WorksCorporate_

LINE (currently LINE Yahoo), which develops and provides a wide variety of IT services, has opened a new office in Yotsuya and established its headquarters in order to cope with the increase in employees due to business expansion and to further improve operational efficiency. It was a large-scale project consisting of 10 floors. Based on the common concept design concept of the company's offices, ``A space that creates WOW,'' there is a reception and cafe space on the 23rd floor, and a mobile space on the top floor (30th floor) where LINERs (employees) can freely rearrange and hold meetings. Placement. The office area also incorporates a highly functional concept design to create a comfortable workplace. Responsible for all stacking, layout, interiors concept design, architectural design, and facility planning for a total floor area of 21,435.20 m2 (approximately 6,500 tsubo). During construction, we also produced fixtures and fittings.

東日本大震災にて被災された臼福本店様の新事務所建替えのプロジェクトです。臼福本店様は、明治15年に創業した、130年以上の歴史を持つ漁業会社です。「海と共に生きる」を理念に掲げ、遠洋マグロ漁業、マグロ延縄漁を事業とし、気仙沼そして東北の復興を担っています。外装のデザインは、津波で流失してしまった旧本宅の外壁で使用されていた銅板を復刻し、新たな銅板のうろこ壁としました。年月を経ることで、旧本宅のような銅板の風合い、色味に変化していきます。また、マグロ漁船の要素を抽出し、アール窓や手摺を建築に取り入れています。当社が担当させていただいたデザイン範囲としては、外装のデザイン、1階エントランス、2階事務所、3階の社長室、応接室となります。

ベンダ工業様の新本社技術研究所設立に伴い、展示スペース「BENDA INNOVATION TEC GALLERY」を新設しました。当社はデザイン・内装展示施工を担当しています。 「メイドインジャパンの技術力を世界へ」を力強く発信し、取引先をはじめ、従業員の関心・満足度向上および共感を図るため、コーポレートカラーであるベンダブルーを基調にして、強く印象に残る空間を創出しました。GALLERYの中心からINNOVATIONが広がり、交わり、世界を円(リング)で繋つないでいく、100年先のさらなる飛躍に向けた起点となる空間を目指しました。

This project is an upcycling activity that complements and displays "SCRAP" emitted from building materials and interiors materials as "FURNITURE," reuses it as recycled material, and returns it to the earth. According to an announcement by the Ministry of the Environment, the amount of industrial waste generated in Japan in 2020 will amount to 373.82 million tons*, and the amount of scrap generated per day will be nearly 1 million tons. We believe that it is our responsibility as creators, who come into contact with a variety of materials every day in our concept design work, to take the initiative in communicating to society and local communities about the recycling and use of the earth's limited resources. We have formed a team of young in-house creators and plan and manage projects as social contribution activities. By enclosing and supplementing pulverized waste materials into a transparent skin made of recycled vinyl as furniture, we will create displays to convey a message in an art-like manner and displays offices and public spaces in Japan and overseas. After being displays for a certain period of time, the materials will be returned to interiors and construction sites as interiors resources, and the project will be related to a traveling sustainability activity in which the next generation of waste materials will be enclosed, supplemented, and displays. In order to reach as many people as possible with our message, we held a launch displays in the entrance space of our office to solicit corporate sponsors, and received support from many corporate sponsors, local people, and educational institutions. By allowing everyone to see, learn about, and touch interiors waste materials that are not seen in everyday life, we hope that everyone will have an opportunity to think about a better future and a sustainable society. displays is based on an installation concept that allows you to feel the message. *Source: Ministry of the Environment “Total emissions in 2020”

