Works#Hokuriku

In conjunction with the opening of Fukui Station on the Hokuriku Shinkansen, a dinosaur monument was installed on the rooftop plaza of the new tourist exchange center that will be built at the east exit of Fukui Station. The purpose is to give a strong impression of the ``Dinosaur Kingdom Fukui'', increase awareness of Fukui, and encourage visitors to the city. The dinosaur monument is located in a position that can be seen from the Shinkansen platform and train windows. The "Fukuititan" discovered by the Fukui Prefectural Dinosaur Museum expresses Fukui's good child-rearing environment and family love, and the sight of two animals huddled together looks like a heart. In addition, we placed dinosaurs whose fossils were found in Fukui and monuments of popular dinosaurs, and took pictures with them.We also used a device that made it look like dinosaurs would pop out in augmented reality (AR) when you held your smartphone up to them. We have developed it as a fun new attraction that will make you feel as if you have entered a world where there are people.

Toyama City, Toyama Prefecture and NOMURA Co., Ltd. have opened TOYAMA TOWN TREKKING SITE, a new lifestyle base with the theme of "a gymnasium that connects to the outside from a closed gymnasium." This project was selected by the Ministry of Internal Affairs and Communications as part of its 2016 Public Facility Opening and Renovation Project, which aims to revitalize public facilities owned by local governments with the help of creators and other private sectors and turn them into new business bases. By renovating the dead space of the Toyama City General Gymnasium, we aim to ``revitalize'' it as a multi-generational exchange base where residents can engage in activities such as town trekking. "TTS" is a complex facility with a cafe, sports shop, and studio. We have developed facilities (hardware) to support town trekking, and regularly hold food education, physical education, and health education event programs (software), creating a new public service that supports the health of Toyama citizens. The facility will be operated as part of the project. Taking advantage of the location adjacent to Kansui Park, which is visited by 1.4 million people a year, we hope to extend healthy lifespans to all citizens by allowing the Toyama City General Gymnasium to be used not only as a base for walking around the area, but also as a base for walking around the area. This project is one of the most advanced in Japan, with the aim of providing a first-hand experience of ``improving the quality of life (QOL)'' and building a ``virtuous cycle model between residents' healthy behavior and the local economy.'' “TTS” provides “time and space to nurture people, not just time and space, which are necessary for the health of people and the community,” and share with others what is uniquely yours and does not belong to anyone else. We will slowly create the "space" to do so.

This is a renewal project for the Niigata Prefectural Museum of Natural Science, which our company was commissioned by the Science and Technology Public Interest Foundation. About 40 years after its opening in 1981, the 2nd floor "Environment and Life in the Beech Forest" and "Experience the Power of the Wind" and the 3rd floor "Mysterious Moving Room" are now called "Symphony of the Forest". ” and “Scale Adventure” have been renewed. In order to realize the image of the [displays basic plan] presented by the customer, we proceeded with the examination and production of the video space, content, video system, and graphics.

In December 2016, the Seihakusai Hikiyama event was registered as a UNESCO Intangible Cultural Heritage. , Notojima Mukada Fire Festival, Ishizaki Houtou Festival, and Okuma Kabuto Festival. It is a facility that conveys the charm of Nanao, centered on festival culture, and is a facility that can be enjoyed by children, adults, and foreigners, such as a giant lantern displays and a simulated experience of the festival. <Project Members> [Development] Akihide Inoue [Sales and Project Management] Tetsuya Kurita [Planning] Konomi Taki, Kyohei Kishida [Design] Tomoyo Tsukiyama, Tadashi Yuasa, Katsumi Tanda [Production and construction] Sadato Inoue, Shin Kameoka, Inoue Satoru

The Nomi Furusato Museum has a natural displays that introduces the characteristics of nature in each region through life-size models of plants and animals, cultural property materials such as the historic Nomi Burial Mounds, and humanities displays that introduce early-modern Hakusan worship. This is a new comprehensive museum with folk displays that introduce modern life, and a children's museum where preschoolers and toddlers can learn about the history and nature of Nomi through playground equipment. Because there are displays cultural property displays such as the prefecture-displays cultural property “Colored Mt. displays area is 1251㎡. RC + wooden structure 1 story. The scope of our work includes displays and interiors construction, including fixtures, modeling, presentation equipment and diorama creation, video systems, video software, graphics, signs, electrical installation work, production and lighting work. <Project Members> [Development] Akihide Inoue [Sales and Project Management] Tetsuya Kurita [Planning] Kyohei Kishida [Design] Sho Inanobe, Mina Miyaki

