Works#2016

[Description of the project] We created a space in the large shopping mall “LaLaport SHONAN HIRATSUKA” where functions are concentrated so that customers with families raising children can spend their time more comfortably and with peace of mind. The 170u kids zone "Kids Park" attached to the food court is divided into areas according to target age, and children can play with peace of mind by using highly cushioned interiors materials that give sufficient consideration to safety. Offers space. "Koniwa House" is a rest space where parents who are raising children can take a break. We have set up a small garden where adults and children can take off their shoes and relax, a space where they can eat baby food, and a nursing room where they can stretch their legs and relax. [Points of the project] ・ Consideration to reduce the psychological and physical burden not only for children but also for parents, such as a kids zone where you can take a break before and after meals and eat while watching over them, and a nursing room where you can stretch your legs and relax ・Implemented zoning according to each way of spending, such as quiet play zone, active play zone, baby zone, etc. ・Introduced a simple space that stimulates children's instincts and curiosity <Our project members> [Sales and project management] ] Hidefumi Ikuta [Planning] TeamM [design, layout] Yoko Suzuki, Kenta Omoto, Akika Yamada [Production/ construction] Katsuei Iwakura

[Outline of the project] Connecting displays with landscapes, fields, lives, and thoughts Twenty years have passed since the opening of the museum, and the “relationship between lakes and humans” that has continued since the beginning has been deepened as displays. concept design that connects displays with the landscape, fields, life, and thoughts is exactly what Lake Biwa is today, with experiences, dioramas, and living organisms, based on the 20-year progress and changes in each habitat, and the relationship with people. . In the "Ikimono Collection" in displays room C, we created a space where you can feel the beauty and diversity at a glance with the specimens of the creatures that inhabit Lake Biwa and its catchment area. In the aquarium displays room, visualizing underwater creatures led to an interest in living organisms. With the addition of the popular Baikal seals and micro-organisms in the Micro Aquarium, this new form of museum attracts many visitors and researchers. [CUSTOMER'S ISSUES] Celebrating the 20th anniversary of the museum's opening, displays contents have been renewed and the aging facilities have been renewed. The mission of the museum was to fulfill the role of the original Lake Biwa Museum, and to make a new start as a comprehensive museum that has evolved and is widely used by the people of the prefecture. In addition, regarding the aquatic displays, it was requested that the ecology of the Baikal seal, which is the only freshwater seal in the world, be displays and introduced to the people of the prefecture. The client's request was to realize an displays composition that can be enjoyed and understood by a wide range of people, from children to adults, centering on Lake Biwa. [Solution] displays room C explains the nature, ecology, folklore, and creatures of Lake Biwa through hands-on experiences for visitors of all ages. In the aquarium displays, attention was paid to extremely small plankton, and the shapes and ecology of plankton were introduced in a laboratory format, creating displays that is unparalleled anywhere in Japan. <Our project members> [Development, sales, project management] Seiya Miwa [Research and planning] Taihei Samejima [design, layout] Masaaki Mitsunaga, Kaoru Sone, Tadashi Yuasa, Rie Morita, Mina Miyaki [Signature and graphic concept design] Hasegawa Satoko, Nanae Hori [Production and construction] Sadato Inoue, Hayato Ichimanda, Goro Yamano, Ryuichi Shimada [public relations] Hidetoshi Tsukahara

