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HERALBONY Inc. defines art created by artists with intellectual disabilities as "unique" and is a company that develops and expands it into various things, events, and places in society. In a collaboration with Hyatt Centric Ginza Tokyo, located on Namiki Street in Ginza, we provided spatial concept design and construction support for the guest rooms. [Social Issues/Client Issues/Requests] HERALBONY's fashion brand "HERALBONY" aims to dissolve the invisible boundaries between people and fields that are difficult to engage with in everyday life, such as "welfare" and "disability," and to expand its domain as a "lifestyle brand" in order to create a new lifestyle starting from welfare. This time, as the first step in a lifestyle brand decorating a space, we concept design and directed the collaboration room. Not only did we decorate the hotel room, but we also created an opportunity for art to blend into everyday lifestyles through this space. [Solution] We have created a space that allows guests to experience a rich time as if they have stepped into an ever-expanding world of art while spending time in their rooms. This space serves as a hub, connecting to the idea of art blending into the time spent at home, and is designed to encourage many conversations and discoveries as guests view the art that is integrated throughout the space. <Our Project Members> [Sales & Project Management] Chisato Kamidate [concept design] Akane Yamaguchi, Ryo Onishi, Minehito Yoshimura, Takashi Kato [Production & construction] Atsushi Hatano, Risa Yoshida, Satoshi Oda ~Related Links~ [Press Releases] ・ NOMURA Co.,Ltd. collaborates on spatial concept design for the exhibition "HERALBONY/A Unique Future" now on sale ・ NOMURA Co.,Ltd., Ltd.'s social good activities: The case of HERALBONY ART ROOM at Hyatt Centric Ginza Tokyo Changing society through the resonance of art and spatial concept design [nomlog] ・Changing society through the resonance of art and spatial concept design- HYATT CENTRIC GINZA TOKYO HERALBONY ART ROOM

In 1991, exactly 30 years ago, River City 21 East Towers was completed as a pioneer in Tokyo waterfront development and the prototype of tower-type high-rise condominiums that prioritize views. Located in Tsukuda 2-chome, Chuo-ku, it boasts an excellent location with easy access from Tsukishima Station as the nearest station, as well as Tokyo Station and Ginza Station, making it an area with a diverse range of residents. In the Edo period, it was also known as Ishikawajima, and within the modern cityscape, you can feel the history of the Showa era in various places, such as Tsukishima's unique food culture and the shopping streets that exude the atmosphere of old Tokyo, creating a unique culture even within Tokyo. This project was planned with the aim of extensively renovating the condominium complex (four buildings), including public open spaces, in order to welcome new residents and to further increase the asset value. [Solution] In solving the client's challenges, we planned the project with a new concept called "1.5 Place," which means creating a 2nd Place function and a 3rd Place time around one's 1st Place, which is one's home. Furthermore, through the implementation and analysis of surveys conducted among residents, we confirmed that there was no discrepancy between the functions and concept design direction of the newly constructed rooms and spaces. In particular, in order to respond to the requests of residents that became clear from the survey analysis, we planned not only to improve the functionality of the entrance, meeting room, and lounge, but also to co-working spaces that anticipate diverse ways of living, working, and gathering, as well as places where communication can be fostered. This created a "highly social and altruistic space" and a "space whose value increases over time," leading to improved resident satisfaction and the realization of new attractions. We also proposed from an SDG perspective, and in addition to solving the problem of sustainable economic and social conditions as discussed in general terms, we understood the place and user perspective of this project, and while taking into account factors that influence the living environment such as tradition, culture, and local conditions, we imbued concept design concept and materials with meaning and realized an approach that is appropriate for this property. In realizing these solutions, our company's various sections worked together as a unified team, reliably utilizing design, layout, research, promotion, and construction capabilities to respond quickly and accurately to the client's requests. <Our Project Members> [Development] Takuya Kitai, Kayu Tatsumi [Sales & Project Promotion] Kayu Tatsumi, Midori Nakayabu [Research & Analysis] Sayuri Murata, Ai Ichikawa [Overall Direction] no.10: Keita Aono [design, layout] no.10: Naoaki Yokoyama, Gen Tomita, Mayu Araki, Asuka Tomioka [Sign & Graphic Direction] no.10: Asuka Tomioka [Product Management] Manabu Fukuda, Takashi Arai [Equipment Design] Takaya Ota [Production, construction & Site Supervision] Takashi Arai, Katsumi Chikada, Kyosuke Sasa

