Works#2019

Following the 15th anniversary renewal in 2013, where I was in charge of design and design supervision, this is the 20th anniversary renewal, in which I was involved in planning work. It opened in 2019 as a milestone project, with the entire renovation completed after several renovations. We have completely renovated the welcome space on the 1st floor and the restaurant floor on the 5th floor, updated the in-house signage, and installed new digital signage. The building was renovated based on the 15th anniversary concept of ``Romanticship Umihotaru,'' and unlike the 4th floor, which had an opening facing the sea all the way, we created an image of the space with only inward-facing openings and special decorations. .

"Koniwa House" A place where babies, family and friends can spend a relaxing time together. In the room, which looks like a picture book, there is a space for changing diapers, a space for breastfeeding, a kitchen and a living room where you can eat milk and baby food, and so on. "Komori La no Mori" This is a playground where babies, kids, and families can spend their time freely and freely. It is divided into an area where babies and their families can spend a relaxing time, and an area with exciting play equipment for children who are just starting to move around. In the center of the spacious space, there is also a base camp corner where parents with children of different ages can see the whole area. [Social Issues/Customer Issues/Requests] Parents and children in Numazu City and Shizuoka Prefecture have taken a step forward from the achievements of LaLaport Hiratsuka in order to create a facility where people with children can enjoy not only shopping but also a relaxing day. It was a request to make a space for. [Solution] We planned and concept design a space where mothers can not only take care of their children, but also share childcare regardless of gender or age. In addition to the extraordinary concept design that makes it fun for both adults and children to come here, it is also a place for siblings to stay while families with children of different ages are taking care of babies. We also paid attention to safety. <Our project members> [Sales] Hidefumi Ikuta, Hiroshi Mitsui [Planning] Team M: Mari Matsumoto, Aya Nishimoto [Design] Kei Matsuzawa [construction] Yusuke Yamada

A public displays space attached to G20, where 30,000 people and press from around the world visited Osaka. A floating cutting-edge technology displays area with a motif of a futuristic miniature garden floating on the sea, a live kitchen where you can eat while walking in the image of a food stall, and a shining white cultural area that expresses hopes from reconstruction to the Olympics. We have concept design a new experience style of presentation where you can relax and enjoy today's Japan by seamlessly connecting and fusing three different areas. [Social Issues/Customer Issues/Requests] We would like you to express Japan's innovative technology and ideas that will create a new era of prosperity for people and the earth by realizing a virtuous cycle of environmental conservation and growth. I received a request. [Solution] At the G20 Osaka Summit, in addition to proactive efforts to reduce waste based on the concept of "3R" + "Renewable Sustainable Resources", cutting-edge technology for marine plastic litter displays at the PR displays. and space concept design. Japan's technologies and initiatives for plastic resource recycling are divided into stages of "reduce," "replace," "reuse," "recycle," "collect," and "displays." It is feared that by 2050, the ocean will contain more plastic waste than fish. <Our project members> [Sales and project management] Yuji Hayamizu, Yasuo Ogawa, Shigeyuki Ishiyama [design, layout] Yutaka Hanaoka, Takayuki Kobayashi [Production and construction] Yutaka Kimura, Yoichi Miura, Yukari Kahashi, Shigenori Ueno, Tabata Yuka and Yuki Higashihara

In a society that is rapidly diversifying due to advanced technology, Panasonic believes in a balanced lifestyle. By having spaces and devices in daily life seamlessly read, understand, and comprehend the condition of people's skin, hair, health, and other aspects of their lives, and by providing personalized care based on that understanding, we can offer intuitive, well-balanced lifestyles. In this displays concept space, visitors experienced the story of how information about people is collected, integrated, and analyzed by the objects and spaces that surround them, and how products with the beautiful and universal concept design provide optimal care for people. <Social Issues/Customer Issues/Requests> A newly planned and developed wellbeing product was presented for the first time at IFA. We were asked to create the concept displays and the space concept design. Instead of a simple product displays space, we worked to design a space that would allow visitors to read the concept and user experience of the product. <SOLUTION> After detailed interviews and discussions with the London concept design center in charge of concept building, we designed a space that would not only help visitors understand the product, but would also be memorable as a user experience, making full use of new AV technology and building materials. ＜We were able to enter the project from the concept creation stage, and the team worked with us to determine what kind of output would be the most effective. Despite the short lead time, we were able to complete the project by the deadline. ＜Our project members＞ [Sales] Makie Ono [design, layout] Daisuke Nishida [Production: construction] Yoichi Miura

