WorksAll Achievements

タマディック様の愛知県一宮市におけるFA・ロボットテクノロジー事業部の新拠点「TAMADIC 一宮オフィス Robo Lab.」の開設プロジェクトです。古くから一宮にて繊維業を営んできた繊維専門商社、モリリン様の旧本店社屋として使用された、地域の皆さまにも馴染のある建物を再活用、リノベーションしました。この既存建築のRC（鉄筋コンクリート造）躯体の美しさや堅牢さを尊重し、新旧が調和するデザインを目指しました。本棟は躯体表し（※）を採用し、1階エントランスには、ロボットのショールームと開発ラボを配置しています。2階と3階はオフィスエリアとなり、RC躯体とウッドベースを基調としたデザインで新旧を調和、そこへ植栽を配置することでストレスの軽減や、集中力、創造性、生産性の向上を図りました。屋上には、植栽のみならずオフィス菜園を配置し、ワーケーション（働きながら余暇を楽しむ）をイメージしたルーフトップテラスを増設しました。これらの設備に合わせて、隣棟には心身のリフレッシュとコミュニケーション活性化を目的としたオフィスサウナも設置しています。タマディック様の新しい働き方のコンセプト「All for Well Engineer Life すべては、良いエンジニア人生のために。」を具現化したオフィス空間をデザインしました。※建物を支える構造躯体（柱、梁、コンクリート壁など）を、隠さずに剥き出しのまま見せる内装仕上げ手法

To coincide with the launch of BEAMS' 50th anniversary celebrations, we were in charge of the renovation of "BEAMS Harajuku," the flagship store of the men's casual label "BEAMS." While making the most of the existing building's features, we restructured the architectural plan, including refreshing the spiral staircase, a symbolic element of the store, to create a flagship store space that combines the unique worldview of BEAMS with a sense of flow and ease of movement.

This is the booth of Lilycolor at "Orgatec Tokyo 2026," an international trade show specializing in office and facility design. Our company was in charge of concept planning and spatial design. The space was designed to allow visitors to discover their own hidden challenges and needs, and to encounter a variety of products and the solutions behind them by "flipping" the product panels set up on the display stands.

This project involved the renovation of the first-floor entrance hall of Osaka Red Cross Hospital. Our company was responsible for planning, design, and construction. The entrance hall is the main entrance to the entire hospital and is the face of the hospital. It is not merely an entrance and exit, but a place that serves as a point of contact with the outside world, and at the same time, it is positioned as a central place within the hospital, aiming to create a place where people gather and liven up the atmosphere. To realize this, we proposed a space that would bring new value to this location while also promoting the Osaka Red Cross Hospital brand.

"Wa no I Kakunodate" is a hotel that breathes new life into historical buildings such as storehouses and Japanese houses that are over 100 years old, located in Kakunodate, the "Little Kyoto of Michinoku" famous for its samurai residences. In addition to the "Samurai Storehouse," "School Storehouse," and "Fabric Storehouse" that were already open in Phase I, three guest rooms have been added to part of the main house: the "Sakurajin Room" as the main room, the "Library Storehouse" where ancient documents and ceramics were preserved, and the "Silkworm Storehouse" where silkworms are said to have been raised. The "Rice Storehouse," where rice was stored, has also been converted into a restaurant. To allow guests to spend time while feeling the culture, history, and crafts of Akita, each guest room is themed after its original use and furnished with items that evoke the life of the time. The hotel has added functions as an inn while utilizing the old building materials, creating a space where guests can imagine themselves as if they have traveled back in time.

Masataka Taketsuru (founder of Nikka Whisky), who dreamed of creating authentic blended whisky in Japan, imported a "Coffey still" (a continuous distillation machine) from Scotland in 1963 to produce grain whisky for blending. The Coffey still, which had been in operation at the Miyagikyo Distillery for many years, will be retired in 2025 with the replacement of the world's first Japanese-made Coffey still. A part of it has now been moved to the entrance hall and put on display.

This is an authentic Chinese restaurant that opened in Yard Miyakojima, adjacent to "Canopy by Hilton Okinawa Miyakojima" in Miyakojima, Okinawa. Based on the techniques of the Ichirin Group, it offers a new Chinese dining experience that blends the nature and ingredients of Miyakojima. Our company was in charge of the design and planning.

OMO7 Yokohama by Hoshino Resorts has opened in BASEGATE Yokohama Kannai, in front of JR Kannai Station, utilizing the former Yokohama City Hall administrative building as a legacy hotel. The hotel's first-floor OMO Base, based on the concept of "Hamaism," features the "Hamaism Collection," an exhibition showcasing Yokohama's culture and history. With the cooperation of the Yokohama City Urban Development Bureau and the Yokohama City Hometown History Foundation, our company was responsible for planning, basic concept, design, production, and construction. "Hamaism" embodies the spirit of Yokohama, cherishing authenticity and preserving the old. In this project, we designed it as a gradient of experiences, from diverse Yokohama culture to the deep memories of its architecture. At the entrance to the exhibition, playful models of Neapolitan spaghetti and ice cream are displayed, along with symbolic placements of Yokohama-born culture such as railways, gas lamps, and Hamatora (Yokohama Traditional). These catchy features stimulate curiosity and draw the viewer's gaze further inside. Furthermore, after exhibits such as the Noge Miyakobashi Shopping Street, which embodies "Not Scrap & Build" (*), the narrative unfolds into a world infused with respect for the renowned architect Togo Murano. Taizan tiles and brass door handles inherited from the former Yokohama City Hall have been reassembled as living pieces. In the design of the fixtures, the lighting plan has been thoroughly considered, and it has been meticulously designed to blend in with the tone of the architecture while making each exhibit stand out in the most beautiful way. *Not Scrap & Build: An approach that preserves and utilizes existing architecture while making the most of it, rather than "Scrap & Build," which involves demolishing old buildings and rebuilding new ones.