This is a showroom/office reconstruction project for Kyushu Mitsubishi Motors Sales Co., Ltd. We were in charge of the interior design and construction of the cafe/restaurant on the 1st floor and the showroom on the 2nd floor of the 8-story steel-framed building. As a new landmark of Yakuin, Fukuoka City, we aimed to create a space that can connect with people and the city (region) with the concept of "obi". The café/restaurant is an open space that is easy to enter, and is designed to be a communication space integrated with the showroom. In addition, we installed a large digital signage, a turntable that symbolically displays automobiles, a light ceiling, and other elements that are scattered around to make café customers naturally interested in cars. The showroom on the 2nd floor incorporates an organic design that uses many curved surfaces that symbolize the obi, and the ceiling is decorated with a design pattern of Mitsubishi's three diamonds. In addition, the Mitsubishi brand colors of black, white, and gray are used as the basic colors to create a simple and dignified showroom that is typical of Mitsubishi Motors. In addition, we have set up a kids' corner where children can have fun even when visiting with their families, a corner to promote V2H technology, and a dedicated corner to hold important business negotiations. . Construction: P.S.Mitsubishi/Mitsubishi Heavy Industries Kotsu Kensetsu Engineering Co., Ltd. Special construction construction joint venture [Social issues/customer issues/requests] In addition to existing customers, we have failed to capture so far young families and young people who are not very interested in cars. We received a request to create a space that can be visited by a wide range of new customers who had not previously visited. [Solution] The café-restaurant on the first floor facing the main street is borderless with terrace seats and inside the store with sash windows that can be opened. We aimed to create a space where you can expect By integrating the two floors with the symbolic spiral staircase and atrium leading to the showroom on the second floor, and by unifying the materials, customers using the café restaurant are naturally invited to the showroom. Mitsubishi Motors' V2H Touching technology and the latest technology, the potential of automobiles created an iconic environment where people can feel sustainable wealth and happiness. We have incorporated customer-oriented plans throughout the showroom, such as placing a kids' corner in the center of the showroom so that children can be seen while negotiating business. In addition, V2H linked to the solar power generation installed on the building roof, motion sensors, and lighting control with an automatic dimming system are incorporated to reduce the environmental impact. <Our project members> [Sales and project management] Naoki Goto [Planning and design] Kazutaka Takao, Riho Sawada [Production and construction] Keiji Nakano

This is a project to improve the value of a 20-odd-year-old office building located in a corner of Kanda Ogawamachi. The main renovations will be part of the exterior façade, the building sign, the entrance on the 1st floor, and the common area on the standard floor (4th floor). By making good use of the existing space made of granite, we minimized the disposal of waste materials due to removal, and by fusing good old materials with new materials, we created a design that is highly cost-effective while being conscious of sustainability. *Biophilic design: A design or method that allows people in a space to feel a connection with nature. [Social Issues/Customer Issues/Requests] More than 20 years have passed since the building was built, and there were concerns about the obsolescence of the design of the entrance, etc., and the decline in competitiveness in the area. In addition, since the entrance of this building does not face the main street, the main flow line seems to be a back alley, and there is room for improvement in terms of visibility of the building. In light of these issues, this project was required to improve the property's competitiveness and visibility by refurbishing the entrance, facade, and some standard floors. [Solution] In order to alleviate the conventional feeling of a dark back alley, the façade has newly installed dynamic wood-grain louvers and indirect lighting to create a bright building face. The interior of the entrance has two expressions, glass and natural wood, with the aim of renewing the old-fashioned look and increasing the motivation of the people working there. Sanitary equipment such as toilets and hot water supply rooms on the office floor has also been renewed to meet new standards such as antibacterial. Through these comprehensive renovations, we aim to make the entire building a safe place for the people who work there. [Customer's voice] All of NOMURA's sales, designers, and construction staff worked together on this project, and we were able to successfully complete the project. I would like to express my gratitude for your meticulous follow-up in each phase. We feel that the façade and entrance after renovation are fully functioning as the face of the new building. <Our project members> [Development] Takuya Kitai [Sales and project management] Masahiro Harada, Kayu Tatsumi [Investigation] Wataru Takada [Design and engineering] Hiroyuki Second, Ayaka Miyane, Hitoki Igarashi [Production and construction] Mai Sakai, Tomokuni Hasegawa, Ikuya Sasaki

