WorksAll Achievements

東京・有明のパナソニックセンター東京が2024年12月に閉館したことに伴い、ビジネスのお客様向け展示を東京・汐留に移転し、パナソニックグループの歴史や最新のソリューション、未来像などを実感できる場として「パナソニックコーポレートショウルーム」をリニューアルオープンしました。法人・官公庁などのVIPを対象とし、パナソニック様のこれまでの歴史と未来へのさまざまな取り組みについて、おもてなしや映像を通してプレゼンテーションしながら、共感から共創を促す場となっています。当社は、デザイン・設計・制作施工を担当しました。

2025年日本国際博覧会（大阪・関西万博）シグネチャーパビリオン「EARTH MART」は小山薫堂氏がプロデュースしたパビリオンです。「食を通して、いのちを考える」をテーマに、日本人が育んできた食文化の可能性とテクノロジーによる食の進化を共有し、未来へと導く「新しい食べ方」を共に考える場となっています。普段は「食」が並ぶスーパーマーケットに「いのち」を陳列し、その背景を体験することで気づきを得る設計としました。日常的な風景の中に見つける価値は、日々のさまざまな場面での選択を考えるきっかけになります。また、「野菜の花」や「卵殻を利活用した再生たまご」など生きた素材を使って空間を構成しながら、食に関わるさまざまな方（農家・寿司職人・バイオテクノロジー研究者）と共にコンテンツ自体を構築し、空間に物語が広がっていくような「統合されたひとつの世界観」をつくることでメッセージの伝達を実現しました。切り取られた「いのちの断片」を通じて、さまざまな当たり前をリセットすることで、いのちにとって本当に大切なものに気づき、感謝や優しさが生まれ、ほのかな幸せにつながる。食事の時間を昨日よりも少しだけ大切にしたくなる…そのような後味を残せればという小山プロデューサーの想いを具現化しました。

大阪・関西万博開催地の、大阪府・大阪市が産学官民一体となって出展する「大阪ヘルスケアパビリオンNest for Reborn」。当社は展示JVの代表企業として、基本計画、基本設計、実施設計、施工までを担いました。「未来の医療やヘルスケアが浸透した生活を体験でき、なおかつ未来社会の実験としてレガシーにつながる展示」という基本構想を、ミライの「ヘルスケア」「都市」「食・文化」「エンターテインメント」で表現しました。主なプログラムである「リボーン体験ルート」では、「カラダ測定ポッド」で健康データを測定することで、25年後のじぶんに出会います。その25年後のじぶんと一緒に、大阪を中心とした約20の出展企業が思い描くミライのヘルスケアや都市生活などを体験することで、ミライのじぶんが生まれ変わる、という体験ができます。「いのち輝く未来社会」に、リボーン＝ “「人」は生まれ変われる” “新たな一歩を踏み出す” きっかけになれば…と、想いを込めた展示です。【業務の特徴】「いのち輝く未来社会」に、リボーン＝ “「人」は生まれ変われる” “新たな一歩を踏み出す” きっかけになれば…総合プロデューサー、アドバイザー、出展企業、その他多くの関係者の想いを一つにまとめ、実現できました。

横浜ランドマークタワー30周年を契機としたプロジェクトです。横浜・神奈川にゆかりのあるシェフ監修の店舗や地元企業とのコラボレーション店舗など、魅力的な3つのバルが集積し、県内の食や生産者の魅力を来場者へお届けする、新たな「食」の発信拠点として2025年5月29日にオープンしました。店舗内装の一部には神奈川県産の木材を利用し、神奈川在住のアーティスト・山下良平氏の壁画アートにより空間を彩るなど、当社は企画からデザイン、施工までを担当しています。

Located in Umekoji Park in Shimogyo Ward, Kyoto City, Kyoto Aquarium is a popular social area visited by a wide range of people, from children to adults. We have renovated "Mittete," a new area with a wide range of functions, including displays about the aquarium, workshops, and a place to rest. The space is designed to be a place where visitors can learn not only about the animals, but also about the staff's feelings towards them, and the activities of the staff and the aquarium, making them even more fond of Kyoto Aquarium.

