a special device that guides visitors through the experience.

The Tochigi Children's Science Museum, having been in operation for over 35 years since its opening in 1988, underwent renovations to address the aging of its buildings and displays. This included extending the lifespan of the building and updating planetarium equipment and displays. Our company handled the entire process, from schematic design and working drawings of the large-scale renovation, including displays, interiors, and outdoor playground equipment, to the construction displays Based on an interactive approach, 156 displays and playground equipment incorporating new technologies such as AI and AR were created through a combination of newly manufactured and reused items. displays that have been beloved by the people of Tochigi for many years were also cleaned and refurbished for continued use. Furthermore, collaborative displays themed on the prefecture's natural environment and industries, a large symbolic displays, and a lounge were added, highlighting the museum's unique character as a science museum that reflects Tochigi's identity. This also aimed to reduce renovation costs, improve maintenance efficiency, and create a new science experience space that balances safety and functionality.

Prologis, a leading global company in the ownership, operation, and development of logistics real estate, has opened a multi-tenant logistics facility, "Prologis Park Kitakami Kanegasaki," in Kanegasaki Town, Iwate Prefecture. We were responsible for the exterior graphic and sign concept design, as well as the basic concept design and design supervision of the customer lounge area.

Located in Joetsu City, Niigata Prefecture, the Joetsu Science Museum is an interactive science museum based on the concept of "seeing, touching, and verifying for enjoyment" for both children and adults. Last December, a new item, the "Element Shooter," was installed in the Life, Environment, and Energy Zone. This exhibit allows visitors to "learn chemistry while playing" by aiming and shooting (selecting) elements from the periodic table displays on a monitor, unraveling the world of elements and compounds. Two types of content are available: "Let's Learn About Elements! (Individual Element Search Mode)" and "Let's Create Compounds! (Quiz-Style Battle Mode)." Our company spearheaded the project from planning to production in a short period of about six months.

"SEGA STORE TOKYO" opened in Shibuya PARCO as the first flagship store in Japan to embody Sega's "transmedia strategy." It showcases the worldview of the company's diverse IP* as an "experience" that goes beyond simply selling merchandise, serving as an information dissemination hub that delivers new surprises and excitement to fans around the world. Our company was responsible for design, layout, production, construction, and VMD (visual merchandising) support for this project. We created a space where fans can enjoy the appeal of Sega's unique content with all five senses, creating a "place" that connects content with fans both in Japan and overseas. *Refers to all content protected by intellectual property rights.

We provided total support for the design, construction, operation, and stage direction of the Sega/Atlus booth at Tokyo Game Show 2025. Equipped with a large stage and high-definition LED vision in the center of the booth, we created a space that maximized the unique worldview and information transmission capabilities of Sega and Atlus.

The Fukushima Reconstruction displays, sponsored by the Ministry of Economy, Trade and Industry, was held for five days from May 20th to 24th at the EXPO Messe "WASSE" at the Osaka-Kansai Expo site. The event introduced the activities of people in the Hamadori region of Fukushima Prefecture and other areas who have continued to preserve the local culture and charm for the future despite facing the complex disasters of earthquake, tsunami, and nuclear disaster, as well as the new initiatives of various businesses developing cutting-edge robots, rockets, and other products.

The BANDAI HOBBY CENTER PLAMO DESIGN INDUSTRIAL INSTITUTE MUSEUM (BHC PDII MUSEUM), located within the new factory of BANDAI SPIRITS' plastic model production facility, "BANDAI Hobby Center" in Shizuoka City, is based on the theme of "A base for promoting the appeal of manufacturing." Visitors can tour the new factory and experience their own "Plastic Model Designer Experience." The museum also displays the know-how and commitment cultivated over more than 50 years of plastic model manufacturing, as well as the latest technologies that support product quality. It's a fun place for children and adults to learn about manufacturing. In this project, we worked closely with BANDAI SPIRITS to plan, design, and construction the facility's displays and content, as well as its operational planning. We utilized our spatial implementation capabilities and displays concept design expertise to realize the museum concept and ideas of BANDAI SPIRITS, which is filled with "Plastic Model Love," and to convey the hidden dedication of factory workers to manufacturing. To realize BANDAI SPIRITS' facility concept of "changing the way plastic models are viewed," displays feature real molding machines and molds used in factories that are not normally visible, allowing visitors to experience the manufacturing process, and through friendly graphics and displays, visitors can learn about BANDAI SPIRITS' commitment to manufacturing, which is the essence of plastic models, as well as the evolution and challenges of that technology.By providing visitors with the experience of actually being a plastic model designer, the exhibit aims to be a place that gives them the opportunity to enjoy plastic models from a new perspective, by providing them with an awareness of a new side to plastic models.