Based on the concept of "PLAY THE FUTURE", this is a playground where you can experience the future mobility society "Human Connected" by becoming a resident of the future and exploring the experience content. Instead of drawing a concrete image of a connected city that will gradually become more realistic in the future, we created a highly abstract environment based on white and grids, and combined the video and stage production that wraps around the entire booth. We have created an experience space that arouses the imagination of visitors and their expectations for the future. <Our project members> [Sales and project management] Shigeyuki Ishiyama [design, layout] Noriaki Tamura, Kazuya Maruyama, Kan Fujimura [Production and construction] Atsushi Endo, Ikuya Sasaki -Related links- [Related achievements] ・The 45th Tokyo Motor show toyota booth

An office integration project for five advertising media companies of GREE. The concept of this project is to create opportunities for interchange. This concept was born from the idea of "providing a place to create opportunities that create chance encounters and communication". The entrance space, which is the face of the five companies, is set to change the lighting color according to the time and scene through glass bricks, making it a space where you can feel change and movement. When used for events, it is envisioned to create a party scene in which the light has a rhythm to match the sound. In the office, we have set up a place called "Breakthrough Base" that will trigger interaction between the five companies. "Breakthrough" is not just a relaxing space, but also a place to open up the future and break through the current situation. It has the meaning of The floors are laid out according to the flow lines, and are planned to be an "interchange: crossing roads", and are used as a place for natural interaction between the five companies. The parts that are touched by the hands are aged, giving a feeling of liberation as if the sea breeze hits you in Shinjuku where you can't see the sea. It has become a relaxing space where you can feel the warmth and looseness that does not click, such as choosing plain materials and chairs with multiple concept design. In addition, from the idea of a fresh start, we created a minimalistic space without overdoing it. While creating a sophisticated and stylish space, the space is also studded with photogenic spots unique to a company that handles social projects. We have designed a space that is stylish yet gives rise to the expectation that something new will be born. <Our project members> [Sales and project management] Masanori Yotsuya, Kaori Murakami [design, layout] Atsuko Ozawa, Keita Obana

"Hanno Station" on the Seibu Ikebukuro Line, which is the nearest station to the theme park "metsa" that I helped in 2018. Positioning the station as a base for sightseeing, the station has been renovated to be a suitable gateway to the Hanno area, which is rich in nature. For the renewal, in order to incorporate the elements of "Hanno" and "Finland", the birthplace of Moomin, to incorporate "genuine Finnish concept design", the "Hanno Station Renewal concept design Competition" for designers in Finland was held in 2017. Seibu Railway Co., Ltd. and the Finnish Embassy co-sponsored the renovation work based on the best concept design of this competition. We were in charge of the secretariat work for concept design competition, interiors design, interiors construction, and opening ceremony work. <Project Members> [Sales/Project Management] Masahiro Takamori [Competition Secretariat/Ceremony] Takashi Hosaka, Maki Kimura, Kaoru Ando [Design] Wakako Hirata, Takuro Ishizawa, Kiichi Fujihira, Horra Ratul [Production/ construction] Yohei Kaneko, Wata Taishi Moto / Nomura Products Co., Ltd.: Kunihiko Hoshino

This is a project to renovate displays room in the Panasonic Center Tokyo into a VIP reception conference room. (Not open to the public) 4K images are casually incorporated into the space like materials and landscapes through a spatial composition that utilizes human perception. It is a space that pursues “comfortable conversation”. Since there are many VIPs and state guests not only from Japan but also from overseas, we have adopted ice-breaking elements everywhere, such as a ceiling design that evokes the Japanese culture of origata, a video expression that evokes the image of a dry landscape garden, and a scent that gives you a sense of harmony. Did. In addition, the hand-painted patent application materials that contain the founder's thoughts were turned into artwork and placed on the wall that serves as the back of the upper seat, putting the soul into the space. By linking with lighting control, it is possible to switch the scene for various purposes such as the mode for welcoming guests, dinner, and meetings using multi-screens. While making full use of Panasonic's cutting-edge technology, we have created a calm atmosphere as a whole by thoroughly using casual expressions, and have created a space value that combines newness and quality. <Our project members> [Sales and project management] Kei Yamazaki [Direction] Akane Yamaguchi [concept design] Shigemi Shimizu, Seiho Tani [Production and construction] Hiromitsu Furuichi, Yuta Kumazawa

