Works#Renewal/Renovation

The Fukushima City Creative Business Salon Development Project was held in July 2021 as a public proposal competition, and was entrusted by our Tokyo head office, and the design was taken over by the Tohoku branch. The permanent displays room of the Fukushima City Industrial Exchange Plaza on the 2nd floor of the Fukushima Station West Exit Complex Corasse Fukushima, which is close to JR Fukushima Station, has been renovated. The aim of the project is to renovate the facility so that it can be used comfortably by students and other students, with a floor area of approximately 755 square meters. Fukushima is particularly active in photography, and a gallery has been set up on the wall of the co-working space to displays the local rich nature and seasonal scenery and seasonal stories by citizen photographers, as well as culture and art that demonstrate the rich sensibilities of the people of Fukushima. I was. concept design concept of this salon is “Shikisai Gallery”, which combines the rich colors of the people of Fukushima with the Saijiki of Fukushima. [Social Issues/Customer Issues/Requests] While there was a demand for a spacious layout based on the post-COVID-19 era, there was also a demand for zoning and securing the number of seats that take into consideration profits. As a facility that can be used comfortably by various users such as businessmen, freelancers, and university students, we have created a space that can be used comfortably by various users such as shared offices, business exchange spaces, coworking spaces, and meeting rooms. We were asked to select layouts and furniture that corresponded to usability. [Solution] As a place of creation to create new businesses, we have developed the entire area into two zones, making use of the size of the facility. The business exchange space is an active, bright, natural, and comfortable cafe zone, and the walls and floor of the corporate PR displays are based on white, creating an environment where you can feel the warmth of wood. It consists of furniture that is easy to move according to your needs. The co-working space is a calm lounge zone, with gray as the base color, and dark brown and dark wood on the niche walls, creating a sharp environment. The furniture has been configured according to the various usability of the room. In addition, we will enhance the function of the corporate PR displays space as a connection with the local community and the formation of a community, and will also add displays of the "Shikisai Gallery" that will be created together with the citizens of Fukushima to create a new relationship between the people who use the facility and the city. I wanted to connect. <Our project members> [Development] Akihiko Nishimura [Sales and project management] Keisuke Yoshida [design, layout] Takayuki Kobayashi, Kenichi Suzuki, Makio Miura [Design management] Kazunobu Nakamura [Production and construction] Johei Saito

We were in charge of the planning, design, layout, and construction of the employee cafeteria “Yao Daiichi Shokudo Isshoku,” which opened on November 1, 2021 at Sharp Corporation (hereafter: Sharp) Yao Office. When proposing a plan, we were conscious of "proposals that can only be made by Nomura," rather than simply a stylish space. We proposed a cafeteria as a place for outer branding that can be experienced by people from affiliated companies. We have created three zones for lunch, work, and salon, and have devised ways to not only serve as a company cafeteria, but also to use it as a place to relax, hold meetings with guests inside and outside the company, and create connections and communication among people. The straight red line (sharp red) running through the cafeteria expresses Sharp's history and future. For this project, the Yao Factory, which has a long history as a production base for white goods for about 65 years, has come up with concept design that preserves its characteristics while ensuring hygiene. In addition, by utilizing the mezzanine floor that was used for the manufacturing line of production products as an displays space for successive products that symbolize SHARP, we also made efforts from the perspective of SDGs to reduce waste and removal costs. rice field. [Social Issues/Customer Issues/Requests] We received a request to create a space where communication between business divisions is weak, so that connections within the company can be more activated. [Solution] We made proposals that could be used not only as a place to eat, but also as a place to work and a place to relax.・We proposed a past product displays as a place where you can discover. <Our project members> [Sales and project management] Yui Takahashi [design, layout] Shota Umetani, Ryoha Yamato, Yusuke Nakamura, Ayaka Miura [Production management] Yoshitsugu Mukoyama -Related links- [Notice] ・ Social good of NOMURA Activities: Case of Yao Daiichi Shokudo Isshoku, Sharp Yao Office

