Works#2018

Britain's oldest toy store "Hamleys", which has a history of 259 years in the UK, currently has stores in 19 countries around the world, and is a facility like a theme park with various mechanisms different from ordinary toy stores. The "Yokohama World Porters Store", which will be the first store in Japan along with the Canal City Hakata store in Fukuoka City, consists of two floors, the 1st and 2nd floors. You can ride and play. In the playroom on the second floor, you can enjoy playing with digital technology and trying out toys. In addition, as in the home country, there is a rental service such as a party room where you can celebrate special days such as birthdays and anniversaries with entertainers, making it a facility where you can have a good time with your family. We working drawings this project, in construction construction stores opened on almost the same day. <Our project members> [Sales and project management] Shohei Baba, Haruhiko Kako, Reika Sato, Rena Mitsuhashi [Direction] Eiji Kawakami [design, layout] Masahiro Sugihara [Production and construction] Eisuke Yokoshima, Yohei Ishikawa, Takuto Nitasaka, Kota Shimizu, Yuta Shirahata, Yuma Uehara, Fuyuka Nishiyama, Yuki Miura [Customer's voice] We were able to realize a store with high construction accuracy in consideration of safety. In addition, all the project members share the same feeling that we were able to open the business in a short development period thanks to the support of NOMURA. . ◆We were also in charge of the Hamleys Canal City Hakata store. <Our project members> [Sales and project management] Shohei Baba, Haruhiko Kako, Reika Sato, Rena Mitsuhashi, Masahiro Endo, Toshiyo Matsunaga [Direction] Eiji Kawakami [design, layout] Masakazu Fujisawa [Production and construction] Eisuke Yokoshima, Ishikawa Yohei, Takuto Nitasaka, Ryo Hashiguchi, Jiro Kusunoki, Daiki Sugimoto

[Project description] JOURNEY OF SEGASAMMY - SEGA SAMMY's insatiable journey `` SEGA SAMMY continues to travel in pursuit of the dreams and excitement of our customers '' We proposed an office environment that embodies this spirit, divided into two areas. 1) [Reception/meeting room area] A reception lounge that arouses curiosity about travel and a meeting room where you can travel around the world and encounter new discoveries every time you open the door 2) [Cafeteria area] “Each employee’s personality and ability A place of communication centered on food where you can meet a playful spirit ■Background of the head office relocation A head office relocation project that consolidates the company's head office functions and 6,500 employees into a new office. , revitalization and revitalization of the brand image [Solution] ■ Construct a space that induces diverse communication, from a personal private space to a space where you can brainstorm ■ “Three functions” “Increase sensitivity” x “Comfort” x “Vitalization of communication” = improvement of motivation and improvement of productivity. Communal tables and counters, places where strangers sit shoulder-to-shoulder to eat, provide opportunities for casual communication, and create situations where creative communication is born through encounters with new people <Our project members> ＞ [Planning and concept design] Arata Takahashi, Nobuaki Ban, Hiroyuki Kanai, Fujie Suzuki Node Yoshiyuki Shimizu, Erika Takeuchi, Motoya Kawasaki [Production] Kenji Takekawa, Yuta Shirahata [Sales and Project Management] Kiyoshi Toyama, Ryota Iwaki , Mai Kohno

[Project description] Renovation project for 148 guest rooms on 4 floors and 22 floors for corridors. Hilton Fukuoka Sea Hawk is also a symbolic icon of "Seaside Momochi District", which was selected as one of the 100 best urban landscapes in Japan. In this refurbishment as well, with the motif of the comfort of being on a ship and the view of the sea from the ship, we imagine how people interact with each other from the connections between people in Hakata Bay, which has long been linked to exchanges with foreign countries. We designed Hilton Fukuoka with the aim of being loved by people around the world for a long time, with the shape and composition born from "fellowship", the texture of the material that makes you feel "a cabin", and the colors of "white sand and green pine" that are unique to Hakata Bay. [Customer issues/requests] Our challenge was to enable flexible use of guest rooms, assuming various guests such as business, leisure, inbound, and MICE. The design of the long corridor was required so as not to give the guests a monotonous impression. [Solution] We have added a trick to the bed headboard in the guest room, and by moving it to the center, we have made it possible to arrange one guest room into a twin type or a Hollywood twin type according to the guest's request. In the corridor, the trajectory of the ship is represented by the intersection of the gradation lines of the carpet, and the Hakata Bay side is the sea, the center is the sandy beach, and the city side is the pine forest. <Our project members> [Sales and project management] Masayuki Yoshimori, Nobuko Abe [Design and planning] Keita Aono, Naoaki Yokoyama, Atsushi Watanabe [Production and construction] Takayuki Kara, Mitsuaki Kanayama

