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Seiban Co., Ltd., the schoolbag manufacturer familiar from its "Angel's Wings" TV commercials, opened the "Seiban Museum Park" in 2020, its 101st year in business. This new facility combines a large directly managed store and a schoolbag museum at Head Office and schoolbag manufacturing plant. The first floor houses the "Factory Shop," the largest directly managed store in Japan, and the schoolbag factory, while the second floor features the "Seiban Museum," Japan's first schoolbag museum. At the entrance to the "Factory Shop," a giant schoolbag sculpture, a popular photo spot, welcomes visitors. The sales floor features roads, slopes, stairs, and balance beams designed to resemble a school route, allowing children to enjoy choosing a schoolbag as if they were going to school for the first time. The "Seiban Museum" features spaces designed to resemble classrooms and laboratories in each area, showcasing the history and culture of schoolbags, Seiban's passion for manufacturing, and the performance and appeal of their products through diverse displays. There is also an area where visitors can tour the factory line where schoolbags are actually manufactured. This attractive facility allows three generations of families to enjoy seeing, touching, and experiencing school bags. Our company was responsible for all aspects of the project, from the planning stage to concept design and construction.

ＡＧＣ様が、総工費約200億円を投じ、ＡＧＣ横浜テクニカルセンター(横浜市鶴見区)内に建設していた新研究開発棟。同研究棟内に、社内外の協創を加速させる協創空間「AO(アオ/AGC OPEN　SQUARE)」を設置し、2020年11月19日にオープンしました。 目玉となるオープンエリアの協創空間「AO」には、「つなぐ」「発想する」「ためす」をコンセプトに据えたエリアがあり、ＡＧＣの素材や技術を活かした外部パートナーとの協創展示「AO Gallery」、ユーザーのニーズとＡＧＣのシーズから生み出された製品、価値、最新トピックスをきっかけに対話ができる「AO Park」、ＡＧＣの最先端素材や技術に触れられる展示エリア「AO Studio」、外部パートナーと一緒にサンプルを評価し、プロトタイプをつくる協創実験室の「AO Lab.」の4つのスペースで構成されました。当社は、その一つのAO Galleryにて協創展示の企画・デザイン設計・施工を担当しました。 【社会課題／お客様の課題／ご要望】 ＡＧＣの素材や技術を活かした外部パートナーとの協創展示を通じて、AGCの新たな魅力を体感できるギャラリーにしたいというご要望をいただきました。 【解決策】 ＡＧＣ様がもつ最先端の技術・ハードと当社の創造力の融合によって、すぐそこの未来の新たなガラスを協創で生み出すことができる空間を提供しました。 ＜当社プロジェクトメンバー＞ 【プロジェクトマネジメント】 齋藤 新之輔 【企画・デザイン・設計】 NOMLAB：吉田 敬介 / 永野 航 【制作】 桐ヶ窪 壮 ＜関連リリース＞ ・ＡＧＣと乃村工藝社、協業企画展「GLASSMART（グラスマート）展」を開催 ＜関連実績＞ ・NOMLAB　GLASS MOTION ・NOMLAB　PRISMINATION～いきたガラスの空間～

"Sho-u-kan" is a part of the former residence of Count Abe, the former lord of the Fukuyama Domain, built in 1892 in Nishikata-cho, Hongo-ku, Tokyo. In 1971, Tokio Kasuga, the founder of Green Stamp Co., Ltd., relocated and restored it in Karuizawa, and it has been used as a memorial hall for the Green Stamp Karuizawa dormitory. In 2020, Sho-u-kan was renovated at the same time as the newly renovated annex, to be used as a retreat facility by both Green Stamp Co., Ltd. and Kennedyx Co., Ltd. Our company was in charge of the design and interior administration of the Sho-u-kan renovation, including seismic retrofitting, as well as the installation of FF&E (First Floor & Energy) equipment throughout the facility. [Social Issues / Customer Issues / Requests] Since its initial relocation, various additions and renovations have been carried out, and the connection to the other building is only made at the point of a corridor, and structural stress has been placed on the building, resulting in settlement. The entire facility was aging, and in the case of Sho-u-kan, it was difficult to use in winter due to the climate of Karuizawa. Also, although it originally had tatami mats, the frequency of its use had decreased due to changes in the lifestyle of Japanese people. However, there was a desire to renovate it while preserving as much of its original appearance as possible. [Solution] Based on an investigation of Sho-u-kan, it was restored as much as possible to its simple form from when it was relocated, and a seismic diagnosis was conducted to reinforce the structure to withstand seismic forces equivalent to those stipulated by the Building Standards Act. It faces the annex across a courtyard, giving a sense of unity to the entire facility. While respecting the original design as much as possible, the aim was to extend the period of use, including winters other than the coldest period, by installing insulation and air conditioning equipment in the unseen parts. Underfloor heating was installed and the flooring was changed to hardwood, and the walls added for seismic reinforcement were made to express the original image of the walls, fixtures, etc., and the upper half of the space was preserved as much as possible of the original design. <Our Project Members> [Sales] Kayu Tatsumi [Survey, design, layout, and interior administration] NAU1: Norio Koito [Production and construction] Mikiya Fujitaka