As the host country of the 2025 World Exposition, Japan (Osaka-Kansai Expo), which will be held under the theme of "concept design a Future Society for Life," this pavilion, based on the theme "Between Life and Life," seamlessly connects displays and architecture, allowing visitors to experience the significance of "circulation." The Japan Pavilion, with its circular structure embodying the relay of life, exudes a unique presence as a pavilion of a host country. While the flow of visitors is naturally drawn into the pavilion as they walk around it, its most distinctive feature is the countless wooden planks arranged in a circular pattern. The gaps between these planks allow visitors to glimpse the interior, and the continuity between inside and outside, displays and architecture, encourages visitors to become aware of the "in-between" aspect of the pavilion's theme. Another unique feature of this pavilion is the concept of a "Japan Pavilion that eats garbage." Microorganisms will decompose waste generated within the Expo site and convert it into energy and water. This "living pavilion" allows visitors to relive this process through an installation* and experience how the energy and water generated power the Japan Pavilion. By circulating the three-zone pavilion, visitors can sense the significance of "circulation," a Japanese aesthetic, and truly feel part of this long and magnificent story. Additionally, by using primarily cross-laminated timber (CLT) as "wooden boards" and steel for the structure, the pavilion uses CLT in as simple and symbolic a way as possible. The CLT used in the Japan Pavilion is planned for reuse by companies and local governments across Japan after the Expo ends, and has been designed for easy dismantling and repurposing. By understanding the value of "circulation," which underlies the Japan Pavilion's theme, "Between Life and Life," we aim to encourage visitors to reexamine the circulation that surrounds us and explore the future of society and hints for a sustainable future. Our company is responsible for displays concept design (schematic design, working drawings), construction, and operation of the Japan Pavilion. *A contemporary art form in which the entire displays space is experienced as a work of art. The audience walks around the space and enjoys the work through sights, sounds, and more.

We renovated the Mountain Center, located at the base of the Niseko Tokyu Grand Hirafu slopes in Abuta District, Hokkaido. The facility consists of two floors: a shop and ticket counter on the first floor and a restaurant on the second floor. The renovation expanded the first-floor sales floor by 1.6 times, and the second-floor restaurant, renamed "sanshoku," underwent a complete redesign along with its spatial presentation. The design interpreted the facility as a place to see off guests arriving at Grand Hirafu and onto the slopes, and a place to welcome guests returning from the slopes. By blending the generous, concept design nature of Hokkaido with the newly enhanced, cool brand identity symbolized by "Hirafu Blue," and sprinkling these elements into the vibrant, one-of-a-kind atmosphere unique to resort facilities, we aimed to create a space that offers a unique, cool yet warm experience.

This pavilion for the Osaka-Kansai Expo uses realistic materials to express the rich stories of Qatar's people, land, and sea. The space is composed of real sand that recreates the desert landscape with delicate gradations, aluminum that resembles the deep sea covering the floor, walls, and ceiling, and a giant curtain with intricate embroidery that symbolizes the country's cultural richness. We designed an experiential displays space in which Qatar's traditional crafts and landscapes emerge in a fantastical way amid materials that directly appeal to the visitor's sensibilities.

Spread out in front of the Koitoi coast in Hokkaido, "Roadside Station Shiranuka Koimunkan" is a facility where you can enjoy a comfortable car trip with a function as an RV park (*1), which is rare at a roadside station, and is equipped with showers, saunas, and laundromats. There are also restaurants that use local ingredients from Shiranuka Town, and on a clear day, you can overlook the beautiful scenery of the Koimun Coast from the "Azumashi Living" with a view of the sea and the observation deck on the second floor. In addition, based on Shiranuka Town's idea of "supporting child-rearing in Japan", the facility is equipped with a children's family space (Kokko Park). We participated mainly in the planning work of this project as a consortium member, and after being commissioned, we promoted the work as a member of the construction JV (*3), and handled a wide range of tasks such as interiors design and sign planning.  *1 A sleep-in facility certified by the Japan RV Association. *2 DBO (Design, Build, Operate): One of the public-private partnership methods in which design, construction, maintenance, management, and operation are comprehensively ordered from private companies. *3 Joint venture system. A business organization formed by multiple companies for the purpose of receiving and construction a single construction project.

Located at the gateway to the "Umekita Phase 2 Area," Umekita Green Place is a commercial complex themed around "greenery" and "a place for encounters and interaction." We proposed creating a facility with 20 stores, primarily restaurants and cafes, that would create a lush green plaza and a lively, relaxing space where visitors can wander around and enjoy themselves, catering to the needs of people passing through the JR Osaka Station area for a variety of purposes, from nearby office workers to people visiting the park or shopping. We were responsible for the planning, design and construction of the food court on the second floor and the restrooms on the second and third floors, as well as furniture and fixture manufacturing of the entire facility.