The Noto Satoyama Satoumi Museum is a facility where you can experience the rich nature, wisdom of life, and history and culture nurtured in Nanao City. The attractiveness of Satoyama and Satoumi, which cannot be grasped in a unified way, is not classified as nature, history, or folklore, but is multidimensionally grasped by integrating fields. At the museum, we have set up features that both adults and children can enjoy, such as a space experience surrounded by insects and shellfish specimens, displays that tells the mechanism of fixed net fishing, an experience of lifting Notokan yellowtail, and a drawer-type quiz. In the two-sided theater, the life and growth of a family in the village will be drawn into the world of satoyama and satoumi through images of Nanao's beautiful four seasons. At the end of displays room, we presented the charms and challenges of Satoyama and Satoumi, creating an opportunity to think about the reality and future of Satoyama and Satoumi. [Customer issues/requests] Building a museum that creates the future based on the value of 1300 years of life in Noto (nature, history, culture), field museums, tourism, collaboration with citizens, and local products I had a request to include it. [Solution] Satoyama-satoumi is a system in which people can coexist and sustain the nature they have nurtured. We proposed a "Satoyama Satoumi displays" as a comprehensive study by fusing the fields and communicating them in a multi-dimensional way. In addition, curators introduce sightseeing in Noto from a researcher's point of view, and incorporate videos in which citizens appear to foster civic pride. In addition, the traditional crafts and local products of Noto Nanao are sublimated and expressed as spatial concept design elements, rather than being displayed as products. <Our project members> [Sales and project management] Akihide Inoue, Kyohei Kishida [Planning] Kyohei Kishida, Tadashi Yuasa [design, layout] Tadashi Yuasa, Reiko Kagawa [Signature and graphic concept design] Satoko Hasegawa, Tadashi Yuasa [Production and production] construction] Shin Kameoka, Sadato Inoue, Yoshisei Shimode

The varves museum is the world's first museum that pursues one theme, varves. “Annual stripes” are stripes of mud that have accumulated on the bottom of the lake over a long period of time. Lake Suigetsu, one of the Five Lakes of Mikata (Fukui Prefecture), is one of the five lakes of scenic beauty in Fukui Prefecture. It is recognized around the world as a measure. Facing the lake, 100 flakes of "shining soil = varves" displays, becoming a symbol of the region beyond the framework of a museum. Landscapes are also one of displays here. You can feel the change of time, and when the sun goes down, displays will change its expression along with the scenery. We produced a harmonious view of the world without borders between displays, architecture, and landscape. [Customer's opinion] "Annual stripes" was an unfamiliar and difficult displays for the general public. displays are easy to understand, and have been highly rated in visitor questionnaires. <Our project members> [Sales and project management] Akihide Inoue [Planning] Kyohei Kishida [concept design] Sho Inanobe [Production and construction] Takeshi Suezaki, Nanae Hori, Riku Murata

[Project Description] A project to renovate the office area on the second floor of a precut factory in Takaoka City, Toyama Prefecture into a reception, library lounge, and showroom. We aimed to create a space that fulfills the role and functions of an office while making the most of the unique atmosphere of a factory. Based on the themes of "forests where people walk together" and "wooden spaces where people can live richly", the concept is to understand the growth of trees and support wood and people to walk together. [Customer issues/requests] ● With “tree” as the keyword, create a creative space where people can gather and interact. ●By deepening your knowledge and understanding of trees and actually touching them, you can create a mechanism that will make you feel closer to trees. ●In addition to looking at and touching trees, by holding workshops, we will also consider contact with wood education and craftsmen. ●The wooden part of a wooden house, mainly the structure, tends to be hidden by the floor, walls, and ceiling in daily life, so it is difficult to have interest in it. In such a situation, we created a mechanism that allows you to feel the material itself of the wood processed by Woody Parts, processing technology, manufacturing staff, and product quality with your five senses. [Solution] At the reception, employees and visitors are planned to be able to see the space with depth. The tables, lighting, and bookshelves that make up the library lounge symbolically express this. The showroom uses mesh material for the walls so that displays walls do not interfere with the atmosphere of the former factory space. Taking advantage of the expanse of the space, we have prepared a presentation space for BtoB and BtoC. In order to have a clear presentation, rather than an explanatory showroom, we planned a space that looks like an art gallery by visually composing handicrafts and techniques. We also focused on the ease of updating information so that it would not become obsolete over time. In the future, in this office, we aimed to create a space where, in addition to the conventional "manufacturing" using wood, "creating things" related to "living" will be born. [Customer's voice] ● There are more topics that are not products (things), such as the scent and texture of wood. ●We have seen an increase in the number of visitors from management, designers, and planners, rather than on-site staff from housing companies, which are our existing customers. <Our project members> [Sales and project management] Takuya Kitai, Yoshinori Yamada [design, layout] Hiroaki Koshizen [Production and construction] Kentaro Hirano Photo: Nacasa and Partners Co., Ltd.

