WorksAll Achievements

Located directly above Komazawa University Station on the Tokyu Den-en-toshi Line, at the corner where National Route 246 and Jiyu-dori intersect, this is the area's first commercial facility project, serving as a gateway to Komazawa Park. We created a community-driven, street-level space that embodies the rural atmosphere characteristic of Komazawa, a truly local Tokyo area, fostering a new neighborhood place rooted in the community. For this first commercial facility development in the Komazawa area, we provided project management support for all aspects of the development, including facility concept, floor merchandising planning, tenant leasing, and opening preparation support.

To showcase Fujitsu's latest technologies to visitors, we planned an entrance space that combines the functions of displays and a lounge. concept design aims not only to displays cutting-edge technologies but also to create an immersive experience where visitors can feel like they are stepping into the information itself.

Head Office project is part of Head Office headquarters office planning project for Kasumigaseki Capital, following the 22nd floor, which houses both work and visitor areas, and the 34th floor, which contains work areas for new departments resulting from business expansion and group companies. The 27th floor, with its approximately 2,000 square meter private space, is comprised of two areas: a work area and a co-working area. The 28th floor, on the other hand, is a space that conveys Kasumigaseki Capital's continuous growth and change through spatial experience. Information never becomes outdated; it is constantly updated and reflects the present. While creating a tranquil and high-quality calm, the space begins to move gently as if breathing through changes in light, video, and materials. This space is a "living space" that reflects the unstoppable dynamism of the company, and is a place where visitors can encounter new discoveries and values with each visit. Our company was in charge of design, layout, signage and graphic concept design, environmental features, content design, production, and construction.

This project involved the renovation of Daiko Electric Co., Ltd.'s Head Office office (5th and 6th floors). For this Head Office office function refresh in approximately 20 years, our Tokyo and Osaka team members collaborated to clarify the current situation and challenges through interviews, site visits, and workshops regarding management strategy, future work styles, and corporate culture, thereby defining the ideal workplace. We also collaborated with Daiko Electric's lighting design team, TACT, to develop a space centered on lighting proposals. Our aim was to create a space where each employee can engage with "light," experience its value, and discuss it.

This project involves the repair and restoration of the world's only surviving German-made B6 steam locomotive, housed at the FUJI Nagoya Science Museum, and the development of a "Railway Plaza" where three railway vehicles, including an old-style passenger car, will be displays outdoors. Aiming to create a place where visitors can experience the dynamic power of a 1904-manufactured steam locomotive in operation and learn about the principles of science and technology and the history of manufacturing, this project spanned over 10 years, with our company handling everything from the locomotive's restoration survey to the conceptual planning, design, and construction. In addition to the repair, restoration, and long-distance transportation of the vehicles, we also incorporated design administration for the outdoor displays facilities and presentation techniques that link to the dynamic displays of the B6 locomotive using transparent LED panels.

I was in charge of the planning, design, and construction of the first experiential showroom "I Gallery Naha" in the Okinawa area, which will be opened by Osaka-based house manufacturer and Ai Corporation. This showroom is an experience base that aims to convey in an easy-to-understand manner through actual displays, material experience, VR, etc., which are optimized in Okinawa's unique natural environment. Ai Corporation positions its expansion into Okinawa as "not just a base development, but an initiative to cultivate brand value together with the local people while blending with Okinawan culture and lifestyle," and has put forward an attitude of valuing activities rooted in the community and trying to realize the creation of a house that is close to Okinawa's life and culture. In order to embody this philosophy in the space, we have built a space production that emphasizes the visualization of displays information and comfort under the theme of "learning from Okinawan life and creating experiential value together with Okinawans".