This project involved the renewal of the common office spaces of Shinagawa Grand Central Tower, located at the Konan exit of Shinagawa Station in Tokyo. Our company was responsible for everything from interiors and sign design to construction, and has been steadily promoting the renewal of a total of 18 floors since 2019. The objective of this project was to increase the value of the building by revamping the common office spaces, leading to the attraction of tenants. To achieve this, we incorporated a good balance of materials that combine hardness and softness, and established concept design concept of a "semi-private space that connects private and work spaces." The richly textured interiors finishes created an office environment that was comfortable for tenants and attractive to companies, contributing to the enhancement of the building's value.

Le Cafe Benoît Niant, which opened at Seibu Ikebukuro Main Store, is the first cafe-style store in Japan. Benoît Niant is a chocolate brand created by Benoît Niant, a leading Belgian chocolatier. While working as an engineer for a steel manufacturer, Benoît Niant was captivated by the profound appeal of chocolate, and after extensive research on his own, began his journey as a chocolatier.

This project was a renewal of the food and beverage zone (basement 1 and 2 floors) of the Meiji Yasuda Life Building in Tokyo, which is celebrating its 20th anniversary since its completion. On the 2nd basement floor, the newly opened "Marunouchi Food Hall" is made up of six stores offering a wide variety of food and drinks. In addition to breakfast, lunch, and dinner, the hall also offers cafe and takeout options to suit the needs of each visitor. Our company was responsible for research, merchandising planning, leasing, furniture and fixture manufacturing, environmental design and construction, and operational planning.

This is a renovation project for the 24th floor of Okamura's head-washed office "We Labo", which handles office furniture and store fixtures. For the complete renovation of the first floor, under the design of Okamura's creative team, we were in charge of the construction of the interiors construction work.

For the "Wakayama Zone" of the Kansai Pavilion at the 2025 World Exposition in Japan (Osaka-Kansai Expo), we collaborated with Hideki Yoshimoto, the general director of the Wakayama Zone, to express "high-quality Wakayama." The video device "Totem," reminiscent of the giant trees of the Kii Mountains, is finished with Kishu lacquer, and the counter tables and chairs that provide dining experiences are also made of Kishu wood. Wakayama's traditional crafts and materials are utilized in the various elements that make up the space, condensing the charm of Wakayama, which is a source of pride for the world, into the space.

OMO5 Yokohama Bashamichi by Hoshino Resorts, a hotel set to serve as a celestial hub, inheriting the history of Yokohama's Bashamichi district (opening January 15, 2026). From planning to completion, Hoshino Resorts handled the entire project, from planning to concept design, engineering, and construction, in just under a year. Based on the concept of a "CRUISE SHIP," the entire space is imbued with the romance and playfulness of nautical life. The public space on the 46th floor takes advantage of the mixed use of existing tenants and the limitations of public open space to create a circulation flow that evokes the "interior of a ship." By exploring the lounge reminiscent of the bow of a ship, the mirror deck that amplifies the night view, the gallery, and the theater, we have created an "interior ship experience" that heightens the sense of exhilaration. The guest rooms, taking full advantage of the existing kitchen, were designed to resemble "ship's cabins," allowing for intimate moments with friends. We valued the density that can only be achieved with limited space, creating a functional and intimate space. The design, which reflects the colors and fonts associated with the Hikawa Maru, Yokohama's most iconic ship, acts as a switch that shifts your perspective from a voyage above the clouds to a deep stroll through the city.

At Inter BEE 2025, a professional exhibition for sound, video, and communications held at Makuhari Messe, our company was in charge of the spatial concept design of displays booth for Sigma, a global optical equipment manufacturer that proclaims "MADE IN AIZU, JAPAN," under the creative direction of Ichiro Iwasaki of IWASAKI DESIGN STUDIO. Even within the limited space, we concept design the fixtures and lighting plan to highlight the products themselves, eliminating unnecessary information to maximize the appeal of the Sigma brand's worldview. We achieved a sophisticated spatial concept design that stands out even among the diverse booths in displays hall. *Exhibition period: November 19-21, 2025