Works#Chubu

Project Description] In constructing a plant for the mass production and assembly of the MRJ, the first domestically produced regional jet passenger plane, which is being developed by Mitsubishi Heavy Industries, Ltd. This facility allows visitors to see the actual production site of the aircraft and experience the aircraft manufacturing process. The MRJ production site will be open to the public, and visitors will be able to experience the dynamic and broad scope of the aircraft industry, which is made up of more than 20,000 parts. In addition, the facility will be designed to highlight the comprehensive capabilities of MHI, which also develops aircraft. SOLUTION: Make the most of the facility's location as a tour facility attached to an aircraft production site by creating a full-scale mockup of the MRJ (displays) and other realistic content that can only be experienced here, and by creating a space that is consistently "aircraft" from the entrance to the exit. The concept design and atmosphere of the entire facility are a major force in promoting the advanced nature of the MRJ. ＜Our project members＞ [Sales/Project Management] Nobuyuki Tanaka [Planning] Kunihiko Oka, Hideki Sato [design, layout] Ryo Onishi, Hirofumi Inoue, Fumihiko Kaneko [Signage/Graphics concept design] Kiyohisa Moriwaki [Production/ construction] Yushi Matsuda, Keisuke Taneda, Seiichi Norenuchi, Kei Sakuma

Project Description] This is a project for a corporate PR and awareness facility on the first floor of the newly constructed No. 21 Building at Yamaha's headquarters. The goal was to create a "place" where visitors could gain new insights and discoveries whenever and however many times they visited, by appealing to the full range of Yamaha's technologies, know-how, and sensibilities cultivated over the company's long history. The theme of concept design was to create a facility where visitors can "see," "hear," and "touch" Yamaha's DNA, its present, and its challenges for the future. The challenge was to create a space that would convey Yamaha's corporate stance and showcase its musical instruments in a way that was different from that of a physical store. displays The main street was to be the axis of the building, and the zoning was to clearly separate light areas from dark areas. We feel comfortable with your extensive track record, and the detailed project progression and on-site construction have resulted in the completion of a wonderful facility, thank you very much. ＜Our project members＞ [Sales and project management] Takashi Sakamoto, Kensuke Feiniwa, Kyoko Watanabe [design, layout] Keiu Tamura, Noriaki Terunuma, Atsuko Nakazawa [Planning, signage and graphics concept design] Tomoko Yanagihara, Mitsuka Kobayashi [Production and construction] Atsushi Yanome

[Outline of the project] This facility was renovated with the aim of introducing the history of the evolution of automobiles in Japan, the United States, and Europe, from the birth to the present day, through their relationship with society. The conventional displays style, in which Japan and Europe and the United States were divided into separate floors, has been changed to an integrated displays that conveys how Japanese car manufacturing has developed within a single world history. It is characterized by a graphic arrangement that does not interfere with the appreciation of the concept design, such as a catchphrase for the message and a photo production that serves as the background of the times. We have realized a museum that can be understood. [Customer issues] By communicating how the Japanese automobile industry has developed in relation to society, such as the social needs and issues of each era in world history, the value and attractiveness of the car can be seen. The challenge was to create an integrated displays that would bring visitors closer together. [Solution] We paid attention to an explanation plan and effective vehicle layout that are easy to understand for a variety of visitors and deepen their understanding. The history of Japanese cars and Western cars, which used to be separated on the floor, was developed as a single world history, making it an integrated displays that allows you to intuitively feel the history of the development of automobiles. We aimed to create displays displays that allows visitors to naturally learn what role Japan has played in the 100-year history of automobiles. [Customer's voice] By using permeable partitions such as mesh tarpaulin and ball bead curtains for the zone displays commentary and space production, we have divided the zones while making the most of the open space that is the characteristic of the original building. In addition, we were able to enhance the quality of the space as well as enhance the contents of displays by realizing a space production with large graphics. [Project Members] Sales/Project Management Ryo Tanaka Direction Mitsuhide Yoshinaga design, layout Yuzo Kosaka Sign/Graphic concept design Asako Kawashima Production/ construction Kazuaki Nakano

