Works#2024

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Sapporo Flower Carpet 2024

Sapporo Flower Carpet 2024

Sapporo Flower Carpet 2024 is a citizen-participation art event in which participants create large flower paintings using Hokkaido petals and natural materials, with the main venue being the Hokkaido Prefectural Government Red Brick Building and Sapporo Kita 3-jo Square. The aim is to promote the beautiful "flower scenery" of Hokkaido and Sapporo, and to promote the floriculture industry. The event began in 2014 and is celebrating its 10th anniversary this year, with a total of approximately 3,800 volunteers involved in the production and a total of approximately 640,000 visitors. In 2024, the event will be held from June 28th (Friday) to 30th (Sunday). Fujie Suzuki, a Sapporo native and art director at NOMURA IVD, was invited to design the anniversary carpet (main carpet) commemorating the 10th anniversary of the event. NOMURA IVD was also in charge of the key visuals for this event. The theme of the anniversary carpet is "Weaving, towards the future." The carpet is the largest to date, at 225m², and was concept design and created by Suzuki himself, the first Japanese concept design the Brussels Flower Carpet 2016, which was highly praised both at home and abroad. NOMURA has been providing special support by concept design the anniversary carpet and key visuals, and providing PR and volunteer support. The Sapporo Flower Carpet has been held since 2014. It is run by a public-private partnership between the government (Hokkaido and Sapporo City) and private companies. It is working to develop human resources who will increase the value of the region, run by a diverse group of citizen volunteers, from young children to people working in the neighborhood and foreign residents, and promote understanding of the floriculture industry in Hokkaido for the next generation through collaboration with elementary and high schools.

#Conventions & Events
Houses on the Rias Coast

Houses on the Rias Coast

We designed and concept design the entire house, from design administration concept design the interior design and exterior concept design. The site overlooks the Sea of Japan, and the area is known as a scenic spot with a dynamic topography called "cave". On the other hand, if you look at the surrounding area, you will see that the labyrinth-like intricate alleys create a unique streetscape. This is a feature unique to this area, with a square-shaped structure with cranked intersections to prevent the north wind from blowing through. By incorporating this unique alley structure into the ground floor plan, the architectural volume is segmented and harmonizes with the surrounding environment. The exterior and entrance hall are structured like a topography based on the motif of the ria coast, and the continuity with the streetscape is ensured by setting back from the south side. On the other hand, the north façade is raised one step higher than the surrounding area, and has a three-dimensional square-shaped structure intended to prevent the north wind from blowing through to the city. For the exterior finish, in order to echo the external characteristics of the ria coastline, with its rocky surface at the bottom and lush trees at the top, we used rock-like concrete with exposed aggregates for the lower layer, and wood-grain concrete with cedar board formwork for the upper layer. Both the aggregates that appear on the surface and the cedar board formwork materials are made from materials that can be collected in the area, and we hope that the unique expressions of the materials will weave the unique scenery of the location into the future. In addition, by applying this two-tiered structure to the finishes of the interior spaces as well, it creates a sense of unity with the architecture, contributing to fostering a sense of unity between the inside and outside.

#hospitality
ESPRIT C. KEI GINZA

ESPRIT C. KEI GINZA

It opened in April 2024 as a restaurant created by Chef Kobayashi Kei of the Parisian French restaurant "Restaurant KEI" and "Toraya", a Japanese confectionery shop founded in the late Muromachi period. In Ginza, Tokyo, where tradition and newness coexist and diverse food cultures can be enjoyed, we want to create a restaurant that goes beyond French cuisine, pursues innovation in gourmet food with a free-thinking approach, without being bound by anything. We want everyone who works here, not just the chefs, to learn and research ingredients, share the essence of gourmet food with customers who visit, and make not only the food but the entire experience here satisfy the customers' hearts. "ESPRIT C. KEI GINZA" is a so-called "gourmet laboratory" that embodies Chef Kobayashi Kei's thoughts. The restaurant consists of a main dining room with live counter seats centered around the open kitchen, which is the key to creating the dishes, table seats covered with a wooden concept design, and a private kitchen with a private room inspired by a laboratory. France is said to have a culture of stone, and Japan has a culture of wood. This restaurant is a new space where French and Japanese cultures meet, blending the cultures of both countries in a harmonious blend of stone and wood. The ceiling concept design that covers the entire floor is a dynamic composition that changes from a traditional checkerboard pattern to an innovative cave-like installation, expressing tradition and innovation.

#Urban & Retail
Being Furniture -DESIGNART TOKYO 2024-

Being Furniture -DESIGNART TOKYO 2024-

We exhibited "Being Furniture" at DESIGNART TOKYO 2024, Japan's largest concept design and art festival (with the theme "Reframing - The Beginning of Transformation"). "Being Furniture" is a project that reconsiders the relationship between people and objects. We create many things every day in our spatial concept design projects, but behind the scenes, we feel that there is a big issue with these things being discarded or no longer used while still fully usable. When we think about a situation in which an object is used for a long time and with great care, it is often the case that a relationship is formed that gives rise to an attachment to the object. In such cases, we noticed that we have gone from a sense of "owning and using" to a sense of "being with" the object and caring about it. Therefore, we thought that noticing this change in sensation might be one way to solve the problem. The furniture presented in the project is not particularly sturdy or functional. Rather, it has a certain instability and whimsy that makes us want to care for it. If furniture changes from "being" to "being there," how will we interact with it? Through a series of experimental concept design in this project, we ask society about the transformation in value between people and objects. Our company's vision is to "open up all kinds of spatial possibilities starting from the 'creativity' of each individual," and we are working to create spaces that enrich people's hearts. As part of this, we continue to exhibit at concept design events both in Japan and overseas in order to take on the social issues we face from a creative perspective and create a cycle of communication, exchange, and innovation through our output.

#hospitality
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