WorksAll Achievements

“旅と街をつなげる「私のホテル」”をコンセプトに展開する『アマネク』ブランド9棟目にあたる『ホテルアマネク新宿歌舞伎町』において、当社は、共用部の1階ロビーと地下1階レストランに加え、客室内のFF&Eおよびデザインの提案から製作までを担当しました。本プロジェクトのデザイン提案にあたり、以下の3つのポイントを大切に考えました。 １．ホテルコンセプト当ホテルのキーワード「自分の居場所」や「くつろぎ」「癒し」というキーワードを踏まえ、ハード面では「Cozy Comfort Hotel」というコンセプトのもと、コンパクトでありながら高級感のある水回り空間を実現することで心地良さを演出しながら、解放感を意識した共用部やゾーニングでは新宿歌舞伎町という立地ならではの都会的な雰囲気を感じさせる美しい空間づくりを行いました。また、デザイン面では、「Design with Local Essence」をコンセプトに、自然の恵み、街並み、馴染みある風景、伝統工芸品、地場産業の持つ雰囲気、新宿というエリアならではの暮らし、といった数々のエッセンスを散りばめています。これらの取り組みによって、歓楽街の中心地、新宿歌舞伎町という地域性を感じさせながらも、「くつろぎと癒し」がきちんと感じられる空間を実現しました。 ２．建築外観縦方向に高くスリット状にいれた窓・外壁材のリブにより、高層ビルの立ち並ぶ新宿エリアにふさわしい高さを意識した外観意匠とすることで、外観と内観の一体感を目指し、建築外観の縦に伸びるラインではモダンな意匠性を表現しています。 ３．新宿エリアのホテル状況ビジネス系ホテルチェーン店が立ち並ぶ中に、規模感の大小問わず個性的なホテルが存在するエリアであるため、他との差別化を図りながらアマネクならではのくつろぎ空間をつくりあげます。以上の３つのポイントを踏まえ、この地域の魅力を探るため、新宿の歴史から紐解きながら、国内外観光・ビジネス、全てのお客さまに新宿という街と旅、そして何よりホテルアマネクならではの心地よい空間を満喫してもらえることを目指しました。また、“Shinjuku 和 Relax”として、きらびやかな新宿の余韻を感じさせながらも、ほっと落ち着けて旅の疲れを癒してくれる空間を同時に実現しています。チェックインおよびチェックアウトの時だけでなく、宿泊中の外出や再びホテルに帰ってきたときに必ず立ち寄るロビーは、待ち合わせや、出かける場所の相談など、利用者の目的にあわせた使い勝手のよい空間にしています。

TBS has set the area concept of "Shake the World. AKASAKA, an entertainment town that shakes up all worlds," and is aiming to complete the "Akasaka 2-chome and 6-chome District Redevelopment Plan" and the existing area (TBS Broadcasting Center, Akasaka Sacas, TBS Akasaka BLITZ Studio, TBS Akasaka ACT Theater, Akasaka Biz Tower) in 2028. As the third step, "Akasaka BLITZ," which has delivered various content as a live space, will be renovated into "BLITZ Studio" dedicated to television program production. The first floor will feature an displays space in collaboration with popular programs, and the third floor will feature a viewing space for the program studio. In this project, we planned, designed, and produced a facility attraction monument that will contribute to the revival of Akasaka's vitality, which was lost during the COVID-19 pandemic, and a gallery that gives a sense of the station's history from its opening to the present, in the foyer in front of the "BLITZ Studio" studio and in the staircase leading to the third floor concept design. The monument embodies the connection between TBS and its viewers, and at the same time, from the perspective of the SDGs, it advocates a recycling-oriented society by creatively reusing 1.4 tons of "audio-broadcasting equipment and materials scheduled for disposal." The adjacent staircase connects the gallery, which traces the evolution of audio-visual media over TBS's 70 years, to the viewing studio, creating a space where visitors can experience TBS's history from its launch to the present day.

This project involved relocating and rebuilding the museum that opened in Matsumoto Castle Park in 1948 due to its aging. We were in charge of everything from formulating the basic concept for displays space to design, layout, and construction. The first floor is an open space open to citizens and tourists, and the museum was built as a proactive part of the urban development of Matsumoto City.

