Works#Sustainability

"Marunouchi Street Park" has been running in Tokyo's Marunouchi Nakadori since 2019 as a demonstration experiment of future area management that transforms "road space" into a comfortable "urban park space." Based on the concept of "Popping Summer Street - Marunouchi Nakadori where visitors can feel the summer and get excited," verification items included collaboration with initiatives that are in line with the times and trends, such as rugby and SDGs, setting up tables equipped with wind and solar power generation capabilities, and creating a venue for musical performances that involves local workers and visitors.

NOMURA Co.,Ltd. exhibited a booth at the "SC Business Fair 2024," the largest event in the shopping center industry, bringing together all involved. The event was held at the Pacifico Yokohama displays Hall for three days, from January 24 to 26, 2024. In addition to exhibiting at our booth, we also hosted a free seminar on the first day of the event. The theme of our booth this time was "NOMURA Co.,Ltd. 's Approach to Sustainable concept design." As part of our social good R&D activities, we are currently working on creating a "Sustainable concept design Etiquette Book" that achieves aesthetics, functionality, and environmental friendliness. Our booth was designed in accordance with the book's basic principles. As sustainability initiatives become more diverse, we are also continuing to take on various challenges, such as developing upcycled materials. However, this time, we focused on understanding the characteristics of basic materials, which are essential for creating spaces and will continue to be deeply involved in the future. The basic materials used were wood, cement, acrylic, copper, and steel. Each timber was arranged in a grid pattern, creating undulating spaces that encouraged visitors to wander and enjoy conversation. The proportion of each material used was calculated based on the embodied carbon emissions over the building's lifecycle, allowing visitors to visually appreciate the material's characteristics. Furthermore, clamps* were used instead of screws or adhesives to join the pieces, enabling secondary reuse of materials and dramatically reducing waste during demolition, symbolizing the essential concept of contributing to the environment. Our goal was to concept design a booth that would encourage visitors to consider future approaches to sustainable concept design, while demonstrating responsibility and gratitude for materials and fostering new insights and discoveries. *We have used clamps specifically designed for the "Tsunagi" project, planned and produced by Nikken Sekkei.

Building 15 of Sophia University's Yotsuya Campus is based on the theme of "turning the city into a forest," and aims to contribute to achieving the SDGs and realizing a carbon-free society, as well as to become a sustainable landmark for the region. It opened in the fall of 2022 as a base for adult education and community interaction. The three-story wooden building was designed and construction by Sumitomo Forestry, and is a fire-resistant structure. The main structural parts are made of "Kigurumi FR®," an original pure wood fire-resistant laminated lumber made from cedar from Tama. The facade, which is covered with crisscrossing wooden lattices, is concept design to express "diversity," "interaction with others," "truth," and "tradition," which are linked to Sophia University's founding principles. The first floor will operate a cafe that is open to the public, and as part of community contribution activities, the space will be provided to nearby neighborhood associations as a disaster prevention warehouse. The second and third floors are also used as classrooms for the "Professional Studies" course for working adults. We were responsible for design, layout, and construction of the third floor, which is used as a classroom for working adults. We aimed to create a space that would be a place to gather, learn from each other, and talk, and to foster concept design. We also linked the story of the architecture to the materials that make up the space, using Nishikawa timber (cedar and cypress) from Hanno, which, together with materials from Tama, helped build the city of Edo.

L'Oreal Japan, the Japanese subsidiary of the world's largest cosmetics company, L'Oreal Group, has undergone its first major renovation since relocating Head Office to Shinjuku Park Tower in 2006. The renovated office, named "Beauty Valley" based on the concept of "En", is imbued with the desire to create a place where beauty is born that connects the country of Japan, customers, business partners, and employees. The four seasons (spring, summer, autumn, and winter) are used as concept design themes for each area, and Japanese craftsmanship is used in furniture and decorations, incorporating Japanese beauty throughout. In addition, about 4,400 of the company's products, including about 60 types of eye shadow, foundation, and lipstick, were upcycled and used for paint, light shades, tiles, etc. In pursuit of sustainable beauty, the company has installed product display fixtures similar to those in stores, fully expressing L'Oreal's beauty. In addition, the office has been designed with attention to detail in light, sound, materials, etc., and in accordance with LEED standards, an international certification for sustainable buildings that guarantees energy efficiency and waste management. Our company participated in this project as the general construction company for interiors.

