Works# Chugoku/Shikoku

TheMana Village

TheMana Village

In this project, ARTH Group Co., Ltd. (Tosashimizu Resort LLC), which handles lodging business and regional revitalization nationwide, will provide guests with one of the best stays in Asia at Ashizuri Pacific Hotel Hanatsubaki, a long-established inn at Cape Ashizuri, Kochi Prefecture, which has been popular for many years. The aim is to revitalize Tosashimizu City as a whole by revitalizing it as a resort facility called "TheMana Village." The facility is located in Ashizuri-Uwakai National Park, an area rich in nature. Despite the superb view, the old interiors of the hotel remained as it was, as if time had stopped since the Showa era. Initially, the plan was to set up a small cafe area, but after many meetings, ARTH's vision of wanting to liven up not only the hotel but also Kochi as a whole and Tosashimizu City expanded. It has been reborn as a complex facility that includes an Italian restaurant in a luxurious space where you can experience the nature of Ashizuri. We participated from the conception stage of the planning concept design to improve the attractiveness of the facility, and were in charge of producing the facade, lobby common area, guest rooms, and restaurant space that will be the face of the hotel. (Guest rooms and Italian restaurant are design supervision) Starting with “LOQUAT Nishiizu” (renovating an old private house into an auberge) in 2021, as a creative partner of ARTH, we will produce spaces that lead to attractive urban development and revitalization. I am working on.

#hospitality
HIRODEN etto

HIRODEN etto

A tourist commercial facility operated by the Hiroshima Electric Railway Group, which opened in April 2020 on land adjacent to the Miyajimaguchi Passenger Terminal, which began operation in February 2020 as part of the Miyajimaguchi area port development project promoted by Hiroshima Prefecture. "HIRODEN etto". Based on the concept of "DISCOVER MIYAJIMAGUCHI", it consists of 16 stores, mainly companies headquartered in the prefecture. As a facility where you can enjoy everyday (local) and extraordinary (sightseeing) pleasures in a Hiroshima-like way and experience "Fun, Delicious, New Hiroshima", we will spread the new charm of Hiroshima by connecting with not only tourists but also local people. doing. [Social Issues/Customer Issues/Requests] As a measure to alleviate chronic traffic congestion on National Route 2, which is also a lifeline for local residents, a plan to construct a new urban road has surfaced. Along with this, it was decided to redevelop the dilapidated passenger terminal by expanding the landfill site, and to relocate the Hiroshima Electric Railway Group's directly managed tourism and product facilities and the Hiroden Miyajimaguchi station building/track. We received a request to make proposals suitable for the prologue and epilogue of the Miyajima pilgrimage, regarding the creation of medium- to long-term staged development scenarios and the nature of facilities to be newly established by the Hiroshima Electric Railway Group in the area adjacent to the passenger terminal. [Solution] We thought it was important to build a development strategy from the perspective of regional branding in order to prepare "Miyajimaguchi", which is a transit point to Miyajima, from beginning to end.・Naming and VI planning to give a new identity to the colorless Miyajimaguchi (*) ・Leasing like a trip to find investors in the future Hiroshima/Miyajimaguchi ・Lighting plan and timber to feel the surface of the Seto Inland Sea We approached the creation of a place and space that adds glamor to the ``Miyajimaguchi Town Opening Phase 1,'' such as by actively adopting wood that evokes the town of Hatsukaichi, from both the soft and hard sides. As a result, we are contributing to the economic circulation within the prefecture by creating new employment opportunities by providing new business opportunities, mainly for businesses in the prefecture. In addition, as a model case of regional revitalization through private sector participation in government-led redevelopment projects, we are embodying the Hiroshima Electric Railway Group's management vision of "connecting people and opening up an attractive future for the region." It created a sense of anticipation for development. (*) VI: Abbreviation for Visual Identity. It refers to the design of logo marks and symbol marks. [Customer's voice] From the planning stage to the detailed facility planning, we were able to create the facility according to the concept because we received a lot of cooperation in terms of both software and hardware. We hope that it will grow as a facility suitable for the prologue and epilogue of the Miyajima pilgrimage. <Our project members> [Sales and project management] Ichiro Morimoto [Consulting, planning, software direction] Mayo Tenma [Leasing] Takaaki Hiraki, Eri Morita [design, layout] Kazumi Doi, Yukari Ozaki [Production and construction] Katsunori Sugino [Pre-internal supervisor/ furniture and fixture manufacturing] Toshimichi Suzuki [Branding] Yuri Watamoto [Opening promotion/PR] Daisuke Karube, Hikaru Oura -Related links- [Notice] ・"54th Japan Sign concept design Award" Silver Award Announcement of other awards

