Works#2015

<Project Description> This is the first exhibition for "NARUTO," a manga serialized in "Weekly Shonen Jump" that has garnered immense support both domestically and internationally. The exhibition features original artwork displays designed to be impressive, three video presentations including one with a giant V-shaped screen to enhance immersion, and iconic scenes combined with large-scale graphics, giant sculptures, and character models to dynamically express the world of the manga. Our company assisted with displays design and construction, video production, and music production. ©Masashi Kishimoto/Scott/Shueisha <Our Project Members> [Sales/Project Management] Shingo Terasaki [design, layout] Masaki Kawahara, Kyosuke Horie, Hiromasa Hosoya [Signage/Graphic concept design] Yasuyuki Chosa [Production/ construction] Hiroshi Tajima ©Masashi Kishimoto/Scott/Shueisha

The National Tree Planting Festival is a central event of the national greening movement, held every spring with the attendance of Their Majesties the Emperor and Empress, and co-sponsored by the National Greening Promotion Organization and the host prefecture, in order to deepen the public's understanding of forests and greenery, which are the foundation of a rich national land. The basic plan was awarded in 2013. Subsequently, the implementation plan was completed in 2014, and the main event was held in 2015. We provided total support from planning to implementation, including venue preparation, ceremony direction, and operational support. ◎Our project members NOMURA Co.,Ltd., Ltd. [Sales] Hideo Inoue, Teruko Takai [Planning] Hideo Inoue, Teruko Takai [concept design /Architecture] Hideo Inoue, Yoshito Inoue, Teruko Takai [Signage/Graphics] Teruko Takai [construction] Toshihide Kanemitsu [Direction] Hideo Inoue [Operation] Hideo Inoue, Teruko Takai

[Project Overview] In 2015, Yaskawa Electric, celebrating its 100th anniversary, reorganized Head Office headquarters in Kurosaki, Kitakyushu City, and opened "Robot Village," a community open to the local area and society. "YASKAWA Forest," where visitors can enjoy nature throughout the seasons, is open to the public, and at its heart is the "Yaskawa Electric Future Museum," where customers, schools, research institutions, and local residents can experience Yaskawa Electric's business, the fun, amazing, and meticulous aspects of manufacturing, and the latest robotics technology with interest. Our company was in charge of "creating the space" and "creating the content" for this facility, which further brings out the appeal of Yaskawa Electric. We designed this space not only to allow all visitors to easily experience and understand Yaskawa Electric's business and technology, but also to create a space filled with surprises and discoveries where cutting-edge technology and emotional sensibilities resonate, allowing them to feel firsthand the future of Japan's world-class "monozukuri" (manufacturing) and Yaskawa Electric, which is leading it. We integrated all the elements that color the space, such as mechatronics, video content, and lighting, into a unified concept design. In particular, the "Robotics Signage," which utilizes the dynamic movements and coordinated control technology of Yaskawa Electric's representative industrial robots, and the "Mechatronics Wall," which combines the 3D control of industry-leading motors with the latest projection mapping images, are unique spatial presentation devices that stimulate all the senses of viewers, helping to infinitely expand the possibilities and appeal of "monozukuri." Furthermore, we assisted in the creation of this facility from a total perspective, from the basic concept of space creation and appeal creation to concept design, planning and production of content, and construction. <Credits> Overall concept design: Keiyu Tamura, Yosuke Ando Planning and Production: Kenji Ogino, Naomi Kajimura Content Direction: Kenji Suzuki, Akinori Goto, Hiromasa Hosoya Product Direction: Jiro Kusunoki, Masaki Yotsuya Photography: Nakasa & Partners, Masato Kono *At the time of the project

The red building of Shiseido Parlour, a landmark in Ginza, was conceived as a lighthouse illuminating the streets of Ginza during its construction. With the desire to "create a bar that will become a symbol of Ginza" on the top floor of that building, the aim was to create "an adult bar that can be enjoyed by the many adults who gather in Ginza." Upon exiting the elevator, the reception area is a stark contrast to the dazzling lights that adorn the city, and guests are greeted by the flickering light of candles. The bar area is square, and to make the large space with a maximum ceiling height of over 8 meters even more symbolic, a counter is placed in the center, and above it floats symbolic concept design that represents the "lighthouse light (Symbol)," and, in keeping with the building's concept of the ground floor = "earth" and the top floor 11th floor = "sky," it evokes the "Sun (night sun)," "sparkling light" (Spark), (Shine), and "soul" floating in the "sky." The symbol's red glow is reflected in the metal wall art and antique mirrors, creating a sophisticated atmosphere, while the shadows cast by the artwork on the walls give the space an organic feel. To make the large space feel comfortable, the floor level is varied around the counter. The high counter side is a casual area designed with standing scenes in mind. The low counter side features a purple carpet, the theme color, and comfortable chairs, allowing you to enjoy a relaxed bar experience. There are also private seats behind the bottle shelves, so you can enjoy the bar in a variety of settings. The lounge area at the back is a cozy space with more unique art and furniture, and the flickering of flames, creating an adult space where you can feel the "Social" and "Sexy" aspects of the concept. The "S" in "Bar S" represents the various "S"s of Ginza, creating an adult space.