ＮＴＴアノードエナジー様は、 グループの保有する ICT 技術・直流給電技術を活用したスマートエネルギー事業を推進する事業推進会社です。NTTグループを代表するエネルギー企業を象徴するようなオフィス環境の構築を目指しました。 【社会課題／お客様の課題／ご要望】 業務範囲は、プロジェクト全体のディレクションや各種建築・設備工事との調整、監理業務も含まれ、スケジュールの厳守が求められました。 新型コロナウイルス感染症の影響により、当初の予定より遅れることになりましたが、お客様と共に課題を共有し、プロジェクトメンバーが一体となって問題の解決をはかりました。 【解決策】 3月に当社への指名をお受けしましたが、コロナ禍のためオンライン会議を活用しプロジェクトを推進しました。B工事を担当するNTT都市開発ビルサービス様、事務什器業者のオカムラ様も参加され、さまざまな問題の検討がおこなわれました。また、必要に応じて、映像コンテンツや植栽の分科会もオンライン会議で実施し、お互いの思いのズレがないようにコミュニケーションをはかり、スケジュールとクオリティ、コスト管理を徹底的におこないました。 ＜当社プロジェクトメンバー＞ 【開発】 西村 昭彦、菅沼 昭彦 【営業・プロジェクトマネジメント】 大橋 史歩、西村 昭彦 【企画デザイン】 奥田 龍一、山本 利夫 【デザイン・設計】 山本 利夫 【制作計画】 平石 昭雄 【制作計画・制作・施工】 高橋 昭伸

This project involved the integration of offices for five advertising media companies of GREE. The concept of this project is "creating opportunities for interchange." This concept was born from the idea of "providing a place that creates opportunities for serendipitous encounters and communication." The entrance space, which will be the face of the five companies, is designed to be a space where you can feel change and movement, with lighting colors changing according to the time and scene through glass bricks. When used for events, it is envisioned that the light will have a rhythm in sync with the music to create a party scene. Inside the office, there is a place called "Breakthrough Base" that will serve as a catalyst for interaction between the five companies. "Breakthrough" means "not just a relaxation space, but a place to open up the future and break through the current situation," and "Base" means "not just a place, but a base that gives a sense of strength and hints that something is being planned." The flooring is laid out in a way that anticipates the flow of movement, and is planned to be an "interchange: a place where paths intersect," and is utilized as a place for natural interaction between the five companies. Areas that are touched by hands have been given an aged finish, giving a sense of liberation as if you were feeling the sea breeze in Shinjuku, where the sea is not visible. The use of plain materials and a variety of chair concept design created a relaxed space with a warm, laid-back feel. Furthermore, reflecting the idea of a fresh start, we aimed for a minimalist space without over-designing. While maintaining a sophisticated and stylish atmosphere, we also incorporated photogenic spots, befitting a company involved in social projects. We designed a space that is stylish yet inspires anticipation of new ideas and possibilities. <Our Project Members> [Sales & Project Management] Masaki Yotsuya, Kaori Murakami [design, layout] Atsuko Ozawa, Keita Obana