A creative museum that opened as a successor to RiSuPia, which opened in Panasonic Center Tokyo in 2006. Based on STEAM education, it is a place to practice inquiry learning with themes such as SDGs. As a place to nurture children's intellectual curiosity and inspiration, we provide an environment where they can experience both learning and making things. In order to freely release the curiosity and motivation for creation, the space is designed to create a feeling of being dirty, of being able to create it yourself, of being rearranged, of being unconventional, and of being in a session with everyone. concept design around 5 points. Furthermore, from the perspective of SDGs, we successfully reused the existing environment and updated it while incorporating it as a concept design motif. The project team's desire to add new history to the history of the predecessor museum is also expressed in the spatial concept design. <Our project members> [Sales and project management] Kei Yamazaki [Direction] Akane Yamaguchi [design, layout] Sayaka Koga, Seiho Tani, Ayumi Sasai, Mikuyuki Nakade [Production and construction] Yuta Kumazawa, Yumi Asakura ~ Related links ~ [Release] ・ NOMURA, Ltd.'s social good activities: AkeruE example Creating a space that nurtures children's intellectual curiosity and inspiration for a better recycling society in the future [nomlog] ] ・ Until AkeruE is made. Talk about space concept design. (Part 1) ・ concept design that does not want to blame the earth based on the idea of upcycling (Part 2)

This project is the culmination of "With more than 100 m2 of private space in the city center, this brand focuses on location and property values, and offers essential living through renovation." = "R 100 TOKYO," which is being developed by Rivita. In the renovation of Opus Arisugawa, one of Tokyo's leading residences with an area of approximately 198 m 2, which was owned concept design by OEO Studio, a Danish company based in concept design, our company provided construction assistance. With the concepts of "CROSS-CULTURAL" and "COMPELLING MINIMALISM," this living space in concept design incorporates new proposals based on a sensibility common to Scandinavia and Japan. By making extensive use of solid wood and other natural materials that become more palatable the longer you live, the more bounty you will have in your life, the more this new residential unit achieves the R 100 TOKYO vision of a house of value that looks 100 years into the future. SOCIAL ISSUES/CUSTOMER ISSUES/REQUESTS: In the upscale residential market in central Tokyo these days, there is a growing demand for houses with unique values that are not limited to traditional values such as real estate prices and housing functions. Among Rivita's projects, which aim to be "We will continue to create the next common sense in order to regenerate the value of Japanese homes and real estate and leave it in the future," the question was whether this project, which emphasizes natural materials and traditional construction methods, would be viable as housing performance. Solution: We worked through a series of meetings to promote the use of natural materials and crafts in the living space, taking into account the housing performance, including a wide variety of stone, plastering, solid wood, engraving and ceramic tiles. The solid wood kitchen of the Danish kitchen workshop Garde Hvalsøe (read: Garde Vels), which will be the first residential home in Japan, has a significant presence in this residential space, and since there is no solid wood kitchen to replace it, our company's Global Division imported it from Denmark. Customer comments: Thanks to your high level of skill and management in proposing solutions to difficult construction issues, accuracy in settling details, and adherence to the construction schedule, the entire schedule was carried out without error, and we were able to create a wonderful space that reflects the intentions of the designers. < our company Project Member > < Project Management > Masahiro Harada < Product Direction > Mikiya Fujitaka < Global Supply > Hiroyuki Nakagome