[Project Overview] This is the first major renovation of Seibu Shibuya store in eight years, since 2007. The theme of this project, which aims to sharpen the store's message "Art meets Life," is "Art & concept design." As a joint project with art director Masaaki Hiromura and world-renowned music and video artist Carsten Nicolai, we assisted in the renewal of the entrance to Building A. The four pillars of the entrance are equipped with the latest LED screens, and the advanced architectural form using curves, along with the constantly new expressions of the images, has become an art gate that welcomes visitors as a new symbol of Shibuya. This time, a high level of technology unprecedented in our experience was required in every aspect, but in order to meet the new challenge of Sogo & Seibu Co., Ltd., which has always led the times since the opening of Seibu Shibuya store, this project was tackled with the combined strength of NOMURA Co.,Ltd. Group, together with our group companies Nomura Products Co., Ltd. and Nomura Techno Co., Ltd. ◎Our Group Project Members NOMURA Co.,Ltd. Co., Ltd. [Sales] Shinnosuke Nishida [concept design /Planning] Shinjiro Kondo, Shinpei Takeda [construction] Yohei Kaneko Nomura Products Co., Ltd. Yu Hashimoto Nomura Techno Co., Ltd. Keiji Kobayashi

This project was planned for the area of Platinum Street in Shirokane, lined with restaurants. On a 35-meter-wide site, the aim was to create a building that felt both new and old, with a pleasant atmosphere and a sense of "evoking memories." Aiming to become a landmark in the city as a complex dining space, our company assisted with schematic design and design supervision. A sense of "openness" was required in the architecture, so we created a sense of openness and shielding with folded cement stones, and materials that appear to be eroded by wind and light. This also contributed to creating the atmosphere of "a dry southern land," which was a key concept design word for the interior. Based on a consistent concept, we assisted with everything from interiors concept design to planting and artwork selection to achieve a unified interior that allows you to feel the wind, light, greenery, and water flowing in from the outside. When viewed from the outside, interiors concept design, which extends to the terrace, combines with the landscaping plan to become one of the elements that adorn the facade, and the architectural facade becomes a borrowed landscape from the interior space, creating a space where the inside and outside complement each other. The facility has a dining area, a teppanyaki restaurant, two banquet halls, and a chapel, and all kitchens are either walk-in or open kitchens. The anterooms of the chapel and bucket are separated by glass, emphasizing unobstructed views and spatial continuity within the facility. In addition to being open to the street, the texture created by the materials that have already aged gives the impression that it has been there for a long time, and we believe that it will become a distinctive landmark while also building a close relationship with the city. ◎Our Group Project Members [Sales] Hisayasu Takenaka, Takuya Kitai [Direction] Ryu Kosaka [design, layout] Architecture: Hiroyuki Iizumi Interior: Reiko Saito, Masahiro Hisakane [Production/ construction] Keiji Idei

Cocoon City is a large-scale commercial area with an operating area of approximately 70,000 square meters located in Saitama Shin-Toshin. Cocoon 2, the new core facility consisting of 164 tenants, opened this spring under the concept of "Life Creation" to add color to daily life. In addition to the existing Cocoon 1 facility, the former Ito-Yokado building was newly renovated as Cocoon 3, creating a shopping center with a "surprise every time you visit. As a partner in the Cocoon City project, which Katakura Kogyo developed on its own real estate, we provided comprehensive support for the realization of the project, from the development stage of Cocoon 2 to the planning consultancy and MD planning for commercial planning, environment design, layout, production construction, tenant leasing and furniture and fixture manufacturing operations, ranging from software operations to hardware operations. We provided comprehensive support for the realization of the project. The space is designed to be enjoyable for visitors of all ages, and expresses the liveliness and sparkle of life of visitors in a space that incorporates sunlight, symbolizing the enjoyment of a pleasant stroll through the city. displays As the name "cocoon" (cocoon = "cocoon") suggests, this was originally the site of Katakura Omiya Silk Mill, which was the representative of Katakura Industries, Ltd. Graphic design was also applied to create a space where residents of the neighborhood and visitors alike can feel and enjoy the history of the city. Nomura Group companies Nomura Products, Node, and Nomura Duo also participated in the project, demonstrating the "collective strength of the NOMURA Co.,Ltd. Group" in every aspect of the project to meet the diverse needs of the client. In addition to space creation operations, we also responded to operational needs, such as support for opening preparations and tenant follow-up services by leveraging our experience in management and operation, and assisted in the overall SC development.

[Project Overview] At Joinus, located at Yokohama Station on the Sotetsu Line, a new baby rest area has been installed on the 3rd floor ladies' fashion floor, and the women's restrooms and multi-purpose restrooms have also been completely renovated. Our company assisted with design, layout, production, and construction, and "Team M," composed of female employees who are currently raising children, joined the project members. Together with the client's staff, they created a space that paid attention to details such as easy-to-use traffic flow and comfort for mothers and babies during breastfeeding.

[Project Overview] Hideyo Noguchi, the great scientist who traveled the world. The memorial museum in Inawashiro, Fukushima Prefecture, his birthplace, has recently reopened after renovations. The exhibition space has been redesigned to allow visitors to feel the "greatness" of this great man more deeply than ever before, employing various methods to create displays displays" Our company assisted with schematic design, working drawings, interior administration, and interiors construction. [Customer Feedback] Visitors appreciate the ease of viewing and understanding of displays, as well as the interactive corners where they can learn while having fun. It has become a museum that can be enjoyed by people of all ages, from adults to children. [Our Staff] Project Manager: Akira Kato Planners: Seiichiro Mori, Mima Inagaki Designers: Yuichiro Tsutsumi, Rie Makigara Product Director: Kensaku Yajima