This project involves converting displays room within the Panasonic Center Tokyo into a VIP reception conference room. (Not open to the public) By utilizing the spatial composition that leverages human perception, 4K video is subtly incorporated into the space as if it were a material or landscape. Combined with ceiling height control and skylight effects using advanced lighting technology, the space is given a sense of spaciousness, pursuing a "comfortable atmosphere that encourages lively conversation." As the center receives many VIPs and state guests from both Japan and overseas, icebreaker elements have been incorporated throughout, such as ceiling designs inspired by the Japanese art of origami, video expressions reminiscent of a dry landscape garden, and scents that evoke a sense of Japanese aesthetics. Furthermore, handwritten patent application documents imbued with the founder's aspirations have been transformed into artwork and placed on the wall behind the head of the room, imbuing the space with soul. In conjunction with the lighting control, the scene can be switched according to various purposes, such as welcoming guests, dining, or meetings using multiple screens. While making full use of Panasonic's cutting-edge technology, we focused on understated expression to create an overall calm atmosphere, building a spatial value that combines novelty and high quality. <Our Project Members> [Sales/Project Management] Kei Yamazaki [Direction] Akane Yamaguchi [concept design] Shigemi Shimizu, Kiyoho Tani [Production/ construction] Hiromitsu Furuichi, Yuta Kumazawa

The entrance lobby of Excom Global's headquarters Head Office specializing in providing communication environments, including mobile internet access for travelers abroad. Mobile communication services create diverse connections around the world, linking people to people and people to things. The way individual communication chains transcend countries and generations, eventually giving rise to global movements and weaving together one large entity, is reminiscent of a "forest" where the activities and connections of various living things create the expansion of more life. The infinite connections and possibilities that Excom Global's business brings to the world are superimposed on the state of a rich forest, and concept design theme is based on the natural forms found there, the memories of the forest's growth, and the beautiful appearance that changes with time. As an element symbolizing the forest landscape, the walls are covered with panels concept design with the overlapping silhouettes of trees as a motif. During the day, sunlight, and after sunset, artificial light, casts soft shadows on the floor and walls through the panel openings, creating an impression of dappled sunlight filtering through trees, making it feel as if you are in a forest, even though you are inside a high-rise building in Shibuya. The striking tables and drink counters are concept design with "tree rings" as a motif, representing the memory of a forest's growth. Bent metal plates are assembled in a concentric offset pattern, and the tabletop is made of transparent acrylic so that this process can be seen. The layout plan divides the space into two areas: a reception area for welcoming guests and a meeting area for business negotiations, and under the above concept design theme, efforts have been made to create appropriate levels of privacy and transparency for each scene. [Client's Challenges/Requests] We received a request to concept design a reception space and business negotiation space with an atmosphere like the lobby of a luxury hotel. <Our Project Members> [Sales & Project Management] Kazushige Ishii, Kaori Murakami [design, layout] Yoshihiro Kitamura [Production & construction] Ikuo Chikaishi, Tetsuji Koike, Takuya Kagawa

Nomura Co., Ltd. was responsible for the design and basic planning of the food court in the Shanghai World Financial Center (SWFC), a landmark skyscraper in Shanghai, China. The food court was designed to be a relaxing space enveloped in "light" and "greenery" to support the eating, working, and socializing needs of office workers. NOMURA Co.,Ltd. was responsible for concept design and schematic design, while NOMURA (Beijing) Co., Ltd. was responsible for working drawings and construction. [Client's Challenges/Requests] The "Food Garden" food court, located on the second basement floor of the SWFC, a Shanghai landmark, brings together 12 stores. The goal was to provide daily food support to over 10,000 office workers, while also creating a space that enhances the building's value by providing a place for office workers to relax, as well as event spaces and conference rooms that can be used for seminars and networking parties. [Solution] To create a comfortable relaxation space for office workers despite being underground, the "light" streaming in from above was visualized as louvers, creating a continuous scene of "greenery" creeping up towards the light. Furthermore, the event space and meeting rooms (with the possibility of catering from the food court) were planned as an integrated unit, creating a configuration that can attract customers even after the peak lunch hour. <Our Project Members> Design: NOMURA Co.,Ltd. AND Co., Ltd. [Sales] Hisayasu Takenaka [concept design / schematic design] Keisuke Sasaki, Kai Nishihara, Hitomi Kataoka construction: NOMURA (Beijing) Co., Ltd. [Project Management] Nobuya Sugimura [working drawings] Lei Yu, Hideki Niwa [construction] Lei Yu, Hideki Niwa, Shuangshuang Li, Xing Zheng, Yu Lin, Jian Wang