Expansion of solutions for Panasonic's air conditioning products centered on three themes: "air quality issues in non-residential spaces," "places for co-creation with business partners," and "experiencing the latest prototypes that control seven air quality elements." This is a purpose-built experimental facility. Through co-creation and development, we are promoting solutions that meet the needs of our customers by actually experiencing the "wind" through this place. As an air quality air conditioning solution, we have group worksheets, meeting spaces, and private booths so that you can feel the wind according to various locations, making it possible to experience the “wind” for each situation. The purpose of this facility is to promote co-creation and lead to the practice of a human-centered product development process. [Social Issues/Customer Issues/Requests] In order to expand the range of air quality air conditioning solutions, we received requests for creating a space to more attractively convey the excellent features of the latest products. [Solution] Taking advantage of the glass façade that lets in the natural light, we constructed the space using materials that give the impression of natural elements such as wood grain and stone grain, and created a space that feels more comfortable when the “wind” that is the solution overlaps. I aimed. We have devised ways to appeal the effectiveness of "wind" as one of the interior components. In addition, the layout and zoning of the air quality air conditioning solutions incorporated in each booth and area have been carefully considered so that it can be used not only as an exhibition, but also as an actual meeting or work space. [Customer's voice] By proposing a well-balanced material that makes us feel natural elements such as wood grain and stone grain, when we planted trees, the plants blended into the space and harmonized with the wind to promote well-being. ) has been realized. In addition, when I actually used it as an employee, I was able to get a real sense of the comfortable and easy-to-spend layout. <Our project members> [Sales and project management] NOMURA Media: Hikaru Sato [Design and engineering] Hiroaki Mori [Production and construction] NOMURA Media: Toshiaki Kawabata, Kazuhiro Sano

Cosmos Initia Co., Ltd. of the Daiwa House Group established “MID POINT Musashikosugi” (Kanagawa This is a project in Nakahara Ward, Kawasaki City, Prefecture. We were in charge of design, basic design, implementation design, and production construction. The store is located on Kosugi 3rd Avenue, a complex facility that is a 2-minute walk from Musashi-Kosugi Station, and is in a location with good access both as a workplace and as a place to serve customers. In addition to the conventional work space, the lounge also has a kitchen equipped with tableware and cooking utensils, so that it can be used not only for pure business use, but also for holding events for those who have a contract. I made it a space. In addition, we have a cafe that can be used by those who do not have a contract with MID POINT as a community space open to the area. We are also in charge of the following stores.・MID POINT Omori (Opening in February 2022) ・MID POINT Shibuya Shinsen (Opening in December 2021) ・MID POINT Kawasaki (Opening in April 2021) ・MID POINT Meguro Fudomae (Opening in November 2018) [Social Issues] / Customer Issues / Requests] While securing sufficient work space and number of rooms, it was required to add a cafe on the first floor and a lounge space that is easy for contractors to use. [Solution] By concentrating the kitchen and plumbing equipment in the center of the first floor, zoning was performed to maximize the number of seats in the cafe and lounge while improving space efficiency. In addition, the kitchen is designed to be a counter kitchen, so that the entire space can be seen while separating the cafe and work space. [Customer's voice] As the third base of MID POINT, while upgrading the existing base, we have realized a new attempt, a cafe, with a perfect balance. In addition, despite the difficult floor plan, they adjusted the layout and ensured the comfort of each space while securing the rent for income and expenditure. <Our project members> ・MID POINT Musashikosugi [Sales and project management] Keita Shima [Design and engineering] Hiroyuki Nii, Ayaka Miyane [Production and construction] Kentaro Hirano [Planning, operation advice] Sahoko Suzuki, Naoki NOMURA ・MID POINT Omori [Sales and Project Management] Takashi Kobori, Keita Shima, Mizuki Ichikura [Planning] Taku Sugimoto [Design Direction] Hisako Kashiwase, Sayaka Eto MID POINT Shinsen Shibuya [Sales and Project Management] Takashi Kobori, Keita Shima, Mizuki Ichikura Planning: Taku Sugimoto