This project is the culmination of the "A brand that occupies over 100m2 of land in central Tokyo, is particular about location and property value, and provides essential living through renovation." R100 TOKYO, which is being developed by Libita. our company provided construction support for the renovation of Opus Arisugawa, a representative residence in Tokyo with a property area of approximately 198m2, which was developed by OEO Studio, a Danish concept design company in concept design. Based on the concepts of "CROSS-CULTURAL" and "COMPELLING MINIMALISM," this is a living space in concept design that incorporates new proposals based on the sensibilities common to Scandinavia and Japan. By using natural materials such as solid wood, which become more attractive the more you use them, the new units will bring more blessings to your life the longer you live with them. The goal of R100 TOKYO is to create a "valuable home 100 years into the future.". [Social Issues/Customer Issues/Requests] In the recent high-class residential market in central Tokyo, there is a growing demand for housing with unique value that is not limited to conventional values such as real estate prices and housing functions. Among the Livita projects that aim to "We will continue to create the next common sense in order to restore the value of Japanese housing and real estate and leave it to the future." the challenge for this project, which emphasizes natural materials and traditional construction methods, was whether it would be feasible as a housing performance. [Solution] Various types of stone, plasterer, solid wood, plate construction, ceramic tiles, etc., were discussed and promoted so that natural materials and crafts could be utilized in the living space considering the housing performance. A solid wood kitchen from the Danish kitchen workshop Garde Hvalsøe (pronounced Garde Wells), the first of its kind in Japan to be installed in an ordinary house, has a significant presence in the living space. As there is no solid wood kitchen that can replace it, our company's Global Division imported it from Denmark. [Customer feedback] Thanks to their high level of technology and management, such as proposing a solution to the difficult construction, fitting details accurately, and adhering to the construction schedule, we were able to proceed with the overall schedule without any delay, and we were able to create a wonderful space that reflected the designer's intention. < our company Project Members > [Project Management] Masahiro Harada [Product Direction] Mikiya Fujitaka [Global Supply] Hiroyuki Nakagome

Park Well State" by Mitsui Fudosan Residential is a serviced residence for mature, active seniors with diverse values, aiming to enable them to spend a new stage of their lives freely and abundantly in their own way. Park Well State Kamogawa, the second property following Park Well State Hamadayama, will be built in Kamogawa City, Chiba Prefecture. It will be a 22-story building with a capacity of approximately 470 units, and will be a high value-added facility with a partnership with the medical corporation that operates Kameda General Hospital in the same city and leisure functions in the facility. We were in charge of the common areas, including the lobby reception area, promenade, club lounge, and restaurant. The Kamogawa area was originally a hilly area covered in forests with a rich ecosystem, but after being used as a quarry in the 1990s, the trees were cut down and the land was left bare and rocky. The project was aimed at creating a home where the residents, the seniors, could enjoy a rich time and life while restoring the natural environment, from the viewpoint that a natural environment enhances the quality of life for seniors and is the foundation for a healthy and rich life. SOLUTION: To solve the problem, a brightly colored white sycamore veneer was used for the interior finishing material to create a warm common-use space. The height of the washbasin was set lower than usual to accommodate seniors, and the corners and edges were chamfered with rounded edges. The flooring is made of stone, carpet, and flooring with narrow joints to prevent steps from being taken, and to create a safe and friendly environment for seniors. concept design The artwork was selected to reflect the local quarry site and the Kamogawa River, and local crushed stone was used to create a work of art that expresses the charm of the Kamogawa River and its local climate and culture. ＜Our project members＞ 【Sales/Project Management】 Naoki Murata 【design, layout】Common area concept design ・Supervision: Michio Matsuzaki / Artwork coordination: Misa Sanjoba, Wataru Tajiri 【Production・ construction】Masato Takeuchi, Shusuke Hoshino, Keiichi Yamazaki, Shogo Yasunaga