[Outline of the project] The museum, which boasts a collection of masterpiece chairs and posters, emphasizes the perspective of concept design more than ever, and aims to be an experience-based creative museum that "connects art and concept design." There are six large and small displays rooms. Our company was in charge of the design construction of the wall case for displays room on the second floor. In addition to permanently displays about 50 of the 240 chairs in the chair collection, we have developed an displays system for concept design displays room, which boasts a collection of about 13,000 posters. He was also in charge of displays the works and materials of Shuzo Takiguchi and Simon Goldberg donated during the period of the Museum of Modern Art, Toyama. In the hall, we developed an experience-based "interactive art" that creates light art with body movements. [CUSTOMER PROJECT] 20th century art collection and unique concept design (chairs, posters) collection. We aim to be an experiential art museum that not only deepens one's knowledge, but also grasps the correlation between various genres and creates a deep understanding and thinking power by freely walking around the museum, which has such a rich collection. shall be [Solution] Create a unique displays space for each theme of each displays room, such as displays fixture plan, color plan, lighting plan, video / sound plan, etc., and create a place to experience art and concept design that makes an impression and is engraved in your heart. bottom. In addition, we introduced “interactive art,” which creates light art through body movement, in the hall, contributing as one item of an experiential imaginative museum that connects art and concept design. <Our project members> [Development] Atsushi Ishikawa [Sales/Project Management] Atsushi Ishikawa [design, layout] Yasushi Kasuga [Production/ construction] Shunichiro Nagayama [Video] Akinori Goto

<Description of the project> The Tulip Shikisaikan celebrated its 20th anniversary and renovated the permanent displays. "Wonder Garden" where you can see the tulips from budding to bloom all year round, and "Under construction" where you can explore the wonders of tulips with the latest technology. . ◆Wonder Garden Tulip Palace Approximately 500 cut tulips will be displays on a 3.7m high curved glass wall. You can have a mysterious experience surrounded by tulips. Palette Garden A garden where 5,000 tulips bloom all year round! The tulips spread out in all directions like a kaleidoscope. Growth Story Please enjoy the process of growing tulips with the seasons. ◆Under farm You can see the growth of tulips from the perspective of the bulbs as you become smaller. The video projected on the ceiling provides an easy-to-understand introduction. In addition, you can learn about the history, breed improvement, and cultivation tips. <Our project members> [Development] Isao Fujimori, Atsushi Ishikawa [Sales and project management] Atsushi Ishikawa [Planning] Yuki Shimokuni [design, layout] Yuki Fukano [Video direction] Akinori Goto [Graphics] GyoGyoMaaMa Creation Office Ayashi Mizutani Yumi Nakajima [Production and planning] Tsutomu Fukushima, Akio Hiraishi [Production and construction] Atsushi Okuda, Koichi Yamada, Chinami Tadokoro [Design cooperation] KAZAANA design studio, Tomoe Hori, Yasushi Hatakeyama, Tomoaki Hori Yasuaki Hatakeyama ] Horaisha, Nippon Electronics Service, Plantscape, Kyoda Creation, TV Asahi Create 4d, Endo Lighting [Photography] Shin Photowork, Shinji Miyamoto

[Outline of the project] "NGT48 Theater" will open on January 10, 2016 and will be the exclusive theater for Niigata NGT48, the 5th domestic idol group of the AKB group. The business entity is AKS Co., Ltd., which was invited to the commercial complex "Labra 2" (operated and managed by Mitsui Fudosan Group) located in the central commercial area of Niigata City as the core of attracting customers. Unlike the AKB group up to now, in various ways, expectations are high as an idol unit responsible for regional transmission / revitalization, and it is also reflected in the concept of the theater, various mechanisms and designs. From the early stages, NOMURA, Ltd. worked together with Shimizu Corporation on the planning, taking on the role of concept design the theater, planning the staging equipment, and designing and constructing construction. [Persons in charge] Account Manager: Mitsuhiro Sato Account Director: Ken Kumagai Creative Director: Fumitomo Takahashi Designer: Kentaro Yamada Technical Director: Kenji Suzuki Product Director: Masaaki Kondo / Hisaatsu Chikuma

The National Tree-Planting Festival is held every spring in the presence of Their Majesties the Emperor and Empress and is co-sponsored by the National Land Afforestation Promotion Organization and the host prefecture, in order to deepen public understanding of forests and greenery, which are the foundation of a rich country. This is the central event of the greening movement. Received an order for the basic plan in 2013. After that, the implementation plan was made in 2014, and the actual operation was carried out in 2015. We provide total support from planning to implementation, including venue maintenance, ceremony direction, and operational support. ◎ Our project members NOMURA, Ltd. [Sales] Hideo Inoue, Teruko Takai [Planning] Hideo Inoue, Teruko Takai [concept design /Planning] Hideo Inoue, Sadato Inoue, Teruko Takai [Signs and graphics] Teruko Takai [construction] Toshi Kanemitsu English [Director] Hideo Inoue, [Management] Hideo Inoue, Teruko Takai

This facility is a museum that displays materials related to the history and folklore of the Wakasa region. The permanent displays was renewed in July 2014. Individual cases, dioramas, images, etc. are placed here and there, making it an easy-to-understand facility for those visiting the Wakasa region for the first time to understand its history and culture. We assisted with schematic design, working drawings, and displays construction.