Nagano Children's Center "Naganobi!" is an indoor play facility created by completely renovating the former Nagano City Children's Science Center. Based on the concept of "nurturing children's life skills × an indoor park where everyone can feel comfortable and relaxed," it features nature, animals, and science as themes, and uses organic shapes reminiscent of forests and space, along with a highly circulating spatial configuration, to create an environment where children aged 0-12 can learn actively while playing with their whole bodies. The playground is themed around the nature of Nagano and features the "Forest Exploration Plaza," which encourages diverse physical activities such as swaying, spinning, climbing, grasping, and crawling to foster sensory integration (*), and the "Space Athletics," where children can play using their whole bodies in a light-based space. Furthermore, there is the "Science and Creativity Plaza," which consists of science shows, crafts, hands-on experiences of scientific principles, and digital experiences, as well as a large ball coaster themed around apple trees that allows children to enjoy sounds and movements, and a wood education plaza where children can feel the warmth of wood, offering a variety of play and learning experiences. It has been reborn as an "indoor park" where children can play to their hearts' content and the whole family can enjoy a comfortable time together. *Sensory integration: The function of appropriately classifying, organizing, and integrating multiple sensations that enter the body through various sensory organs.

A permanent gallery has been newly established in the "Jinyamon Plaza," a gathering place for local residents located in the "GATE SQUARE Kosugi Jinyacho" residence in Nakahara Ward, Kawasaki City, Kanagawa Prefecture, to preserve the memory of the land. "GATE SQUARE Kosugi Jinyacho" is a residence project located on the site of the former main house of the Hara family, which has existed since the Edo period. Based on the concept of "Passing on the memories of Kosugi to the next generation," the gallery unravels the history of the Hara family and Musashi Kosugi, and constructs a space that harmonizes with the architecture of the residence, using ukiyo-e motifs. The history that has changed over the passage of 400 years is brought into the modern living environment, and the memories of this place and the activities of its people are passed on to the next generation in everyday life. The gallery was concept design as a new community space that promotes regional revitalization.

The original Century, a unique luxury car created to commemorate the 100th anniversary of the birth of Sakichi Toyoda, the founder of the Toyota Group, was born in 1967 and has built its position for over half a century, refining traditional Japanese beauty and craftsmanship. Then, in October 2025, the 100th anniversary of Sakichi Toyoda's founding of Toyota Automatic Loom Works in 1926, it was announced that "Century" would be newly established as an independent top-tier brand. Our company was in charge of displays design, layout, and construction of the brand's booth at "Japan Mobility Show 2025," embodying the brand concept of "One of One." The Century Coupe, making its world premiere, was placed on the main stage, and large-scale video exceeding 30 meters, light, and sound were coordinated to bathe the entire space in crimson, creating an overwhelming brand worldview. Furthermore, the exterior features layers of translucent fabric, inspired by the "loom" that is the root of the Toyota Group, and projected images onto it to create a sense of unity throughout the booth. The threads spun by Sakichi Toyoda and his successors become woven fabric, and eventually, like the phoenix, they are reborn as a crimson flare (flame), transmitting the spirit and beauty of Japan to the world.

Our company was in charge of Sigma's displays booth at CP+ 2026, the world's premier show for cameras and photographic imaging, held at Pacifico Yokohama. Since its founding, Sigma has always maintained a deep respect for people's passion for expression and has aimed to provide the best photographic equipment to meet all needs. One year after the announcement of a new VI that returns to this origin and re-examines the essence of Sigma, the Sigma booth at CP+ 2026 was an attempt to visualize this. In this project, the quality of "Made in Aizu, Japan," realized at the Aizu factory, the company's only production base, was used as the identity, and the philosophy of "The Art of engineering. Engineering for Art." was unfolded in the booth. The aim was to create a space where visitors could intuitively feel the respect and responsibility for optical technology, design philosophy, and photographic culture. In designing the booth, we reinterpreted "Japan" in the context of a comprehensive equipment displays. The booth's exterior design is inspired by the concepts of "hashirama" (spaces between pillars) and "yorishiro" (objects that serve as vessels for spirits), while the ceiling features a fabric curtain installation that expresses "light transmission" and "layered lenses." This was realized in collaboration with lighting designer Yoshiki Ichikawa (AURORA Inc.). By randomly hanging translucent fabric curtains and illuminating them with moving lights, a scene reminiscent of the fantastical misty landscapes of Aizu, Sigma's home ground, is created. In the test shooting experience corner, artwork made from waste materials generated during the manufacturing of aperture blades for interchangeable lenses was co-created with the team at Sawada concept design Studio. This was presented as a subject that allowed visitors to actually check the lens performance. Based on the question, "Are textual information and explanatory diagrams truly indispensable for true brand understanding?", the explanatory function was stripped down to the bare minimum, extracting only the most important physical brand embodiment value, aiming for a memorable spatial experience. *Event period: February 26 - March 1, 2026