Nishio Rentall, a comprehensive rental company focusing on construction machinery and event materials, has opened a research and development facility in Osaka to carry out technology development and demonstration experiments to advance sharing solutions in preparation for the Osaka/Kansai Expo to be held in 2025. It was built on the island. In the area of Building A-1, which we were in charge of, there is a pedestrian deck connecting the nearest station, Cosmo Square Station, and the Osaka Prefectural Sakishima Government Building, which is open to anyone including nearby residents other than employees. I was in charge of the shared space space and lobby that serves as the facility's reception desk.

This project involved the renovation of River City 21 Shinkawa, a tower residence with 505 units completed in 1995. The property is located in a riverside location facing the Chuo Ohashi Bridge along the Sumida River, with an attractive view of nature and openness. The Chuo Ohashi Bridge, which spans the foot of the condominium, is lit up at night and is known as a landmark of the Tsukuda area. A promenade has been developed along the Sumida River, making it a place of relaxation for local residents to go for walks and jogs. The residences are available in a wide range of plans, from 1R/1K for singles to 2LDK, and there are many unique floor plans, such as Japanese-style rooms with Ryukyu tatami mats and plans with spacious stock rooms. Following a change of ownership, we were commissioned to design and construction this pioneering bayside tower condominium, a property with high potential for nature and city coexistence, with our mission of adding value that is in line with the current era.

This project is an upcycling activity that complements and displays "scrap" generated from building materials and interiors materials as "furniture," reuses them as recycled materials, and gives back to the earth. According to the Ministry of the Environment, the amount of industrial waste generated in Japan in fiscal year 2020 is 373.82 million tons* per year, and nearly 1 million tons of scrap is generated per day. We, the creators who come into contact with various materials in our concept design work every day, felt that it was our responsibility to take the lead in spreading the message of recycling the earth's limited resources to society and the local community. We formed a team of young creators within the company to plan and manage the project as a social contribution activity. We enclosed and complemented the shredded waste materials in a transparent skin made of recycled vinyl as furniture, and displays to appeal to the message with an art displays-like expression, and toured offices and public spaces both in Japan and overseas. After a certain period of displays, the materials will be returned to interiors and construction site as interiors resources, and the next waste material will be enclosed, supplemented, and displays in a traveling sustainability project. In order to reach as many people as possible, a launch displays was held in the entrance space of the company's office to solicit sponsoring companies, and it has received support from many sponsoring companies, local people, and educational institutions. The exhibition is based on an interiors concept that allows anyone to intuitively grasp the message, by allowing people to "see, learn about, and touch" "interior waste materials" that are not seen in everyday life, and to displays as a "trigger" for thinking about a better future and a sustainable society. *Source: Ministry of the Environment, "Total Emissions in 2020"

WEAZER, developed by ARTH Co., Ltd., is an off-grid residential module that can be installed in places without electricity, gas, or water infrastructure, as it generates electricity through solar power generation and produces water by filtering and sterilizing rainwater. Another feature is that it can be installed in a short construction period of just a few days, as it is manufactured in a factory and then transported to a location. By incorporating this latest technology, it is possible to realize a world where you can stay anywhere in the world without damaging nature, simply by placing it, and the first model has now opened in Nishiizu as a rental accommodation facility. We were in charge of design supervision and FF&E design and production for this facility.

COLOPL, Inc. has been creating new experiences under the mission of "Entertainment in Real Life - Making everyday life more fun and wonderful". In order to continue providing new experiences to people during the COVID-19 pandemic, where the infection continues to spread, we believe that it is important to create an office environment where people can work safely and communicate easily, so we created an office with the aim of creating a "scientifically based, cutting-edge office specialized in infectious disease countermeasures". We aim to streamline operations in line with the new era and create original ideas, creating an environment where employees can increase their productivity and thrive. Linoleum, an antiviral natural material and carbon neutral material, is used for the flooring and fixtures, contributing to the realization of a sustainable society that takes SDGs and ESG into consideration. We aim to improve the motivation and productivity of creators by providing mechanisms to encourage communication such as standing meeting spaces, a game corner for use in research and development, and a bear library with a wide range of books. DE-SIGN Inc. was in charge of the overall project management, SIGNAL Inc. was in charge of the concept design, and our company was mainly in charge of interiors, fixtures, and sign graphics construction. <Our project members> [Sales/Project Management] Kaori Murakami [Production/ construction] Katsuya Banno, Nozomi Iwashita, Ikuho Oiwa

