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This café features an AI-powered oven, "Baumkuchen AI Craftsman 'THEO'," which bakes and serves Baumkuchen in real time in a show kitchen. Inspired by the theme of "life" from the 2025 Japan International Exposition (Osaka-Kansai Expo), the café uses "eggs" as its motif. The interior is predominantly white, with rounded chairs and tables, creating a bright space that softly reflects the light streaming in from the windows. Furthermore, the floor, walls, ceiling, and tables are made from recycled eggshells used in Baumkuchen production, expressing a vision of a future confectionery shop that avoids waste and incorporates materials into its architecture. *Opening period: April 13th (Sun) - October 13th (Mon), 2025

Producer Hiroaki Miyata's signature pavilion for the 2025 Japan International Exposition (Osaka-Kansai Expo), "Better Co-Being," is a pavilion without a roof or walls, standing as if blending into the adjacent "Forest of Tranquility." With the theme of "Resonating Lives," visitors are led through a resonant experience consisting of three sequences, starting from the unique connections they make when they gather on that day and at that time. In Sequence 1, visitors reflect on themselves and others, and rediscover "what connects us." By confronting diverse motifs, they become aware of the value of others and their own desires, gaining clues to resonance toward the future. In Sequence 2, they experience a perspective that resonates with nature, culture, and the lives nurtured there. Through the universal motif of "voice," they listen to global values and realize how the customs of distant regions connect to their own lives. In Sequence 3, visitors connect with one another and experience envisioning a better future while engaging with the world. By feeling connected to people and nature and creating a rainbow together, they acknowledge their differences while looking up at the same sky and gain a sense of moving towards the future. In the final epilogue, a unique video is screened that overlays the actions and environmental data experienced by visitors at that moment, providing clues to their connection with the world and their journey towards the future together. In this pavilion, our company was responsible for the production and installation of the art installation that forms the core of the resonant experience, as well as the installation displays work of communication equipment related to "echorb" (sponsored by Murata Manufacturing Co., Ltd.), a special device that guides visitors through the experience.

The Tochigi Children's Science Museum, having been in operation for over 35 years since its opening in 1988, underwent renovations to address the aging of its buildings and displays. This included extending the lifespan of the building and updating planetarium equipment and displays. Our company handled the entire process, from schematic design and working drawings of the large-scale renovation, including displays, interiors, and outdoor playground equipment, to the construction displays Based on an interactive approach, 156 displays and playground equipment incorporating new technologies such as AI and AR were created through a combination of newly manufactured and reused items. displays that have been beloved by the people of Tochigi for many years were also cleaned and refurbished for continued use. Furthermore, collaborative displays themed on the prefecture's natural environment and industries, a large symbolic displays, and a lounge were added, highlighting the museum's unique character as a science museum that reflects Tochigi's identity. This also aimed to reduce renovation costs, improve maintenance efficiency, and create a new science experience space that balances safety and functionality.

物流不動産の所有・運営・開発のリーディング・グローバル企業であるプロロジス様が岩手県金ケ崎町において、マルチテナント型物流施設「プロロジスパーク北上金ケ崎（きたかみかねがさき）」をオープンしました。当社は外壁グラフィック・サインのデザインとカスタマーラウンジエリアの基本デザイン・デザイン監修を担当しました。

新潟県上越市に位置する「上越科学館」は、子どもから大人まで「みて、ふれて、たしかめて楽しむ」をコンセプトにした体験型のサイエンスミュージアムです。昨年12月、くらし・環境・エネルギーゾーンに、新規アイテム“元素シューター”を整備しました。モニターに表示された元素周期表に照準を合わせてシュート（選択）し、元素と化合物の世界をひもといていく「化学を遊びながら学ぶ」展示です。「元素を学ぼう！（単体の検索モード）」と「化合物をつくろう！（クイズ形式の対戦モード）」の2種類のコンテンツを選択できます。約半年の短期間で、当社はプランニングから制作まで推進しました。

「SEGA STORE TOKYO」は、セガ様が推進する「トランスメディア戦略」を体現する国内初の旗艦店舗として、渋谷PARCOにオープンしました。同社が保有する多彩なIP※の世界観を、単なるグッズ販売にとどまらない「体験」として展開し、世界中のファンへ新たな「驚き」と「感動」を提供する情報発信拠点となっています。当社は、本プロジェクトにおいて、デザイン・設計、制作・施工、VMD（ビジュアルマーチャンダイジング）サポート業務を担当しました。セガ様ならではのコンテンツの魅力を五感で楽しめる空間を構築し、国内外のファンとコンテンツをつなぐ「場づくり」を実現しました。※知的財産権（Intellectual Property Rights）により保護されるコンテンツ全般を指します。

「東京ゲームショウ2025　セガ／アトラスブース」において、当社は設計・施工・運営・ステージ演出をトータルでサポートしました。ブース中央に大型ステージと高精細LEDビジョンを備え、セガ様・アトラス様ならではの世界観と情報発信力を最大化する空間を構築しました。

経済産業省様主催の福島復興展示イベントが、大阪・関西万博会場内のEXPOメッセ「WASSE」にて5月20日～24日の5日間開催されました。福島県浜通り地域等で、地震・津波・原子力災害という複合災害に直面しながらも、地域の文化や魅力を途絶えさせることなく未来へつないできた方々の活動や、最新鋭のロボット・ロケットなどの開発を進める各事業者の新たな取り組みを紹介しました。