We were responsible for design, layout, sign and graphic concept design, interior administration, furniture and fixture manufacturing, environmental features, and construction of the restaurant "Lounge & Dining" at the 2025 World Exposition, Japan (Osaka-Kansai Expo). This facility is concept design to be a "place of hospitality" welcoming guests from Japan and abroad, and combines high-quality spatial presentation with comfort. We aimed to create a space that would create a memorable and special experience for people gathering from all over the world.

This renovation marks the renewal of the "Accident Information displays Room" at the Seibu Training Center, which was established in 2009 for the purpose of safety education for Seibu Railway employees. In addition to the existing "displays Area," a new "Learning Area" has been added. This "Safety Education Room" aims to encourage each employee to think and act independently and share a common awareness toward building safety, learning from past accidents and preventing them from happening again. In the "displays Area," employees reaffirm Seibu Railway's "safety first" policy based on accumulated accident information and learn lessons from accidents. In the "Learning Area," employees focus on human error and incorporate the latest safety management concepts. Through hands-on displays and workshops, employees were encouraged to think independently about how to solve problems and discuss them in groups, aiming to foster a shared awareness of safety among employees. Our company was responsible for the planning and concept, design, layout, sign and graphic concept design, design supervision, environmental features, exhibit execution, interior execution, and building execution.

Lawson's new store, opening within the 2025 World Expo, Japan site, is located in front of the East Gate entrance, which is directly connected to Yumeshima Station (Osaka Metro Chuo Line), the closest station to the site. The store features noren art representing each of the 47 prefectures and wall art inspired by Lawson's vision of a "Happy Lawson Town"—a symbiotic society created by the connections between Lawson's nationwide network and each local community. The store also incorporates many sustainable building materials, such as wood and single-wall pipes, in anticipation of future use after the Expo ends. Furthermore, the store's unique concept design incorporates Lawson's roots, which began in 1975, such as the logo and milk cans of the first store, conveying its unique identity and communicating its essential value as a "community hot station" that lives alongside the community, from the past to the future.

The zelkova trees lining the streets are covered in fresh greenery, transforming Sendai into the most beautiful "City of Forests" in May. The Sendai Aoba Festival, a period festival showcasing the "stylishness of the Date clan," is held in May. This festival began in 1985, marking the 350th anniversary of the death of Date Masamune, as a revival of a festival held in the Sendai domain during the Edo period. The fourth festival, held in 1988, saw the creation of five Sendai Yamaboko floats, recreating the traditional Yamaboko procession. Five more were added the following year, and another was created in 1995, bringing the total to eleven. Our Tohoku Branch was involved in the creation of the floats from the early stages, and thanks to that connection, all branch staff continue to support the procession every year. In 2025, the 12th Yamaboko, the "Borrowful Harvest Yamaboko," will be added to the festival for the first time in 30 years. Creating a new Yamahoko requires a considerable amount of money. Furthermore, it requires the participation of more than 100 people, including the pullers and dancers, so the sponsor must be a fairly large local organization or group. In this situation, the new Yamahoko was realized with the cooperation of Iris Ohyama, which is based in Sendai, Miyagi. Our company has a long-standing relationship with the Sendai Aoba Festival, and was in charge of the concept design and production work. *Dates: 2 days, the third Sunday of May every year and the day before.

Tokiwakan, a ryokan inn in Gamagori, Aichi Prefecture, was beloved by many literary figures during the late Meiji period. The Ume Annex, originally built as a detached building, has been reborn as "THE COVE," a Gamagori Classic Hotel accommodation facility, offering a whole-house rental experience. Based on the concept of "encountering the blessings of the region surrounding Mikawa Bay and enjoying them with all five senses," the hotel makes the most of the renowned building, a registered tangible cultural property, and the views it commands, nestled on a hill overlooking Takeshima Island in the tranquil Mikawa Bay. Furthermore, by adding a touch of "newness" where necessary, the hotel creates a pleasant contrast and an extraordinary lodging experience. The hotel is packed with the charms of the region, featuring artwork using traditional techniques handed down in the area and the development of original drinks crafted by local people using local ingredients.