[Introduction of the project] We created a projection mapping with the theme of "Four Seasons of Hida Takayama" to commemorate the "80th anniversary of the establishment of Takayama City" and the "140th anniversary of the merger of Hida-Mino" with the "National Historic Site Takayama Jinya" as the stage. Takayama Jinya is a government office that has become the center of government since Hida became a territory under the direct control of the shogunate in the Edo period. At the end of the Edo period, there are said to have been more than 60 Gundai and magistrate's offices nationwide, but this Takayama Jinya is the only one that has survived from that time. In 1929, it was designated as a national historic site. This time, "Hidashin Projection Mapping" with the theme of "Four Seasons of Hida Takayama" will be held for a limited time in the large hall (shoin-zukuri room) of this Takayama Jinya. We assisted with research, planning, concept design, exhibit execution, interior execution, and website production.

Geolia will lead the Izu Peninsula Geopark to World Geopark certification and play the role of a base facility for sustainable activities. Shuzenji Onsen is located in the central part of the peninsula and is a key transportation hub. Taking advantage of that advantage, it is a place to gather information on all activities rooted in the land of Izu, and to create a "mechanism and mechanism" that enlivens the entire Izu Peninsula from the perspective of history, folklore, and life as well as nature. We provided comprehensive support, including the formulation of an action plan involving local residents, and the development and operation of a smartphone app that utilized videos introducing geosites. ●What is a geopark? A word that combines "Geo" and "Park", it means "park of the earth" and refers to a place where you can learn about the earth (geo) and enjoy it as a whole. increase.

<Project description> Japan's proud world cultural heritage "Mt. Fuji". A facility to learn and enjoy the value of Mt. Fuji, which has been registered as a World Heritage site as "an object of worship and a source of artistic inspiration" from both "nature" and "culture", and to raise awareness to preserve it for the future. "Fujisan World Heritage Center". In response to the challenge of effectively conveying the “interest of displays about Mt. We solved the problem with the spatial experience of the exhibition, and the displays guide using the application "Fuji Meguri", which has multilingual (7 languages) commentary and audio commentary with Mr. Shuzo Matsuoka as the narrator. We are creating an experience that can only be found here, with a complex combination of "giant objects" + "ICT content" + "lighting, sound, and video". [What is the original development app “Fuji Meguri”? ] AR content linked with about 30 displays items. You can enjoy an AR where figures of people related to Mt. In addition, if you take it outdoors, you can use it as a tool to explain famous places such as temples, shrines, lakes, and mountain trails. <Our project members> [Development] Masanobu Yokoyama [Sales and project management] Kohei Mizoguchi [Planning] Yuichi Kameyama, Ryuta Ohashi [design, layout] Yuichiro Tsutsumi [Digital concept design] Hironobu Mima [Library concept design] Toshihiko Odagiri [Modeling] concept design: Kenichi Kishikawa Production/ construction: Kensaku Yajima, Yuka Ohara

[Project summary] Alpen Co., Ltd., the largest sports retailer in Japan. The company's own branded products support its sales. In order to make the PB products more innovative, we gather our own designers on one floor and gather together, talk, stimulate each other, and empathize with each other to create new things. We have realized a “co-creation floor” that can [Customer's voice] Because of concept design and practicality, I feel that the floor is not only a stylish space but also equipped with facilities and functions suitable for each work. The desks are arranged randomly, so there is a very open feeling overall. Since there is a stand meeting space in the center, it is very convenient and is often used when planning projects that cross groups. Since the electric wiring is finely allocated, I feel that there is also an effect of power saving.

[Outline of the project] The Commemorative Museum of Industry and Technology, the Toyota Techno Museum, jointly operated by the Toyota Group, will celebrate its 20th anniversary on June 11th. As a commemorative project, the founding period zone of the Automobile Museum was reopened in January after renovation. In addition to the displays method that expresses only objects and explanations, it has become displays that has put a lot of new ideas into it. We participated in the project from the planning stage and provided total support from planning and design to construction. [Project members] Project Management: Kiminari Tsujimura Direction: Mitsuhide Yoshinaga concept design Yuzo Kosaka Sakiko Iwano: Graphic concept design Minoru Konno Design: Kenichi Kishikawa construction: Kazuyuki Chino