In conjunction with the opening of Fukui Station on the Hokuriku Shinkansen, a dinosaur monument was installed on the rooftop plaza of the new tourist exchange center that will be built at the east exit of Fukui Station. The purpose is to give a strong impression of the ``Dinosaur Kingdom Fukui'', increase awareness of Fukui, and encourage visitors to the city. The dinosaur monument is located in a position that can be seen from the Shinkansen platform and train windows. The "Fukuititan" discovered by the Fukui Prefectural Dinosaur Museum expresses Fukui's good child-rearing environment and family love, and the sight of two animals huddled together looks like a heart. In addition, we placed dinosaurs whose fossils were found in Fukui and monuments of popular dinosaurs, and took pictures with them.We also used a device that made it look like dinosaurs would pop out in augmented reality (AR) when you held your smartphone up to them. We have developed it as a fun new attraction that will make you feel as if you have entered a world where there are people.

The hotel name TIAD is taken from the initials of the hotel's concept, "Tomorrow Is Another Day." TIAD is a luxury hotel that provides a comfortable and cheerful environment for its guests, allowing them to experience new value in coexisting with the greenery and nature of Hisaya Odori Park, even though it is located in the city center. TIAD is a proprietary brand of Nippon Ceremony Co., Ltd., which is Head Office in Shimonoseki City, Yamaguchi Prefecture and mainly handles wedding and funeral services. In partnership with Marriott International, it has become the fourth "Autograph Collection" in Japan. The reception floor has two restaurants, an all-day dining restaurant and a Japanese restaurant, and the guest rooms are the first in Aichi Prefecture, with 150 rooms all over 50 m2 in size, and there are three categories and 14 types of variations. For weddings, the chapel can accommodate up to 120 people seated and has a distinctive open concept design with a ceiling height of 10 m. The hotel also has three banquet halls that can accommodate MICE* demand, and the wellness zone features a lounge, indoor pool, fitness gym, and in-room spa. Our company was responsible schematic design and design supervision of all of the hotel's FOH (front of house), as well as the construction of some of the bridal-related fixtures and the TIAD Salon. *MICE: An acronym combining the initials of corporate meetings (Meetings), incentive travel by companies, international conferences held by international organizations, groups, academic societies, etc. (Conventions), displays, trade fairs, and events (Exhibition/Event), and is a general term for these business events (Source: Japan National Tourism Organization).

This is a relocation plan due to the deterioration of the Okajima Department Store building. The new location was a commercial facility "KoKori" in the vicinity, and we were in charge of construction management (project management, facility coordination, furniture and fixture manufacturing work), design (architectural design, design administration, equipment design), and construction (architecture/equipment) in this project.

Since its founding, Panasonic has been closely involved in the daily lives of consumers, undertaking various initiatives to realize optimal, healthy lifestyles for each individual. In China, where the population is rapidly aging, Panasonic, in collaboration with a Chinese collaborative partner, opened a Wellness Smart Town for the elderly in 2022. Approximately 1,000 of the residences, known as "Elderly Healthy Apartments," will be equipped with all-Panasonic residential equipment. Smartphones, which are deeply ingrained in Chinese society, will enable a healthy and comfortable space to be realized with just one operation. NOMURA Co.,Ltd. Group was responsible for design, layout of a VIP showroom to introduce the Elderly Healthy Apartments. In addition to displays products, the space will resemble a guesthouse, specializing in welcoming visitors with features such as a foot bath and a cafe.

Shizuoka City Museum of History is the city's first comprehensive history museum, with the aim of communicating the historical value and appeal of Shizuoka City, conveying history to citizens in greater depth, and cultivating a love for the hometown in children, under the theme of "Learn about Shizuoka's past, understand the present, and think about the future." Our company was involved from the basic planning stage, and was in charge of displays design and construction of the gallery on the first floor and the permanent displays rooms on the second and third floors.

A new area connecting "Asakusa" and "Tokyo Skytree Town®" has been born. "Tokyo Mizumachi®" is a commercial complex under elevated railway tracks created in collaboration between Tobu Railway Co., Ltd. and Sumida Ward. Based on the concept of "Live to Trip - people, regions, and cultures come and go, spend your time as if you were traveling, and travel as if you lived there", we have developed a road-based project that includes supporting players who are rooted in East Tokyo and players who want to have a base in East Tokyo. By developing a town called "Tokyo Mizumachi®" as a collection of small individualities centered on players, it will be linked with Asakusa and Tokyo Sky Tree, and will be a fusion of [community-based x tourism leisure consumption] as a tourist spot in this area. We aimed for