[Outline of the project] With the expansion of the east-west free passage in the Sendai station renovation plan, JR East design administration Co., Ltd., who is in charge of design administration of the facility environmental design associated with the new building expansion of the S-PAL Sendai store east building and the renovation of the existing building. Originally, I promoted schematic design. Stelne?T expansion and grand opening on the 2nd floor and 3rd floor of the main building It was planned to open in March 2016, the 1st floor of the main building in March 2017, and Stelne?U in June. For the 1st to 3rd floors of the main building, Sterne assisted in schematic design design, while the detailed working drawings and construction work was carried out. [Customer Issues] A human road that connects east and west, a railway between north and south that promotes regional exchange, and a place where people cross for various purposes such as work, play, and travel. The challenge was how to connect the city and this facility. [Solution] The environmental concept is Forest Park, where the city and the station are integrated into one large park, creating a natural atmosphere and atmosphere that makes one feel as if they are walking through a forest. I aimed for a place where We tried to create a new concept design by fusing and coexisting the goodness of tradition and modernity, nature and city. <Our project members> [Development] Mitsuhiro Sato [Sales and project management] Hiroyuki Uesugi [design, layout] Yoshito Tada, Yoko Suzuki, Toru Fukiura [Signature and graphic concept design] Yoshito Tada, Yoko Suzuki, Toru Fukiura [Production and construction] Hideaki Kajiwara and Masaya Sawaguchi

[Project summary] PR project for SK-II's super prestige series MASTERPIECE PITERA. In order to experience the world view of MASTERPIECE PITERA as it is, we have constructed a space with a series of flows that go through the facade that imitates the package and enter the bottle as it is. Regarding the material that wraps the space, we carefully extracted the characteristics of each package and bottle and replaced it with the space. From the characteristic bottle, we extracted the sparkle, reflection, and three-dimensional effect, and layered 52 different width polycarbonate screens with original film pasted on them. By adopting polycarbonate, we were able to simultaneously solve problems related to the load capacity of the building and interiors restrictions such as the use of noncombustible materials, which could not be solved with glass or acrylic. An original image inspired by PITERA is projected on the central table, and by further emphasizing the identity with the flickering ripples that interact with it and the reacting ripples, it is an attractive experience that makes you feel as if you are inside a bottle. I thought about becoming

[Outline of the project] Spatial installation of the Italian luxury watch brand "PANERAI". First, concept design a watch like a transparent “empty shell” that condensed Panerai’s characteristics such as indexes with unicursal numerals and a square-shaped case, and then stretched it to a length of 16m by extrusion molding. The clock is made by hand while slicing this long and thin "shell clock" little by little, and visitors can take the finished product home. Since the "age" of visitors is converted to "mm" and cut out, clocks of various proportions are naturally created. A circular atelier space is prepared for each work process, such as polishing, sandblasting, and assembly. increase. The clock is produced one by one every five minutes, and the elongated "Clock of Empty Shells" gradually shortens during displays period, and the installation ends at the moment when everything disappears. In other words, this "shell clock" is also a device for perceiving time like an hourglass. By converting "time" to "length" like a "watch scale seller", it is possible to experience time and even "bring back your own time". I thought. Our concept design team “onndo (*)” was in charge of this property. *What is "onndo"? operated by nomura and nendo design office Our creative team has a business alliance with the concept design office "nendo", which is headed by world-renowned designer Oki Sato.

【Project Summary】 The commercial facility "greenblue" of the domestic passenger terminal of Fukuoka Airport is underway for completion in the spring of 2019. As the entire airport is being redeveloped under the park concept, we are in charge of environmental planning for the commercial zone. We aim to be a place where not only tourists but also people in the city can gather, like an integrated park. This time, I was in charge of the design and construction of the food hall, which will be the centerpiece of the initial opening. 【Challenges/Themes】 ■ concept design concept "Captain's base" "Captain's private base flying around the world" Based on this concept, we draw a lot of inspiration from maintenance yards and airplanes, and concept design each zone and detail. Expand to. By giving it a story, we deepened the appeal of the space. ■ The best trip is from the best beginning: "If the waiting time is fun, the trip will be more wonderful." Based on this idea, in order to provide a way to spend the waiting time according to the purpose of each guest, we have set up a seating space with a different personality in each zone, and scattered concept design with a sense of playfulness. 【Solution】 The north zone near the boarding gate has a high counter zone where you can easily have a drink and board immediately. In the south zone, airplane parts were displays to create a museum-like space. The plan is to spend time while touching airplane equipment that you can't usually see. In addition, the central hall seats are equipped with original lighting inspired by the truss structure of the maintenance yard. It has random movements and creates a joyful bustle. The space in the back is inspired by the captain's study. I wrote a memo on my thoughts about becoming a pilot on the blackboard on the ceiling. 【Our project members】 【Sales】Naoki Goto 【Consulting】Sahoko Suzuki 【Design】Ryutaro Matsuura / Tomohiko Deguchi / Kosuke Omura 【working drawings】Satoshi Matsuo 【construction】Mitsuaki Kanayama / Toshihide Tsumagari