This is a project to reopen the south zone on the 1st floor of the main building of S-PAL Koriyama, which is adjacent to JR Koriyama Station. A large number of shops have opened that can coordinate your lifestyle by enhancing the mobility of daily use and responding to the various scenes of customers. The proposed environmental design concept is [RAMBLING STATION TOWN]. Based on the theme of "an urban shopping center where you can gather at the station and spend a comfortable time, just like you enjoy strolling around the city", the whole area is wrapped in a mode and gentle atmosphere. Specifically, on the façade of the facility, we placed a “rhythm line border” with indirect lighting, which is associated with Koriyama City, Fukushima Prefecture = a “musical capital”. Developed to wrap around the station concourse, it will create a new patio for S-PAL Koriyama with people going through the city. In the facility, we have placed a raised ceiling composed of wood and white rhythm lines with "music" as a concept design element in conjunction with the environment of Nakajima Tenant. Rhythmic guidance guides people into the depths of the facility. As an urban shopping center, S-PAL Koriyama aims to be a place that is supported by customers of all ages. [Social Issues/Customer Issues/Requests] ・Because it was being promoted at the same time as the corona disaster in the fall of 2020, the way to attract customers was questioned.・With the earthquake disaster in the spring of 2021, safety design was strongly required.・There was a need to upcycle the environment by using the existing lease line without changing the main flow line. [Solution] While the line of circulation is existing, the floor material has been redesigned to look like a stone pavement, and wooden materials that connect the entire facility are incorporated in part to create a street where you can enjoy strolling around the city. In the atrium environment, which is the axis of the facility's vertical excursion, we added a "rhythmic line gate" associated with "Rakuto" to the existing design, and renewed it as a "new center court" that will become concept design symbol of the entire facility. We provide visitors with a natural and symbolic park environment that combines “things x events x time”. We have created a new stage for S-PAL Koriyama with the people who go to town. <Our project members> [Planner] Hiroko Okazaki, Yuri Watamoto [Sales and project management] Hiroyuki Uesugi [design, layout] Kenichi Suzuki, Makio Miura [Production and construction] Johei Saito

In June 2020, 13 years after the opening of S-PAL Sendai II in 2008, a proposal competition was held for a full renovation, and our company was selected. environmental design concept we proposed to reinvent ourselves as a new select shop zone where we can refine the highest sensitivity in Tohoku and make proposals that are one step ahead of our customers' lifestyles is [MORI TERRACE]. Based on the themes of "more comfortable than anywhere else" and "inspiration for everyday life", the whole is composed of organic lines and earth colors, and the whole is wrapped in a mode and gentle atmosphere. Specifically, a "Big Awning and Green" is being deployed in the external plaza, creating a new connection between the facility and the people who go to town. Inside the facility, a light coat on the ceiling with a concept design element of "sunlight filtering through foliage" is arranged in conjunction with the passageway environment, and the sunlight filtering through foliage guides people into the depths of the facility. We aim to be a place that will be supported by customers of all ages who have next-generation values by making them feel “relaxation and playfulness” in a sophisticated sensibility. [Social Issues/Customer Issues/Requests] This project started in August 2020, and it was decided to promote the plan due to the corona disaster, and it was a development project that asked the question of how to attract customers. Negotiations with tenants for store openings were running into difficulties, and upcycling the environment was required, using existing lines for 90% of the main traffic lines. In addition to being a place to attract customers, it was also requested to create a “new node between people going to the city and S-PAL Sendai” and to attract and spread people to the back of the facility. [Solution] As a connecting point for people going through the city, we installed "a big awning and greenery that is more comfortable than anywhere else" and "LED vision that provides inspiration for everyday life" in the external plaza, and set it at the northernmost end of S-PAL Sendai. As an information dissemination plaza of a certain facility, it disseminates information about events and tenants to people going through the city. In addition, with a view to developing into a media medium from both the facility side and the customer side, which can be a hint for future content development, by showing highly appealing images, We aimed to create a connection with ES-PAL, invite people to the back of the facility, and create a place where people can "feel, touch, and transmit" from a passing facility. <Our project members> [Sales and project management] Hiroyuki Uesugi [Planning] Chihiro Watarai, Mayu Nakamura [design, layout] Kenichi Suzuki [Structural design] Taizo Komatsu [Production and construction] Tatsuo Sato