静岡市に立地するBANDAI SPIRITS様のプラモデル生産拠点「バンダイホビーセンター」新工場内に開業した「BANDAI HOBBY CENTER PLAMO DESIGN INDUSTRIAL INSTITUTE MUSEUM（略称：BHC PDII MUSEUM　バンダイホビーセンターピーディーツーミュージアム）」は、「ものづくりの魅力発信基地」をテーマに掲げ、新工場の見学や、自分だけの“プラモデザイナー体験”ができます。また、50年以上にわたるプラモデル製造で培われたノウハウやこだわり、製品クオリティを支える最新技術も展示しており、子どもから大人まで楽しくものづくりを学べる場となっています。本プロジェクトにおいて、BANDAI SPIRITS様と共に当社は、施設内の展示やコンテンツの企画・設計そして施工、施設の運営計画まで総合的に携わりました。「プラモラブ」あふれるBANDAI SPIRITS様のミュージアムコンセプトやアイデアを実現し、工場で働く方々の知られざるものづくりへのこだわりを伝えるため、当社が持つ空間への実装力や展示デザインのノウハウを施設づくりに生かしました。BANDAI SPIRITS様が目指す「プラモの見え方を変える」という施設コンセプト実現のため、普段見ることができない、工場で活躍する本物の成形機や金型などを用いた展示表現によって、製造工程を体感でき、親しみやすいグラフィックや展示を通じて、 BANDAI SPIRITS様のプラモデルの本質であるものづくりへのこだわりや、その技術の進化・挑戦についても知ることができます。来場者に対しては、実際にプラモデザイナーの体験を通じて、プラモデルの新たな一面への気付きを提供することで、これまでとは違った新たな視点からプラモデルを楽しめるきっかけとなる場所を目指しています。

東京・品川駅港南口に位置する「品川グランドセントラルタワー」のオフィス共用部リニューアルプロジェクトです。当社は内装・サインの設計から施工までを担当し、2019年より計18フロアのリニューアルを随時推進してきました。本プロジェクトの目的は、オフィス共用部を刷新することでビルの価値を高め、テナント誘致へつなげることでした。そのために、硬質さと柔らかさを併せ持つ素材をバランス良く取り入れ、「プライベートと仕事場をつなぐセミプライベート空間」をデザインコンセプトに設定しています。質感豊かな内装仕上げにより、入居者にとって心地よく、企業にとっても魅力のあるオフィス環境を実現し、ビル価値向上に寄与しました。

Le Cafe Benoît Niant, which opened at Seibu Ikebukuro Main Store, is the first cafe-style store in Japan. Benoît Niant is a chocolate brand created by Benoît Niant, a leading Belgian chocolatier. While working as an engineer for a steel manufacturer, Benoît Niant was captivated by the profound appeal of chocolate, and after extensive research on his own, began his journey as a chocolatier.

This project was a renewal of the food and beverage zone (basement 1 and 2 floors) of the Meiji Yasuda Life Building in Tokyo, which is celebrating its 20th anniversary since its completion. On the 2nd basement floor, the newly opened "Marunouchi Food Hall" is made up of six stores offering a wide variety of food and drinks. In addition to breakfast, lunch, and dinner, the hall also offers cafe and takeout options to suit the needs of each visitor. Our company was responsible for research, merchandising planning, leasing, furniture and fixture manufacturing, environmental design and construction, and operational planning.

This is a renovation project for the 24th floor of Okamura's head-washed office "We Labo", which handles office furniture and store fixtures. For the complete renovation of the first floor, under the design of Okamura's creative team, we were in charge of the construction of the interiors construction work.

For the "Wakayama Zone" of the Kansai Pavilion at the 2025 World Exposition in Japan (Osaka-Kansai Expo), we collaborated with Hideki Yoshimoto, the general director of the Wakayama Zone, to express "high-quality Wakayama." The video device "Totem," reminiscent of the giant trees of the Kii Mountains, is finished with Kishu lacquer, and the counter tables and chairs that provide dining experiences are also made of Kishu wood. Wakayama's traditional crafts and materials are utilized in the various elements that make up the space, condensing the charm of Wakayama, which is a source of pride for the world, into the space.

OMO5 Yokohama Bashamichi by Hoshino Resorts, a hotel that inherits the history of Bashamichi in Yokohama and serves as a hub in the sky, has opened (January 15, 2026). In a short period of less than a year from planning to completion, our company was in charge of everything from concept design and design to construction. The concept is "CRUISE SHIP," and the entire space is infused with the romance and playfulness of sailing. On the 46th floor, the public space takes advantage of the limitations imposed by the mix of existing tenants and public open space to create a circulating flow that envisions the entire floor as the "interior of a ship." By visiting lounges reminiscent of the bow of a ship, mirror decks that amplify the night view, galleries, and theaters, we have created an exhilarating "shipboard experience." In the guest room design, we have made the most of the existing feature of having an attached kitchen and proposed "ship cabins" where guests can spend intimate time with friends. We have cherished the density that can be created precisely because of the limited space, and have finished it as a functional yet rich space. The design, which reflects the colors and fonts associated with the Hikawa Maru, a ship representative of Yokohama, acts as a switch that shifts your perspective from a voyage above the clouds to a deep dive into the city.