WorksAll Achievements

Sapporo Flower Carpet 2024 is a citizen-participation art event in which participants create large flower paintings using Hokkaido petals and natural materials, with the main venue being the Hokkaido Prefectural Government Red Brick Building and Sapporo Kita 3-jo Square. The aim is to promote the beautiful "flower scenery" of Hokkaido and Sapporo, and to promote the floriculture industry. The event began in 2014 and is celebrating its 10th anniversary this year, with a total of approximately 3,800 volunteers involved in the production and a total of approximately 640,000 visitors. In 2024, the event will be held from June 28th (Friday) to 30th (Sunday). Fujie Suzuki, a Sapporo native and art director at NOMURA IVD, was invited to design the anniversary carpet (main carpet) commemorating the 10th anniversary of the event. NOMURA IVD was also in charge of the key visuals for this event. The theme of the anniversary carpet is "Weaving, towards the future." The carpet is the largest to date, at 225m², and was concept design and created by Suzuki himself, the first Japanese concept design the Brussels Flower Carpet 2016, which was highly praised both at home and abroad. NOMURA has been providing special support by concept design the anniversary carpet and key visuals, and providing PR and volunteer support. The Sapporo Flower Carpet has been held since 2014. It is run by a public-private partnership between the government (Hokkaido and Sapporo City) and private companies. It is working to develop human resources who will increase the value of the region, run by a diverse group of citizen volunteers, from young children to people working in the neighborhood and foreign residents, and promote understanding of the floriculture industry in Hokkaido for the next generation through collaboration with elementary and high schools.

"FUEGUIA 1833" is a perfume brand founded in 2010 by Julien Bedel in Buenos Aires. We were in charge of the construction operations of Azabudai Hills Gallery, our third store in Japan. The concept of the "tree house" is concept design, symbolized by the tree trunk that stretches from the center of the perfume table to the ceiling and the Andes Mountains painted on the window panes. The ceiling and walls are made of solid Japanese cedar, and a faint cedar scent wafts through the air. The wall fixtures are made of baked cedar used in traditional Japan architecture, and the flooring is made from reused cedar scaffolding boards used at actual construction sites. At the end of the perfume table, the Infusion Bar offers a selection of designer red wines, literally a one-of-a-kind shop that stimulates the senses.

The venerable RIHGA Royal Hotel Osaka, which has a history of 90 years since its founding and has been loved by many guests, including state guests and the Imperial family, as the "Guest House of Osaka," has introduced the "Vignette Collection," one of the brands of IHG Hotels & Resorts, and has made its grand opening as the "RIHGA Royal Hotel Osaka Vignette Collection" in preparation for the opening of the Osaka-Kansai Expo in April 2025. The hotel has been renovated into a space that will be loved for generations to come, inheriting the hotel's history and identity and incorporating the charm of the beautiful surrounding scenery unique to the city of water. In this renovation, we were responsible for concept design of the entrance, reception, public areas, guest rooms, banquet halls, and gym, as well as working drawings and construction of the guest room area, art, and FF&E.

FOXEY is a one-of-a-kind made-in-Japan brand that has consistently created products based on the concept of "clothes that accentuate the beauty of women" since its founding in 1980. The "FOXEY ADEAM KITTE Osaka Store" opened at KITTE Osaka, a new landmark in Osaka, and was the first street-front store in the Osaka area, for which we were in charge of interiors construction work.

The shichimi can from Yawataya Isogoro is a famous Shinshu souvenir. The theme of displays held to commemorate the 100th anniversary of its sale was "Dissecting the Shichimi Can." The secrets hidden in the small can were unraveled from the perspectives of history, materials, and concept design. A panel concept design that resembled an unfolded label enveloped the small venue, and the shichimi can, a beloved supporting role on the dinner table, took center stage, adding color to the venue. This exhibition was also held at the Nagano Prefectural Art Museum's Civic Gallery, and recorded the highest number of visitors of any gallery displays.

Sorappa, which opened in Gran Green Osaka, is a lounge exclusively for workers, consisting of a dining area, a café that doubles as a workspace, and a terrace. The dining area is an open space with a 7m-high window that overlooks the Umekita Park, making it suitable for groups to use without worrying about others around them. The open space extends from the café to the terrace, and on sunny days you can enjoy a relaxing cafe time while looking at the beautiful view.

The Centennial International Students Memorial Hall is a cultural exchange facility that connects to the future the stories of young Asian students who came to Japan in the early 20th century to study in search of new knowledge and skills. It was opened with the aim of hosting exhibitions and serving as a place where different cultures and values intersect and people can deepen mutual understanding through dialogue. We were responsible for the planning and basic concept of the Centennial International Students Memorial Hall, as well as design, layout, building execution. We were also responsible for displays design and construction of the special exhibition "Young Zhou Enlai's Footprints in Tokyo" to commemorate the opening of the hall.

THE SEVEN is involved in planning and developing content for the global market and producing a variety of entertainment businesses. The company has recently expanded its floor space to create a groundbreaking office for further creative enhancement. The office is designed to consistently consolidate all functions of video production from planning to final checks in a single space, and to ensure that we continue to respond to extremely high-quality video, we place the utmost importance on the quality check process. For this reason, the preview room is equipped with an 8K projector and Dolby Atmos* 7.1.4 sound system to enable highly accurate correction instructions based on the highest quality video and sound checks, further improving quality. In terms of design, we aimed for a concept design that is both beautiful and unusual, based on the keywords "beautiful concept design like a video" and "Science Fiction (SF)". In order to avoid uniformity of expression, we incorporated hand-drawn sensual forms in various parts of the design, but also created a consistent regularity to maintain a comfortable balance in the space through repeated verification. concept design TBS Television concept design Center was in charge of the design work and interiors ・Fixtures, electrical and plumbing systems, and signage graphic work. We achieved smooth promotion and completion of the project by building good communication with TBS TV concept design Center and other construction vendors, while taking advantage of our strength to consistently demonstrate our design construction capabilities. *Dolby Atmos: The use of overhead and upward-facing speakers to create a three-dimensional soundscape.