This is a project by "%ARABICA" that has relocated and reopened in Plaza Indonesia, a shopping mall in the heart of Jakarta, the capital of Indonesia. Jakarta is dotted with circular plazas, and among them, "Bundaran HI," located in front of Plaza Indonesia, is one of the most iconic landmarks in the city. As the new store is located in the center of the mall's basement floor, it adopts a striking circular layout inspired by the plazas represented by Bundaran HI. The open configuration, which does not obstruct the view, welcomes visitors from all directions. Furthermore, the entire space is covered with white and terracotta Chemex-type handmade tiles, inspired by the white walls and orange tiled roofs of the colonial style that remains strong in Indonesia, creating an impressive space that stands out in the center of the floor.

"AI-STUDIO-YOKOHAMA," newly established in Yokohama Minato Mirai, is the core base for the East Japan area of AI Construction, a house builder based in Osaka with a nationwide presence. Taking advantage of its excellent transportation accessibility and the characteristics of the new neighborhood, it was planned as a showroom that showcases the company's appeal and spatial design capabilities. The entire facility serves as an information hub where visitors can experience the brand's value, and "hints for building a house" are scattered throughout, providing an experience that allows visitors to enjoy the home-building process in a positive way.

This project involved the relocation of the first store (Minamimachi-dori store) of the popular patisserie "kazunori ikeda individuel" located in Sendai City, Miyagi Prefecture. Our company was in charge of spatial design, layout, and construction. Based on the concept of "Forest Ēcrin (Jewel Box)," we expressed the relationship between the sweets, which combine traditional French techniques and unique creativity by owner-chef Kazunori Ikeda, and interiors concept design by likening them to jewelry and a jewel box. We incorporated Ikeda's commitment to authenticity and playfulness into the space, creating a composition that gives a sense of three-dimensionality and depth, while also creating a space that elegantly and impressively showcases the products.

In line with Bic Camera's policy of moving beyond the mass-market retail model, we transformed their store from a manufacturer-driven, spec-based sales floor into a new type of store where customer-centric experiences and discoveries are born. Our group consistently produced this new store from conception to implementation. While inheriting the traditional, voluminous display style, we reconfigured the space across various categories, from home appliances to general merchandise, centering it around multiple lifestyles. We created a store experience where customers can find scenes in their lives that interest them, touch the products, and try them out thoroughly, ultimately discovering exceptional items that match their own values. From a place to "buy" to a place to "discover." In Ikebukuro, a fiercely competitive area for home appliance retailers, we created a hub that offers new value beyond the conventional framework.

Since its opening in 2001, the Cerulean Tower Tokyu Hotel has been a landmark in Shibuya. The Sky Banquet Hall on the 39th floor was named "Lunard" (Moon), "Soleil" (Sun), and "Celeste" (Sky) in reference to the sky, reflecting the desire to be a hub for international exchange that connects Japan and the world globally, just as people around the world share the sky. This renovation has resulted in concept design that more fully embodies the original concept of the sun, moon, and sky, corresponding to the names of each banquet hall. Beginning with the renovation of two banquet halls, the design has been expanded to include bar counters and curio cases in the foyer and corridors, creating a unified space that tells a story from the common areas. This adds elements of unity and elegance to the overall floor concept design. Furthermore, the space has been updated to accommodate the needs of MICE, corporate events, and weddings by allowing the combined use of the floor by connecting the banquet rooms. Between the 39th and 40th floors, a three-dimensional wall surface is formed that gradually transitions from cerulean blue to a translucent white, creating a deeper connection between the upper and lower floors.