#Urban & Retail
Tokushima Prefectural Museum Permanent Exhibition Renewal

Tokushima Prefectural Museum Permanent Exhibition Renewal

This is a renewal of the permanent exhibition of the general museum (approved public facility) located in Bunka-no-Mori Park, which combines the humanities of archeology, history, folklore, and arts and crafts with the natural history of animals, plants, geology, and dinosaurs. With the new concept of "Tokushima Maru Tsukami - Monogatari of 'life' and 'time' -", the permanent displays room has been completely renewed. In the new permanent displays room, you can experience the charm and characteristics of Tokushima from a wealth of displays materials, and enjoy the museum even more. Through both inclusive concept design and displays evaluation workshops, we will confirm the direction of displays contents, verify the experience displays, implement universal concept design, and create a new "communication zone" with the museum as the "face of the community" in mind displays places importance on dialogue and interaction between curators and visitors, and between visitors, through materials (things) in the course of "Museum Street". The attraction of Tokushima is regarded as "abundant nature, traditional culture, and advancedness", and as a base for Awa Yuzan that conveys the attraction, it will always have fresh surprises, evolve into a museum that can be enjoyed comfortably, It is an displays space where you can play and learn about the charm of Tokushima by participating experience-based displays methods such as 4K / VR, AR, etc. [Social Issues/Customer Issues/Requests] ・The existing permanent displays is basically based on the academic standards of 30 years ago. Although the number of exhibits increased significantly, it was not easy to change displays due to the structure of the room and the limitations of displays cases, and the exhibits had become obsolete.・The old displays did not have a clear characteristic and did not become the “face of the region”, and the content was not segregated compared to other museums that came later.・There was a need to respond to social demands, such as efforts to convey the joy of discovery and learning through objects (materials), and an increase in hands-on and participatory elements.・It was necessary to make it universal, mainly for foreigners and people with disabilities, to deal with damage and discoloration due to deterioration over time, air conditioning malfunction, and LED lighting. [Solution] ・After consulting with the curator, displays contents will be completely replaced, and through both inclusive concept design and displays evaluation workshops, the direction of displays contents will be confirmed, the experience displays will be verified, and universal concept design will be implemented. In addition to creating a museum as the "face of the region", we have adopted a partially selected flow line instead of a simple one-way flow line by organizing the flow line from "Museum Street" to each displays corner, centering on the "Communication Zone". Did. <Our project members> [Sales and project management] Koichi Morimoto [Planning] Kyohei Kishida, Settsuko Nishimura, Mao Horii, Hironobu Mima [concept design] Masaaki Mitsunaga, Tadashi Yuasa, Takeo Akamine, Rie Morita, Reiko Kagawa [Design] Production and construction] Hayato Ichimanda, Sadato Inoue, Yu Oishi, Koichiro Takahashi

#public
Shikoku Aquarium

Shikoku Aquarium

[Exploring the story of water and life] -Aquarium for adults that changes with the aquascape/Enjoying expression- Surrounded by the sea on all sides, Shikoku's diverse aquascapes with many clear streams and countless ponds, "Shikoku Suikei". Themed aquarium. The Seto Inland Sea, the beautiful archipelago that Japan boasts to the world, spreads out in front of you. A rich time watching the dolphins living in the pool that blends into the beautiful sea. The interior of the museum is decorated with an environment that uses "sound, light, scent" and "the flow of time", and you can "enjoy the change of expression". We aimed to create an aquarium where visitors can come into contact with the history and culture interwoven with living creatures and awaken their five senses. [Social Issues/Customer Issues/Requests] There was an issue that we would like you to create an environment to make the aquarium a place of comprehensive customer satisfaction that is not just displays of living creatures. Shikoku Aquarium is the gateway to Shikoku. We needed to create an environment suitable for such a facility. [Solution] We proposed an environment production that allows visitors to "enjoy expression". Based on the concept of displays production, "Traveling through the stories of water and life," various contents were created to promote a new Shikoku-ness.・Welcome Booth This is the welcome booth where Nihonkaisui, who has continued to face the resources of the sea, will tell you about the charm of the sea of Shikoku at the Shikoku Aquarium. The design expresses the form that is derived by combining the form that Shikoku Aquarium aims for and the corporate philosophy of Nihonkaisui. The booth is composed of an aquarium production using artificial seawater, which is a company product, and a video production in the image of salt art. [Customer's voice] ・Welcome booth We asked for the production of a space that is not only an aquarium displays but also a corporate branding for our company. . Visitors have rated the event highly, and I feel that it has greatly contributed to improving the company's image. <Our project members> [Sales and project management] Tatsuya Fujii, Teruko Takai [design, layout] Kaoru Sone, Sho Inanobe, Yuichiro Ishida, Shohime Taka [Production and construction] Takeshi Suezaki / Nomura Techno Co., Ltd.: Shigeo Nagao / Nomura Products Co., Ltd.: Yoshiyuki Yamazaki

#public
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