Works#2024

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リアス海岸の住宅

リアス海岸の住宅

建築設計からインテリアデザイン、外構デザインまで住宅1棟丸ごとの設計・デザインを行いました。敷地は目の前に日本海を望む土地で一帯には複雑に入り組んだリアス海岸が広がり、「洞門」と呼ばれるダイナミックな地形の景勝地として知られています。一方、周辺に目を向けてみると迷路のように入り組んだ路地が独特の街並みをつくり出しています。これは、北風が吹き抜けるのを防ぐために交差部がクランクした枡形構成というこの地域ならではの特色です。その特有の路地構成を1階平面に採り入れることで建築ボリュームを分節し周辺環境との調和を図っています。外観やエントランスホールはリアス海岸をモチーフとした地形のような構成となっており、南側からセットバックすることで街並みとの連続性を確保しています。一方、北側のファサードは周囲より1段立ち上げ、立体的な桝形構成のような形状とすることで北風が街へ吹き抜けるのを防ぐことを意図しています。外部仕上に関しては、下部が岩肌で上部に木が生い茂るリアス海岸の外観的特徴を建築にも呼応させるべく、下層には洗い出しによって骨材をあらわにした岩のようなコンクリートを、上層には杉板型枠による木目調のコンクリートを採用しました。表面に現れてくる骨材も杉板型枠材も共に地域で採取できる材料を利用しており、その土地ならではの素材による表情が、立地固有の情景を未来に紡いでいくことを期待しました。加えて、この2段構成は、内部空間の仕上げにも適用することで建築との統一感をつくり出し、内外の一体感の醸成にも貢献しています。

#hospitality
ESPRIT C. KEI GINZA

ESPRIT C. KEI GINZA

It opened in April 2024 as a restaurant created by Chef Kobayashi Kei of the Parisian French restaurant "Restaurant KEI" and "Toraya", a Japanese confectionery shop founded in the late Muromachi period. In Ginza, Tokyo, where tradition and newness coexist and diverse food cultures can be enjoyed, we want to create a restaurant that goes beyond French cuisine, pursues innovation in gourmet food with a free-thinking approach, without being bound by anything. We want everyone who works here, not just the chefs, to learn and research ingredients, share the essence of gourmet food with customers who visit, and make not only the food but the entire experience here satisfy the customers' hearts. "ESPRIT C. KEI GINZA" is a so-called "gourmet laboratory" that embodies Chef Kobayashi Kei's thoughts. The restaurant consists of a main dining room with live counter seats centered around the open kitchen, which is the key to creating the dishes, table seats covered with a wooden concept design, and a private kitchen with a private room inspired by a laboratory. France is said to have a culture of stone, and Japan has a culture of wood. This restaurant is a new space where French and Japanese cultures meet, blending the cultures of both countries in a harmonious blend of stone and wood. The ceiling concept design that covers the entire floor is a dynamic composition that changes from a traditional checkerboard pattern to an innovative cave-like installation, expressing tradition and innovation.

#Urban & Retail
Being Furniture -DESIGNART TOKYO 2024-

Being Furniture -DESIGNART TOKYO 2024-

We exhibited "Being Furniture" at DESIGNART TOKYO 2024, Japan's largest concept design and art festival (with the theme "Reframing - The Beginning of Transformation"). "Being Furniture" is a project that reconsiders the relationship between people and objects. We create many things every day in our spatial concept design projects, but behind the scenes, we feel that there is a big issue with these things being discarded or no longer used while still fully usable. When we think about a situation in which an object is used for a long time and with great care, it is often the case that a relationship is formed that gives rise to an attachment to the object. In such cases, we noticed that we have gone from a sense of "owning and using" to a sense of "being with" the object and caring about it. Therefore, we thought that noticing this change in sensation might be one way to solve the problem. The furniture presented in the project is not particularly sturdy or functional. Rather, it has a certain instability and whimsy that makes us want to care for it. If furniture changes from "being" to "being there," how will we interact with it? Through a series of experimental concept design in this project, we ask society about the transformation in value between people and objects. Our company's vision is to "open up all kinds of spatial possibilities starting from the 'creativity' of each individual," and we are working to create spaces that enrich people's hearts. As part of this, we continue to exhibit at concept design events both in Japan and overseas in order to take on the social issues we face from a creative perspective and create a cycle of communication, exchange, and innovation through our output.

#hospitality
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