This is a head office renovation project for the 70th anniversary of the founding of Nice Co., Ltd., which distributes lumber and building materials. Our company was selected as a result of the proposal competition. With the concept of “knowing trees and passing on trees”, we will build a base where “wood” specialists gather and create a sustainable circulation centered on trees, which will in turn revitalize the distribution of trees. We aimed to be a facility that contributes to the creation of a bright society with trees. The 1st and 2nd floors, where visitors are welcomed, and the 8th floor, where the reception room is located, are designed to appeal to customers, and were designed using original wood products from Nice. In the lobby, the dynamic wooden colonnade that extends to the high ceiling and the lace material vertical blinds attached to the large glass windows gently block the line of sight from the outside world. It is a space of hospitality that makes the most of it. On the 7th floor, where employees gather, we have set up a meeting room and a book reading corner so that employees can enjoy and voluntarily face "trees", making it a craftsman's place where technology can be gathered and browsed. By creating a space where people can concentrate and a space where communication can be active, we have created a flexible space configuration that is close to the work styles of each employee. [Social Issues/Customer Issues/Requests] The specifics of this renovation are the sharing of values and designs that symbolize sustainability, such as "decarbonization and use of wood," and the development of an office environment that realizes improved communication during the COVID-19 crisis. It was a great request. [Solution] In order to realize the strong desire to use wood, we communicated closely with the person in charge of the project at Nice and the person in charge of our own factory, and let them proceed with the design while deciding on the material and color of the wood. Thank you. The communication area for employees has a spatial structure that intentionally does not create boundaries, and the area is softly partitioned with fixtures such as family restaurant benches and solo desks where you can concentrate on your work, centered on an R-shaped bookshelf. By making it an OA floor, we gave it a function that enables flexible work styles. [Customer's voice] With NOMURA Co., Ltd. in charge, we were able to create a high-quality, calm hotel lobby-like hospitality space that we would never have thought of on our own. This time, various in-house products and tree species were used as materials. In a place that could have given an inconsistent impression, you have achieved a woody renovation that is appropriate for your company, with its roots in wood, by exquisitely harmonizing the features of the tree species and the space. We are grateful to NOMURA Kogeisha for their high design and technical capabilities. <Our project members> [Development] Takuya Kitai [Sales and project promotion] Takuya Kitai, Midori Nakayabu, Seishun Yoshii [Design and design] Sachiko Tsujihichi, Nao Hiura [Production and construction] Ryowa Hirowatari, Nozomu Iwashita, Kikuchi Nohara

Business Brain Ota Showa Co., Ltd. is a business accounting consulting, system construction and operation and business process outsourcing company that has been in (BBS) business for more than 50 years. The head office was relocated due to a reduction in office space to accommodate the new way of working, as well as the need to realize a carbon-neutral society, and our company was responsible for the entrance and design, layout construction guest room area. The layout plan is structured around two key words: "history," which has supported client management accounting, and "near future," which supports innovation and digital innovation. It also contains a sense of stature as a consulting firm originating in Japan and a desire to be a 100 year company. In order to express the BBS characteristic of "history" and "near future," the accumulated time in "history" was expressed with wooden ribs of different sizes and used as the base material for the entire space. As for the "future," a box of core light is placed in the center of the floor to contrast with the wooden ribs, and as with the wooden ribs, the delicate lines of original glass film and indirect lighting are used to express the image. < our company Project Member > (Sales and Project Management) Keishi Kawashima (Planning and Design Director) Hisako Kashiwase (Planning and concept design) Sayaka Eto (Production Management) Yusuke Yamazaki