[Project Description] A project to open a new Isetan Mirror store along with the renewal of Terrace Mall Shonan. Unlike the existing store locations, opening a store in a mall SC and expanding the range of target demographics, we set up an experience-based space and incorporated interactive elements. [Customer issues/requests] The issues raised were how to attract new customers to the store by recognizing it, and whether they would be able to gain a sense of satisfaction after making a purchase and have repeat customers in the future. . [Solution] In response to the flow of people from Tsujido Station, we displayed a logo sign and a mirror that symbolize the brand in the window next to the entrance of the mall. In addition, the layout of the store has been designed with good visibility and easy access even for first-time customers. In the center of the store, there is a symbolic corner with curtains, where you can relax and receive counseling. [Customer's voice] It was a section adjacent to the main entrance of the facility, and it was a section where customer attraction was directly linked to sales. Through various ingenuity, we have been able to recognize customers visiting the facility from Tsujido Station, and many customers have entered the store and made purchases. <Our project members> [Project management] Yukinori Hashida [design, layout] Yuko Aida [construction] Koichiro Matsukawa

PROJECT DESCRIPTION: We assisted with the construction of a new permanent displays room in the new museum, which will be constructed in displays, and the renovation of the existing displays room in displays (Design & construction). < our company Project Members > < Sales and Project Management > Toshiyuki Otani < design, layout > Yutaka Uehara < Production and construction > Kusujiro and Hiroyoshi Mima

[Description of the project] We planned, directed, and produced the "Amada Memorial Hall / displays Room" to convey the "history" and "future" of Amada Holdings Co., Ltd., which manufactures and sells metalworking machinery. Based on the concept of "prospering together with customers," which the Amada Group has cherished since its founding, this complex combines projection mapping on historical machines that played a turning point in the development of the group, original lighting equipment, and video projection. In the production, the future of the group using the entire space is introduced. We have created a highly immersive message space. <Our project members> [Planning] Seiichiro Mori, Kouko Dokin, Ena Takashi [concept design] Masami Morita, Takaaki Tani, Naoya Fujiwara, Yuri Nakagawa [Direction] Akinori Goto [Production] Junya Hanayama, Yuhei Soeda [Sales] Yamauchi amount

[Explanation of the project] We created a story about the intangible culture of the region and performed projection mapping on the stage of the former feudal lord's mansion in the Obi Important Preservation District for Groups of Traditional Buildings, a castle town with a long history in Kyushu. [Customer Issues/Requests] In a castle town with many tangible cultural properties, passing on intangible culture to the next generation and people outside the region has become the next issue. Therefore, the theme was born: "Let's let a wide range of people know about the intangible culture of the region by creating a space that everyone can be interested in for an event that attracts a lot of customers." [Solution] By expressing the local intangible culture like a “history picture scroll” using a video technique called projection mapping, it will create an opportunity for people of all ages, men and women, domestic and overseas to be interested. I think Another advantage of video expression is that we were able to create a highly artistic space without damaging the building, which is a cultural asset. <Our project members> [Development] Yasutoshi Yamano [Sales] Tatsuya Io, Junichiro Yoshida [design, layout] Masaki Kawahara, Kenji Suzuki, Yuya Tagami

[Project Description] Ginza Sony Park will open as a flat and open public space until the fall of 2020 as part of the "Ginza Sony Park Project", a project to promote the renewal of the Sony Building. We plan to complete the new Sony Building in a form that expands without changing the "park" concept. [Customer issues/requests] Our company's role was from working drawings to construction, but it was necessary to proceed with design and production simultaneously with demolition work. Considering time reduction and cost, the idea of "concept design dismantling" based on the idea of doing no unnecessary additions was aimed at the minimum act of dismantling, while at the same time achieving the maximum effect. The theme was whether I could blend in with the project team and ensure the quality and proposals that exceeded expectations in response to requests from the project team. [Solution] At regular project meetings, we working drawings production schedules and on-site construction that reflect the latest situation, and constantly share the progress. I participated in the project by focusing on thoroughly performing the basics, such as thoroughly confirming the above, and maintaining close communication with the project team members. [Customer's voice] Despite the lack of time, we were able to successfully open on August 9th thanks to careful communication with our partner, design concept design, design and construction manager, and our company. I think that the most effective result was that construction was completed within the deadline with quite complicated adjustments. thank you very much. <Our project members> Sales: Kazunari Sato Production and construction: Kiyoshi Katayama, Yoshihiro Akiyama