グリーの本社が入居している六本木ヒルズ森タワー、3フロアの全面改修プロジェクトです。構想から2年以上かけ、複数フェーズに分け工事を実施しました。本プロジェクトのコンセプトは「グリーのものづくりを発信する」。六本木ヒルズ森タワーに本社を構え約9年、初心にかえりグリーのものづくりへの想いをオフィス空間に表現しました。グリーのゲーム事業、広告・メディア事業、ライブエンターテインメント事業といった3つの軸を支える多くのワーカーが過ごす空間において、クオリティの高いものをつくりあげていく、そのイメージを表現するよう、素材感を大切にしながらエントランスやラウンジ、café、Future Laboの内装や什器を制作いたしました。お客さまも交え、実際にプロジェクトメンバーが現場で什器の施工に携わり、ものづくりの想いが込もった空間となりました。 全体プロジェクトマネジメントを株式会社ディー・サイン、デザイン設計をPuddle株式会社が担当しました。   【お客様の声】 今回、乃村工藝社様に携わっていただいた新しい空間において、イベントなどの件数が改修前比約4倍となり、来館者も上昇傾向にあり、当社オフィスが賑わいを取り戻しつつあります。 細部までこだわりぬかれた空間、什器などがあるので、自信をもってお客さまをお迎えすることができます。   ＜当社プロジェクトメンバー＞ 【営業・プロジェクトマネジメント】村上 香織、坂下 修一 【制作・施工】冨永 直人

A community space where people can connect with each other through their daily lives and the town, a place where people can call out "Hey!" We proposed opening the condominium sales center to the community so that local residents and new residents who will be living in the condominium can get to know each other. For local residents, this would allow them to have positive feelings towards the large apartment complex that will be built and to get a feel for the atmosphere of future residents even before it is completed. At the same time, we aimed to create a space that would be comfortable for prospective buyers. [Client's Challenges/Requests] Early integration between new condominium residents and the community is a major challenge. Given this social background, this project started with the idea that the sales center needed to be a starting point for a community that would be suitable for such a request. [Solution] As a starting point for the community, the sales center was planned based on a "traditional Japanese house" so that it would function as a "place" where "people who already live" and "people who will live" in the community can connect, drop by, and interact. The "earthen floor" connects the exterior and interior spaces, the "living room" is a place where users can converse, and the "veranda" is a space where people can easily chat with local residents. Through these concept design, we were able to visualize the local community and provide an updated lifestyle. [Customer's Voice] We received cooperation in many aspects, from concept creation, planning, introduction of operators, design, and construction, and we believe this project was only possible because of your company's teamwork. Thank you very much. <Our Project Members> [Sales/Project Management] Shinpei Watanabe, Yuri Utsugi [Planning] Shoko Miyazaki, Taku Sugimoto [design, layout] Ryo Onishi, Hiroaki Koshizen, Kenta Omoto [Production/ construction] Soji Wakasugi Photography: Nakasa & Partners Co., Ltd. Masato Kono

Renovation project for Bosch Corporation Shibuya Head Office. We were in charge of planning, design, layout and construction for the renovation of one floor on the 10th floor into a communication space. Based on our experience of remodeling the 4th floor of the Head Office building into a communication space "RE/SP", we thought it was important to create an opportunity for interaction among employees. Based on the concept of "SCRAMBLE for MEET UP" (gather people, hatch new ideas, and fly out again), we designed the space to create a place where a diverse range of employees can gather and interact on a daily basis. Like Shibuya, where Bosch's Head Office is located, the space was composed in collaboration with various artists to express the mixing of people through encounters and exchanges, and is an open concept design where people can interact with an open mind. We also took part in the creation phase, including the logo concept design and event planning and management. The client required a place concept design where employees can interact with each other from a different perspective than the office floor, with the aim of stimulating communication and creating innovation within the company. Solution: We proposed a space configuration that would allow each employee to regain their vitality and deepen their connection with each other. Specifically, the space was divided into six main functional areas, including a counter for casual conversation with a cup of coffee in hand, a place to relax on a sofa, and a space for physical exercise and refreshment, with the aim of creating opportunities for communication that transcends age and departmental boundaries. The space is divided into six main functional areas. By proactively incorporating furniture and artwork that would trigger communication, we aimed to create a place where spontaneous ideas that are difficult to generate in the office area could be generated. The Bosch DNA is also available at displays to give visitors hints on how to create innovations. ＜Our project members＞ [Sales and project management] Kazushige Ishii, Kaori Murakami, Tomoyo Shishibori [design, layout] Manabu Yamanobe, Mitsutaka Hagiwara [Planning] Kenta Masubuchi [Production and construction] Tetsuji Koike