This is a renovation project for the Toyobo Building, which stands along the Dojima River in Osaka, which is full of charm with many historical buildings and rich nature. The Dojima River is a river with an attractive landscape that represents Osaka, which was called the "City of Water", so we aimed to create a place where you can work lively while enjoying the comfort of this location. The plaza looks like a riverside deck extending to the building, and by arranging a swaying willow tree as a symbol tree, you can feel the river breeze visually. The façade incorporates concept design inspired by the magnificence of the Dojima River and the density of the waves. By wrapping the outer wall of the building with a soft wave design, we intend to harmonize with the building and become a symbol of the new town. The lobby lounge is designed in harmony with the façade, creating continuity between the interior and exterior, and creating comfort through the use of sofas of various shapes and original acoustics. In addition, visual art that visualizes the outside environment, such as temperature and wind, is applied to the central pillar so that you can feel the comfort of the river breeze indoors. Each floor has a photograph of the Dojima River showing a variety of expressions, and original art that delicately expresses waves is placed in the restroom space. [Social Issues/Customer Issues/Requests] The purpose of this renovation is to increase the asset value of the building by increasing the appeal of new tenant candidates through sophisticated concept design. will do. In addition to functioning as a common area of the office building, there was a request to contribute to the revitalization of the region by enhancing the attractiveness of the riverside and becoming a place that can be used by the people of the city. [Solution] While various work styles are emerging one after another, we aimed to create a place where you can work while enjoying the unique comfort of Kawabe. Under the concept of "Riverside Workation", we aimed to create a healing effect through concept design that incorporates the surrounding environment and nature, and to enable people to live a rich life. In addition, we are trying to increase the property value of the building by planning original sound and art in various places. Through this renovation, we are making the most of the charm of the riverside, leading to the revitalization of the surrounding area. <Our project members> [Sales and project management] Moriya Sakata, Yuji Kato [concept design direction] RENS: Ryutaro Matsuura [design, layout] RENS: Erika Nakagawa, Takuro Ishizawa, Jun Yamakawa [Art coordination] Maki Matsuura [working drawings] Shozo Takahata, Tatsuya Yamamoto [Planning Direction] Tatsuko Nishi [Planning] Aisa Nagashiki [Global Project Direction] Suguru Tsukahara [Production and construction] Yoshitsugu Mukaiyama, Yonosuke Tokuda, Rikito Maruchi, Takashi Okuno Planting plan: SOLSO Illustration: Hiroshi Tanabe Video art: Takahiro Matsuo (LUCENT Inc.) Art: Daisaku Ozu Sound concept design: Tadashi Kondo concept design: Junichi Kawanishi (Signs Plan) Lighting plan: Takahiro Muranishi, Kitano, Taiko Electric Co., Ltd. Shinya

Toyo Seikan Group Holdings Co., Ltd. manufactures various packaging containers that make use of materials such as metal, plastic, paper, and glass. I was. As a renovation project of the Innovation Gallery on the 15th floor of the head office, we concept design this facility with the concept of “a place where various information and people meet and communicate, which will be the trigger for daily life, work, and the future”. [Social Issues/Customer Issues/Requests] Through this renovation, the innovation gallery will be an information dissemination facility that creates and activates dialogue with customers. We would like the facility to be recognized both inside and outside the company as a place where we can disseminate the latest technologies and initiatives, including the core technologies of Toyo Seikan Group companies, and obtain the latest information on packaging containers. We have received your request. [Solution] Through the latest technology and efforts, we have set up a topic displays corner to transmit the "now" of packaging containers, and have adopted a module concept design as a mechanism that is easy to operate in a timely manner. We also set up an displays area for the core technologies of each group company, and concept design the space to intuitively convey the core technologies of each company and the comprehensive strengths of the Toyo Seikan Group. <Our project members> [Sales and project management] Yoshinori Yamada [Planning] Atsuro Iizuka [design, layout] Kaoru Ueda, Akika Yamada, Hishun Daishin [Production and construction] Takashi Kodama

This is a project in which we were in charge of design, layout the showroom at the Tsu Factory, which plays a central role in the production of wiring devices, which is the founding business of Panasonic Corporation. We aimed to gain further trust from our customers by allowing visitors to understand the technological capabilities and cutting-edge production systems behind our wiring equipment products through first-hand experience in displays room and factory. displays room consists of "history", "product introduction", "Tsu factory introduction", and "factory technology and production capacity introduction", and is linked to various parts of each building on the premises. . We considered everything, including factory tours, as elements that make up the showroom, and we aimed to turn the entire factory into a showroom, using displays room as a starting point that leads to the manufacturing building. [Social Issues/Customer Issues/Requests] In order to build trust with customers, which is the theme of the facility, we asked visitors how they could deepen their understanding of the Tsu Factory's technological capabilities, factory productivity, and history. Our role was to embody it through experience. [Solution] Based on the keyword "Trust", we picked up the strengths of the Tsu factory that are included in the products and created points that will give you new discoveries and surprises through displays. By connecting each point, displays structure allows you to deepen your understanding step by step as you proceed along the route. We have created a place where visitors can deepen their “trust” through the entire factory experience. <Our project members> [Sales and project management] Hikaru Sato, Yu Takahashi [design, layout] Hiroaki Mori, Minamo Maeda, Mayumi Shigematsu [Production and construction] Kazuya Fujii, Yu Oishi