[Description of the project] The “Sumitomo Forestry House”, a full-scale custom-built house, realizes the “ideal home” of each customer. Taking advantage of the unique charm of a “wooden house,” we provide environmentally friendly, comfortable homes that can be lived in for a long time. We will spread the superiority of "Sumitomo Forestry Home" through rich contact with customers at the "Minato Mirai Showroom". We assisted in design, layout and construction. [Customer issues/requests] To establish a place to achieve rich contact between customers and Sumitomo Forestry and to improve CS (customer satisfaction) / ES (employee satisfaction). In addition, it should be a space where meetings can be held in a high-quality space, and where end-users can experience the unique charm of a “wooden house” through a wide variety of displays. In addition, he mentioned the development of a showroom to become a "Sumitomo Forestry Home" that will increase customer satisfaction and continue to be supported. [Solution] A concept space that strongly appeals to the beauty of precious wood is constructed, centering on a state-of-the-art VR facility that offers realistic experiences and surprises. In the open and functional showroom space, we focused on the texture of materials in various places so that the impression of high quality can be felt, and in particular, we have devised ways to make the "wood" look beautiful. <Our project members> [Sales and project management] Tetsuji Takebayashi [design, layout] Nobuaki Saka, Asami Koide [Production and construction] Yuichi Tanaka

[Introduction of the project] We created a projection mapping with the theme of "Four Seasons of Hida Takayama" to commemorate the "80th anniversary of the establishment of Takayama City" and the "140th anniversary of the merger of Hida-Mino" with the "National Historic Site Takayama Jinya" as the stage. Takayama Jinya is a government office that has become the center of government since Hida became a territory under the direct control of the shogunate in the Edo period. At the end of the Edo period, there are said to have been more than 60 Gundai and magistrate's offices nationwide, but this Takayama Jinya is the only one that has survived from that time. In 1929, it was designated as a national historic site. This time, "Hidashin Projection Mapping" with the theme of "Four Seasons of Hida Takayama" will be held for a limited time in the large hall (shoin-zukuri room) of this Takayama Jinya. We assisted with research, planning, concept design, exhibit execution, interior execution, and website production.

[Outline of the project] “Nihonbashi Toyamakan” is a comprehensive information receiving and disseminating base where you can sell products, provide tourist information, and hold exchange events, centering on restaurants where you can experience the taste of Toyama. Lumber produced in Toyama Prefecture and traditional crafts are used throughout the space. It is a new base that conveys the high-quality lifestyle of Toyama that makes you think, We assisted with consulting, design, layout, building execution, event management/public relations support. [Issue/Theme] “A place that conveys the quality of life in Toyama” The theme was to not only obtain things, but also to convey things, leading to the revitalization of industries and tourism. [Solution] We put into practice a proposal to revitalize the facility by introducing a new purpose that would serve as a centripetal force. Utilizing our CSV solutions "Forester Project" (*1) and "Japan Value Project" (*2) in the creation of public spaces, we are not just a product center, but a variety of things that Toyama Prefecture is aiming for, such as tourism, industry, and immigration. Realizing a plan design that can be used for regional revitalization measures, our designers visited sawmills in Toyama Prefecture to select the wood used for the tables and chairs that are actually used. selected. "Forester Project" (*1) "Japan Value Project" is a project to create facility interiors, furniture, and fixtures using local materials that are unique to the region, and to develop facilities that strongly impress the local brand while supporting the forestry industry. (*2) Efforts to collaborate with businesses nationwide that handle traditional techniques and materials and provide a place to disseminate them by providing specs to facilities <Our project members> [Development and project management] Ryuichi Fujinaka [Sales promotion] ] Noboru Sato, Nobuyuki Tanaka [Planning] Echiyo Suzuki, Ryuichi Fujinaka [Creative direction] Echiyo Suzuki [design, layout] Yutaka Hanaoka [Signature and graphic concept design] Hisae Ito (Cross) [Production and construction] Yukio Marumori [Others] (Event planning, PR support, etc.) Ryuichi Fujinaka