With the theme of "Building Bonds with Our Customers," we reproduced elements actually used in the logistics sites that Hino Motors has supported, such as truck frames and cargo, and applied them to the interior. Long-term relationships with customers are Hino Motors' most important business, and this was the message we most wanted to convey to our customers and employees. Filled with elements that only customers and Hino Motors employees would notice, the space allows you to intuitively feel the atmosphere of the logistics site from every corner, and at the same time, it reaffirms the bond of co-creation between both parties as they grow through the product of trucks. <Our Project Members> [Sales/Project Management] Izumiichiro Yamamoto [Direction] Mitsuhide Yoshinaga [concept design] Shinpei Takeda [Signage/Graphic concept design] Shinpei Takeda [Production/ construction] Ryuichiro Katsura, Toshiaki Kawabata

NSK MUSEUM is a B2B showroom of Nakanishi Corporation, a manufacturer of medical equipment handpieces used by dentists. displays concept is "anatomy." In addition to accurately conveying information, the showroom dissects the products from various perspectives, interpreting them from the outside in, thereby visualizing the high level of technical expertise, concept design philosophy, and corporate stance. <Our Project Members> [Sales/Project Management] Masaki Yotsuya [Direction] Ryo Onishi [design, layout] Ayumu Sasai [furniture and fixture manufacturing] Sogo Nomura, Katsuji Oguchi (Nomura Techno)

The TOKYO Renovation Museum is a museum-style facility themed around "Seeing, Learning, Feeling, and Being Inspired by Renovation." It provides essential information for future renovations through large-scale videos, spatial models, and life-sized model spaces, and offers various related consultations. <Our Project Members> [Sales & Project Management] Ryo Sugaya [Direction] Ryo Onishi [concept design] Ayumi Sasai

資生堂の最先端の研究施設である「資生堂グローバルイノベーションセンター（呼称S/PARK）」の1・2階に開設された、にぎわい施設のプロジェクトです。1階に、資生堂パーラーとのコラボレーションから生まれた食事を楽しめる「S/PARK Cafe」、パーソナライズ化粧品の購入などができる「S/PARK Beauty Bar」、独自のメソッドに基づくオリジナルプログラムを体験できる「S/PARK Studio」、2階に、体験型ミュージアムの「S/PARK Museum」を配置し、誰でも自由に訪れることができる美の複合体験施設です。 吹抜けにあるSONY 16KのクリスタルLEDの特大ビジョンと1、2階部分をひとつなぎにする大きな螺旋階段が特徴的です。また開放的な吹き抜け構造の天井には、訪れた人に「インスピレーションが羽ばたく様」をイメージさせるような特大モチーフを設置しました。 全体プロデュースを小山薫堂氏（ORANGE AND PARTNERS）、空間デザインをnendo+onndoが担当し、当社は主に施設内装の設計・施工を担当しました。 ＜当社プロジェクトメンバー＞ 【営業・プロジェクトマネジメント】高森雅浩、猫田弘樹 【企画】柳原朋子、藤井香与子、廣田晃平、天間真代、岡崎広子 【デザイン・基本計画】青野恵太(onndo)、松井真吾(onndo) 【基本設計・実施設計・設計監理】林浩平、田村憲明、仁田真樹子、谷戸星香 【グラフィックデザイン】鈴木不二絵 【制作・施工】山田宗一郎、廣渡諒和 【テクニカルディレクション】貴志晃充、奥晴樹