WorksCorporate_

[Project description] “A house where you can play innocently and connect with nature” is a second house proposal for the ReLife generation (man in his 50s, occupation: pastry chef). "I want to continue to grow with excitement. I want an environment where I can deepen my creativity no matter how old I am." We designed a living space where you can sit or lie down and play innocently with your family and friends, and a circular window room where you can become one with nature and immerse yourself in your own world. We have made extensive use of earthen walls, which have excellent texture and functionality, and effectively used the lighting effects. You can experience a space where creativity deepens from the two "nothingness" of "innocence" and "no heart". We assisted in planning, concept design and construction. [Customer issues/requests] With the theme of "a secret base where you can return to being a boy," how can we create a space where everyone can gather and play, and a space where one can simply immerse oneself in one's own world, in one living space? Kaga is an issue. [Solution] As a large space, we used clay walls with excellent texture and functionality to express a comfortable space. Among them, the space where everyone can gather and play “innocently” expresses stages using interior counters from Panasonic products, and a large table is placed in the center to express a space where everyone can gather. In the other space of "Mushin", we arranged a circular window room, which became a concept design accent in the living space and expressed a space where you can feel nature and be immersed. <Our project members> [Sales/Project Management] Yusuke Mori [Planning/ design, layout] Kenji Takahashi [Production/ construction] Masao Ogawa

[Outline of the project] This facility was renovated with the aim of introducing the history of the evolution of automobiles in Japan, the United States, and Europe, from the birth to the present day, through their relationship with society. The conventional displays style, in which Japan and Europe and the United States were divided into separate floors, has been changed to an integrated displays that conveys how Japanese car manufacturing has developed within a single world history. It is characterized by a graphic arrangement that does not interfere with the appreciation of the concept design, such as a catchphrase for the message and a photo production that serves as the background of the times. We have realized a museum that can be understood. [Customer issues] By communicating how the Japanese automobile industry has developed in relation to society, such as the social needs and issues of each era in world history, the value and attractiveness of the car can be seen. The challenge was to create an integrated displays that would bring visitors closer together. [Solution] We paid attention to an explanation plan and effective vehicle layout that are easy to understand for a variety of visitors and deepen their understanding. The history of Japanese cars and Western cars, which used to be separated on the floor, was developed as a single world history, making it an integrated displays that allows you to intuitively feel the history of the development of automobiles. We aimed to create displays displays that allows visitors to naturally learn what role Japan has played in the 100-year history of automobiles. [Customer's voice] By using permeable partitions such as mesh tarpaulin and ball bead curtains for the zone displays commentary and space production, we have divided the zones while making the most of the open space that is the characteristic of the original building. In addition, we were able to enhance the quality of the space as well as enhance the contents of displays by realizing a space production with large graphics. [Project Members] Sales/Project Management Ryo Tanaka Direction Mitsuhide Yoshinaga design, layout Yuzo Kosaka Sign/Graphic concept design Asako Kawashima Production/ construction Kazuaki Nakano

[Project description] As part of the Cultural Olympiad, Panasonic's digital We aimed to improve Panasonic's brand value by utilizing the solution and holding an Olympic-certified exhibition on the theme of Japanese culture. <Our project members> [Sales] Kohei Katagiri, Kei Yamazaki [Planning] Akane Yamaguchi [concept design] Akane Yamaguchi, Yoshitaka Hirayama [Production and construction] Kazuhiro Sano

[Outline of the project] A plan was established to establish a new business support lounge within the Otemachi Park Building, which houses serviced apartments and other facilities, with the aim of developing business support facilities to strengthen the functions of Marunouchi, an international business center. I was. [Customer's issue] Since it is a business support lounge, the issue for consideration was what kind of functions could be provided for the office workers working there so that they could lead a richer work life. In terms of concept design, the issues were how to create a high-grade concept design in relation to the historical landscape centered on the Imperial Palace, and in the refined location of Marunouchi. [Solution] By providing work booths, telephone booths, men's and women's nap rooms, a fitness room, men's and women's shower rooms, and a nursery school as ancillary functions of the lounge, the facility has become a facility that supports various work styles for office workers. In terms of concept design, we have sublimated traditional Japanese elements and space creation techniques into modern concept design, creating a high-quality modern Japanese space that is in harmony with the historical landscape. <Our project members> [Direction] Ryu Kosaka [Sales and project management] Hisayuki Takenaka [concept design] Keisuke Sasaki, Shohei Urata [FFE] Kaori Sano [Design] Kiwami Okamoto, Masataka Taenaka [Production and construction] Masaru Iwakura Sakae and Norihiro Urita

UNIQLO CITY TOKYO proposes a work style inspired by the power of a global city and the connections between people. It's the perfect blend of digital and analogue elements, designed to provide an opportunity for dialogue through spatial tools that enable everyone working here to be a change agent. The architectural concept design and schematic design are done by the overseas design office AWA. We assisted in working drawings (part 1 schematic design), interiors, electrical and air conditioning equipment construction, sign work, custom FFE work, and CM work. At UNIQLO CITY TOKYO, all creative functions, including product concepts, research and development, concept design, and marketing, are concentrated on the top floor of a logistics warehouse, where approximately 1,000 employees work. The design concept of the overseas design firm AWA is to "create a space that stimulates the imagination of employees by encouraging them to inquire and collaborate." Among them, what was required of our company was to create working drawings through close communication with AWA, adhere to the set delivery date while coordinating with each affiliated company, and achieve high quality of 5,000 tsubo per floor. It was to deliver the office space.