Since it opened as a whiskey museum in 1998, the number of visitors has exceeded 600,000 due to the airing of dramas and displays advent of the highball boom. Therefore, while reviewing the entire tour facility of the Yoichi Distillery, it was decided to renovate the former whiskey hall of the same facility as the first plan. The Yoichi Distillery is an important point of contact for visitors to experience Nikka, and is also a sacred place for whiskey fans. However, the existing tour facilities were not at a level commensurate with their importance, and the fact that they did not keep up with the changes and evolution of the world was a major issue in this renovation. The ideal whiskey making of the founder, Masataka Taketsuru, or Yoichi as the origin of Nikka, the story of how it started from here and continues to the future, and the improvement is to foster understanding and empathy for the Nikka brand. has become the main theme of [Social Issues / Customer Issues / Requests] (1) The purpose of the renovation is to further improve the understanding and satisfaction of visitors, increase the number of Nikka fans, and strengthen the brand. (2) Renovate displays to meet the diversification of visitor needs and the expansion of the user base due to the growing popularity of whiskey. (3) Redevelopment of multilingual support in line with the increase in foreign visitors. ④ The main target is customers who are interested in whisky. (5) We will displays everything from the basics such as the manufacturing process to special attention and trivia. I had more requests. [Solution] In planning and designing this exhibition, we made a major shift in thinking from the whiskey museum, which was a general and exhaustive place for providing information on whiskey, and attempted a completely new displays approach. Based on the concept of "learning the essence of Nikka whiskey through the brand stories of Nikka's four products", we focused on four brands that represent Nikka and turned their brand stories into displays and experiences. We aimed to create a place where you can experience the essence of Nikka Whiskey and the basic knowledge of whiskey while following the brand story. In displays we have introduced for the first time displays production that whiskey fans salivate that we have never touched before, such as talking videos of various people working at the distillery and introducing the important role of the blender. displays commentary includes trivia information for the main target, and also incorporates many displays contents that approach the secrets of the manufacturing process that shape the individuality of the product. Regarding multilingualization, displays commentary is basically written in Japanese and English, and as a response to the Chinese people who have the largest number of visitors, we have introduced digital technology that allows you to read the translated commentary on your personal mobile phone. <Our project members> [Sales and project management] Tadayuki Matsubara [Creative direction] Keiu Tamura [concept design direction] Fujie Suzuki [concept design] Akika Yamada, Kensaku Jodo [Planning] Tomoko Yanagihara, Atsuro Iizuka [Production] Tsukasa Iwasaki, Ikushige Umemoto

Panasonic Laboratory Tokyo (PLT) has been renewed as an R&D base in Tokyo that implements new ways of working in the With/After COVID-19 environment. PLT was established in Ariake, Koto-ku, Tokyo in April 2016, and then moved to the current Shiodome Hamarikyu in December 2018. In addition, it has been operated as a "co-creation laboratory" that conducts co-creation innovation activities such as AI-HUB and Robotics-HUB that collaborate inside and outside the company. In the With / After Corona environment, we will not limit the work place to the office, but will realize new ways of working, including online. We reviewed the value and functions required of the office and redesigned it with the PLT members under the concept of "SHARE". “SHARE” means “sharing” various things such as “thoughts/experiences”, “information/context”, “friends/encounters” of people who work together at PLT. With the office renovation as the start of a new "SHARE", PLT will serve as an R&D base for "questioning, feeling, and sharing" the well-being of life and work, and an office that will activate co-creative innovation activities. Even so, it is a facility that is constantly being updated by residents. <Our project members> [Sales and project management] Ryo Sugaya [Planning and concept design] Sayaka Koga, Ryosuke Naga, eiei haymanmyint [Production and construction] Yosuke Ito