"Morinaga Angel Museum MORIUM" was born as part of the 120th anniversary project of Morinaga & Co., Ltd. We provided total production, including spatial concept design, displays design and production, and production of various contents including theater video. [Social Issues/Customer Issues/Requests] It is important that customers who visit the "Morinaga Angel Museum MORIUM" become "Morinaga fans" and convey Morinaga's history, technology, and thoughts. We drew up plans and plans while listening and snuggling up to each other. In addition, since it was a renovated property, we had to dilute the presence of existing items such as pillars, and how to create an displays space without feeling oppressive was another issue. [Solution] The main themes are "a pioneering spirit that has been handed down from generation to generation" and "a desire to be 'delicious, fun, and healthy'" and are reflected in the space and displays. In the main space, we set up fixtures that imitated the main products, giving off a sense of presence while making the space look spacious. In the theater, we introduce the thoughts of the founder Taichiro Morinaga and the commitment of various products with immersive video content. <Our project members> [Sales and project management] Seiji Yamaguchi, Taikai Ogawa, Kenta Sakai [Planning] Tomoko Yanagihara, Keita Kobayashi, Kohei Hirota [design, layout] Kaoru Ueda, Mariko Yamagiwa, Asuka Yamagata [Production and construction] Atsushi Endo , Yuto Sugiura [Creative Engineering] CIC: Masahiro Nishikawa, Yusuke Miyagawa [Modeling concept design] CIC: Kenichi Kishikawa, Sukeyuki Haishima

Based on the machine tools collected and utilized by Sankyo Seisakusho, this project was carried out with the goal of cultural preservation and educational utilization, and to leave it as a valuable asset for the next generation. . It will be Japan's premier machine tool displays space, bringing together a number of historical machine tools that embody the history of modern industry. You can deepen your understanding of the transformation and achievements of machine tools, which are the top runners of the times, bringing about industrial transformation by system and era, and you can actually touch machines and mechanisms and make use of them for new discoveries and learning. increase. In addition, the machine tools, which are the core of displays, are symbolically produced by lighting. Our company participated from the research stage, and was in charge of space concept design, lighting concept design, graphic concept design, production and construction under the supervisor. [Customer's voice] The graphic concept design, the color scheme, and the lighting in particular were well balanced to produce an antique atmosphere. <Our project members> [Sales] Takaiku Tsujii [Investigation] Shuta Fukahori, Takaiku Tsujii [design, layout] Shuta Fukahori [Production and construction] Kazuo Maeda, Yurina Nishizono

As a hotel that introduces "Kyoto Toji Temple" in an easy-to-understand manner that cannot be fully enjoyed in a one-time sightseeing trip, the little-known Buddha statue mandala is illustrated, and you can walk around the city freely opening and closing while comparing the old and the modern. In the lobby, we installed a map, a large table where you can copy sutras with sand, and a wall artwork of Buddha smiling with a motion sensor. In addition, the full-size pillar with a motif of a five-storied pagoda was used as a bookshelf to impart wisdom because the actual central pillar itself is a mandala.

Located in the Toi district of Nishiizu, the Former Suzuki Residence is a large mansion consisting of a main building and three storehouses, and has been popular as a central presence in the area since the Edo period. Keeping in mind the value of spending time with the beauty of the past, we have renovated each building and exterior as an auberge with two rooms for overnight stays. The floor plan of the main building, which gives a feeling of being closed off, has been reconsidered, and the space has been expanded vertically and horizontally to ensure modern comfort. We wanted to inherit the atmosphere of the past by making the most of the spatial individuality of each of the three storehouses and adding a minimal design. Two of them were renovated into lodging buildings with luxurious outdoor open-air baths, and one of them was a lounge. and a function that also serves as a spa. Combined with surrounding accommodation facilities, we have realized an auberge that blends into the community and is loved. [Social Issues/Customer Issues/Requests] While Toi has long been popular as a hot spring inn area, there are few variations of restaurants, and there are cafes that serve as sightseeing bases and tourism content that makes use of the food resources of Nishiizu. For many years, the lack of excursion consumption by tourists has been a problem. Rather than prioritizing business profitability, the request was that the facility should be of benefit to the region, and that it would continue to be accepted and loved by tourists and local residents. [Solution] At our company, we believe that it is necessary to respect the passage of time that the buildings have accumulated on this land, find out the flavor of each building, and create a design that can turn them into charm. The floor plan was reviewed while considering the structural burden of the existing non-conforming building. , Sannokura respects the taste of each building, such as the two-story vertical spread and the mud wall hidden behind the board wall, and that becomes the charm of each facility itself. [Customer's voice] As a result of the restoration of the former Suzuki residence, which represents the history of Doi, with extremely high-quality design and construction technology in a short delivery time, not only tourists who come to "LOQUAT Nishiizu" but also the local community Residents also visit the museum almost every day, and it has become a place of relaxation that provides a little bit of richness in their daily lives. Day after day, not only the lodging buildings, but also the restaurants, bakeries, and gelaterias are so busy that they continue to be full or sold out. <Our project members> [Sales and project management] Shinya Hiratsuka, Nobuyuki Yagi [Planning] Saki Ninomiya [Design and planning] Norio Koito, Hiroshi Inoue, Tadahiro Nakajima, Ryotaro Tezuka [Production and construction] Atsushi Endo, Takayuki Inoue, Kikuchi field