This is the first MUJI HOTEL project in Japan, based on the concept of "anti-gorgeous, anti-cheap." The building, with a total floor area of over 9,000 square meters, houses the flagship store "MUJI Ginza" from the basement to the 6th floor, and "MUJI HOTEL GINZA" from the 6th to the 10th floor, making it a global flagship store where the world of MUJI comes together. Our company was in charge of construction of ATELIER MUJI GINZA on the 6th floor and the hotel lobby and restaurant of MUJI HOTEL GINZA. <Client's Request> In order to embody the world view that Ryohin Keikaku has cultivated over the years and the designer's vision, a lot of time was spent selecting interiors materials and deciding on the plan. As a construction company, we understood their approach, but our challenge and the client's request was to complete the project within the predetermined period. <Solution> In order to achieve the best results within the limited time, we held countless meetings with UDS and aimed to bring their vision to life. While completing the project within the given timeframe was a "request," it was only thanks to the cooperation of Ryohin Keikaku and UDS that we were able to achieve this. <Our Project Members> [Sales/Project Management] Taisuke Kawagishi [Production/ construction] Soji Wakasugi, Yoshito Hamabe, Naoto Higashiyamazaki, Yuna Kawai, Ryohei Sakaki

【プロジェクト概要文】 hotel koe tokyoは、ライフスタイルブランド「koe」のブランドコンセプトである「new basic for new culture」を体現する場として、 「今」と「未来」、そして「日本」と「世界」を見据えたグローバルな視点でデザインされたホテル併設型店舗で、 ステイ／ファッション／ミュージック＆フードを軸に日常と非日常の融合と新しい文化を生み出されています。 弊社は、施工会社の立場で、ストライプインターナショナル様、設計会社であるサポーズデザインオフィス様の考えや思いを形にするお手伝いをいたしました。 【お客様の課題】 ストライプインターナショナル様、設計会社であるサポーズデザインオフィス様が考える世界観を理解し、その作り方も含めて具現化していくことが課題でした。 プロジェクトの投資を意識しながら、施工の観点で作り方、施工方法について最適な提案を行いました。 【解決策】 上記の課題に対して、多種多様なマテリアルの提案、サンプルの作成により、イメージを共有したり、施工方法について何度もサポーズデザインオフィス様と打合せを繰り返しました。 また、プロジェクト投資を意識した提案を行い、仕様変更に随時、また早急に対応しつつ、スケジュールを意識していくことで、施工会社として開業まで役割を果たしました。 ＜当社プロジェクトメンバー＞ 【営業・プロジェクトマネジメント】壺坂 廣志、辰巳 果由 【制作・施工】吉武 央樹、濱邊 義人、佐々木 郁弥、坪井 優也  撮影：長谷川健太

[Project Overview] Hilton Tokyo Odaiba offers panoramic views of Tokyo Bay, the Tokyo cityscape, and the Rainbow Bridge. The restaurant on the 3rd floor has been renovated into a banquet hall. While primarily designed for wedding receptions, the venue can be used in a variety of ways to meet the needs of guests. The flexible layout, images projected onto a 22-meter wall, and the expansive Tokyo scenery visible through the windows provide an experience that can only be found here. concept design incorporates the blend of nature and modernity found in the Odaiba landscape, such as the skyline patterns created by the skyscrapers visible from the windows and the bridal room surrounded by the Tokyo Bay scenery through mirrored walls.