[Description of the project] The “Sumitomo Forestry House”, a full-scale custom-built house, realizes the “ideal home” of each customer. Taking advantage of the unique charm of a “wooden house,” we provide environmentally friendly, comfortable homes that can be lived in for a long time. We will spread the superiority of "Sumitomo Forestry Home" through rich contact with customers at the "Minato Mirai Showroom". We assisted in design, layout and construction. [Customer issues/requests] To establish a place to achieve rich contact between customers and Sumitomo Forestry and to improve CS (customer satisfaction) / ES (employee satisfaction). In addition, it should be a space where meetings can be held in a high-quality space, and where end-users can experience the unique charm of a “wooden house” through a wide variety of displays. In addition, he mentioned the development of a showroom to become a "Sumitomo Forestry Home" that will increase customer satisfaction and continue to be supported. [Solution] A concept space that strongly appeals to the beauty of precious wood is constructed, centering on a state-of-the-art VR facility that offers realistic experiences and surprises. In the open and functional showroom space, we focused on the texture of materials in various places so that the impression of high quality can be felt, and in particular, we have devised ways to make the "wood" look beautiful. <Our project members> [Sales and project management] Tetsuji Takebayashi [design, layout] Nobuaki Saka, Asami Koide [Production and construction] Yuichi Tanaka

Aiming to create an open museum where each employee can present their own company Since its founding, Citizen has contributed to the lives of people around the world through the creation of products that are loved and loved by citizens. The products and development technologies that have been born under the concept of "Manufacturing = Citizen Spirit" contain various technologies and wisdom that will lead to the future. By preserving and utilizing this cultivated technology and wisdom, the CITIZEN MUSEUM fosters love and pride in the company not only for all group employees but also for their families. In addition, we will actively use it as a place for PR and IR activities and exchanges with important stakeholders such as shareholders, analysts, and investors with the aim of acquiring new Citizen fans, as well as promoting our corporate image to job-hunting students. Make an appeal and make it function as a part of recruitment measures.

<Overview of the project> It was planned and designed as a base for interaction and activities that transcends the boundaries of industry and business categories, operated by an affiliated organization of Mitsubishi Estate Co., Ltd. Aiming to realize a next-generation sustainable society, the three elements of "environment", "economy", and "society" mesh like gears, and "3x 3LabFuture” aims to form various communities and create businesses that will lead to the future. <Customer Issues> The customer's issues are to create a wide variety of gathering spaces where visitors from various industries and business categories can interact and work, from one person to a large number of people, and to express the environmental advancement of office equipment. was mentioned. <Solution> Starting with a “salon” space that can hold seminars for a large number of people, a “communication zone” that can be freely moved and used, a “workshop kitchen” and a “future cafe” that serve as exchange spaces through cooking. ”, and a “nice corridor” where various displays can be held. All interiors materials, furniture fixtures, etc. were selected with consideration for the environment. <Our project members> [design, layout] Echiyo Suzuki, Ryo Onishi, Kyoko Kosugi [Production and construction] Yukio Marumori [Sales and project management] Shun Kawai

〈Project Summary〉 Sony redesigned its employee cafeteria from the perspective of welfare, with the aim of providing a place where all employees can demonstrate their abilities. In the staff cafeteria of the head office, the buffet corner "Buffet Island" and "Relax Zone" were newly established as spaces for "food" and "rest", and we helped with the space concept design. Sony, which has a diverse workforce and respects individual work styles, has provided a menu with a wide variety of choices and enhanced take-out at "Buffet Island", and as a result of the renewal, the number of daily users has increased about seven times. increase. The "Relax Zone" is a functional space where workers can freely choose how to use it, and it is used not only for meals but also for individual work space, communication between employees, and refreshment. <Person in charge> Sales/Project Management: Yuko Abe design, layout: Kaoru Ueda Production/ construction: Atsushi Endo