The Okaya Silk Museum “Silk Fact Okaya” opened in Okaya City, Nagano Prefecture, known as the “Silk Town”. It is a unique museum in the world where you can experience a variety of things from displays of silk reeling machines from the early Meiji era. In addition, from the desire to be a museum that conveys the facts of silk and the silk industry, we invited the Miyasaka Silk Mill, which is the only traditional raw silk production method in Japan. It is a factory museum where you can experience the manufacturing spirit that can be said to be Okaya's DNA. We provided total support, including schematic design, working drawings, interior administration, construction, and schematic design, working drawings, and construction supervision for architectural renovation. [Person design administration charge of our company] Project manager: Masanobu Yokoyama concept design director: Yoichi Miyakoshi Award (2015) Encouragement Award Selected for the Japan Kukan concept design Award 2015 [Customer's voice] This museum tells the history of Okaya's raw silk industry, which made its name known all over the world as Silk Okaya, and the future from that. NOMURA embodied our desire to create a museum where people can think and create. It consists of an entrance area where you can get an overview of the history of Okaya, a museum area where you can follow machines and materials to introduce the city of Okaya, and an actual silk reeling site, Miyasaka Silk Mill. displays is organized in a clear and sharp manner based on black and white, and is also excellent in concept design. The overall balance of displays, the balance between stillness and movement, was designed as a unique museum in Japan. We have received unanimous opinions from visitors that they would like to visit again because of the easy-to-understand displays. Responsibilities: schematic design displays, working drawings displays, construction displays, schematic design of building renovation, working drawings building renovation, interior administration

In conjunction with the opening of the New Tomei Expressway (Gotemba JCT ~ Sankaniki JCT), 13 new commercial facilities (service areas and parking areas) (121 stores in total) were opened at the same time.   We have furniture and fixture manufacturing (10 locations), environmental design (10 locations), foodcourt furniture, fixtures, fixtures and fixtures (5 locations), and the new brand "NEOPASA" logo concept design in charge of various construction. We have helped create service areas and parking areas full of individuality that have never been seen before, such as having concepts and characteristics that take into account regional characteristics and local products.   Division:design, layout, furniture and fixture manufacturing, Production & construction , Research & Consulting

This is a showroom where you can imagine yourself living in a Toyota Home house, and experience and experience everything from technology to smart houses. In order to embody Toyota Home's brand vision, "Sincerely for You - Let's live together." With the relocation of the new office building, we were able to help from planning and design to construction. Responsibilities: design, layout, Production/ construction

We provided total support for Pfizer's displays booth at the Japanese Society of Pharmacists, from planning to interior administration, production/ construction, operation/management. The booth maps all 40 client product names to fish, creating a virtual aquarium. Responsibilities: design, layout, Production/ construction, Research/Planning, Operation/Management

The Nagoya City Science Museum, which has been a favorite of the public since its opening in 1962, reopened on March 19, 2011. Starting with the commissioning of four large displays master plans for displays, displays, working drawings, displays production construction, and the master plan for the world's largest planetarium interior administration, we were involved in a variety of tasks. In addition to space creation, we have been involved in the operation of the museum store, museum café & restaurant, and the maintenance of the large displays equipment, and have been involved in a wide range of activities from the pre-opening space creation to the post-opening revitalization of the Nagoya City Science Museum to help attract visitors.

In December 2011, the Noritake Sakae store was reborn as a store that transmits the brand. NOMURA is in charge of schematic design, working drawings, and construction of the exterior and interior of the store. The large arch at the entrance and the monotone-based color scheme create a calm atmosphere. In addition, Noritake and Okura Pottery products are displayed like displays in an art museum, and in the window showcase, there are reprints of old Noritake and arts and crafts. You can see all of Noritake that we have cultivated. Responsibilities: design, layout, Production/ construction, Research/Planning

As a facility that plays a central role in the redevelopment project in front of Shizuoka Station, the theme of the upper floors is Euro-Modern, while the theme of the middle floors is Orient-Modern, with 2 chapels and 14 banquet spaces. From the sky chapel on the 25th floor to the large banquet hall on the 4th floor with a ceiling height of more than 6m, we have designed a facility that takes advantage of the architectural characteristics of each and completed a facility that can provide a wealth of options. Grandiere Buke Tokai Homepage