[Project description] Tokyo Game Show 2016 “DMM GAMES” “Icchibanketsu ーONLINEー” At the photo booth, you can take pictures with your favorite characters in the world of the online game “Icchibanketsu ーONLINEー”. I created a production space that makes a newly evolved character appear with my own face. By reading the QR code from the result screen, we carried out a campaign in which you can win more gifts by tweeting the evolved character on Twitter. Also, even if you couldn't receive a numbered ticket or come to the venue, you could have the same experience from your smartphone or PC. Many experience tweets were seen on the day.

[Overview of the project] More than 50 years have passed since the outer appearance of the Oda Castle Tower was restored with reinforced concrete in 1960. I was. Along with this, displays inside the castle tower was also completely renewed, and we assisted in schematic design and working drawings (both subcontracted by an design administration company) and displays production work. [Customer's Issues] The theme of this project is to "disseminate the historical charm of Odawara, centering on Odawara Castle as a base for historical tourism." Our mission was to develop displays for visitors to enjoy, and as a result, to enhance the appeal of Odawara Castle as a historical tourist facility. As a challenge, the Odawara Hojo clan was defeated by Toyotomi Hideyoshi's army in the ``Odawara Battle'', so the general public has a strong image of a ``loser military commander.'' The ideals and achievements were not sufficiently communicated. Odawara City wanted to convey what Mr. Hojo left behind in Odawara. [Solution] In response to this problem, in the first displays zone on the first floor, we introduced a gorgeous castle town map from the Edo period in order to convey that Odawara Castle was built in the early modern period (Edo period). The castle tower model model was placed as an eyeball. By comparing Odawara Castle with castles that everyone knows, such as the "Top 10 Castle Tower Height Comparison in Japan", we made it a mechanism to draw out the understanding and interest of visitors by connecting their own knowledge with Odawara Castle. The graphic explanations are mainly pictures and diagrams, and are devised so that even foreigners can understand without reading the text. In addition, in order to increase the number of fans of Mr. Hojo Odawara, the achievements and history of the five generations of Hojo are presented in a profound “drama style” reminiscent of the Taiga drama, and by depicting the feelings of the parents and children that must have existed there, they can be seen as people. The video captures the image of the Hojo clan's father and son, and is an image that resonates with the hearts of visitors. For the video content, we also focused on production techniques that allow general tourists and children to enjoy watching until the end without getting bored, such as making it a "travel program". In addition, displays was created using the power and materials of the local people, such as using local actors as actors, and using local traditional crafts such as marquetry and locally produced materials for interiors This is also a major feature of this project. In particular, the restoration work on the altar enshrining the statue of Marishiten (guardian deity of the castle) on the top floor was carried out by local lumber industry cooperatives and builders. It is the centerpiece of