[Explanation of the project] The point of the renewal is that the information on astronomy, which is changing every day, can be properly caught up in displays. For example, we have set up a system that allows the museum to update its own software with new information, and a communication space where the latest information can be posted. More than 100 registered astronomical volunteers have been concept design not only as a place for exchanging information, but also as a place for civic activities where they give explanations to visitors and present their research. <Our project members> Art direction: Shunsuke Shimizu concept design: Toshie Makigara Equipment concept design: Toshiyuki Suzuki Production plan: Junichi Ito Production management: Yu Ikeya, Takeshi Shimada Producer: Shin Yoshioka

[Project description] Assisting with the design and construction work associated with the relocation of Sabatini di Firenze, a superb orthodox Italian restaurant with a history of over 100 years in Italy and nearly 40 years in Ginza, where you can taste the essence of Tuscan cuisine. I was allowed to. With the design concept of "connection", the new Sabatini style is based on the tradition of using old things and trying new things to innovate, rather than passing on the old things as they are to future generations. By redefining it, we have realized a new "Sabatini di Firenze" that meets the expectations of customers who have patronized Sabatini until now. [Customer's voice] Past This is a masterpiece among our Cardinal stores. Thank you very much. <Our project members> [Sales and project management]: Masahiro Harada [Design and engineering]: Kumiko Oishi / Chie Okamoto [Production and construction]: Kentaro Yamaguchi / Katsuhiko Naito / Yoshito Hamanabe / Yumiko Matsumoto

[Explanation of the project] Renewal project for the hot spring facilities of the main building of the Akiu Grand Hotel in the Akiu Onsen district of Sendai City. Taking full advantage of its location along the Rairaikyo Gorge, we aim to create a hot spring facility that combines the ambiance of the Akiu Grand Hotel with a modern impression while letting you feel the four seasons of Akiu and a sense of unity with the Rairaikyo Gorge. I was. [Customer Issues/Requests] There is a promenade for sightseeing between the Rairaikyo Gorge and the hotel along the valley, so it was necessary to devise ways to hide both the bathing facilities and the promenade. In addition, consideration has been given to ensure that three generations can use the facility with peace of mind, such as by easing the steps to the bathhouse. The men's bath is ``Bonten-no-Yu, a bath of oblivion where you can enjoy the four seasons of Akiu and enjoy a sense of unity with Rairaikyo Gorge. The theme of the design is "a tranquil modern resort, a hot spring for beautiful skin where you can relax from the bottom of your heart in an extraordinary space." [Solution] When you open the sliding door to the hot spring, you can see the natural scenery of Rairaikyo Gorge as if you were looking at a painting. Welcoming guests with a tranquil atmosphere of bubbling water, the scenery of the four seasons of Rairaikyo Gorge is reflected in the open-air bath, creating an even greater sense of unity with nature. In addition, the boundary wall between the men's and women's open-air baths uses the large stones that have been installed since ancient times, and the light blue-green Towada stone on the floor gives a sense of cleanliness. is used to create a stylish and high-quality atmosphere. A glass sash that can be opened wide to the left and right is placed in the center of the indoor bath, and when the season is good, the inside and outside are connected so that you can feel the expansion of the space. <Our project members> [Development] Masayoshi Nishibori, Isao Oyama, Mitsuhiro Sato [Sales] Hiroyuki Uesugi [Creative direction] Miwa Matsubara [Design and planning] Miwa Matsubara, Ryoji Takahashi, Takeshi Honda [Production and construction] Manabu Fukuda, Masaaki Takase, Ken Aizawa [Architectural Supervisor] Koji Ueno

Project Description] This is a project for a corporate PR and awareness facility on the first floor of the newly constructed No. 21 Building at Yamaha's headquarters. The goal was to create a "place" where visitors could gain new insights and discoveries whenever and however many times they visited, by appealing to the full range of Yamaha's technologies, know-how, and sensibilities cultivated over the company's long history. The theme of concept design was to create a facility where visitors can "see," "hear," and "touch" Yamaha's DNA, its present, and its challenges for the future. The challenge was to create a space that would convey Yamaha's corporate stance and showcase its musical instruments in a way that was different from that of a physical store. displays The main street was to be the axis of the building, and the zoning was to clearly separate light areas from dark areas. We feel comfortable with your extensive track record, and the detailed project progression and on-site construction have resulted in the completion of a wonderful facility, thank you very much. ＜Our project members＞ [Sales and project management] Takashi Sakamoto, Kensuke Feiniwa, Kyoko Watanabe [design, layout] Keiu Tamura, Noriaki Terunuma, Atsuko Nakazawa [Planning, signage and graphics concept design] Tomoko Yanagihara, Mitsuka Kobayashi [Production and construction] Atsushi Yanome