[Project Overview] This project involves renovating the guest rooms in the annex and the banquet hall on the first floor of The Prince Hakone Ashinoko into a grill restaurant. The aim was to incorporate the atmosphere of the scenic location, with its lush green mountains, the clear blue waters of Lake Ashi, and the view of Mount Fuji on clear days, into the hotel. [Client's Challenges] The planning involved utilizing the existing layout of the banquet hall on the first floor while coordinating it with the newly constructed open kitchen. The challenge for the guest rooms was to create a sense of renewal while retaining existing elements such as the beds, desks, and wainscoting designs, and adjusting concept design. [Solution] The restaurant's design incorporates calming materials, reflecting its location as a grill restaurant on the shores of Lake Ashi. Furthermore, the use of colors enhances the appeal of grilled dishes, and the space is designed to enhance the lively atmosphere of the newly constructed open kitchen. The guest rooms are designed with the concept of "the nature of Hakone and Lake Ashi," incorporating elements inspired by the scenery of Lake Ashi in Hakone, such as the sparkling water, the lovely flowers blooming along the lakeshore, the beautiful cedar trees, and the fantastical morning mist, to create a relaxing space. <Our Project Members> [Project Management/Sales] Masanori Kogure, Kae Omomo [design, layout] Sachiko Taihiji, Kaori Ogushi, Manami Nagao, Eri Isoyama, Chihiro Kazeto [construction] Tadayuki Mizuno, Taishi Takami

[Project Overview] Launched in 2014 with the opening of Moxy Milano, Moxy Hotels is a new brand from Marriott International targeting millennials. Based on the concept of a boutique hotel for budget-conscious travelers, it is an innovative brand that combines stylish concept design with services available at reasonable prices. It offers compact yet fully functional rooms, a lively 24-hour lobby space, and modern yet warm hospitality, providing a heartfelt, comfortable, and energetic hotel experience. Moxy Tokyo Kinshicho, with its slightly edgy practicality, is a designer hotel that can be enjoyed with the casual feeling of visiting Tokyo's downtown area. <Our Project Members> [Sales] Kumiko Watanabe, Issei Higashijima [design, layout] Naoko Ishii, Nao Kameda

[Project Overview] This project involves renovating the existing guest room building in anticipation of the opening of a new building in July 2017, which will include the "THERMAL SPA S.WAVE" hot spring and spa facility. The aim was to create a seaside resort facility that combines the familiarity unique to Oiso, a historic villa area, with the newness that connects to the new building. [Client's Challenges] The theme was to renovate the existing accommodation building in a way that would enhance the overall appeal of the facility while aligning it with the already ongoing hot spring and spa building project. Another challenge was to transform the facility, which had been focused on summer due to its proximity to Oiso Long Beach, into a year-round resort hotel. [Solution] In Oiso, the birthplace of Shonan, the renovation was based on the concept of "Shonan Luxury," where guests can spend a relaxing and luxurious day feeling the sea and breeze. The goal was to create "the resort hotel closest to the city" by adding not only a swimming pool, but also tennis courts, a golf course, and a bowling alley. By subtly partitioning the entrance hall, lobby, party room, and restaurant areas, and creating spaces that allow for airflow, we renovated the space into a resort where you can feel the ocean no matter where you are. <Our Project Members> [Project Management/Sales] Masanori Kogure, Kae Omomo [design, layout] Sachiko Taihiji, Kaori Ogushi, Eri Isoyama, Chihiro Kazeto [construction] Tadayuki Mizuno, Yusuke Yamada, Naoya Kuwamata, Yui Tanaka

<Project Overview> This project involves renovating the guest rooms (196 rooms), corridors, and elevator halls on the 6th and 7th floors of Hilton Tokyo Bay. We were able to undertake this project as a design and construction project because we won the design work through a design competition and the interior construction and FF&E work through a construction bid. As a result, we were able to provide a space that meets Hilton's quality standards while also being suitable for business travelers in a resort area, all within a limited construction period and budget. <Client's Challenges> Hilton Tokyo Bay primarily caters to guests visiting Tokyo Disney Resort®, offering fun rooms where guests can experience a fantasy world. Therefore, the theme of this renovation was to provide guest rooms where business travelers and adults enjoying themselves can also relax without feeling out of place. <Solution> The view from this location was remarkably similar to the Tokyo Bay depicted in Katsushika Hokusai's ukiyo-e print "Thirty-Six Views of Tomi Musume," so the design concept was to directly express the materials and colors from the ukiyo-e print in the space. We thought that by doing so, the space would become familiar to Japanese people from long ago, while also being a fresh and uniquely Japanese space for foreigners. We used the distinctive blue gradation of Ukiyo-e prints for the floor, wood from ships floating on the sea for the furniture, and copper plates used in lanterns as accent colors, expressing tranquility and peace throughout the entire space. <Our Project Members> [Sales/Project Management] Masayuki Yoshimori [Design/Planning] Keita Aono/Hiroyuki Sugata/Kyoko Aikawa [Production/Construction] Takayuki Gara