"LDK AOSHIMA" is a restaurant located within AOSHIMA BEACH VILLAGE, which also houses "NOT A HOTEL AOSHIMA," a villa that can be converted into a hotel in Aoshima, Miyazaki Prefecture. Designed by General concept design Shin Ohori, the restaurant utilizes the modernity of the existing building while incorporating a vibrant color palette and tropical materials to reinterpret the image of Aoshima in the mid-20th century in a modern way, concept design a restaurant that feels dense and lively.

OSAKA INNOVATION HUB (OIH) was established in 2013 as a global innovation hub that attracts talent, information, and capital from both Japan and abroad, creating an environment where innovation can be fostered and driving the development of Osaka and the Kansai region. This time, in order to create an environment in which startups and the ecosystem that supports them can grow, the facility has been renovated with the concepts of "gathering," "connecting," and "growing," and in order to expand the facility area and enhance functions to promote interaction and strengthen support for startups, our company was in charge of design, layout, signage and graphic concept design, environmental features, building execution, and exhibit execution.

Since its opening in 1990, the Kagoshima City Science Museum has aimed to foster scientific creativity and improve scientific knowledge by introducing the laws of nature, science and technology, and space in an easy-to-understand manner. In this project, two displays areas have been renovated and renamed "Kagoshima and Space" and "Science in Everyday Life." Aiming to be a science museum rooted in the local community, unique to a regional city, the museum has incorporated many elements that are highly compatible with the region, such as displays that take advantage of Kagoshima's characteristics as it is home to a JAXA rocket launch site, and interactive devices featuring graphics of the local specialty, Sakurajima radish. In order to lower the barrier to entry for science and create a place where curiosity and a spirit of inquiry are naturally fostered, the museum has incorporated many digital technologies as well as analog displays. In "Gravity Challenge," one of the main displays, a character that reflects the movements of visitors appears on a screen and performs track and field events on various planets, creating a highly game-like content in which visitors can experience and learn about the differences in gravity on each planet. Furthermore, we developed an official app linked to displays, introducing a system that allows visitors to acquire over 100 different items online through quizzes and AR experiences. This improved visitor engagement and created an experience that encourages repeat visits, while also strengthening ties with the local community by standardizing its implementation on educational devices distributed throughout the city.

This flagship store translates YOKO CHAN's aesthetic of stripping away ornamentation to highlight the inner self and body of the wearer into a tangible space. Located a step away from the hustle and bustle of Roppongi, it aims to be a tranquil space where visitors can be freed from the noise of information and confront their own bodies and senses. In addition to sculptural forms and soft, curved plaster walls, the designer personally visited the production areas to find veneer and chunks of cedar root that had long been stored in warehouses, which were used as symbolic fixtures. The flowing curves drawn from the stone and wood grains are derived from the inner beauty of women that the brand cherishes.

Located directly above Komazawa University Station on the Tokyu Den-en-toshi Line, at the corner where National Route 246 and Jiyu-dori intersect, this is the area's first commercial facility project, serving as a gateway to Komazawa Park. We created a community-driven, street-level space that embodies the rural atmosphere characteristic of Komazawa, a truly local Tokyo area, fostering a new neighborhood place rooted in the community. For this first commercial facility development in the Komazawa area, we provided project management support for all aspects of the development, including facility concept, floor merchandising planning, tenant leasing, and opening preparation support.

To showcase Fujitsu's latest technologies to visitors, we planned an entrance space that combines the functions of displays and a lounge. concept design aims not only to displays cutting-edge technologies but also to create an immersive experience where visitors can feel like they are stepping into the information itself.

Head Office project is part of Head Office headquarters office planning project for Kasumigaseki Capital, following the 22nd floor, which houses both work and visitor areas, and the 34th floor, which contains work areas for new departments resulting from business expansion and group companies. The 27th floor, with its approximately 2,000 square meter private space, is comprised of two areas: a work area and a co-working area. The 28th floor, on the other hand, is a space that conveys Kasumigaseki Capital's continuous growth and change through spatial experience. Information never becomes outdated; it is constantly updated and reflects the present. While creating a tranquil and high-quality calm, the space begins to move gently as if breathing through changes in light, video, and materials. This space is a "living space" that reflects the unstoppable dynamism of the company, and is a place where visitors can encounter new discoveries and values with each visit. Our company was in charge of design, layout, signage and graphic concept design, environmental features, content design, production, and construction.