Nomura Corporation was responsible for the planning, design, layout, and construction of the employee cafeteria "Yao Daiichi Shokudo Isshoku," which opened at Sharp Corporation's Yao Plant on November 1, 2021. In proposing the project, we focused not simply on creating a stylish space, but also on creating a proposal that only Nomura could offer. We proposed a cafeteria that would serve as an inner branding space where people could discover the "SHARP identity" across organizational boundaries and generations, as well as an outer branding space that could be experienced by business partners and affiliated companies visiting the company. The cafeteria was divided into three zones—lunch, work, and salon—and was designed to be not only a place for employees to relax, hold meetings with internal and external guests, and foster connections and communication. A single red line (Sharp red) runs through the cafeteria, representing Sharp's history and future. For this project, we devised concept design preserved the Yao Plant's distinctive character while also ensuring hygienic standards. The Yao Plant has a history of approximately 65 years as a white goods production base. Additionally, by utilizing the mezzanine floor, which was previously used for the production line, as an displays space for SHARP's iconic past products, waste and removal costs were reduced, an effort that also reflected the SDGs. [Social Issues/Customer Issues/Requests] Due to the lack of communication between business divisions, the customer requested that the space be made more invigorating for internal connections. [Solution] We proposed that the space could be used not just as a place to eat, but also as a place to work and relax, and also proposed displays past products as a place to stimulate communication between employees and allow them to feel and discover Sharp's history. <Our project members> [Sales/Project Management] Takahashi Yui [design, layout] Umetani Shota, Yamato Suzuha, Nakamura Yusuke, Miura Sayaka [Production Management] Mukaiyama Yoshitsugu ~Related Links~ [Announcements] ・ NOMURA Co.,Ltd. 's social good activities: Case study of "Yao Daiichi Shokudo Isshoku" at Sharp's Yao Plant

"EXPRESS WORK" is a new workplace for JR Central's EX service (Express Reservation and Smart EX) members*1. Located in the Marunouchi Chuo Building, it consists of two sections: the drop-in "EXPRESS WORK-Lounge" and the small rental office "EXPRESS WORK-Office." We have been involved since the concept formulation stage, and were in charge of project management, space concept design, and construction. "EXPRESS WORK-Lounge" and "EXPRESS WORK-Office" are directly connected to Tokyo Station and are in an excellent location, making them extremely convenient environments, especially for business users who use the Shinkansen. The space is a socially good space that reflects JR Central's efforts to protect the global environment and revitalize the local area. interiors materials are made from upcycled*2 aluminum (hereafter referred to as recycled aluminum) from the 700-series Tokaido Shinkansen train cars, and FUJI HINOKI MADE wood, a brand of Fuji cypress provided by Fuji City, Shizuoka Prefecture, along the Tokaido Shinkansen line, giving off a faint cypress scent and creating a soothing space for business users. *1 How to use the "EXPRESS WORK-Lounge": In addition to being an EX Service member, you must also register as an "EXPRESS WORK" member. *2 Upcycling: The process of giving waste that would otherwise be thrown away new life by upgrading it into a new product by adding new added value such as concept design or ideas. (Source: IDEAS FOR GOOD)

"Tokyo Gift Palette" is a new specialty shopping mall developed near the Yaesu North Exit of Tokyo Station, with a total of 33 brands. The pillars and ceilings of this facility, the gateway to Tokyo, are made of recycled aluminum from the body of the 700 Series Shinkansen, which was retired from the Tokaido Shinkansen in March 2020. The building is decorated with images of cherry blossom petals and noren curtains, befitting a terminal station, and is a sustainable space with high added value that connects people's thoughts by taking advantage of the high quality and fine feel unique to the 700 Series Shinkansen. We participated in this project by Tokyo Station Development Co., Ltd., and were involved from the development stage of the building materials, and were in charge of production, construction production, and project management for the environmental area interiors work. This is the first time that recycled aluminum that does not contain any additives has been used to decorate a commercial space since the start of Shinkansen operation in 1964, and this project won the Development Award from the Japan Aluminum Association.