[Project description] Panasonic Corporation As part of the 100th anniversary commemorative project, the newly built "Konosuke Matsushita Museum" opened on March 7, 2018, the 100th anniversary of its founding. The purpose of this event was to enable visitors to come into contact with the management and life views of Konosuke Matsushita, the founder of Panasonic, and to pass on that "heart" to a wider audience. [Customer issues/requests] Panasonic's management philosophy, the numerous achievements, words, and spirit left by the founder, how to pass them on to the company's employees, and provide learning and awareness to visitors, including the general public. The question was whether we could do it. The concept of displays is “a place where you can meet Konosuke Matsushita.” [Solution] First, we created a space where people can freely stroll around and concentrate on their thoughts, using the motif of Shinshin-an, which was loved by the founder. Each displays element is divided into layers according to depth, and the structure is such that the information can be selected according to the individual interest of each visitor. <Our project members> [Sales and project management] Shohei Baba [Planning] Tomoko Yanagihara [design, layout] Hideaki Hata, Shosei Yoshikawa, Shigeto Suga, Koki Mizuno [Modeling concept design] Kenichi Kishikawa [Production and construction] Masao Ogawa Photography ：Nacasa and Partners Co., Ltd.

[Description of the project] In addition to providing a space to introduce and experience the technologies that Ajinomoto has cultivated so far, this facility aims to solve business partner issues and social issues. It is an innovation facility created for the purpose of co-creating new value. [Customer issues/requests] Until now, technical introductions to companies have been on-site, and there is a limit to the number of technologies that can be explained at one time. , it was required to create a place that can appeal more efficiently and effectively. In addition, by allowing customers to “see, touch, and feel” our own technology, we can effectively communicate the potential value of the technology and create an environment in which we can efficiently ascertain customer needs. was required to create [Solution] In constructing the space, it is necessary to (1) have a fixed form (no fixed form in terms of time and space), (2) be interactive (dialogue is the main role, not things and technology), and (3) be incomplete. Based on the idea of (changing with the evolution and change of the world), we have built a system with variability and realized planning with a high degree of freedom. This makes it possible to efficiently appeal to customer needs and encourage unexpected connections and discoveries. In addition, under concept design concept of "Ferment" (ferment, rejuvenate, stimulate), we created a space (innovation space) that encourages free and flexible thinking by combining circles and organic curves. I aimed. <Our project members> [Planner] Yuichi Saito, Tomoko Yanagihara, Keita Kobayashi [design, layout] Keiu Tamura, Kensaku Shirodo [Creative Engineer] Kenichi Kishikawa, Ken Yanagisawa, Katsuji Oguchi (Nomura Techno) ) [Production/Construction] Atsushi Endo [Sales/Project Management] Ayako Chikada, Atsuko Matsubara, Yasushi Shimizu

[Explanation of the project] The Heijo Palace Izanaikan is a guidance facility built in the Suzakumon Hiroba maintained in the National Heijo Palace Site Historical Park. We will convey the significance and splendor of the Heijo Palace Site Historical Park, a “special place” where you can still feel the Nara period, and invite you to parks, temples and shrines that retain the vestiges of the past. [Customer Issues/Requests] In order to invite visitors to the Heijo Palace Ruins, we aimed to create a "guidance displays that increases interest in the Heijo Palace Ruins and leads to excitement on site." [Solution] We aimed to invite visitors to the field by spatializing and experiencing the “specialty of the Heijo Palace Site,” which is difficult to see locally. "Now", "Heijo Palace" where you can learn and experience the life of the Heijo Palace in the past, and "Beyond Time" where you can decipher the Heijo Palace and Kyoto from the relics of the past. By changing the perspective for each zone and impressing the specialness through the five senses, displays was designed to lead to the impression of the site. <Our project members> [Development] Haruya Miwa, Kazuya Hashizume [Sales and project management] Haruya Miwa [Planning] Shigeo Fujii, Yuka Sueda, Settsuko Nishimura [design, layout] Signs and graphics] Sadato Inoue, Satoko Hasegawa [Production and construction] Hayato Ichimanda, Goro Yamano, Ryohei Yamaoka, Sadato Inoue, Katsumi Yamada, Satoko Hasegawa, Nanae Hori [public relations] Takeo Akamine, Shigeo Fujii, Inoue Sadato, Satoko Hasegawa [Verification engineer] Kazuya Hashizume