Established in 1976, Jojoen is a famous yakiniku restaurant. This time, we have planned a flagship store that will be the largest scale of the store. Roppongi, where the restaurant was founded, was visited by many foreign customers at the time, and the restaurant's name comes from the sound of grilling meat being pronounced "jojo." So, first, we expanded the idea from the sound of grilling meat, with the concept of sound, and the finishing of materials such as Nishijin textile, acrylic, stone, and glass to give a characteristic that makes you feel the rhythm. In addition, the piano booth is an attempt to create a symbolic form that visually appeals to the expanse of the sound of the performance. Inspired by the history of the brand, this project strengthens the relationship between food, space and sound. We designed this restaurant with the hope that it will resonate with the five senses of our customers and make them a place where they can feel the happiness of food even more. <Social Issues/Customer Issues/Requests> ・Create a sense of presence and quality as a flagship store.・Plan audience seats that can accommodate various scenes. <Solutions> ・The design makes use of the characteristics of materials such as wood, stone, Nishijin weave, and acrylic.・We planned seating that can accommodate various scenes, such as private rooms, semi-private rooms, pair seats, hall seats, and circular sofa seats. <Our project members> [Sales and project management] Yasuhiro Tsuruta [Design and engineering] RENS: Ryutaro Matsuura, Yuka Kurachi, Takuro Ishizawa [Production and construction] Mikiya Fujitaka, Takashi Yokoyama, Mariko Yamamoto

A neo-bistrot run by Michelin 2-star chef “Dominique Bouchet”. With the opening of a store in a large station building, we wanted to create a comfortable, natural-feeling "sunroom" that would make customers want to stop by on a daily basis, while maintaining a familiarity that would not make visitors feel that the threshold was high. I thought. The organic form and theme color green accents are combined with nature-themed cuisine to create a non-transitory sense of comfort and attract new customers. In addition to the design, we have carefully designed it so that the chef and staff can perform at their best. [Customer issues/requests] ・Interior design with a sense of nature that complements Chef Dominique's French cuisine, which makes the most of the natural flavors. Create ・Both design and functionality <Our project members> [Development/leasing] Atsushi Nakata [Sales/project management] Takashi Kobori, Akiko Takahashi [Design/design] FOO: Masahiro Hisakane [Production/construction] Taisei Tanaka

"VVG Lifestyle Village" operated by Walsin (Nanjing) Development Co., Ltd., a Taiwanese real estate developer, is located in Nanjing ONE MALL in a green urban complex featuring humanism and quality of life. opened in The theme of the facility is nature (earth) such as the sea and the earth, and the space features a large atrium that spans three levels. I wondered if I could expand its appeal. In this “forest”-like space, encounters and connections between people were born, like the activities of diverse organisms and the circulation of nature, and a flow line for walking through the forest was created. 35 rows of huge lattices with the motif of “leaves and branches” were arranged in a row, and in the atrium space, they were transformed into an arch shape to cover the entire space. By randomly arranging the lights of Taiwan's national flower "plum" to create a "forest" with regularity and irregularity, "VVG Forest" fuses the delicacy of Japan with the sensibility of Taiwan. has been completed. <Our project members> [Project management and sales] Keita Suda, Ryo Fujime [concept design direction] no.10: Keita Aono [concept design] no.10: Shohei Suzuki, Chihiro Fujiwara

This is the first national/prefectural facility in Iwate Prefecture that is related to the Great East Japan Earthquake. In order not to repeat the tragedy of the Great East Japan Earthquake and Tsunami that occurred on March 11, 2011, we are handing down the facts and lessons learned from the earthquake and tsunami to future generations and disseminating the state of reconstruction both domestically and internationally. With the displays theme of "Protecting Lives and Living Together with the Sea and the Land," this facility provides visitors with a chance to learn about the history of the tsunami damage in Sanriku, the facts and lessons learned from the Great East Japan Earthquake and Tsunami through displays, graphics, and videos. <Our project members> [Development] Shin Yoshioka [Sales and project management] Takeshi Mariko [Planning] Eri Saito, Naoko Nakase [Design] Shuji Masaki, Sayaka Horikoshi, Mitsuyo Ashida, Ikuho Tominaga [Production and construction] Akio Hiraishi