Hakone Sengokuhara Prince Hotel (formerly Hotel Ohakone), which opened in 1992, has undergone its first renovation. concept design concept is "relaxation x sparkle x intellect." The interior, concept design with "Hakone marquetry" as a motif, features a luxurious restaurant, an open-air bath where guests can experience the magnificent nature, and two guest room buildings themed around "kodachi" (the impression of the beautiful trees of Hakone Mountain) and "Hikari" (angelica blooming on the plateau and the glittering pampas grass of Sengokuhara), creating a space where guests can feel both nature and intellect. In this project, which has been reborn as a unique modern hot spring resort that resonates with nature in Hakone, one of Japan's leading hot spring areas, our company assisted with everything from the basic concept to design, layout, production, and construction.

This project was planned for the area of Platinum Street in Shirokane, lined with restaurants. On a 35-meter-wide site, the aim was to create a building that felt both new and old, with a pleasant atmosphere and a sense of "evoking memories." Aiming to become a landmark in the city as a complex dining space, our company assisted with schematic design and design supervision. A sense of "openness" was required in the architecture, so we created a sense of openness and shielding with folded cement stones, and materials that appear to be eroded by wind and light. This also contributed to creating the atmosphere of "a dry southern land," which was a key concept design word for the interior. Based on a consistent concept, we assisted with everything from interiors concept design to planting and artwork selection to achieve a unified interior that allows you to feel the wind, light, greenery, and water flowing in from the outside. When viewed from the outside, interiors concept design, which extends to the terrace, combines with the landscaping plan to become one of the elements that adorn the facade, and the architectural facade becomes a borrowed landscape from the interior space, creating a space where the inside and outside complement each other. The facility has a dining area, a teppanyaki restaurant, two banquet halls, and a chapel, and all kitchens are either walk-in or open kitchens. The anterooms of the chapel and bucket are separated by glass, emphasizing unobstructed views and spatial continuity within the facility. In addition to being open to the street, the texture created by the materials that have already aged gives the impression that it has been there for a long time, and we believe that it will become a distinctive landmark while also building a close relationship with the city. ◎Our Group Project Members [Sales] Hisayasu Takenaka, Takuya Kitai [Direction] Ryu Kosaka [design, layout] Architecture: Hiroyuki Iizumi Interior: Reiko Saito, Masahiro Hisakane [Production/ construction] Keiji Idei

We assisted with the complete renovation of a 27-year-old rental apartment building consisting of six buildings. Based on the theme of "a New York hotel with a fireplace," we maximized the appeal of the space by incorporating new concept design while preserving the existing architecture. By combining the original sauna and shower rooms with the bathroom, we were able to create a spacious bathroom. The unused fireplace was revived with new equipment and materials, and a woodshed was added to the garden. Natural materials such as solid wood, stone, and plaster walls were used to create a high-quality, relaxing space. The owners, who actually live there, commented, "It feels wonderful every time I come home." Our responsibilities: Concept concept design, furniture and fixture manufacturing, schematic design, demolition.

Two banquet halls in the Shinagawa Prince Hotel Main Tower have been renovated and reopened as banquet halls specializing in weddings. The 19th-floor banquet hall, "Gold 19," has an "elegant" image with off-white and champagne gold as its base colors. With extensive use of crystal ornaments and mirrors, it's a space designed to satisfy even the most discerning adult women. The 36th-floor banquet hall, "Garnet 36," has a "stylish" image with white and grayish tones as its base colors. Taking advantage of the hall's high ceilings, it's a space where 360-degree moving projectors can be used for video presentations. Our company provided comprehensive support from concept design to construction. Responsibilities: design, layout, Production & construction