The first floor of the Panasonic Center Tokyo has been renovated into an experiential displays space where elementary and junior high school students can learn about the environment, think about it, and take action. In this space, we introduce Panasonic's long-term environmental vision "Panasonic GREEN IMPACT," which is an initiative to reduce CO2 emissions, and we aim for each child to find ideas for "ACT" and become a group that takes action on environmental issues. As a place where each child can learn while searching for answers to environmental issues, which have no clear answers, the various shapes scattered throughout the space represent the unfinished shapes that children will create themselves in the future. In addition, by asking questions using four large signs, you can find hints while experiencing game content and hands-on displays. The content is set in familiar households and daily life, so that children can relate to large-scale environmental issues and connect them to their daily actions. In addition, we have devised a way to provide fun and learning using the body that is unique to real space through games that combine analog gimmicks such as "pushing" and "turning" with digital content, and through collaborative work with friends.

While conveying the Panasonic Group's major policy, "Panasonic GREEN IMPACT," to visitors through displays, the exhibition booth embodied this policy through the overall spatial concept design, and created an displays booth that produced as little waste as possible. By considering the environmental impact, using a minimum of building materials and flooring, and using many recycled materials, the carbon footprint was reduced in terms of construction and logistics of the booth, and the group's policy was conveyed to the world. In addition, the symbol signs placed in each area were concept design using products. While providing a place where people could gather as symbols, by composing them out of products, the message was easily conveyed to both visitors and the media.

This is a sliding kiosk that changes its appearance according to the place, time, and environment in the world. concept design style, which combines the required number of kitchen units and various seating units, can be deployed regardless of the size of the installation space. The biggest feature is that it blends into the surrounding environment when closed, and a cafe space appears when opened. The mirror facade reflects the surrounding environment and changes its appearance like a chameleon. As a kiosk unique to % Arabica, which is expanding worldwide, no matter where the store is in any country or location, it will have a unique appearance in that area, rather than a completely copy-and-paste concept design. The photo shows the first store, which is located in Ningbo Heyi Avenue and consists of four units. Its sophisticated appearance blends into the atrium environment of a luxury shopping facility. As people are thinking about the nature of cafes in the recent pandemic, the demand for kiosks where you can enjoy coffee outdoors is increasing. This is not a conventional kiosk that simply sells items at a stand; instead, it is a new type of store that can be slid open during business hours to create semi-outdoor seating within the unit, with seating areas also set up around it.

This is a next-generation entertainment food hall in Kabukicho run by Hamakura Tateki Shoten Seisakusho, the company behind the alley boom, Ebisu Yokocho and Shibuya Yokocho. The approximately 1,000 square meter floor is a food festival district with a total of 10 stores that fuse food, music, and video with the themes of "festivals" and "food from all over the country." From Hokkaido in the north to Kyushu and Okinawa in the south, and neighboring South Korea, we offer local cuisine, B-class gourmet food, rice bowls, noodles, yakitori, gyoza, alcohol, and more, including carefully selected farm-fresh ingredients that show the faces of the producers. "Soul food" is gathering here.

At the beginning of the planning, Akikusa Gakuen approached us to ask about seismic retrofitting of the gymnasium. In conjunction with the seismic retrofitting and the renewal of the gymnasium facade and interiors, the corridor connecting the school building and the gymnasium was requested to be "a bright and clean corridor, not a humid and dark one. We wanted to create a space that the school can leave to future generations." This led to concept design of the corridor space expressing the identity of Akikusa Gakuen. The most important thing in this plan was to create a "space that people will continue to love." Therefore, this time, we created the origin of concept design together with the students in a workshop, and worked on a "progressive concept design" that would create attachment and be passed down. We asked the students to bring in photos that expressed "Akikusa-ness," and extracted the feelings they had put into words in the form of "#〇〇," sublimated them into concept design, and decorated the corridor. By having the students digest concept design as if it were their own and spread it to those around them, we hoped that the "Akikusa-ness" would be passed down from generation to generation and that people would continue to interact with the space with affection.

Taikisha is a world-class global environmental engineering company that contributes to society with advanced technologies related to energy, air, and water. This project is a plan for a communication space aimed at creating open innovation with Taikisha's customers and partner companies. The reception area on the 29th floor of Shinjuku Grand Tower, where Head Office 's headquarters is located, was renovated into a showroom, and our company was responsible for planning, concept design, and digital content production for "TAIKISHA INNOVATION GATE Shinjuku," an entrance for the co-creation of new value that aims to solve the issues of business partners and social problems.