<Description of the project> The Tulip Shikisaikan celebrated its 20th anniversary and renovated the permanent displays. "Wonder Garden" where you can see the tulips from budding to bloom all year round, and "Under construction" where you can explore the wonders of tulips with the latest technology. . ◆Wonder Garden Tulip Palace Approximately 500 cut tulips will be displays on a 3.7m high curved glass wall. You can have a mysterious experience surrounded by tulips. Palette Garden A garden where 5,000 tulips bloom all year round! The tulips spread out in all directions like a kaleidoscope. Growth Story Please enjoy the process of growing tulips with the seasons. ◆Under farm You can see the growth of tulips from the perspective of the bulbs as you become smaller. The video projected on the ceiling provides an easy-to-understand introduction. In addition, you can learn about the history, breed improvement, and cultivation tips. <Our project members> [Development] Isao Fujimori, Atsushi Ishikawa [Sales and project management] Atsushi Ishikawa [Planning] Yuki Shimokuni [design, layout] Yuki Fukano [Video direction] Akinori Goto [Graphics] GyoGyoMaaMa Creation Office Ayashi Mizutani Yumi Nakajima [Production and planning] Tsutomu Fukushima, Akio Hiraishi [Production and construction] Atsushi Okuda, Koichi Yamada, Chinami Tadokoro [Design cooperation] KAZAANA design studio, Tomoe Hori, Yasushi Hatakeyama, Tomoaki Hori Yasuaki Hatakeyama ] Horaisha, Nippon Electronics Service, Plantscape, Kyoda Creation, TV Asahi Create 4d, Endo Lighting [Photography] Shin Photowork, Shinji Miyamoto

<Project Description> 3D Printer Technology liberate the jewelery from gravity. 3D Printer Technology liberate the jewelery from gravity. The first directly managed street store of the jewelry brand "TOMOKO KODERA" by Ms. Tomoko Kodera, the first designer to win the Grand Prix. Expressing the "wind = energy" that appears in the pitch-black world of the universe with a collection of delicate lines. Jewelry as crystals of energy floats in space like a galaxy. In order to express the "mystery" hidden in the creations of TOMOKO KODERA, which is not bound by preconceived notions, all of the jewelry displays at the tip of a pipe suspended from the ceiling using displays parts developed with 3D printer technology. Jewelry shines ahead of the rising energy. Photo: Nacasa & Partners Inc Tomooki Kengaku

<Description of the project> Seven Park Ario Kashiwa, a large-scale shopping center that opened in April 2016, has attracted more than 1 million visitors within 10 days of its opening. "SKY KIDS" is a children's space within it, where local children can play safely and securely at any time. Therefore, as the main children's experience, we developed three interactive contents using multi-large screen signage, and "interactive play equipment" that responds to sound and light when touched or hit. It is a mechanism that aims to naturally train creativity, physical strength, and communication skills by letting children become absorbed in playing.

[Explanation of the project] The National Convention for the Creation of Rich Seas is held annually in autumn as a wide-ranging national event aimed at raising awareness of the maintenance and cultivation of marine resources and environmental conservation of the sea, as well as deepening awareness of the fishing industry. This is a nationwide tournament. It is customary for Their Majesties the Emperor and Empress to attend, and it is positioned as one of the "Three Great Visits" along with the National Arbor Day and the National Sports Festival. [Overview] The theme of the event is “Relay of Life, Connecting Forests and Rivers to the Sea”. Ceremonial events such as commendation of groups that have contributed to the promotion of the fishery industry are held at Kibo Hall in Sakata City, and young fish are released at Nezugaseki Fishing Port. Did. [Production details] In the introduction of the prefectural fisheries industry at the opening, the coastline of Shonai Beach, which has been certified as a geopark, was shown from the perspective of black-tailed gulls using aerial drone photography. Directing interaction with people who inherit rivers and seas. Since the event will be held in the Tohoku region for the first time since the Great East Japan Earthquake, the event will be held in the presence of Their Majesties the Emperor and Empress. <Our project members> [Sales and project management] Hideo Inoue, Takashi Isozumi, Teruko Kazui [Production] Ryokichi Masuda, Ryuichi Shimada