The entrance lobby of the head office of Xcom Global, which has strengths in "providing a communication environment" including mobile internet while traveling overseas. Mobile communication services create a variety of relationships around the world, connecting people to people and people to things. The chain of individual communication that transcends countries and generations will eventually give birth to a global movement, and the appearance of a single large existence will be seen. It reminds me of the "forest" that is born. The endless connections and possibilities that Xcom Global's business brings to the world are superimposed on the state of the rich forest, the natural formations there, the memory of the forest's growth, and the beautiful appearance that changes with time. was the theme of concept design. As an element symbolizing the landscape of the forest, the walls were covered with panels concept design with overlapping silhouettes of trees as a motif. Sunlight during the day and lighting after sunset cast soft shadows on the floor and walls through the panel openings, giving the impression of sunlight filtering through the trees. creating a beautiful scene. In addition, the impressive table and drink counter are concept design with “tree rings” as a memory of the growth of the forest. The bent metal plates are assembled by offsetting them concentrically, and the top plate is a transparent acrylic plate so that the appearance can be seen. As for the layout plan, the space is divided into two areas, a concept design area for welcoming visitors and a meeting area for business negotiations. doing. [Customer Issues/Requests] We received a request to concept design a reception space and a business meeting space with an atmosphere similar to the lobby of a luxury hotel. <Our project members> [Sales and project management] Kazushige Ishii, Kaori Murakami [design, layout] Yoshihiro Kitamura [Production and construction] Ikuo Chikaishi, Tetsuji Koike, Takuya Kagawa

The food court of the Shanghai World Financial Center (SWFC), a landmark skyscraper in Shanghai, China, is a food court that supports working, working, and interacting with office workers. As a place of relaxation surrounded by "green", NOMURA, Ltd. was in charge of concept design and schematic design, NOMURA (Beijing) Co., Ltd. was in charge of working drawings and construction. [Customer Issues / Requests] Food court "Food Garden" with 12 stores on the second basement floor of SWFC, a Shanghai landmark. While providing daily food support to more than 10,000 office workers, we will provide added value as a building, such as providing a place for office workers to relax, event spaces and conference rooms that can be used for seminars and exchange parties. I needed a space to grow. [Solution] In order to create a comfortable place for office workers to relax even though it is underground, we visualized the "light" coming in from the ground as louvers, and created a series of scenes in which the "green" creeps up toward the light. I was. In addition, the event space and conference room (can be catered from the food court) are planned in an integrated manner, and the structure is such that it can attract customers even after peak lunch hours. <Our project members> Design: NOMURA Co. NOMURA (Beijing) Co., Ltd. Ltd. AND [Sales] Hisayuki Takenaka [concept design and schematic design] Keisuke construction, Kai Nishihara, Hitomi Kataoka Nobuya Sugimura [working drawings] Lei Yu, Hideki Nii [construction] Lei Yu, Hideki Nii, Li Shuangshuang, Zheng Xing, Yu Lin, Wang Jian

Medicha, a self-conditioning business centered on meditation, was born from Mitsubishi Estate's new business proposal system. It is an immersive experience-type meditation studio that provides “a luxurious time to create a margin for yourself” through a unique meditation program that releases all five senses for city dwellers who are exposed to a lot of stress. We have provided consulting, experience concept design, space concept design, graphic concept design, content advice for meditation, and art curation, and have supported Mitsubishi Estate from various angles, from the business planning stage of brand launch to opening. rice field. [Customer's voice] In creating an immersive experience studio that fuses "meditation", "art" and "tea", we will provide services such as how to experience meditation, starting with the realization of the concept, not limited to interiors. We received comprehensive support for the design. In addition, we are grateful to have collaborated with experts in various fields such as meditation, sound, lighting, and tea to create a space and service that maximizes the effects of meditation while maintaining the worldview. <Our project members> [Sales/Project Management] Shun Kawai [Consulting/Planning] Shoko Miyazaki [design, layout] Hideaki Hata, Yoshitaka Hirayama, Keisuke Yoshida [Production/ construction] Kenji Takegawa, Tomoji Kawai, Yuko Yamashita, Nakajima Tadahiro