The Animal Science Museum, located within Chiba City Zoological Park, has undergone a complete renovation of its displays the flora and fauna that inhabit the rainforest, such as gorillas, birds, and nocturnal animals, visitors can learn about the interconnectedness of life and the preciousness of the global environment through displays before and after.

The hotel is directly connected to Kitahiroshima Station on the JR Chitose Line, the closest station to Hokkaido Ballpark F Village. The first to third floors are commercial facilities, and the fourth to thirteenth floors are the hotel with a total of 158 guest rooms. We were mainly in charge of concept design and construction of the hotel lobby and the guest room floor on the 11th floor, which has a Hokkaido Nippon-Ham Fighters theme. The lobby space is sprinkled with baseball-themed elements, and the ceiling features an image of the Fighters' home stadium, S.Con Field HOKKAIDO, and the Fighters colors are used to create an exciting space. The Fighters floor has a corridor as a gallery space, where autographed uniforms and photos of players are displays, and the guest rooms are chicly coordinated in black to evoke the image of S.Con Field, and you can see the stadium from the windows.

The Panasonic Group Pavilion "Nomo no Kuni" is a pavilion based on the concept of "Unlock your nature" that draws out the potential of children through sensory analysis technology and experiences that stimulate the five senses. Utilizing the latest technology from Panasonic Holdings, we have achieved a spatial design that harmonizes with the worldview of "Nomo no Kuni" by using tiles that evoke the tactile sensation of walking on natural ground, natural wood finishes with metallic textures, and concept design techniques that combine with 3D printing. We adopted a spatial and experience concept design approach centered on what we can do for the future of children, incorporating cutting-edge design and construction methods in sustainability, such as reusable tiles and biodegradable concept design printing.

Founded in Nagano in 1736, Yawataya Isogoro is a long-established company that has created the image that "Shichimi is the best Shinshu souvenir." As part of the commemorative project for the 100th anniversary of the sale of canned shichimi in 2024, the company renovated its confectionery manufacturing workshop and warehouse to open a research and development site for shichimi togarashi. The new facility will function as a business negotiation lounge and test kitchen for B2B collaborative products, a hub for interaction between customers and employees, and a showroom.

Kurate Town, located in the northwest of Fukuoka Prefecture, once developed as a part of the Kyushu Chikuho coalfield. This facility is a museum where you can learn about the history of coal mining in Kurate Town through "experiences." displays are divided into four main zones: an introductory "chronology," a "reproduced mine tunnel" using darkness, a "reproduced diorama" of the coal mining site, and a "storyteller" section where interviews by workers and recorders from that time are filmed and edited. By making the most of the limited displays space of 260 square meters and giving each zone its own unique characteristics, the museum is designed to appeal to visitors in a variety of ways and to interest them.

This is a renovation project for an inn located in the western part of the Izu Peninsula in Shizuoka Prefecture. This project is the second and third phase renewal of "Atara Yoru Nishiizu," named after a poem in the Manyoshu collection, "A wonderful night that is a pity to see it end." In the first phase, we renovated the suites and bar, in the second phase, we renovated the guest rooms, and in the third phase, we renovated the façade, lobby, rooftop terrace (foot bath), common corridor, and live kitchen, and we were in charge of the complete renovation. We created an experience where you can enjoy the evening, with spacious and comfortable guest rooms where young couples and married couples can relax, a lobby where you can roast and eat marshmallows while soaking your feet in a foot bath, and a rooftop terrace with a foot bath where you can enjoy watching the horizon of Nishiizu.

We designed and concept design the entire house, from design administration concept design the interior design and exterior concept design. The site overlooks the Sea of Japan, and the area is known as a scenic spot with a dynamic topography called "cave". On the other hand, if you look at the surrounding area, you will see that the labyrinth-like intricate alleys create a unique streetscape. This is a feature unique to this area, with a square-shaped structure with cranked intersections to prevent the north wind from blowing through. By incorporating this unique alley structure into the ground floor plan, the architectural volume is segmented and harmonizes with the surrounding environment. The exterior and entrance hall are structured like a topography based on the motif of the ria coast, and the continuity with the streetscape is ensured by setting back from the south side. On the other hand, the north façade is raised one step higher than the surrounding area, and has a three-dimensional square-shaped structure intended to prevent the north wind from blowing through to the city. For the exterior finish, in order to echo the external characteristics of the ria coastline, with its rocky surface at the bottom and lush trees at the top, we used rock-like concrete with exposed aggregates for the lower layer, and wood-grain concrete with cedar board formwork for the upper layer. Both the aggregates that appear on the surface and the cedar board formwork materials are made from materials that can be collected in the area, and we hope that the unique expressions of the materials will weave the unique scenery of the location into the future. In addition, by applying this two-tiered structure to the finishes of the interior spaces as well, it creates a sense of unity with the architecture, contributing to fostering a sense of unity between the inside and outside.