This is a project that utilizes the former Shimizu Elementary School building, which has a history of about 90 years, in Shimizu, Kyoto, and converts it into a hotel. While inheriting the characteristic design, it has been reborn as a hotel with modern comfort. We were in charge of architectural design supervision, interior design and design, and FF&E design and construction. Shimizu Elementary School is one of the schools that has been highly evaluated for its unique architecture in terms of its location, exterior decoration, and interior design. Based on the hotel's concept of "engraving memories and linking them to the future," we paid the utmost respect to the historical Western architecture and its internal space, and designed it to revive memories while preserving them. In addition, we combined architecture as a new function with the interior space to express nostalgia and newness. [Customer issues/requests] It was necessary to design the hotel so that it would function as a hotel while making the most of the existing historical elementary school architecture. It was also necessary to hold discussions on how the hotel should be accepted in the Kyoto area. [Solution] We worked with creators on everything from architecture, landscape, interior, FF&E, artwork, graphics, uniforms, and every detail to create a completely new and unique space. While the corridors and stairs where elementary school students used to run around are still there, when you open the door of the classroom where the children were studying, you can enter a completely different contemporary world. In order to maximize the value of the existing details that have carved the history of the architecture and interior space, we were particular about materials that complement the materials without insisting on them. The reflection of the material reflected in the semi-gloss enhances the existing architectural design. In addition, we aimed to create a space composition that can only be enjoyed here by harmonizing the total design coordination of artwork, graphics, uniforms, and the interior and FF&E design in a well-balanced manner. <Our project members> [Sales and project management] Toru Moginuki [Design and planning, design supervision] A.N.D.: Ryu Kosaka, Shohei Urata, Hiroki Yasuda / Hiroyuki Nishikawa [FF&E design] A.N. D.: Kaori Sano

In March 2021, NOMURA, Ltd. opened a new office in the Daiba Garden City Building adjacent to its headquarters (Odaiba, Tokyo) that is suited to the new normal era. The company aims to encourage employees to communicate and demonstrate greater creativity while taking advantage of the diverse work styles and values of NOMURA Ltd. Group. In 2019, NOMURA Group launched a group company base consolidation project with the aim of creating an environment in which employees can work together and demonstrate greater synergy. In response to the changes in work styles and social issues caused by the COVID-19 pandemic, the company set three keywords, "health," "experiment," and "brand," and explored the nature of real office space in the new normal era to create "future work styles." - We believe that the function of the office in the new normal era will change from a "workplace" to an "innovative space that induces communication," where diverse human resources from inside and outside the company gather and actively exchange ideas and encounters that can only be found in the real world. Therefore, the communication space "RESET SPACE_2" was designed with the concept of "Unique Park" and was planned as a park-like space that any employee can use to suit their diverse and unique work styles. 100% fairwood is used. ・CONFERIUM is a proposal for a new conference room area, and is an attempt to "displays the behavior of working styles" that proactively shows unique meetings. The know-how used in displays spaces was applied to office spaces, such as darkening the common corridors to highlight the conference rooms as displays. ・Group addresses were adopted in the creative work area. In addition, the creative floor allows concept design concept design concept design as the sense of scale and texture of materials, which are great strengths when designing spaces. By clarifying the purpose, it became a low-cost and sophisticated space. This project was planned, designed, construction, and operated by NOMURA Group.