Sangetsu Tokyo showroom relocation and renovation project. The showroom, which has been expanded by about 1.5 times the area to 600 tsubo, has been renovated into a lifestyle-proposing showroom full of "fun to see", "fun to choose", and "fun to combine" under the theme of "GOOD LIFE CLOSET", and it is a space that can be freely selected and styled, and has become a space that can be styled with an interior closet. This project is a NOMURA group collaboration project, planning, schematic design, We design, layout helped you with everything from production to construction.   ◎Our project members NOMURA Corporation 【Sales】Noboru Sato, Motoaki Ise 【Planning】Yuichi Saito, Mika Kobayashi 【concept design/Design】Hideaki Hada, Yoshiyo Yoshikawa, Nao Kameda, Hisashiki Nakamura, Shigemi Shimizu 【Sign Graphic Toshie Sasaki 【construction】Shinichi Murakami, Yuji Matsuda, Atsushi Yanome, Takeshi Matsuura, Haruo Toma, Tadahiro Nakajima, Tatsuya Umeda, Yuko Yamashita, Yasuhiro Sakurazawa Nomura Products Co., Ltd. Kenji Takaba, Kenji Yamashita, Minoru Suzuki, Katsuhide Sayama 【What our customers are saying】 "Let's make good things together" I am very grateful that we were able to complete the project while sharing this intention. In the tight construction period, we were often taught by the attitude of listening to grasp the client's intentions, the speed at which they put it into shape, the variation of elicilication, the meticulousness and commitment. Digging deep into the concept, concept design space, concept design fixtures, construction By being able to request styling all at once, I think we were able to create a comfortable space that reflected the intention of the concept in every corner.

[Project summary] Alpen Co., Ltd., the largest sports retailer in Japan. The company's own branded products support its sales. In order to make the PB products more innovative, we gather our own designers on one floor and gather together, talk, stimulate each other, and empathize with each other to create new things. We have realized a “co-creation floor” that can [Customer's voice] Because of concept design and practicality, I feel that the floor is not only a stylish space but also equipped with facilities and functions suitable for each work. The desks are arranged randomly, so there is a very open feeling overall. Since there is a stand meeting space in the center, it is very convenient and is often used when planning projects that cross groups. Since the electric wiring is finely allocated, I feel that there is also an effect of power saving.

[Outline of the project] In 2015, Yaskawa Electric Corporation, which celebrated its 100th anniversary, reorganized its head office in Kurosaki, Kitakyushu City, and opened the “Robot Village,” a community open to the local community and society. The YASKAWA Forest is open to the public, where you can enjoy the nature of the four seasons. The “Yaskawa Electric Miraikan” was born so that research institutes and local people can experience it with interest. Therefore, we were in charge of creating a space and content for this facility that would bring out the appeal of Yaskawa Electric. In addition to allowing all visiting guests to experience and experience Yaskawa Electric's businesses and technologies in an easy-to-understand manner, it is a space filled with surprises and discoveries where cutting-edge technology and emotional sensibilities resonate. We have concept design all the elements that color the space, such as mechatronics, video content, and lighting, so that you can feel the world-class Japanese manufacturing and the future of Yaskawa Electric, which is the driving force behind it. In particular, there is a “robotics signage” that utilizes control technology that coordinates with the dynamic movements of industrial robots representing Yaskawa Electric, and a combination of 3D motor control that demonstrates the industry's highest performance and the latest projection mapping video. The "Mechatronics Wall" is a space production device that is unique in the world and stimulates the five senses of all who see it. For this facility, we have assisted in building the facility from a total perspective, from the basic concept of space creation and attractiveness to concept design, design, content planning and production, and construction. <Credit> General concept design: Keiu Tamura, Yosuke Ando Planning Producer: Kenji Ogino, Naomi Kajimura Content Direction: Kenji Suzuki, Akinori Goto, Hiromasa Hosoya Product Direction: Kusujiro, Masanori Yotsuya Photography: Masato Kouno, Nakasa & Partners *Project at that time

[Outline of the project] CONNECT TO is a Toyota and Lexus brand experience facility located in Lotte World Mall in Seoul. The concept is "a relaxing forest in the city". In South Korea, where domestic cars are the mainstream, the café lounge style is designed so that anyone can casually experience the appeal of the Toyota and Lexus brands. In addition, through the amazing space concept design and Japanese hospitality, it is designed so that you can feel the splendor of the brand without knowing it. This time, we provided assistance from research and consulting to schematic design, concept design, and management proposals.

Kewpie Corporation's tour facility "Mayo Terrace" has opened on the site of the Sengawa Factory. This facility is a facility where you can enjoy learning various information related to mayonnaise while experiencing it for 90 minutes fully attended by reservation only. We provide total support from schematic design to construction. Just being there makes my heart happy! It is finished in such a space.

[Outline of the project] The Commemorative Museum of Industry and Technology, the Toyota Techno Museum, jointly operated by the Toyota Group, will celebrate its 20th anniversary on June 11th. As a commemorative project, the founding period zone of the Automobile Museum was reopened in January after renovation. In addition to the displays method that expresses only objects and explanations, it has become displays that has put a lot of new ideas into it. We participated in the project from the planning stage and provided total support from planning and design to construction. [Project members] Project Management: Kiminari Tsujimura Direction: Mitsuhide Yoshinaga concept design Yuzo Kosaka Sakiko Iwano: Graphic concept design Minoru Konno Design: Kenichi Kishikawa construction: Kazuyuki Chino