"Bashoukan" was built in 1892 in Nishikatamachi, Hongo-ku, Tokyo, part of the residence of Count Abe, the former feudal lord of the Fukuyama Domain, and moved to Karuizawa in 1971 by Setsuo Kasuga, the founder of Green Stamp Co., Ltd. It has been restored and used as a memorial hall for the Green Stamp Karuizawa Dormitory. In 2020, as a retreat facility used by both Green Stamp Co., Ltd. and Kenedix Co., Ltd., we renovated "Shoyukan" at the same time as the new Annex. We were in charge of designing and interior administration the refurbishment of Shoukan, including seismic retrofitting, and FFE installation work for the entire facility. [Social Issues/Customer Issues/Requests] Since the initial relocation, various extensions and renovations have been carried out, and the connection with the annex is only at the point of the corridor, and the structure has been burdened and subsidence has been seen. rice field. Due to the aging of the facility as a whole, and because of the climate of Karuizawa, it is difficult to use the Shou-kan in winter. It was thought that I would like to refurbish it while leaving the vestige of the old as much as possible. [Solution] Based on the investigation of the Shoukan, we restored the building to the simple form it was in when it was relocated as much as possible. The courtyard faces the annex, giving the facility a sense of unity. While respecting the design of the time as much as possible, we aimed to extend the period of use, including winter, by installing heat insulation and air conditioning equipment in invisible parts. Floor heating was installed, flooring was added, and the walls added for earthquake resistance expressed the original walls, fittings, and the image of the time, and the upper half of the space preserved the design of the time as much as possible. <Our project members> [Sales] Kayu Tatsumi [Investigation, design, layout, interior administration] NAU1: Norio Koito [Production and construction] Mikiya Fujitaka

A storehouse located in a group of samurai residences in Kakunodate, Akita Prefecture has been refurbished into a lodging facility. The concept is "KURA STAY", a cultural experience hotel with the setting that the life at that time was preserved in a storehouse. Our hotel consists of three warehouses, "Bushigura", "Gakko Kura", and "Tanbutsu Kura", which are rented as one building. The space incorporates Kakunodate's traditional crafts of kabazaiku and iburi gakko production scenes, textile art such as vegetable dyeing, samurai family crests, etc., to provide a local cultural experience throughout your stay. In addition, decorations, etc. are arranged in cooperation with local shops, etc., and by installing guides in the facility, it also plays a role as a tourist base that encourages excursions. <Social Issues/Customer Issues/Requests> In order to increase the experience value of the facility, we were asked to create stories and propose experiences that can only be found in Kakunodate. <Solution> Establishing the concept of "KURA STAY" where you can experience the life of the time, incorporating items stored in the storehouse before renovation into the interior, and selecting furnishings related to the history of the samurai residence, I added value to the stay itself. In addition, by arranging decorations in cooperation with local traditional crafts and local shops and introducing them with leaflets and commentary captions, we encouraged the strengthening and revitalization of local tours. <Our project members> [Sales and project management] Mitsuhiro Sato [Planning and design] Ikuho Tominaga, Yoichi Honda

OMO, a hotel specializing in urban tourism, is a new business category of Hoshino Resorts that was born in the spring of 2018. "OMO7 Asahikawa", which is the first to start operation, is a rebranding project from a long-established local hotel. The brand concept is "a city sightseeing hotel that raises the tension of a trip that goes beyond just sleeping". We proposed a new communication concept design in the hotel market, inlaid with various playful tricks that bring out the appeal of service content that connects travelers and locals and makes walking around town even more appealing.